Lmao

Barret in Costa del Sol mod

Beautiful in every universe

Shepherd of Memories (Reaper Aerith concept)

New headcanon unlocked

Sephiroth is constantly like nonstop scattering feathers in remake/rebirth even when his wing isn't out so either some other part of him is also feathered or he like collects all the ones he molts and tosses them like confetti whenever he wants to make an entrance

Tanabata 七夕 is a popular traditional Japanese festival of Chinese origins. This celebration commemorates the legend of Orihime and Hikoboshi (symbolized by the stars Vega and Altair respectively), lovers separated by the Milky Way who were only allowed to meet once every year, the Seventh night of the Seventh month. 

People celebrate Tanabata expressing wishes to the stars - written on small pieces of paper hung on bamboo, often concerning their love life due to the romantic origins of the legend. Tanabata is also called Star festival or Night of the loving stars (and, in China, Chinese Valentine’s day or Night of sevens). 

I think it’s easy to find some nice paralles with FFVII: the focus on the stars (星, that in FFVII universe is used to identify both the stars and the Planet) and number seven, wishes to the stars, separated lovers..? In can make the happiness of every shipper. But there’s one more cute detail.

Until the second half of the XIX century Japanese people used the Wareki calendar, based on lunar phases, so the 7th day of the 7th month is a variable date that usually falls on the firts half of August. 

August 11, 1986 - Cloud’s birthday - was indeed Tanabata day in real life!  (The date may vary between 11th and 12th but that depends on the time zone). It might be just a coincidence, but I love it a lot anyway! It surely is my new headcanon! ❤️

Love love LOVE these! 🤩💖

This is beautiful ❤️

Cr: checkoutafrica : IG

FFVII Remake Easter Eggs and compilation continuity - Part 5: ON THE WAY TO A SMILE

FRUITS AND VEGETABLES

Jessie: I make a mean pizza, I’ll have you know! Marche, luche, black milly, red shelly - I use only the best ingredients! Sound good?

Cloud: Never heard of any of that stuff.

A NEW BAR 

Some months after Meterofall, Barret, Tifa and Cloud opened a new bar in Edge.

Barret: I guess...we’ll build another bar.

Tifa: Yeah. We will. You’ll help too, won’t you?

Cloud: For a price.

DENZEL

Cloud found Denzel, an orphan in need affected by Geostigma, in front of Aerith’s church and decided to bring him home. In remake Aerith used to visit an orphanage placed near her house, in Sector 5.

BARRET’S MISSION

After Metorfall and the defeat of Shinra, the world lost its primary energy source and got plagued by Geostigma. Barret embarked on a journey to amend for his sins and he finally resolved to do it by finding a new energy source and so help people start a new life. 

You’re lying to yourself, even now. (...) Picture it! Picture a world without Shinra. Without Mako energy. A stagnant, impotent world. Now picture a natural disaster. Who would help the people? Help to recover and rebuild? You? With their old world ruined, will they thank you for the new?

MEMORIES

After being killed at the end of FFVII, Sephiroth tied his existence to Cloud’s memories, creating a bond between them.

Were the planet to die, so many things would be lost. (...) That which binds us together would be no more. And I would be loath to live in such a world. 

(...)

Our world will become a part of it...one day. But I...will not end. Nor will I have you end. (...) The edge of creation. Cloud, lend me your strength. Let us defy destiny...together.

GUILT

In the OG Tifa doesn’t show much hesitation about AVALANCHE methods and the regret for the victims of Sector 7 is just slightly mentioned a couple o times, while that’s one of her major traits in the Remake. This characterization comes from Episode Tifa, that fully explores her feelings about her past actions and their consequences. 

A whole lotta mormal people with families and friends work for Shinra. People just trying to support their loved ones as best they can. I know it's not exactly a revelation, but... It's easy to forget.

Wutai: etymologies and possible real-life references

As suggested by my profile pic, Remake Yuffie stole my heart. The DLC made a great job introducing her and giving her deep characterization and motivations for the following parts of the story. I have no doubt Wutai is going to be great, and I had a lot of fun trying to find the possible sources behind the creation of Yuffie's homeland, anyway, I'm not a sinologist nor an expert of eastern religions, so everything in this post has to be taken with a grain of salt.

The following post has been inspired by this post by@allsortsoflicorice and the following TLS thread (thanks!).

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Wutai (ウータイ) is an island state in the far west of the FFVII world map. It had always been a proud and powerful nation, and when Shinra Electic Power Company menaced to establish its economical domain with the installment of Mako reactors on its soil, the nation wadged a war that lasted several years. In 0001, after the capture of Fort Tamblin, Wutai's leader Godo Kisaragi finally surrendered to Shinra and Wutai became a mere touristic attraction, even if resistance cells continued their work and became affiliated with Avalanche.

