The character of Abbennaea embodies profound symbolism through her connection to purity, transformation, and balance between offerings and the divine. The number seven, representing the sacredness of her teachings and the seven acceptable offerings, resonates with various esoteric traditions where seven often signifies completion and wholeness. The act of cleansing and purifying altars can be seen as a mathematical interplay of addition (incorporating good offerings) and subtraction (removing ill-intended gifts), suggesting a duality intrinsic to her role as both a nurturer and curator of spiritual exchanges. Additionally, her association with elements like incense, which transforms material into ephemeral essence, mirrors alchemical processes and the idea of transmutation of life energies, underscoring the significance of intention behind offerings. The portrayal of her as a protector against the darker aspects of sacrifice (blood offerings) emphasizes a moral dualism inherent in spiritual practices, reflecting an underlying mathematical balance between life energy and its appropriate channeling.
Abbennaea's attributes suggest layers of hidden meaning that extend beyond surface interpretation. Her role as a "purifier" can symbolize the importance of intention and authenticity in spiritual practices, indicating that the quality of offerings impacts the overall harmony within the divine realm and by extension, the human experience. The imagery of deep red hair may signify passion, vitality, and even the life force, linking her to the cyclical nature of creation and destruction. The duality of her form—taking the shape of a bird or butterfly—hints at transformation and transcendence, characteristics that encourage spiritual growth and evolution. Furthermore, her title as the messenger and "chamber-maid" of Alaway suggests a deep interconnectedness between the divine and the earthly; she acts as a bridge between realms, highlighting the necessity of nurturing relationships between humanity and the divine. This underscores a possible hidden teaching: true devotion requires not just ritual, but also care, mindfulness, and a commitment to purity of intention in the offerings we present to the universe. Ultimately, Abbennaea serves as an archetype for balance and renewal, inviting followers to embrace a holistic approach to spirituality that honors both craft and consciousness.
Abbennaea’s role as a goddess associated with offerings and purification can be interpreted through various scientific lenses, particularly in anthropology and psychology. Her emphasis on acceptable offerings aligns with the concept of reciprocity found in many cultures, suggesting an evolutionary basis for human relationships with the divine, where mutual exchange fosters community and social cohesion. This reciprocal relationship mirrors the ecological balance observed in nature, where organisms depend on each other for survival, highlighting a broader interconnectedness that could be seen as symbolic of ecosystems where each element plays a crucial part in sustaining life.
Scientifically, her act of purging ill intentions from offerings can be likened to the principles of homeostasis found in biological systems, where balance and purity are essential for health and function. This aspect of her character underscores the significance of mental and emotional clarity—something supported in psychology, where intentions and emotional states are shown to affect interpersonal relationships and environments. Add to this the very science of the art of making of incense, which is an exact science and act of pleasure all on its own. The time used to make these floral and woodland blends is used as a time to connect with Abbennaea.
Furthermore, Abbennaea’s frequent association with incense may have a deeper, physiological implication; the act of burning incense has been shown to have both calming and meditative effects on humans, promoting a sense of well-being that could reflect her nurturing qualities. The transformation of offerings into “that which is good for all beings” can parallel the biochemical processes where substances are metabolized for benefit, emphasizing a transmutation of energy from material offerings into spiritual sustenance. At the core of Abbennaea's mythology lies a tapestry of scientific truths about interconnectedness, the importance of purity and intention, and the profound psychological impact of rituals—all of which resonate with the laws of nature and human experience.
The info I post on my page is of the BOWYNN FAITH. It is not the beliefs of Wicca or other Pagan faiths. I got a couple of notes this morning slamming me saying the info I am posting is wrong. Point of fact - No it is not. It is of the beliefs of the Bowynn faith. It is NOT the beliefs of Wiccans, Hellenes, Nordic or Keltic. It is not the teachings of Buddha, Hindu or the Lakota.
So, if you are Wiccan and watching my page for more info for your Wiccan or Pagan faith, you are going to get very confused and find that the information is going to contradict Germanic and Keltic teachings. The meaning and pathways of elements will not be the same.
