How To Use Descriptive Writing

How to Finish A First Draft

Source: https://thewritepractice.com/first-draft/

post by @writingwithacutlass on instagram

Here are the two steps for writing a book:

1: sit down*

2: write.

*this step is optional.

That’s all you have to do to write a book. You can’t edit a book you never wrote! If you want to finish writing a novel, you’re gonna need to have a finished first draft.

As the article puts it; writing is not:

thinking about writing, buying books on writing, talking about writing, listening to podcasts about writing, attending writing conferences, dreaming about writing, getting a tattoo about writing, watching movies about writing, talking to your cat about writing—none of those activities will write your book.

But if you’re simply clueless on how to actually write a first draft, never fear! I’ve got you covered :) swipe!

figure out the story first

You’ll need something to guide you as you write your first draft. If you’re new to writing, you’ll figure out soon enough if you’re a plotter, plantser, or pantser, but either way you’ll want at least a vague idea of where you’re headed.

write a blurb and get feedback on it

Write a short paragraph (such as one you would find on the back of a book) that sums up your story. (don’t reveal the ending though!) share it with your friends or someone you trust (keep in mind that friends might sugarcoat to avoid hurting your feelings, so maybe ask someone else) and get their feedback on it. Did they read all the way through or did they zone out after the first sentence? Be sure they can give you honest opinions on it.

don’t let yourself get distracted while writing

When you sit down to write, it’s best if you keep all distractions away from you. Put your phone in another room, find a quiet spot, put on some music if it helps you...create a space where you can write without losing your train of thought every five seconds.

write “tk” as placeholder

When you’re unsure of something, do NOT go to google and try to figure out what it is. Write “tk” as a placeholder, as there are no words (or at least hardly any) in English that have those two letters next to each other. Later, you can search “tk” in your document and all those placeholders will show up.

don’t stop

Momentum is everything when it comes to first drafts. You need to keep writing until the first draft is complete!

don’t rewrite, edit or reread until it’s finished

Editing as you write will slow you down SO MUCH. if you’d like to save yourself a heap of time, just don’t do it. Same goes for rewriting. It’s fine as it is, you can fix things in later drafts. As for rereading what you wrote, it’s best if you don't do this either. It wastes time and keeps your mind stuck in what you already wrote, instead of what you need to write now.

don’t get discouraged

It’s really easy to get discouraged while writing a first draft. We’ve all been there. Don’t give up!! Despite all the writing advice you can find online, perseverance is really the main key when writing first drafts. You’ve got this, I'm rooting for you!

set deadlines + goals

Deadlines and goals are very helpful for both motivation and keeping track of your progress. Make sure your set *attainable* goals, or else you’ll become stressed and eventually give up. Celebrate your progress!

find a supportive community

Having supportive friends is the best thing ever :) my online friends motivate me so much, and some of them have saved my wip from dying lol but if you aren’t in a community yet, go join one! And if you don’t know where to find one, don’t worry :) instagram’s writing community is wonderful and everyone is so supportive of each other! The algorithm is being horrible to us right now but everyone is really welcoming to new accounts and you can find friends and writing buddies!

Crafting A Fantasy Culture, or the fallacies of using culture in the singular

The world is an interdependent place.

A lot of Western writers will look at the need to diversify their writing and try to cherry pick outside cultures to add. They then come to us with a laundry list of questions about what they’re allowed to change about those cultures because, well, they didn’t pull from a broad enough context.

The thing about researching individual cultures is: you’re never going to be researching just one culture. You’re going to be researching all the cultures they interacted with, as well.

Cultures are made by interacting with other cultures. So you can’t simply plop a singular culture into a fantasy world and expect it to work. There is too much outside influence on that culture for you to get a holistic picture by researching the culture in isolation.

Instead, you need to ask yourself, “what environments made them, and how much of their surrounding contexts do I need to add to my fantasy world to make this genuine respectful representation?”

