I'm Still A Beginner In Japanese But Maybe I Can Help (anyway, Take Me With A Grain Of Salt).

Final Fantasy VII Illustration by:  魚與花雕 @Anu_yu on twitter 

Zack’s Last Stad 

Find the differences!

CRISIS CORE vs FF7R comparison

Tifa’s interrogation: the flashback at Kalm

The flashback at Kalm represents the first time Tifa truly comprehends the depth of Cloud’s delusions. Some fans see Tifa’s behavior during this episode as complete head-in-the-sand avoidance of the issue. 

But… this is a misinterpretation. Tifa isn’t avoiding Cloud’s crisis at Kalm, even if she does opt for subtlety (a necessity, given what transpired at the train station). Tifa tries to use the Kalm flashback to gather evidence to disprove Cloud’s version of events… but she unfortunately discovers that the situation is not so clear-cut.

Tifa’s behavior makes her intentions obvious. As soon as Barret asks Cloud to tell his story, Tifa keeps silent, fidgeting restlessly with her hair. And in contrast with Barret and Aerith, her only dialogue is “…”s:

 As we know, Tifa hasn’t yet had the chance to hear Cloud’s side of the story: at the train station, he reacted violently when Tifa questioned him; at both the bar in OG and Remake’s Alone at Last, Cloud brushes off her questions. Kalm marks Tifa’s very first opportunity to gather information and understand the nature of Cloud’s inconsistencies. The fidgeting is a sign of Tifa’s anticipation/dread; the ellipses represent her listening intently to Cloud’s story, giving him the space he needs to speak without her contradictory recollections setting him off.

Indeed, Tifa’s very first remark is only in response to an interruption:

Barret: Yo wait a minute!! Isn’t that, um…? The name of Sephiroth’s mother… I remember Jenova. That’s that damn headless spook livin’ in the Shinra building.

Cloud: That’s right.

Tifa: Barret, would you please let us hear what Cloud has to say? You can ask questions later.

Barret: Tifa, I was only…

Tifa: OK Cloud, continue.

Aerith: The childhood friends reunite!

Cloud: …I was really surprised with Tifa.

(watch here)

Tifa abruptly cuts Barret off in a way that takes all three characters aback–why is she so uncharacteristically brusque? Cloud, Barret, and Aerith all verbally react to the outburst, as the devs want the player to notice how unusual Tifa’s behavior is. While a first-time player may not understand her motivations, a seasoned player will: at this moment, Tifa doesn’t care about anything but hearing Cloud’s story and figuring out what’s wrong with him.

Tifa continues to listen in silence until Cloud reaches her house. Suddenly, Tifa asks Cloud about everything he did there:

Tifa: Cloud…? Did you go into my house?

Cloud…? Did you go into my room?

Did you play my piano?

(if you check in the drawers to find the underwear…) …Cloud. We’re talking about something really important here.

Did you read it? My letter?

Do you remember what it said…?

Cloud… Do you remember all of it?

(link to the full sequence in Tifa’s room)

These questions may look trivial, like a frivolous Tifa trying to ensure her girlish modesty was maintained five years ago. But it’s the last two questions about the letter which reveal what Tifa is truly doing: she’s subtly interrogating Cloud to determine if he was truly at Nibelheim. If Tifa’s primary motivation is to lessen her embarrassment, then why does she explicitly prompt Cloud to restate the entire letter in front of the entire team five years later?

The full content of the letter is information which Tifa is intimately familiar with, information that only she–or someone who truly was in her room that day–would know. If Cloud doesn’t know about the objects in her room or blatantly bullshits in response her questions, then Tifa has all the more evidence that Cloud wasn’t actually there. But if he does know the answers to these questions, especially regarding something as temporary as a letter, then… what does it mean? That Cloud truly was there, even though Tifa doesn’t remember him being there…? What does that say about Cloud’s memories…? What does that say about Tifa’s…?

