His Name.

If you were a sci-fi writer, how would you solve the Fermi paradox? That being the discrepancy between evidence for alien life, versus the likelihood of their existence? (basically. If alien so likely, why we not see?) The Dead Space series has an amazing cosmic horror solution, but i'm curious what you're brain could come up with!

There's a lot of possibilities, some more interesting than others.

The speed of light and the distance between inhabited stars makes it prohibitively slow to detect, make contact with, or reach any star with alien life. It doesn't matter if we're not alone, our corner of Space Reachable Within A Human Lifetime is so comparatively small that we may as well be. We're all blindly wandering through an infinite desert, calling into the void. Space exploration is a long game, and on that timescale, even whole civilizations blink out very quickly. If we manage to catch a signal and follow it, we might find nothing on the other end but ruins - or an asteroid field where a planet's orbit used to be.

The universe is too young for us to find anyone else out there. We're the first. How will we shape the galaxy to make life better for those who come after us?

The life that formed on Earth is terrifyingly invasive. The atmosphere and ocean is choked with monocellular life, and its surface is coated with a mass of multicellular organisms finding new ways to devour one another. Even extinction events don't keep down the biomass for long. If life on other planets looks anything like us, the problem isn't going to be detecting it. It'll have gotten everywhere. The problem is going to be not immediately getting colonized and eaten alive by it. And if life on other planets DOESN'T look like us, our whole planet is probably a class 1 biohazard and contamination risk. Multicellular earth organisms contain microcosmic ecosystems that proliferate explosively when they die. If anything inside them can find ANYTHING to eat, it's over.

Life evolves frequently, but always in oceans. It is extremely rare for any alien life to leave that ocean and adapt to life on land. Without this step, the jump to space exploration - even space contemplation - becomes infinitely more unlikely.

Monocellular life is seeded on planets from an outside source and allowed to self-cultivate and grow until the biomass reaches a certain volume. Then the farmers return to harvest it.

There is not a single other species on our entire planet that humans can actually reliably communicate with. It takes tremendous amounts of training to make an animal capable of recognizing even a handful of words, and very few of them can use them. Humans can't even communicate with other humans with 100% clarity, even if they're using the same language. When we find alien life, if we even recognize it as anything resembling life as we know it, we have absolutely no way of communicating.

Space colonialism has been disallowed by the space geneva conventions due to massive past tragedies, parasitic exploitation of worlds and senseless loss of life. Human expeditionary efforts are being watched warily through targeting sights.

We've known about radio communication for less than 200 years. We haven't yet figured out the medium through which all advanced civilizations communicate.

Alien life exists in abundance, but the vast majority of it is extremely tiny. We wouldn't spot an anthill on a satellite photo, and none of their ships are large enough to survive passage through our atmosphere.

Earth's oxygen atmosphere is an anomaly, and our first and most enduring extinction event. The explosive proloferation of cyanobacteria and their oxygen photosynthesis irreparably altered the planet's prebiotic atmosphere and wiped out everything that couldn't handle the sudden massive increase in a highly reactive and flammable gas. Earth is considered highly toxic and unstable, though recently detected increases in methane and CO2 might signal that nature is finally beginning to heal.

It was requested on the official discord server that I send you this

nothing personell kid

a short project I'll be working on some time soon

redrew some Erin's to the best of my ability because the man won't leave my brain

really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:

a doodle I forgot to poast, from when I read Fulgrim: The Palatine Phoenix and I was extremely amused when they mention that Ferrus taught Fulgrim about nuclear bombs back in Terra. So I drew them with a demon core lol

just woke up

voidy is from @comicaurora

i always give a lazy two finger salute when cars stop for me at a crosswalk and it's devolved so much that at this point I feel like an icon of jesus whenever I cross the street

Fantasy Is A Metaphor For The Human Condition, a comic about magic, and art, and speculative fiction, and being sick, and how they all intersect. Originally laid out/pencilled November-December 2017, when I was in a very difficult place emotionally as I was relearning how to draw post-brain injury.

See more of my Brain Injury Comix at this link & in Dirty Diamonds #9: Being

So based on that last ask with King Arthur is he choosing to fall in love with Gwen even if she has a high chance of falling for Lancealot? If so, it's tragic. Doomed to love another that won't fully love you back.

Does Arthur even just tell Lancenalot to get the hell put of the kingdom some loops?

I think it's more like-

You become aware of your existence somewhere around the age of 3. You were born under mysterious circumstances you don't know the details of. The first time through, you were growing up in a castle. Lately you find you are growing up among peasantry.

Maybe you have brothers. Maybe you have a sister. Maybe you're an only child. Your family is distant either way. They speak welsh. They speak latin. They speak french. They speak english with american attempts at british accents.

The first few times through, there wasn't a sword. Now it's a consistent presence - a shimmering blade stuck in a plain anvil or a large boulder, haunting your hometown or a nearby forest glade. It looks different every time, feels different in your hands. It was made for you.

There are more trials every time. In the first stories the crown was yours from birth. Lately it's been further and further away, behind more tribulations and tournaments and beasts to slay. More guidance from the ageless old man you remember from the earliest days, the welsh days. He's different every time. Everything's different every time. And still nothing changes.

The crown is yours. It's inevitable. And when the crown passes into your hands, it carries the kingdom with it. It's yours now. And it's going to thrive! You hardly need to do anything. Heroes flock to you and pledge themselves as knights, then spend the decades tearing off on wild quests and adventures, getting into the kind of trouble that serendipitously always keeps the kingdom safe. The adventures feel familiar, but never quite play out the same way. Chalices, black knights, fairy women, questing beasts. You rarely see them for yourself. You're too important, after all. You're the kingdom's beating heart.

You have a queen. You don't spend much time with her. It's jarring how much she changes every time. You hate how much it surprises you the times she genuinely loves you; you never really get to enjoy it. The kingdom doesn't run itself, even if just having you around seems to make the forests grow thick and the rivers run clear. Mostly you spend time with her when you're rescuing her from abduction. You very rarely have children together. You miss them.

It didn't used to end in fire, but lately it never ends in anything but, and you never know when it's going to start. You're never home when it starts, but you spend so much time out tending the kingdom or questing anyway. But you always learn too late - treachery. Your knight, your vassal, your bastard child, your lady love. Camelot is burning. You watch your life's work precede you into the grave.

You die. You sleep under the mountain. You dream. It's quiet.

Somewhere in the world, a writer picks up a pen, and you become aware of existence somewhere around the age of 3.