Also, I just need to stress, that the Bowynn faith is not a Cafeteria faith: You cannot pick and choose what fits your current belief and wedge it into your Saxon-Roman-Hermetic Pagan faith. Either embrace it in its totality or move on path.
I am not posting this in a bloggers rage. I am just stating this following a couple of private message I got because some people thought the Elemental information was wrong. It is not wrong, it just not Wiccan, HIndi or Huna beliefs.
I appreciate the notes and messages just please do not come at me with swords-a-blazing, saying "your information is wrong."
Second, I was asked if my images posted here are AI generated. No they are not AI. Some are photos I created almost a decade ago out in the woods around Seattle. Others are photo manipulated, using images of items I created myself. In the case of the Elements posts, the Numatam, cups and wood chalice are mine which I wood-burned myself. As previously noted, I am totally against AI Art and pretty much AI anything and everything. They are all signed with my name and dated (At least most are) and have hidden signatures as well.
Thankyou.
Meave us to start with some very simple Bowynn words you may find throughout my blog:
Mystra: (Magic / Magick) The arts of the witch.
Myst: (Witch) A Myst pertains to anyone that practices the mystical, arcane, esoteric arts.
Baear: (Altar) The sacred table/tablet where one prays to the divine and leaves offerings.
Tymon: (Shrine) A smaller and more secure form of a Temple and Altar all in one.
Alm: (God) Male deity
Almaea: (Goddess) Female deity
I will leave it here for now. in future posts I will insert other words throughout my text within Brackets { } At some point I may include and dictionary depending on whatever time is allotted to me.
O revered Anhur, King of the Gods, who presides over the hearts of men and the deeds of mortals, I kneel before your wisdom and bountiful spirit. As the scepter of law rests in your grasp, may your voice guide me in the paths of virtue and justice, and may your watchful gaze shield my family beneath the wings of protection and grace. O Anhur, embodiment of order and moral strength, crowned in the bountiful leaves of the Maple Tree, I offer my humble heart and supplications. You, who traverses the earth and the air, lend your ears to my pleas. Grant me courage in the face of adversities, and guide my footsteps along the path of righteousness. May I uphold the virtues you cherish and stand firm in the name of justice. With offerings of sincerity and gratitude, I present my words before you, great Anhur—sacred totem of the wolf, steadfast guardian of families. May my heart echo the principles of honor and truth you embody, as I strive to foster peace and love within my home. In every counsel I provide and every decision I make, may I reflect your wisdom.
O wise Anhur, as I navigate the trials of life, bestow upon me the insight to discern the just from the unjust, to protect the vulnerable, and to champion the cause of the oppressed. In times of conflict, may my spirit remain unwavering, guided by the light of your virtues. Let not fear overshadow my resolve, for I carry your strength within me. In the spirit of community, I call upon the essence of Alaway, the magnificent hall where gods gather in unity, leaving behind their discord. May love and respect flourish among my kin and strengthen the bonds that tie us. Let us feast together in joy, sharing not only our harvests but our hearts, reflecting the harmony you instill in us all. O Anhur, greatest of fathers and protector of the just, as I tread the paths of life, may your spirit walk alongside me, granting peace to my household and justice in my actions. May the legacy of your reign inspire hope and virtue in my heart, guiding my steps as I endeavor to uphold the sanctity of family, the strength of communities, and the harmony of the earth. So shall it be, under the watchful and loving eye of our King.
Abbennaea (Ab-bhen-nay-ah) Goddess of all sorts of offerings and libation. She is the daughter of Phaenixx and Sumon. Abbennaea is a rather young goddess, mother-like in appearance, said to be graced with deep red hair. She is the goddess that receives the spiritual essence of the offerings sent to the gods by mortal men and in turn, turns them into “that which is good for all beings.” After the “Great Migration” of mankind, Abbennaea was said to have spent her “7 sacred nights” among the first tribes and taught them the arts of making incense and what offerings were allowed to be offered to the Akua. After the god Mano tricked mankind to sacrifice blood to the gods, it was Abbennaea that had to come back to mortal man, cleanse their altars and re-teach them all that what was acceptable.