And before you say that you can’t possibly do that, that is too much research, let me introduce you to the place you’re already doing it but don’t realize:

Stock Fantasy World 29

Aka, fantasy Europe.

It gets ragged on a lot, but let’s take a minute to look at the tropes that build this stock fantasy world.

Snow

4 seasons

Boars, pigs, wolves, dogs, pine trees, stone

Castles

Sheep

Knights

A king

Farming based economy

Religion plays a pretty big role in life

All fairly generic fantasy Europe tropes. But if you look more closely, you’ll notice that this is painting a picture of Fantasy Germany/the Netherlands, with perhaps a dash of France and/or England in there, all of it vaguely Americanized (specifically the New England area) because there’s usually potatoes and tomatoes. The geographic region is pretty tight, and it just so happens to mesh with the top three superpowers of upper North America, and arguably the English speaking world.

But let’s keep going.

They import stuff. Like fine cloth, especially silk, along with dyes & pigments

These things are expensive from being imported, so the nobility mostly have them

There’s usually a war-mongering Northern People invading places

If brown people exist they are usually to the East

There might be a roaming band of nomadic invaders who keep threatening things

There is, notably, almost no tropical weather, and that is always to the South if it’s mentioned

There might be an ocean in the South that leads to a strange forgien land of robed people to survive a desert (or did I just read too much Tamora Pierce?)

And, whoops, we have just accidentally recreated European history in its full context.

The Northern people are Norse, and their warring ways are indicative of the Viking Invasion. The imports hint at Asia, namely the Ottomans and India, and the silk road. The roaming invaders are for Mongolian Khanate. The ocean and tropical weather in the South hints at Spain, Greece, and the Mediterranean. And the continent of robed people indicates North Africa, and/or Southwest Asia.

Suddenly, stock fantasy world 29 has managed to broad-strokes paint multiple thousands of years of cultural exchange, trade, wars, invasions, and general history into a very small handful of cultural artifacts that make up throwaway lines.

Europe As Mythology And You

European history is what’s taught in Western classrooms. And a lot of European history is painted as Europe being a cultural hub, because other places in the world just aren’t talked about in detail—or with any sort of context. Greece and Rome were whitewashed; the Persian and Ottoman empires were demonized; North Africans became the enemy because of their invasion of Spain and the fact many of them were not-Christian; the Mongolian Khanate was a terrible, bloodthirsty culture whose only goal was destruction.

But because all of these parts did interact with Europe and were taught in history class, writers crafting a fantasy Europe will automatically pull from this history on a conscious or subconscious level because “it’s what makes sense.”

The thing is, despite people writing European fantasy subconsciously recreating European history, they don’t actually recreate historical reality. They recreate the flattened, politically-driven, European-supremacist propaganda that treats every culture outside of Europe as an extra in a movie that simply exists to support Europe “history” that gets taught in schools.

As a result of incomplete education, a lot of people walk away from history class and believe that cultures can be created in a vacuum. Because that’s the way Europe’s history was taught to them.

Which leads to: the problem with Fantasy World 29 isn’t “it’s Europe.” It’s the fact it’s an ahistorical figment of a deeply colonial imagination that is trying to justify its own existence. It’s homogeneous, it only mentions the broader cultural context as a footnote, it absolutely does not talk about any people of colour, and there’s next to no detailing of the variety of people who actually made up Europe.

So writers build their Fantasy World 29 but they neglect the diversity of religion and skin tone and culture because it’s unfamiliar to them, and it was never taught to them as a possibility for history.

While “globalization” is a buzzword people throw around a lot to describe the modern age, society has been global for a large portion of human history. There were Japanese people in Spain in the 1600s. Polynesians made it to North America decades if not centuries before Columbus did. There are hundreds more examples like this. 

You can absolutely use fantasy to richen your understanding of Europe, instead of perpetuating the narratives that were passed down from victor’s history. People of colour have always existed in Europe, no matter what time period you’re looking at, and unlearning white supremacist ideas about Europe is its own kind of diversity revolution.