The village stands at the base of a mountain, immersed in a wide forest and crossed by a river. The architecture of the buildings is inspired by real-life far East style and there's a big statue of a local deity carved on the side of the mountain facing the village.

Wutai is the homeland of Yuffie Kisaragi. In the original FFVII, since Yuffie was an optional character, also Wutai was an optional and perfectly skippable location, nonetheless many cultural references were mixed to create this beautiful place.

Moreover, I think we can expect Remake Wutai to have a more influent role in the FFVII universe, since the shape of a pagoda already appeared in Aerith's mural painting, between Cosmo Canyon and the Cetras.

Final Fantasy games are well known to be based on a heterogeneus mix of cultural influences, from Polytheistic to Monotheistic religions and myths, up until Eastern religions and phylosophies that are especially prominent in Wutai.

One of the main themes of FFVII is the cycle of life, symbolized by the Lifestream as both the physical and metaphysical place where souls merge together and allow the rebirth of new life forms in a neverending cycle. This theme is reminiscent of the concept of Saṃsāra, originated in India and then exported to the far East lands through Buddhism (e.g. Melphie's pinwheel hair-clip could symbolize this theme).

Buddhim in particoular seems to have been a great source of inspiration for the creation of this amazing location.

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Wutai is the real toponym of a Chinese holy mountain, referring to its uncommon shape and it is one of the four sacred mountains in Chinese Buddhism (and Taoism). Interestingly enough there's an old legend about this mountain that involves the King of Dragons.

To provide context, dragons are sacred creature in Eastern folklore. Most of oriental dragons stem from the Chinese version, called Long, traditionally depicted as a snake-like creature with four legs and/or wings. Unlike their western counterparts, Longs are benevolent beings, associated with power, good luck, fertility and rain. They use to dwell in rivers, lakes, seas, they roam the skies and control weather ("Raya and the last dragon" provides good and simple examples of this folkloristic creatures and their legendary powers).

It's not farfetched to see the nod between the Dragon King and the presence in FFVII Wutai of Leviathan, a dragon-like summon that could be achieved in the OG after completing the Pagoda side quest, and that serves as Wutai guard water-deity.

Leviathan was introduced for the first time in the franchise in Final Fantasy II as a monster, while with Final Fantasy III it became a recurrent Summon associated to water, often known as "Sea King" or "Lord of all Waters". The name comes from the homonymous demoniac creature, a fearsome evil sea serpent of the Middle Eastern mythology that symbolizes chaos. FFVII Leviathan preservs just the name of this biblical reference but embodies perfectly the iconography and symbolism of Chinese Longs. Indeed the village is built on a big river.

(from the Fort Tamblin section of Crisis Core: Leviathan fountain on the left, and Wutais banners, depicting a serpentine creature wrapped around a sword, on the right)

As we said before, there's a huge sculpture carved in the side of the mountain facing the town, called "Da-Chao statue", a water deity.

It's hard to establish the real etymology of its name, since it's written in katakana (ダチャオ), but it could come from the chinese

This word exists also in Japanese (pronounced oosho) and it could be roughly translated also as "big tide" (spring tide is a phenomenon occurring twice a month during full moon and new moon, when Earth, Sun and Moon are aligned, affecting tide's range that reaches its maximum). Worth noting that Leviathan can perform "Tidal Wave".

The statue is also formed by four figures. It could be a loose reference to the myth of the Dragon Kings of the Four Seas: during a period of drought the four dragon managed to make it rain without the permission of the Jade Emperor, so he punished them imprisoning them all under a mountain, where the dragons decided to turn themselves in rivers.

The group has to use the "Scales of the Sea God" (or Leviathan scales) to extinguish the fire in the cave on Da-Chao mountain, and the item can only be found in Junon underwater reactor, which could refer to the legendary Dragon King that lived in an underwater palace.

Alternatively, since the central statue has four arms (six in the pagoda version), it could be a refernce to a Buddhist guard deity called Mahakala (derived from the Hindu Shiva). Notably, this deity is associated - at least in China - with sexuality and fertility, and Don Corneo made his last despicable attempt to choose a girl between Elena and Yuffie on this statue.

From Ultimania Omega: in the guest room there's a painting representing four Buddhist figures and a six-arm deity in the middle.

Among the enemies that can be found on Mount Da-Chao, there's Garuda (ガルーダ) a Hindu and Buddhist creature, while in Crisis Core there's another set of recurrent enemies called "Vajradhara", related to Buddhism as well, while the Wutaian organization "Crescent Unit" could refer to the lunar phases and so be linked to the aforementioned meaning of Da-Chao.

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During the pagoda side quest, after which the the group receives Leviathan summon materia, Yuffie is forced to fight five warriors, one for each stage of the building.

The names of these fighters probably come from the names of western playwrights, with the ecception of Yuffie's father, whose name is anyway related to theatre:

Gorkii -> Maxim Gorky

Shake -> William Shakespeare

Chekhov -> Anton Chekhov

Staniv -> Constantin Stanislavsky

Godo -> Godot

In Japanese, each one of them has a different way of speaking.

