Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?
I have excellent news, I literally just figured out something really important about this.
So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.
What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.
Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.
So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.
So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.
I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.
do you ever think about how chemos got blown up. fulgrim's home planet got blown up. the planet he grew up on, that he loved, that he brought back from the brink of collapse, that he had such high hopes for. his adoptive parents, who probably died before he ever saw the fruits of his labour, were buried there. every spouse and friend he'd ever had was buried there. the oceans couldn't support life. he wanted to fix that.
it doesn't exist anymore. it got blown up.
Modern AU
lil study sketch of John Blanche's Fulgrim
Fantasy Is A Metaphor For The Human Condition, a comic about magic, and art, and speculative fiction, and being sick, and how they all intersect. Originally laid out/pencilled November-December 2017, when I was in a very difficult place emotionally as I was relearning how to draw post-brain injury.
See more of my Brain Injury Comix at this link & in Dirty Diamonds #9: Being
Here is a more lighthearted one: Either Sanguinius or Fulgrim is helping Magnus fix his tangled hair.
Venting time...
Doodle requests are open!
omfg i forgot that i never showed tumblr my greatest achievement. my pride and joy, my pi-ass de résistance
Lighteater
erin and the void dragon are from @comicaurora
So during a PlayOn Tabletop live stream, someone asked if nids had toe beans. This lead to the cursed creation of Beans the Hormacat. And who else to own him, by everyone's favorite necron.
There will be more hijinks coming.
More favourite mad science tropes:
Flashy explosions as a result of errors in procedures that have no conceivable reason to involve any explosive substance
Lab coats in non-laboratory settings
All mad scientists being versed in mad psychology regardless of their ostensible mad field of study
“It comes to life and starts eating people” being a potential failure mode of literally every experiment
WIldly unethical ways of accomplishing goal that could have been achieved more easily without the crimes against humanity
[noun] reaction/inversion/overload, where [noun] is something that one would not customarily regard as being capable of reacting/inverting/overloading
The way that you can pinpoint the popular anxieties of the era of the story’s publication by looking at the form factor of the thing that turns people into face-eating monsters (e.g., weird potion versus nuclear radiation versus psychiatric fuckery, etc.)
QuAnTum
World-ending superweapons that are also people even though being a person has no bearing on the world-ending part
“What in God’s name?” “God had nothing to do with it!”
I wish I was creative enough for this site. Want a fun fact?
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