Travel is Old and People Did It Plenty

Multiculturalism is a tale as old as time. And while some populations were very assimilationist in their rhetoric, others were very much not. They would expand borders and respect the pre-existing populations, or they would open up networks to outsiders to become hubs of all the best the world had to offer. Even without conscious effort, any given place was building off of centuries of human migration because humans covered the globe by wandering around, and people have always been people.

Regardless, any time you have a group of people actively maintaining an area, they want to make travelling for themselves easier. And the thing about making travelling for yourself easier is: it made travel for outsiders just as possible. By the time you reach the 1200s, even, road, river, and ocean trade networks were thriving.

Sure, you might be gone for a year or three or five because the methods were slow, but you would travel. Pilgrimages, trade routes, and bureaucratic administrative routes made it possible for people to move around.

And also, soldiers and war did really good jobs of moving people around, and not all of them went back “home.” Hence why there have been African people in England since the Roman empire. When you have an empire, you are going to take soldiers from all over that empire; you aren’t going to necessarily pull from just the geographic region immediately surrounding the capital. 

Yes, the population that could travel was smaller than it is now, because land needed to be worked. But Europe isn’t the be all end all in how much of its population needed to be in agriculture in order to function; the Mughals, for example, had 80% of their population farming, compared to over 90% for Europe in the same time period. That’s an extra 10% of people who were more socially free to move around, away from their land. Different cultures had different percentages of people able to travel.

This isn’t counting nomadic populations that relied on pastoralism and horticulture who didn’t actually settle down, something a lot of history tends to ignore because cities are easier to discuss. But nomadic populations existed en masse across Eurasia, and they took cultural traditions all over the continent.

Just because it wasn’t fast doesn’t mean it didn’t happen. And just because a lot of Europeans couldn’t travel because of the agricultural demands of the continent, doesn’t mean every other culture was as tied to settlements. 

Multiculturalism and Diffusion

While each individual culture is unique, and you can find pockets of difference anywhere, cultures exist on a sliding scale of broad customs across the globe. Greece and Turkey will have more in common than China and England, because the trade routes were much closer and they shared central rulership for multiple hundreds of years.

This is why we keep saying it’s important to keep cultures with other cultures close to them. Because those are the natural clusters of how all of the cultures involved would be formed. The proper term for this is cultural diffusion, and it happened all the time. Yes, you could get lots of people who had their own unique customs to set themselves apart. But they had the same natural resources as the dominant group, which meant they couldn’t be completely and totally alien.

Even trade influence wouldn’t produce the same results in two places. When Rome imported silks from China, they rewove them to be a different type of fabric that was lighter and more suited to their climate. Then the Romans sold the rewoven silk back to China, who treated it differently because they’d woven it the first way for a reason. They didn’t talk to each other directly because of how the Silk Road was set up at the time, either, so all they had were the goods.

And people automatically, subconsciously realize this whenever they write Fantasy World 29. They put like cultures with like cultures in Europe. Because even if they weren’t really taught to see the rest of the world as anything more than a footnote, they still transfer those footnotes to their fantasy.

The problem is, people don’t realize the gradient of customs. In the modern day, Greece and Turkey are different countries, with histories that are taught in totally different frameworks (Greece as an appropriated white supremacist “ancient land” that all Western European societies are descendent from, Turkey as a land of brown people that were Muslim and therefore against the Good Christian Europe), so it’s really easy to ignore all of their shared history.

People often fought for the right to rule (or even exist) in a place, which deeply impacted the everyday people and government. Ancient Persia is a fantastic example of this, because it covered huge swaths of land and was a genuinely respectful country (it took over a deeply disrespectful country); had it not been for Cyrus the Great deciding that he would respect multiculturalism, the Second Temple wouldn’t have been rebuilt in Jerusalem. 

