“Oh,” They Giggled, Cheeks Pink.

HOW TO WRITE ROMANTIC ATTRACTION FOR DUMMIES

For anyone who wants to learn, (especially aro/ACE, aspec, ect.)

Requested by the lovely @darkandstormydolls

Alrighty! Welcome back or welcome to my blog! I'm dipping my toes back into the category of posts that gained me my exposure!

So if you're here, you want to know how to write romantic attraction/romance!

Strap in and let's begin!

(Pls spread this to people you think would benefit from seeing it, or anyone who requested it bc I forgot, ANY ASPECS)

Step one -

Your characters must admire one another at the beginning, Romantic feelings usually do not present themselves as obvious until you really think them through, meaning your characters may not notice they have a crush until it's too late

These are general statistics and light stereotypes. So feel free to not use this tip:

Male characters usually tend to notice physical things first, like body shape, hair, skin, clothing, the way their lover moves, ect

And Female Characters Generally tend to notice more small things and personality-based traits first, like their lover's humor, speaking mannerisms, shifts in expression, ways they fidget, emotion in their voice, ect.

And someone who is in love will generally show more interest in this particular person's movements, actions, words, and anything in general.

Step 2 -

The character will show more interest in sharing their love language with their lover/crush

Physical touch - People with physical touch love languages may want to hold hands, cuddle, hug, or just lean on their crush whenever they are close to them moreso than they want to with others

Gift giving - Gift givers will want to get more gifts more often for their crush, probably thinking of them whenever they see little trinkets or wanting to get them big gifts for special occasions or signs of appreciation

Acts of Service - Acts of service people will offer to do extra favors and a bunch of extra stuff they don't have to do twice as much as normal

Words of Affirmation - Flattery, they will generally flood their crush with kind words and compliments

Quality time - Quality time people will want to spend time with their crush at almost every turn, and when they want company, will turn to their crush first

Step 3 -

After a while, these urges while become very prominent and more noticeable to the person having them

They may find themselves fantasizing about their crush or having them show up in their thoughts more and more, feeling nicer and happier when they're around, or when they're thinking about them

Smiling when they think about them, cutsey little fluff thingies like that

A crush is essentially: I want to date that, I want to be near that always, I want to marry that, I want that to snuggle me (or other love languages)

Or in simpler terms: if that asked me out, I would say yes (or at least want to say yes if your character is in denial)

Step 4 -

The character's urges to be close to this person grows strong enough that they do smth about it, whether prompted by another character. Or they just don't know I how to not anymore (like when you wanna eat candy and you don't want to, but you do anyway bc I JUST NEED THE CHOCOLATE OKAY?)

(Or for Aro/Ace, garlic bread)

People who are in love are generally very prone to be all dreamy and poetic and VERY EXTREMELY BIASED towards their crush

Then Yada Yada they kiss & shit

You're welcome, BYEEEEEEEE 👋

Happy writing!

Love you! Thanks for reading, And Ghost Tumblr Mother says go drink some water and have a snack, you've earned it, and you are beautiful <333

Have a good day! :]

@blue-kyber @thisisntrocket @cosmolumine @i-do-anything-but-write @paeliae-occasionally

@supercimi @the-letterbox-archives @sunglasses-in-the-bentley @vyuntspakhkite-l-darling @artsandstoriesandstuff

@corinneglass @wyked-ao3 @urnumber1star

other words to describe your characters instead of _____

"CONFUSED"

HIGH bewildered, baffled, perplexed, disoriented, stunned, amazed, astonished, flabbergasted MODERATE doubtful, puzzled, surprised, perplexed, befuddled, distracted, disorganized LOW misled, undecided, uncertain, lost, dazed, unsure, indecisive

"WEAK"

HIGH ashamed, exhausted, powerless, anemic, decrepit, frail, useless, depleted MODERATE vulnerable, inept, inadequate, worn out, helpless, spent, run down, sluggish, fragile LOW tired, weary, limp, soft, feeble, ineffective

"STRONG"

HIGH powerful, potent, fearless, forceful, mighty, emphatically, active, vigorous, unyielding MODERATE confident, tough, robust, brave, sound, daring, hardy, hefty LOW capable, adequate, firm, assured, steady, stable, solid

If these writing notes helped with your poem/story, please tag me. Or leave a link in the replies. I'd love to read them!

more words to use instead other words to use instead even more words to use instead

50 Character Personality Traits + Meanings (For writers, worldbuilders, and artists) Part 1

Adventurous - Enjoys trying new experiences and exploring the unknown.