This odd relation with theatre could be explained by the fact that the chinese word "wutai" (same tones) can be written in two different ways:

The word 舞台 (butai) in Japanese specifically means "theatre stage" or "theatre setting".

The inspiration for this part of the game could be the traditional Japanese Noh theatre. Usually Noh plays are composed of five standalone pieces selected from five different categories, and many of the plays include shapeshifting creatures.

As stated before, Godo is the only fighter whose name is not that of a playwright but a fictional character, Godot. It could be linked to the fact that the word ゴドー in Japanese is homophone to 悟道, a Buddhist term referring to the path to the enlightment.

As a boss, Godo becomes a monster that, in my opinion, is a reference to Asuras, Hindu demigods with three faces and four arms that appear also in Buddhism. In the latter, it is traditionally told that Asuras were dismissed by the heavenly world they shared with gods, which could be a loose reference to Wutai losing the war (in this case "Godo" could be linked also to the English "God").

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Finally: Yuffie Kisaragi.

Yuffie is not a real name, especially not a Japanese one since the sound fi doesn't exist in that language. The only real-life connection I could find is a very similar Chinese female name, Yufei 雨霏, whose meaning is something like "happy even though it rains", which fits her personality.

Kisaragi is often mistankenly translated as February but in reality 如月 was the old name for the second month of the Japanese lunar calendar that, traditionally, marked the beginning of spring.

I'm totally clueless about the meanings of Melphie and Sonon's names.

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Sadly I haven't found any hint about what could be the origin of Da-Chao beans, nor any further reason behind the name of "Fort Tamblin" (タンブリン->tambourine).

If anybody has suggestions or corrections they'll be very well appreciated!

This is perhaps a controversial question, but what is your stance on Tetsuya Nomura's writing? There are people who claim he is a bad writer, yet either don't provide concrete evidence or give feedback fueled mostly by ad hominem attacks. All stories need critique, but in terms of a largr audience, people seem to resort to insulting Nomura's work more often than actually provide constructive criticism, going so far as saying he's trying to destroy his own work than save it--a very bold statement. Unfortunately, this stigma's carried over to the Final Fantasy 7 fanbase, and people are blaming Nomura and perpetuating the narrative that he's changing the story. Yet these people seem to ignore not only their interviews, but also who the main writer of the Final Fantasy 7 Compilation actually is. Anyway, sorry if this is a controversial ask, but I'd love to hear your thoughts since you have a sharp perspective on things like this!

Not a problem at all, it’s definitely something that people bring up often in both the FF and Kingdom Hearts circles.

As you said, a story will always have some criticism launched its way, but the commentary here goes beyond that. It’s people trying to assess authorial intent by dismissing the facts. Both FF7 and KH are written by more people than Nomura himself—these are projects that take multiple inputs and creative minds to create when it comes to the more story-beat parts of the game, certain interviews even point out who influenced/created certain decisions. It’s always a group effort, even if the designated people have a final say in approval. It doesn’t detract from the creative endeavors of all other individuals involved.

But, him being the Director, people want to blame someone, if not blaming the entirety of the company. This is what people are doing with their issues founded on localization as well—they’re either venting all their frustrations towards one person (Sabin), or the company as a whole. It never means that actual critique is unfounded, but people need to do it in a way that actually makes sense and is  rational—that’s what makes it “constructive”. The visions for these games go beyond just one person, and if we want to look at them critically, we need to do so that goes beyond that as well.

I wouldn’t classify my issues with the writing of either series as “Nomura’s problem”, I’d just be more specific about what issue it is for me in the series and concentrate on it as itself. Because I know mine don’t come down to be “his issue” so specifically. The only reason I’d ever go beyond that is if there was some evidence that my specific issue DID come from him or a specific person, then I’d talk about it in addition to the problem itself. I know there are people fully blaming Nomura for the changes in FF7R, literally ignoring the interviews that talk about both Nomura and Hamaguchi being limiters to the numerous potential ideas proposed for the game, especially from Kitase who wanted big changes. And even then, Hamaguchi was the one who wanted the players to fight Sephiroth at the end of Midgar, something else fans often complain about.

There’s a reason that in all these interviews they all speak on decisions as “we”. It’s a collective. Whatever is allowed [green-lit] by Directors or Co-Directors shows there’s a common mindset and acceptance amongst a team working together. Though, I don’t feel it ever should be the equivalent of this single person blame game that doesn’t really hit at what the problem actually is.

THE PROMISE

I've been thinking about Sephiroth's having a tendency in Ever Crisis First Soldier to put his hand on his chest and that it seems to have made it into Rebirth as something he does.

The revelation that he used to wear a locket with his mothers picture there really does change the gesture meaning. I think he's reaching for for that. The idea he's still reaching for her roughly a decade after losing the locket really breaks my heart.