Was discussing Guilliman's Farm Thing and there's something I need to break down for y'all here.
Guilliman is not a farmer. Guilliman knows jack fucking shit about what life is actually like for a farmer, or any other working-class, or middle class, or non-aristocratic class person. Like I am 100% certain he has read tons of statistics and books and whatnot but that is very different from actually living the life.
Guilliman is a chronic overachieving workaholic who was forced one (1) time to take a vacation when he was briefly stranded on an agrarian planet during an especially stressful time in his life, and he enjoyed that break so much that he has spent the rest of his life fantasizing about it. Has he ever taken a vacation since? No. Has he even realized that what he really wants is the peace and quiet of a vacation rather than the """"""""simple""""""" (FARMING ISN'T SIMPLE YOU COLOSSAL FUCKWIT) life of a farmer? Also no.
Guilliman is a very, very smart person who is, on occasion, a giant fucking dumbass. Thank you and good night.
not sure about skin color but try my best……
Quick meme before I leave for a few days.
Trazyn doodle page I did while reading The Infinite and The Divine. I have to figure out how to draw and stylize this dusty old man immediately
My soul is being consumed by Warhammer rn 😵💫 I found an old 40k pc game (Dawn of War: Dark Crusade) with some very appealing robots on the cover at a thrift store for 2 euros a few weeks ago and it all went downhill from there. where have the necrons been all my life I am smitten
The way VR-LA becomes a Cleric is so hilarious when zoomed out at the right angle. Mans literally said 'consider it a prayer' and ACTED SURPRISED when Mystra gave him a littol pat on the head and began treating him like her special littol pet cleric boy. Like VR-LA you HAVE to know Mystra's modern worship primarily consists of 'Dear Mystra: I would appreciate if you did not let my spell fuck up, please and thank you.' and 'Dear Mystra: I am in need of some divine inspiration for this spell, if that is okay.' Then you turned around and just HANDED HER THE COMPASS ON THE MOST IMPORTANT THING IN YOUR GODDAMN LIFE and said 'You. I want You to help me. Consider this a uniquely religious act of outreach. Also I Do Not Trust You.'
Interplanar goddess sees some robot peering through The Weave, a thing no one else to her memory has done because How And Why The Fuck Would You Do That??? Decides to appear before him to get a good look at this guy and says One Word to him, then a week later he cosmically pages her personal phone number saying 'Okay don't freak out but I found your number because I need your help with something Incredibly Personal To Me. If you'd please. Also I've functionally already contractually obligated you to do this.'
Girl raises an eyebrow, thinks 'Oh, this little dude's exactly the right flavor of fucked up', and proceeds to hold his littol hand through the big scary mission he asked her to hold his hand for and trusting him to be a good boy who makes good decisions. He would say he asked for her help and guidance, a completely different thing from holding hands. He has not let go. He has actively gotten More Invested in this relationship to divinity.
And then AS-TR spells out the big important lesson he learned that led him to lean into the Cleric thing and he just goes '... Oh. Yes.'
It’s a shiny rock, what’s not to like?
Fulgrim
or
Your downfall can never be too theatrical
wanted to try a thing......... erin / voidy is from @comicaurora
I sent these with a bunch of other minis to the Rolling with Difficulties PO box. They are Ancient Drones from @comicaurora 's comic and the designs she didn't use and shared here
Austin said the box was opened and shown to everyone on RWD so I shouldn't be ruining the surprise. Make sure Austin remembers to get them to you Red.
For the rest of you the model is free to download and print from Thingiverse and Printables
Have you read/watched Nimona? If so, thoughts?
The kind of emotional gutpunch I can't bear to watch without ample preparation. The first ten minutes are the hard part for me - it's always a wrench for me to get through a "good-hearted character is cruelly framed" plotline, so I really appreciate how quickly they get that out of the way and how Nimona immediately brightens the mood when she shows up.
Overall, truly one of the best examples of how a creator can use their personal grief and rage at injustice as a medium to sculpt a story. The narrative manages to feel deeply authentic to a real emotional journey while still feeling completely contained within the story. I'm not entirely sure how to put this, but sometimes when a writer gets allegorical with their experiences, it can feel like the story gets put on pause so the characters can turn out to the audience and speak in the author's voice about their thoughts on the subject - a pretty clumsy way to communicate a message. Nimona does not do that. Instead, the many real-world parallels to bigotry, propaganda, queerphobia, church corruption, xenophobia, and regressive policies driven by terror of change feel like they arise naturally from the setting within the story rather than being imposed on it from the outside, which is extremely quality writing and characterization. Nimona's story is so clearly informed by ND Stevenson's life and gender journey, but Nimona herself feels like her own person who is messy and grieving and putting up walls and self-destructing and still - still - a fundamentally joyful, gleeful person who absolutely loves being alive when she isn't being brutally beaten down for the crime of existing inconveniently.
Also, it's a comparatively minor thing, but I really like how, like with She-Ra, Nimona creates a world that is passively non-homophobic, with gay relationships front and center and evidently regarded as completely fine and not worth commenting on - which, to me at least, made both stories remarkably relaxing and comfortable to immerse myself in, because I wasn't being randomly jumpscared by reminders of real-world hate - but it still uses allegory to address the real-world roots of homophobia in the form of xenophobia, correlated injustices like classism, and the monster-ification of The Other. So it can clearly state "hating people for how they exist is Always Fucked And Wrong" without having to dunk the queer audience in the icebath of "hey remember how people in the real world think you personally should be dead?" Again, not sure I'm phrasing this super clearly, but it's a balance ND Stevenson consistently strikes with his work, and I really love how he does it.
Animation's gorgeous, voicework is consistently top-shelf, love the aesthetic of Cyberpunk Arthuriana. Wins across the board.
Everyone’s going on about having a ‘traditional, old-fashioned Christmas’, but when I burst into the house covered in green paint and demand a champion strike my head from my shoulders with my own axe so that I may return the blow next year, I’m ‘scaring Grandma’.
I wish I was creative enough for this site. Want a fun fact?
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