Ambitious - Driven to succeed and achieve their goals.

Analytical - Tends to think critically and examine things in-depth.

Artistic - Highly creative and expresses themselves through artistic mediums.

Assertive - Confident in expressing their thoughts and feelings.

Caring - Shows compassion and concern for the well-being of others.

Charismatic - Has a natural charm and appeal that draws people in.

Clever - Able to come up with creative solutions and make astute observations.

Compassionate - Displays empathy and a desire to help those in need.

Confident - Believes in their own abilities and is self-assured.

Conscientious - Reliable, responsible, and attentive to detail.

Curious - Eager to learn new things and explore the world around them.

Cynical - Tends to be skeptical and distrustful of others' motives.

Dependable - Can be counted on to follow through on their commitments.

Determined - Persistent in pursuing their goals and overcoming challenges.

Diplomatic - Skilled at navigating social situations and resolving conflicts.

Eccentric - Displays unconventional or unusual behaviors and interests.

Empathetic - Able to understand and share the feelings of others.

Ethical - Guided by a strong moral compass and a sense of right and wrong.

Extraverted - Enjoys being around people and draws energy from social interactions.

Flexible - Adaptable to changes and open to trying new approaches.

Forgiving - Willing to let go of past hurts and give people second chances.

Friendly - Approachable and enjoys building positive relationships with others.

Grounded - Practical, down-to-earth, and focused on the present.

Hardworking - Diligent and dedicated in their efforts to achieve their goals.

Honest - Values truthfulness and integrity in their words and actions.

Idealistic - Driven by a vision of how the world should be and a desire to make a difference.

Imaginative - Possesses a rich inner world and creative problem-solving abilities.

Independent - Prefers to think and act for themselves without relying on others.

Indecisive - Struggles with making decisions and often second-guesses themselves.

Introverted - Finds energy and fulfillment in solitary activities and introspection.

Jealous - Experiences feelings of resentment or insecurity towards others.

Kind - Gentle, considerate, and thoughtful in their treatment of others.

Leaders - Able to inspire and guide others towards a common goal.

Logical - Approaches problems and decisions through a rational, analytical lens.

Materialistic - Highly values the acquisition of possessions and wealth.

Organized - Maintains order and efficiency in their personal and professional life.

Perfectionistic - Strives for flawlessness and can be overly critical of themselves and others.

Pessimistic - Tends to focus on the negative aspects of situations and expect the worst.

Resilient - Able to bounce back from setbacks and adapt to changes.

Risk-taker - Willing to take chances and step outside of their comfort zone.

Sarcastic - Uses irony and witty remarks to convey their thoughts and feelings.

Sensitive - Deeply affected by the emotions and experiences of themselves and others.

Stubborn - Unwilling to change their mind or compromise on their beliefs and opinions.

Suspicious - Inclined to doubt the motives and intentions of others.

Thoughtful - Considerate of the impact their words and actions have on others.

Timid - Shy, reserved, and hesitant to take risks or assert themselves.

Trustworthy - Reliable, honest, and worthy of confidence.

Unpredictable - Displays an element of surprise and spontaneity in their behavior.

Witty - Possesses a quick, clever, and humorous way of expressing themselves.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

Google Docs

Membership Form for Write Right Society (Fill-Out Form!)

Welcome to Write Right Society! At Write Right Society, we are dedicated to nurturing the creative spirit and honing the skills of writers a

Writing Resources - Masterlist

This masterlist will host the links to the posts and threads I've saved as writing resources. None of them are mine - all the credits go to the amazing people who made them.

Characters

Author, Narrator, Protagonist, Hero... Who is What ?