The fact that Cloud passes her “test”–that he knows private details of her room, and gives an accurate account of its contents–leads Tifa to recognize that there is more to Nibelheim incident than just her recollections, and there is more to Cloud’s side of the story.  Tifa doesn’t have a full understanding of the situation, and as long as she can’t explain the discrepancies between her memories and Cloud’s, she can’t simply refute Cloud’s version of events. Like it or not, Tifa realizes that the Nibelheim flashback has become a “he said, she said” situation. And who knows… maybe this confident, capable Cloud is correct, and she’s the one who’s wrong?

Now… how do we know that Tifa’s questions about her room are intended to represent her attempts at fact-finding? How do we know that they really aren’t just a trivial cutesy gameplay mechanic to break up the monotony of the flashback?

And the answer is… it’s because Cloud’s answers to these questions are referenced during a critical scene: Sephiroth’s illusion at the Northern Crater.

Cloud: The town hadn’t changed at all. What did I do? Oh yeah…

Cloud’s lines are directly influenced by the actions that Cloud took during the Kalm flashback. After the above line, Cloud can make any number of statements:

“I saw my mom. I saw the people in town.”

“Yeah, I went to Tifa’s room. There, I…”

“I played the piano!”

“I looked in the drawers!”

“I read the letter addressed to Tifa!”

Based on how much or how little you did, Cloud will say more (or fewer) of the above statements.

For example, in this player’s Nibelheim flashback, Cloud met his mom and went in Tifa’s room, where he jammed on the piano and raided her dressers. But he never found the letter. So during the Nibelheim illusion, Cloud only makes statements 1-4.

On the other hand, this player’s Cloud experienced everything during the Nibelheim flashback, so Cloud makes all 5 statements during the Nibelheim illusion.

But in this player’s Nibelheim flashback, Cloud went to Tifa’s room but did the bare minimum. Didn’t say “yes” to anything or even see Cloud’s mom. So Cloud only makes statement 2.

With this easily-missed callback, it proves that Cloud himself recognizes the purpose and utility of Tifa’s questioning back at Kalm, and emphasizes how Tifa interrogated Cloud during the Kalm flashback to try and find incontrovertible proof of his presence on that day.

Final thoughts:

>> Tifa’s final question. I’d be remiss if I didn’t mention Tifa’s final question at Kalm. After Barret leaves the room, Tifa speaks up one more time:

Tifa: …… Cloud…? How bad was I when Sephiroth cut me? Cloud: I thought you were a goner. …I was really sad. Tifa: ……

There are four ways to interpret this exchange:

The first is how a first-time player would experience it: it’s an exchange which both builds Cloud up as a reliable narrator and suggests that Cloud was relatively indifferent towards Tifa. (Seasoned players will recognize why this moment is played down this way: to build up the shock of the Lifestream reveal, where we learn Cloud isn’t a reliable narrator and that he was deeply affected by Tifa’s injury because he revolves around her.)

The second interpretation is that Tifa’s asking Cloud one more question to confirm if he not only was in her room, but also in the reactor that day–in case you missed visiting Tifa’s house, it’s one last factfinding mission to prove that Cloud was truly there.

The third interpretation is that Cloud’s confidence and accuracy during the flashback leads Tifa to doubt herself; she wonders if the severity of her injuries may be the reason why she misremembers the day’s events. This question alludes to her uncertainty; perhaps she’s performing some factfinding for herself by comparing more of her recollections to his.

The fourth interpretation is that Tifa always knew how badly she was injured, but this is the very first time she learns that Cloud was there when she was injured. Tifa hoped that Cloud would be emotionally impacted by her injury (due to the Promise), which is why she prompts him about it. Unfortunately, his indifferent response is very disappointing. (This could be another reason why her reaction to this moment in the Lifestream is so pronounced and why she brings up the Promise.)

While I think interpretation #1 is definitely what the devs want first-time players to get out of this conversation, I’m not sure if seasoned players are supposed to take #2, #3, #4, or something else away from it. I’ll leave that to you! I hope Remake (or a future Ultimania) gives us some greater clarity here.