In Alaway, Abbennaea is not only a messenger of the gods but has the duty to purge and cleanse the halls with incense daily; burning Tsa'hekas of incense to dispense the energies from the night before. It was Abbennaea that cleansed the great hall after the battle between Mano and his cousins after one fight took place in the halls of Alaway.
Abbennaea is said to be of a most loving face and of natural beauty, her garments often of reds and she is depicted always with either a single stick of incense in one hand (or a bundle of sticks). And in the other hand, a libation pitcher. She is often said to take the form of a bird or butterfly if she does mingle among men. The butterfly being her totem
Lyan (Ly-an) Lyan is the Bowynn god of the eastern providences and the east wind. He is one of the 4 wind gods, brother to Arn, Summon and Ryan.
Lyan is the god the delivers the moist gentle and scented rains and winds that often come in the spring and Springtime flowers. His winds blow away the last remnants of winter, allowing flower to grow. Appropriately, Lyan fell for the goddess of the springtime season and eventually wed her. Their sacred divine wedding falls on Ky'Quilla. Together, Lyan and Quilla reside in the far eastern lands. And together both appear on the first day of spring with Lyan leading his beloved. Lyan is seen as a young man, barely out of his teenage years with wavy red flowing hair. He is seen in his divine form with bird wings. His garments are of reds, greens and/or yellow, often a long flowing loosely, that's falling off his shoulder and in his hand a flute and on his side a drinking horn. When not in his godly form, he will appear as a Robin, a bird that is Lyan's totem.
Sacred gifts and offerings to Arn often consist of milk, fresh water and votives of robins, feathers and spring flowers.
Nareen (Nah-rin) Nareen is one of the three Ano Taya goddesses. She is the eldest of the three Ano Taya and the daughter of Bia. As one of the three Ano Taya, Nareen is the goddess of the Future and is the goddess that checks on the woven threads in the Tapestry of Life, that’s Narna (The Present) has woven, tightening them into place. Nareen is the final judge as to the threads of life that are woven into the Tapestry of Life. And only Nareen can alter a threads course. Even Anhur himself must ask Nareen to remove or cut a thread, which is very rare. Nareen is also a goddess of prophecy; people often praying to her to change the course of their lives for the better.
Nareen is the Goddess of The future. She is called "The Bending One because the future is always altered by our choises. Nareen is the Goddess of What Is To Be, The goddess of the elderly, and the goddess of possible destinies. She is also a patroness to oracles and people that divine. Sadly, many people and gods have accused her of being the goddess of a solid set course of events, but Nareen is nothing of the sort. She represents the 'Ever Altering Future." She has nothing to do with how the future plays out. She only guards the events in the Tapestry of Life. Nareen has always warned people and the gods that she does not control nor altar the future. "You do that yourself. I work in thread and wool, not in stone."
Nareen is a goddess seen as an old wise woman, a grandmother figure. She is dressed in purples or sometimes black, with a veil on her head topped with a crown of flowers. In her hand is seen a spool of wool and loom cob. As with her sisters, Nareen has no totem animals.
Woven fillet with the Ano Taya and other goddesses
Wood carved pog of Paut - Made my myself - 1987
Paut (Pawt) Goddess of the element of Soul. One of the first children/creations of Bia and the brother of Brea and the other gods of the creatrix.
At the beginning of time when the gods gathered together and formed mankind, they discovered that mankind walked about the earth aimlessly and all were exactly alike. So Paut instilled into each person a soul, which gave each person a voice and personality, making them different and their own individual, both physically and mentally. This was Paut’s great gift to mankind. Later, during the 7 Sacred Days, Paut stayed with the tribes and taught them how to understand their individuality and how they make up a part of ones being. Also, she taught mortals how to keep our souls and bodies healthy and clean. When it comes to the Bowynn belief system, we recognize the soul as a physical part of human anatomy. This is due to Paut’s teachings.