Creating Black Characters With Intent

Flaws to Give to Your Characters

How to Write a Character Who's in Pain

Open Letter from a Poc for People Who Are Writing Characters of Colour

Questions for Crafting Problematic Characters

Top-Tier Villain Motivations

Fantasy

Fantasy Guide to Education

Reasons Why Can't Your Characters Use Magic To Fix Everything

Some Locations and Structures to Include in Your Forest

What No One Tells You About Writing Fantasy

Good to Know

A quick Guide to Animal Symbolism

Differences Between UK and USA Military Dog Tags

How Boat Pronouns Work

Medical Facts that are Commonly Overlooked

Realistic Travel Time

Slater's Impromptu List of Military Reference Material

The Symbolism of Flowers

Horror

How to Write Creepy Stories

Most Common Character Flaws in Horror Fiction

"Never Were" and "Used to Be" Monsters

Tips

Resources About Survival in the Wild

How to Make Your Writing Less Stiff

Pep-Talk - You Are Allowed to Be Proud of What You Write + List of YT Channels and Amazon Links for Writing

Write Smarter, Not Harder

Vocabulary

Aesthetic Words to Fill Up Your Vocabulary

Bilingual Characters - German Edition

CoD - Spanish for Ale and Rudy Fics

IRL Operator Phrases/Terms - USA Edition

Gemstone Colors

German Pet Names

List of Wikipedia Articles - British and American Words and Differences

Scottish Phrases and Words for Soap MacTavish (or Scottish Characters in general)

On Using Words that Indicate Sounds and Tones for Dialogues

Voices

A Guide to Write a Mancunian Accent

Growled, Roared, Snarled, Etc... A Brief Description

Other

Backup Your Tumblr Blog

Disable Recall for Microsoft's Copilot+ PCs

Protect Your Stories on AO3

Mii's Blog Recommendations

@deception-united - I love the resources this person shares ! They have a masterpost that lists their useful posts, but they also complete some of these posts as answers to asks and reblog a lot of other resources.

@leisureflame - This blog has a lot of resources, advice and prompts ! The author also offers to help with other people's struggles too, which is immensely wholesome in itself.

@writers-potion - This blog has tons of amazing posts to help writers with their research. I keep coming back to it, and highly recommend checking it out ! Here are this person's extremely useful Masterpost (1) and Masterpost (2).

Some Quick Disclaimers

This is my second series about Erin. My first series, which I wrote in high school, follows a group of high school kids who are involved in a traumatic incident and develop incredible abilities. A federal taskforce is formed to help the kids recover and explore the limits of their powers. The taskforce is disbanded several years later after a massive explosion destroys the facility, killing everyone inside, leaving Erin as the sole survivor of the gifted students.

Of course there are some other things that happen too, but I would hate to spoil the story before I get the chance to put it up here.

At this point I can’t find my first series, and in their current state they aren’t ready to be shared. I am currently trying to find those books, and may re-write them and put them up here.

This is all my own original work, and may not be reproduced, copied, or printed without express permission from the author.

Thanks for reading!

Transition Words

Determine the type of signal you need.

Select from that signal group the word which is most appropriate to the meaning of your sentences.

Note: The same transition word or phrase can sometimes serve different purposes.

To signal an addition:

in addition, furthermore, moreover, also, equally important, likewise, another, again

To signal an example:

for example, for instance, thus, in other words, as an illustration, in particular

To signal a suggestion:

for this purpose, to this end, with this objective in mind

To signal emphasis:

indeed, truly, again, to repeat, in fact

To signal granting a point:

while it may be true, in spite of this

To signal a summary/conclusion:

in summary, in conclusion, therefore, finally, consequently, accordingly, in short, in brief, as a result, on the whole, thus

To signal the development of a sequence:

Value sequence: first, second, secondly, third, thirdly, next, last, finally

Time sequence: then, afterward, next, subsequently, previously, first, second, at last, meanwhile, in the meantime, immediately, soon, at length, yesterday

Space sequence: above, across, under, beyond, below, nearby, nearer, opposite to, adjacent to, to the left/right, in the foreground, in the background

To signal a relationship:

Similarity: similarly, likewise, in like manner

Contrast: in contrast to, however, but, still, nevertheless, yet, conversely, notwithstanding, on the other hand, on the contrary, at the same time, while this may be true

Cause and Effect: consequently, thus, therefore, accordingly, hence, as a result

To signal an argument:

accordingly, as a result, at the same time, besides, equally important, in fact, otherwise, therefore

To signal a comparison:

also, at the same time, in like manner, in the same way, likewise, similarly, so too