>> PS: Undies. Tifa’s not really mad about the underwear–note how her response isn’t something like, “I can’t believe you invaded my privacy like that!” but it’s actually, “Cloud!!! […] …Cloud. We’re talking about something really important here.” Tifa is exasperated that Cloud’s talking about some inane pervy bullshit while she’s TRYING to figure out what’s wrong with him. Come the fuck on, Cloud, a little seriousness here!!

>> PPS: Undies, round 2. Cloud really DID look through her underwear drawer. He wasn’t kidding, because he legitimately uses that fact to prove his existence at Northern Crater. (“I looked in the drawers!”) “I simp for Tifa, therefore I am.” Oh Cloud.

Talk about a coincidence!

A debated canonicity

(Previous post here)

Mad1en who Trave1s the P1anet (adding typos to prevent unpleasant comments) is one of the most controversial entries of FFVII lore.

It was included in FFVII Ultimania Omega, published in 2005. Fans have debated ever since if this short story is part of the canon entries of the compilation, as it was written by an external writer that never took part to the realisation of the game.

Part of the fandom thinks it's canon because Square Enix never said it isn't, another part thinks it's not canon because Square Enix never mentioned it again ever since it was published (neither ever provided an official translation nor decided to sell it outside Japan. Quite self-explanatory, considering that "Picturing the Past" has been immediately translated and it's sold everywhere in the world).

The particularity of this novel is that here Aerith states she loves Cloud more than Zack. Not a word is spent to describe how she feels when she understands that Zack didn't cheat on her but endured experimetations for years and died to save Cloud, and that Cloud had created an alter ego based on Zack's traits. These lines started to divide the fans after the release of Crisis Core, that describes a tender and sincere romantic relationship between Zack and Aerith.

Yes, SE never officially said if this novel is canon or not, but I'd like to point out a fact:

The Remake includes tons of references to all the entries of the compilation.

Some examples?

The Avalanche members that show up in Chapter 4 wear the original uniforms of Before Crisis:

Crisis Core references can be found everywhere in the game, for one thing, Zack's last stand:

Dirge of Cerberus was already hinted in the game when Cloud, Tifa and Barret fell in the misterious lab beneath Sector 7 and is going to be heavily referred in the Intergrade. From the trailer we can see Weiss:

There are many references to Advent Children too. For example, Sephiroth has the black wing that he only showed in the movie:

Last order is quite difficult to refrence, as it doesn't add anything new to the story but it's rather a reinterpretation of Nibelheim incident. Anyway, it is mentioned in FFVII Remake World Preview (Square Enix book that includes "Picturing the Past"):

And now talk about the novels:

New characters, like Kyrie, come from The Kids are alright, a Turks side Story:

And here's an example from On the Way to a Smile too: from a dialogue with Jessie it's revealed that Cloud doesn't know the names of vegetables:

...turned out he [Cloud] didn't know a carrot from a gysal green. At first, Tifa was amused that mighty Cloud's new life started with learning vegetables names... (Case of Tifa)

So:

Before Crisis

Crisis Core

Advent Children

Dirge of Cerberus

Last Order

The Kids are alright

On the way to a Smile...

Picturing the Past was written alongise the Remake to clarify the origins of the mural painting in Aerith's room...

They are all abundantly referenced multiple times during the game. Find a more exhaustive list here.

And now it's the turn of Ma1den who trave1s the P1anet.

The author of this novel based himself on the original dialogues and story of the OG and reinterpreted them adding some new elements to create a coherent narration (full of discrepancies that, ehm, have already been disproved years ago, like Aerith's age when she met Zack, Hojo being not really dead, Zack's personality being totally different from Crisis Core, Aerith already knowing about Zack's death, normal souls that should merge immediately in the Lifestream, Omnislash being not Zack's ability...not that this ever convinced anyone).

Correct me if I'm wrong, but...

There are no references at all in the whole game. Not a single word that inequivocally refers to this novel.

Not a word to hint the fact that bad people's souls will rot in the Lifestream and won't be part of it because their spirits are beyond redemption (like what happened in the novel to President Shinra and Hojo).

