The-berriest-berry-art - Hey Bradley!

The Shell Grotto is an underground passageway that was discovered in 1835 in Kent, England. Its winding corridors are adorned with a mosaic of over 4.6 million shells, and to this day, archaeologists have no idea what its purpose was.

Anybody else got that Evergiven sized writers block

#maddogmonday #orangejubilee #turnup #bumwine #girlboss

Stills from the intro of Snoopy, Come Home (1972) dir. Bill Melendez

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. The Royal Shakespeare Compagny's 2008 version is here. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one I'm not quite sure what it is or when it's from, it's a modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

i want to smoke crack with her

support vital community work in Gaza, support Gaza municipality

gaza-city.ensany.com

نداء الحياة لغزة

نداء الحياة لتقديم خدمات المياه وجمع النفايات وازالة الركام وخدمات الصرف الصحي للمواطنين في مدينة غزة - بلدية غزة

Happy Summer Solstice Again haven’t had the chance to draw something new for the Summer Solstice :(

kot - a regular cat

koshka - a regular female cat

kote (internet slang) - a cute chubby little guy, every single cute cat on the internet

kisa -  a pretty, flirtatious, graceful, cranky and haughty lady

kisunya - an extra pretty, flirtatious, graceful, cranky and haughty lady

kis’ - just a dork, controlled by aliens

kotik - a bit more disney version of a regulat cat

koten’ka - cuddly little fella, will purr and knead you to death 

kotofei - usually a big, old, extra fluffy cat, who knows a lot of bed time stories

kotyandra - fast, thin and slinky, we not sure if it’s even a cat 

koshak - a tough street guy, dogs fear him

kotyara - extra round, exrta big, kind ass fella. 

A significant amount of my opinions about modern queer television are influenced by researching older queer media.

I see a lot of the same vitriol in modern queer fandom discourse that has been playing out in queer spaces since film and television were invented. Shows in the 70s started making steps toward sensitivity consulting in queer media, even as the networks fought them on it. Imperfect but earnest queer representation was met with aggressive protests by homophobes and queer people who thought it wasn't good enough. The argument over good representation vs no representation has been happening for decades and decades.

You spend enough time immersed in old queer media and you really start to vibe with Harvey Fierstein's words in The Celluloid Closet documentary. Or at least, I do.

Harvey Fierstein: "I liked the sissy. Is it used in negative ways? Yeah, but, my view has always been visibility at any cost."

The way I see it, the way to genuine, loving queer representation that showcases a vast array of experiences is to stop demanding perfection. The fewer queer stories that are allowed to exist, the more of the heavy lifting those stories have to do in the representation department.

When we have numerous queer stories, it's suddenly much less important to argue over whether the queer characters in question are "good" or "positive." They can just be queer characters who exist in the same infinite variety as straight characters. They can be messy, they can be flawed, they can be honest portrayals of the complexity of human existence.

Queer representation will never be perfect, and striving for perfection is how we shoot ourselves in the foot.

Some starter reading for those interested:

Alternate Channels: Queer Images on 20th-Century TV (revised edition) - Steven Capsuto

Hi Honey, I'm Homo!: Sitcoms, Specials, and the Queering of American Culture - Matt Baume

The Celluloid Closet: Homosexuality in the Movies - Vito Russo