Paut is seen as a young woman, with a long golden hair. her eyes are said to be amber in color, to see past folk's mortal husks to their soul. Paut is dressed in long robe and cloak. Over her robe she wears three large round pins that represent the three elements the soul controls: Self, Mind and Action. Often, she is seen with a staff in her hand which is topped with a bull head. Despite the bull head on his staff, this is not known to be Paut’s totem. In fact, Paut does not have a totem animal; at least not one that is known to us.
Sacred to Paut is glass baubles and votive bull images. These as well as Incense are the customary gifts to Paut.
Embroidry & Paint representing the Gods of creation: Tya, Paut and Phaenixx - Created by Sheree Tsarnek - 2017 (With the god Aetenn on the far left)
QUESTION: Do Bowynns believe in Kharma or the 3-fold law?
ANSWER: No. Not in the way these are commonly believed. Kharma and the 3-fold law come from other cultures and practices. These idealisms and beliefs are not part of our faith. We adhere to the belief of Bia (balance) and that if what you do and say in life is just, true, moral and virtuous, then you are in good standings. If it is not, then the gods and those around you will call you out and tend to you justly. And the more wrong one does, the worse it is going to be. Like a rubberband: the more you pull on it, the worse it is going to hurt when it snaps back. And assuredly, it will snap back.
Mano (Man-oh) God of hate, jealousy, tricks, evilness, all that is wicked, war and destruction. Mano is the only god in the Bowynn faith that is of negativity and after his confinement and destruction by the gods, he said to be never invoked again. Even in the Hall s of gods, Mano is not spoken of nor his image depicted. Despit this Mano is still listed in the Pantheon of the Bowynn gods, as a sever lesson to be learns and avoided..
Mano was the bastard son of Phoenix and Sumon and hated his cousins Brand, Brenda and Kord. Spending so much time with them as kids, Mano became jealous of his cousins and started to play tricks on them. This led to Mano's enviousness to spread to all the gods, He saw them all as prefect and himself as flawed. Though he tormented other gods as well, he seemed to target his two cousins the most, and later on started to fancy Brenda, who was the goddess of love and beauty. As the years went by, Mano's tricks became more and more malicious and destructive; stealing, harmful and in some cases physically painful. What exactly caused this jealousy is unknown, as Mano had just as much beauty and gifts as his cousins. Whatever the reason, the tricks escalated to a point where Mano was reported to Anhur for kidnapping his cousin Brenda and it took Brand and Kord days to find her. He also started to teach mortals how to behave wickedly to each other. He encouraged theft and destruction,
Needless to say, Anhur punished young Mano. This sat wrong with Mano and the malicious god started to outright battle with Brand and Kord. But his rage blinded him so much that the twins always defeated him, sending Mano running. In turn Mano finally had enough, stole the sword "Nilwynn" from the war god Tirren and used it to slay his cousin Brand as he slept in a field. This was possible only because only an immortal weapon can kill a god. When Kord discovered his twin brother dead, he vowed revenge and a great war started between the two. Kord, being much stronger, caused Mano to even the odds by creating an army, the malicious Tii spirits. However, Kord created the Kii, to battle them. The battle raged for months and in the end, Kord defeated Mano, chained him and brought him before the gods for judgment. Anhur cast the final verdict and decreed Mano be stripped of all godly hood and gifts and changed him for eternity in a cave in the ocean.
At some point Mano had been able to and took on Anhur's son, the demi-god Allon. Their own battle was just as destructive till Allon slew the anti-god, casting his body into the sun, so that it would never soil the earth again.
Like all gods, Mano has two forms; in his godly form, Mano is a young handsome god, with jet black wavy hair. Divine law dictated his image never to be depicted in any form, so not to manifest him nor his ways back into existence. And he is certainly never invoked. In his godly form Mano used to take the form of a Woodpecker, Lion Shark and Octopus.
Exploring the Faith, Sacred Way and Mystical Arts of the Bowynn Tradition
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