You can’t homogenize an area that was never homogenous to begin with. Because there was a ton of fighting and sometimes centuries-old efforts to preserve culture in the face of all this fighting (that sometimes came with assimilation pressure). Dominant groups, invading groups, influencing groups, and marginalized groups have always existed in any given population. See: Travel is Old above. See: people have always been people and wandered around. Xenophobia is far, far older than racism ever will be, because xenophobia is simply “dislike of Other” and humans love crafting “us vs them” dynamics.

This lack of unity matters. It’s what allows you to look at a society (especially one with a centralized government) and see that it is made up of people that are different. It leads you to asking questions such as: 

Who was persecuted by this group?

Did the disliked group of people exist within their borders, or were they driven away and are now enemy #1?

What was their mindset on diversity?

How did they handle others encroaching on what they saw as their territory?

People do different things across different households, let alone hundreds of miles away. You wouldn’t expect someone from a rich, white area of California to behave the same way as someone from a middle-class immigrant neighbourhood from NYC. I’m sure, if you looked at your own city, you would scoff at the concept of someone mistaking your city for one five hours away, because when you know them, they’re so different.

So why do you expect there to be only one type of person anywhere else?

Cultural and Geographic Context Matters

A region’s overreacting culture (either determined by groups of people who mostly roam the land, or a centralized government) and their marginalized cultures determine the infighting within a group, even if the borders remain the same.

Persecution and discrimination are just as contextual as culture. Even if the end result of assimilation and colonialism was the same, the expectations for assimilation would look different, and what they had been working with before would also look different. You can’t compare Jewish exile from various places in Europe with Rromani exiles in Europe, and you definitely can’t compare them with the Hmong in Southeast Asia. They came from different places and were shaped by different cultures.

A culture that came from a society that hated one particular aspect of them will not form—at all—if they’re placed in a dominant culture that doesn’t find their cultural norms all that persecution-worthy. And the way they were forced to assimilate to survive will play into whatever time period you’re dealing with, as well; see the divide of Jewish people into multiple categories, all shaped by the resources available in the cultures they stayed in the longest.

You can’t remove a culture’s context and expect to get the same result. Even in a culture that doesn’t wholesale have an assimilationist agenda, you can still get specific prejudices and scapegoats that happen when there’s a historical precedent in the region for disliking a certain group. 

Once you start cherry picking what elements of a culture to take—because you’ve plunked the !Kung into Greece and need to modify their customs from the desert to a tropical destination —you’re going to end up with coding that is absolutely positively not going to land. 

Coding is a complex combination of foods, clothing, behaviour/mannerisms, homes, beliefs, and sometimes skin tone and facial features. A properly coded culture shouldn’t really need any physical description of the people involved in order to register as that culture. So when you remove the source of food, clothing, and home-building materials… how can you code something accurately from that?

And yes, it’s intimidating to think of doing so much research and starting from 0. You have to code a much larger culture than you’d originally intended, and it absolutely increases the amount of work you have to do.

But, as I said, you are already doing this with Europe. You’re just so familiar with it, you don’t realize. You can get a rundown of how to code the overarching culture with my guide: Representing PoC in Fantasy When Their Country/Continent Doesn’t Exist

Takeaways

Writers need to be aware of diversity not just as a nebulous concept, but as something that simply exists and has always existed. And the diversity (or lack thereof) of any one region is a result of, specifically, the politics of that region.

Diversity didn’t just exist “over there”. It has always existed within a society. Any society. All societies. If you want to start adding diversity into your fantasy, you should start looking at the edges of Fantasy World 29 and realize that the brown people aren’t just stopping at the designated border and trading goods at exactly that spot, but have been travelling to the heart of the place for probably a few hundred years and quite a few of them probably liked the weather, or politics, better so they’ve settled.