To signal a contrast:

but, however, in contrast with, instead, nevertheless, on the contrary, on the other hand, otherwise, yet

Expressing 'Anger' in Writing

Jaw clenching tightly

Hands balling into fists

Veins throbbing visibly at the temple

Eyes narrowing to slits

Breathing becoming quick and shallow

Stomping or heavy footsteps

Voice rising in pitch or volume

Flushing or reddening of the face

Throwing or slamming objects

Brows knitting together in frustration

Lips pressing into a thin line

Teeth grinding audibly

Staring with a hard, fixed gaze

Sarcasm dripping from every word

Snapping responses or barking orders

How to Write a Character

For creative writing to have as deep an impact as possible, you need to give the reader strong characters they can relate to on a personal level.

By borrowing from tried-and-true character archetypes and giving them your personal spin, you can create heroes, villains, and sidekicks that will affect your readers as if they were real people they knew.

Come up with a backstory

Crafting a backstory can help you flesh out an interesting character profile.

“When I’m dealing with characters,” says legal thriller author David Baldacci, “and I’m trying to explain somebody's situation and motivations, you have to look into their past, because [the] past always drives motivations.”

Ask what experiences your character had in elementary school or high school that shaped who they are today. Your character’s backstory can greatly inform your plot.

Develop a character arc

A character must evolve throughout a story.

“The character has to change,” insists crime fiction writer Walter Mosley. “The character doesn’t have to become better. The character doesn’t have to become good. It could be the opposite. He could start good and become bad. He could start off hopeful and end up a pessimist. But he has to be impacted by this world that we’re reading about.”

Plan out your storyline based on your character's goals and how achieving or not achieving them will change them as people. This sort of template can help anchor your narrative.

Do research

If you plan to set your story in a specific locale or period, do enough research to make your characters seem true to life and believable.

“What does it mean, for instance, in the Tudor era to be a male person?” asks Margaret Atwood, author of The Handmaid’s Tale. “What does it mean to be a female person? What do those things mean when they’re at different social levels?”

Empathize with your characters

No matter what the type of character you’re developing, try to find some reason you and your reader can relate to their internal conflict.

“You’re living with these people every single day for months at a time—in some cases, years at a time,” says acclaimed children’s author Judy Blume. “You had better feel for them. So, for me, yes, I have great empathy for them.”

When people can empathize with characters, they’re more likely to find them compelling.

Experiment with different approaches

If you usually write characters from a particular point of view (or POV), change things up to challenge yourself.

“Write about someone entirely through the eyes of their friends and family,” suggests journalist Malcolm Gladwell. “So do a profile of someone where you deliberately never talk to the person that you’re profiling.”

There are plenty of ways to craft compelling character descriptions—free yourself up to try new alternatives.

Give your characters flaws

To craft believable characters, you need to give them flaws.

“One, it makes the characters human, just by default, because everybody recognizes that we all have flaws and mistakes,” David says. “But two, it gives you plot elements and plot opportunities because somebody makes a mistake. Why? Because they’re flawed.”

Learn from real people

Pay attention to real people’s mannerisms, personality traits, body language, and physical appearances.

Do research, and be respectful, when you want to write characters with backgrounds that you are not familiar with. Become familiar with different people's cultures, sexual orientations etc.

Talking to people about their experiences will help form your character’s personality.

Let your characters surprise you

Character development can proceed down a host of different avenues.

“Spend a lot of time with your characters and getting to know them,” Judy suggests. “And the way that you get to know them can be different from the way I get to know them. But my way is: They don’t come alive until I write about them, until I put them down on paper.”

As you write, your character’s motivation or perspective might change from what you originally planned.

Play characters off each other

Ask yourself how a secondary character’s personality might thwart the main character’s motivation.

“One of the best ways, as I said, to develop a character is to put that character in relationship to another person,” Walter says. “So as they talk, as they fight, as they work together, we find out more about who they are and what they are.”

The character’s close friends, adversaries, and acquaintances might all have different effects on their behavior.

Take an organic approach

Over the course of the story, be ready for your characters to surprise you as much as the people you know in real life might, too.

Your characters may take on a life of their own.

Avoid static characters by letting yours have their own lives and personalities. Let their stories take you where they lead.

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)