Today, Aziraphale felt self-conscious. He wasn't usually one for vanity, but he caught his reflection in the mirror and just stood and looked for a moment, frowning. Crowley spotted him, approached him rapidly, grabbed his shoulders, and kissed the daylights out of him until he was pink-cheeked and bright-eyed and had completely forgotten there was anything else to think about before.
Just sit and stare a bit.
Feel free to stop here and rest before journeying to the posts below.
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can ask be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
There.
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In the idyllic English countryside, far from the hustle and bustle of the big city, two teachers at Willowbrook Hall set out to transform their students’ lives through the world of theatre. But for Mr. Crowley, the challenge of navigating his long hidden feelings and dear friendship with Mr. Fell may prove to be the greatest drama of all. [subscribe here]
Do you also experience this soft and safe darkness of the night sometimes, especially with someone you love nearby? Crowley hangs the stars for Aziraphale in the theatre and they share a first kiss. The perfect start for the weekend. Short fic (~1100words). By @sapphosewrites
And within this fic a reference to a lovely poem. Aziraphale is quoting from Starlight by Harold Lewis Cook:
Starlight through the curve of space
Falls an age and does not tire;
Falls and knows not where it falls,
A curve of undiminished fire.
Crowley was rather proud of the Employee Hellpline. There had been a contest, about twenty years back, to create the most confusing phone structure possible, and Crowley had won. (He'd got inspired by calling up a telecom company to cancel service. Despite the fact that he'd made the call without an account, he'd left having agreed to a phone/television/Internet bundle and two magazine subscriptions.)
What he’d forgotten was the fact that he was an Employee, and thus had to navigate the labyrinthine obscurity of the Hellpline every time he needed to put in a request for a little extra power or office supplies. Fortunately, he didn't tend to make many calls; unfortunately, this meant that any insight he gained into the pattern had generally evaporated by the next time he had to face it.
Which was how he came to be sitting in his car, twenty minutes late for lunch, being informed in a monotone that he’d better listen carefully to the following menu, as options might have changed.
“For complaints about colleagues, press 1. For complaints colleagues made about you, press 2. For accounts payable, press 3, then 8, then turn the phone around and repeat. For accounts receivable, enter your ID in reverse. For all other financial requests, spell the first 10 pages of the Bee Movie script using your keypad. For—”
There was a knock at the window. “Are you quite all right?” Aziraphale said.
Crowley rolled the window down, half-listening to the phone menu. “Sorry I’m late—”
“You weren’t late. You drove up twenty-five minutes ago and took the ‘Reserved for Customers of AZ Fell & Co’ spot. So no actual customers have been able to park here this entire time. Which is dreadful,” Aziraphale added happily.
“This concludes the menu. Make your selection in the next four seconds or this call will be terminated. Four…three…” Crowley racked his brains attempting to remember whether accounts payable was 8, then 3, or— “Good-bye,” the voice said, with gloomy satisfaction, and hung up.
“Ahhh, sanctify it.”
“What?”
“I’m trying to get this reimbursement through. I had to buy eighty live bats for this work thing, and apparently that kind of order can’t go through the normal process. So I’m on the Hellpline. But this consecrated phone—”
“Didn’t you design the system?”
“Might’ve done.”
“May I?”
Crowley hit Redial and placed the phone in Aziraphale’s outstretched hand.
Aziraphale listened thoughtfully to the first list of menu options, then tapped the phone. He listened a bit longer, tapped twice more, said, “Mammal, not otherwise specified,” and handed it back.
A voice crackled in Crowley's ear. “Accounts payable, living creatures from twoscore to nine dozen. How can I hinder you today?”
“One sec,” Crowley said, and moved the phone away. “How’d you do that?”
“It was yours, wasn’t it?”
“Yeah.”
“I suppose I simply know how to thwart you,” said Aziraphale smugly. “Go on,” he said, nodding at the phone as he got in the car. “We’re late.”
happy pride to everyone in the community!! happy pride to those who are out, those who are not, those who aren’t sure of their identity yet, those who don’t use labels, those who don’t feel seen, etc, etc. stay safe and don’t be ashamed to be yourself.
My cartoon for this week’s Guardian books.
She/her, pan, ace, 40s | more silliness in my life please | (day)dreamer | voracious reader | music chaser
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