Each society will produce a unique history of oppressing The Other, and you can’t just grab random group A and put it in societal context B and expect them to look the same. Just look at the difference between the Ainu people, the anti-Indigenous discrimination they face, and compare it to how the Maori are treated in New Zealand and the history of colonialism there. Both Indigenous peoples in colonial societies on islands, totally different contexts, totally different results.

If random group A is a group marked by oppression, then it absolutely needs to stay in its same societal context to be respectful. If random group A is, however, either not marked by being oppressed within its societal context and/or is a group that has historically made that move so you can see how their situation changed with that move, then it is a much safer group to use for your diversity.

Re-learn European history from a diverse lens to see how Europe interacted with Africa and Asia to stop making the not-Europe parts of Fantasy World 29 just be bit parts that add flavour text but instead vibrant parts of the community.

Stop picking singular cultures just because they fascinate you, and place them in their contexts so you can be respectful.

~ Mod Lesya

Unpopular opinion: not everything that makes you uncomfortable is bad. Sometimes discomfort means your worldview is being challenged. It’s okay to sit with discomfort and think about where it’s coming from.

I wish people’s WIPs showed up on Goodreads because I have seen so many excerpts and WIP intros on Instagram that I NEED to read, but I can’t add them to my TBR so that I can remember I need to read them and I think that is awful.

Making Your Content Accessible

Introduction

On social media, being able to read and understand posts is essential. However, some sacrifice comprehension and efficiency for their aesthetic, which only hurts their audience. Content accessibility benefits people with disabilities most, but everyone and anyone can make use of it!

This is a noncomprehensive list of things you can do to make your account accessible. Feel free to add on in the comments!

Backgrounds

When you’re making a post, the text and the background must be 1.) different colors, 2.) contrasting, and 3.) not too bright or dark.

That should be pretty self-explanatory, but I’m going to elaborate on number 3. Don’t use pure white or too-bright colors in general for your backgrounds because it creates eye strain.

Maybe you have images as your backgrounds, which gives you a bit more to consider. One way to lessen eye strain is to put a layer between the background and the text. Another thing you can do is choose images that are not crowded or busy.

Text

Some people use fancy, cursive script for their post titles, which looks cool, but it can be hard to read. This doesn’t mean you have to remove it, though. Instead, use alternative text, which describes something that is inaccessible or difficult to read/see. In this case, you duplicate the post title in a more readable font on the cover slide. Good fonts for dyslexia include Open Dyslexic, Comic Sans, and most sans serif fonts.

Alt text should also be present if the original text has been manipulated in some way or has had effects added. For example, the titles of my posts are curved, so I add alt text.

Save cursive fonts for your post titles and headings. Cursive body fonts may sound great in theory, but in reality they are highly inefficient and make people people less likely to read through the entire post.

Also, if you type long paragraphs, you may want to separate it into smaller bulletpoints. People are more likely to skim (or just skip over) long sections of text. Make sure there’s enough space between the lines as well--reading crowded text can give some people headaches.

Alignment is also a factor in readable text. Align body text to the left, rather than centering or justifying it, because it lets people follow the lines of the text more easily. You can align your titles however you want because anything goes for them.

Screen Readers

Visually impaired people, dyslexic people, or people who get migraines may use screen readers, which read the text of a post to them.

One of the first things you’ll have to sacrifice here is aesthetic font. I know, I know, it looks cool, but screen readers don’t pick up on it, not to mention the more stylistic it is, the harder it is to read.

Hashtags are also difficult for screen readers to understand, because it might read the entire hashtag as one word. Instead, capitalize letters where a new word starts. For example: #WritersOfInstagram.

Another thing you can do is provide alt text for your entire post. Instagram lets you do this in the post but they only allow 100 characters, so if your posts run long you should just type them in the comments.

Descriptions

If you’re posting an image, for example, a meme, add an image description, or ID. When you’re writing an ID, include all details, even ones that might seem obvious. Consider color, position, shape, expression, etc. 

For example: “ID: A blonde, curly-haired girl dressed in an orange T-shirt and denim shorts sits on a mossy log surrounded by pine trees. Her head is bent in concentration as she cleans a bronze knife with a gray rag.”

Closed Captioning

As a hard-of-hearing person, I really appreciate closed captioning on videos that require me to understand what someone is saying.

When typing out your captions, abbreviate closed captioning to “CC:” and then write your text after it. For example: “CC: These are my favorite tropes.” 

Another thing to remember is not to censor swear words or leave out anything. Besides being annoying to people with hearing loss, it can also be patronizing.

In a video, keep closed captioning away from anything that might block it. Also, make sure the text is large enough to easily read. If you don’t want to type out what you’re saying, automatic captioning is available on Instagram, although like any automatic closed captioning, it can be unreliable.

Ok so the thing about reading like books which are "predictable" is that I, a story enjoyer, go completely bonkers about it bc its like Enrichment in my Enclosure. A scene parallels another earlier scene between different characters thus serving to highlight the differences in their views and priorities???? A line makes me think "hmmm I bet that's gonna be relevant later" ends up being relevant later????? I am a tiger chewing ice cubes out of a pumpkin. I'm so so happy. Please foreshadow more things. Throw the completely anticipateable plot beats at me like catnip mousies!!!!!

C.S. Lewis once wrote,

"I sat with my anger long enough until she told me her real name was grief"

And I think we all needed to hear that.

Forget the search history, if you really want to know a writer you should check their notes app...a writer's unhibited mind can be a frightening place.

are you really lost if you don't want to return

Friendly Writing Reminders

Intro

I feel like some of us need these reminders, especially as we go into NaNoWriMo season. Remember, too, that no matter what you do, you are worthy, you are capable, and you are loved!

Reminders

Everyone works at their own pace. Don’t feel ashamed if you’re “slower” than others. Good things take time.

Adding on to that--it's okay, and perfectly normal, if you’ve never finished a project! It often takes months or years for most people (4 years for me).

Always, always prioritize yourself. Don’t sacrifice your mental health, your sleep--or if you’re in school, your grades--for your writing.

It’s okay to not like your writing. We’re writers: it’s difficult not to nitpick or dislike words we’ve seen a hundred times. At this stage, you’re still finding your writer’s voice and the story you want to tell.

At the same time, though, recognize when you’re doing well and compliment yourself on it. Self-validation is just as important as self-criticism!

Finding your writing process takes time, and what works for another person may not work for you.

You can plan as little or as much as you want for your story. Plotter, plantser, or pantser--all that matters is that you write!

However: you don’t have to feel guilty for not writing, particularly during circumstances outside of your control (e.g. work, burnout).

Not being a productive writer doesn’t make you a bad writer.

It doesn’t matter if your story is cliche or unoriginal. The only thing that matters is your enjoyment of it.

You don’t have to include popular tropes and characters in your book to make it good.

In the same vein, all genres, not just popular ones, are valid! Some genres, like fantasy and romance, are emphasized and normalized more in the writing community, but anyone can write in any genre, and that diversity is here too!

Publishing is great and all, but it doesn’t have to be your end goal. You might have your own reasons, you might not be ready to publish, or perhaps you simply don’t know if you want to publish.

If you do want an audience, though, remember that someone out there wants and needs your story. Someone out there will appreciate it and relate to it like you do. Someone out there will make fanart and playlists and fanfiction for it someday. Write for that person, and you’ll find them!

You don't need to make writing your career. It’s okay to do it on the side, or just as a hobby. That doesn’t make you any less of a writer!

Many people in the writing community are novel writers, but you don’t have to write novels if that’s not something you want to do or aren’t ready for. There are a plethora of other genres you can do, like novellas, short stories, poetry, scriptwriting, etc.

Stop and think for a second about how awe-inspiring it is to be a writer. You create people that live of their own free will. You make worlds in which every reader can immerse themselves. You have the power to change the course of people's lives. You are amazing.