In the novel Biggs, Wedge and Jessie are tormented by the deaths caused by the explosion of Mako reactor n.1. Jessie feels guilty both in the OG and in the Remake but Biggs and Wedge don't show much regret and the Remake shows that Shinra caused the massive explosion of the reactor, not Jessie. But wasn't the Lifestream supposed to be the place where all knowledges are merged together? I may be wrong but this would suggest that Jessie would have known it after her death.

There are hints that suggest the Aerith of the resolution scene is the one who already died in the OG: she talks to Cloud as if they had passed a long time together, she talks about death and finally disappears in a sparkling greenish light.

It would have been a great scene to put any reference to Ma1den but...it didn't happen.

Well...wierd the devs forgot to mention just this entry...

What a coincidence.

The Unifying Theme of FFVII

So I recently got an ask that was very interesting and which I think I did a piss poor job answering. Republished here:

what is the biggest theme of FF7 that ties every character together to you? life? pro environmentalism? identity? connections?

My answer was, in a nutshell, "existentialism." It's broadly true, and was certainly an influence on the game (see: Martin Heidegger, Existentialist philosopher and known bastard) but it's a reductive and Western take overall.

So, here's the long version, and a disclaimer up-front that I'm a simple Western weeb doing internet research to the best of my ability; apologies to those who know more than me.

Square has always stated that the theme of the game is "life". This is wholly accurate, but comes off as a little twee to a Western ear. This is because "life" is a translation of the Japanese word "inochi" (命). It is a broader, more holistic concept than the English "life," with different nuances and connotations.

For a longer and much more informed read on inochi specifically, see The Concept of Life in Contemporary Japan by Masahiro Morioka. Otherwise, keep reading after the cut!

In addition to meaning life or lifespan, "inochi" also encompasses the idea of a "spirit" or vital force. It extends beyond referring to life in the general sense. Much like any one person's mind, spirit, and lived existence isn't interchangeable with anyone else's, one's "inochi" is unique and individualistic.

This concept extends beyond just human life. Animals, mountains, rivers, and trees all have "inochi" too. An illuminating quote From Aspects of Shinto in Japanese Communication by Kazuya Hara (and his primary source):

From the viewpoint of Shinto, nature itself is seen to have a spirit and life. For example, Japanese people have looked upon even a tree, a rock, or a river in nature as a figure of life. Kamata (2000) argues that the Japanese word inochi connotes the dynamic motion, flow, and circulation of all the universe.

That circulation also includes the idea that "inochi" does not refer to only a single individual life, but a chain of all the lives that have gone before. It encompasses the fleeting and finite life of the individual as well as the ecosystem in which they lived, and the influence and impact which will survive them and create the next link in the chain.

You'll recognize many of these concepts as being expressed through the Lifestream, and extant in the environmentalist elements of the game. Navigating the apparent paradox of a finite and infinite "inochi" also pulls our cast in, all of whom are characters struggling with their individual existence in the context of a greater, deeply interconnected crisis.

"Inochi" is also connected to FFVII's strong themes of navigating identity and uncovering the fundamental self. The word can also be used to refer to the core or fundamental part of something, its "most essential quality." This echoes Cloud's journey to rediscover himself, and it's noteworthy that he find again within the Lifestream, the manifestation of "inochi" itself.

"Inochi" is definitely a very accurate unifying theme. We've touched on how that connects to Shinto themes, but Buddhist philosophies of life and existence are just as culturally prevalent in Japan and influential on the themes of VII in turn. So, let's talk about Buddhism, with another disclaimer that I'm not expert by any means whatsoever.

A foundational concept in Buddhism is the Three Marks of Existence: Impermanence, the non-self, and suffering. We'll mainly focus on the first two.

The first, impermanence, is as it says on the tin. According to Buddhist thought, impermanence is inherent to the natural world, and failing to recognize this will bring suffering. The bad passes along with the good, the big as well as the small. The strain of Buddhist thought through the game is part of why FFVII's original ending is so appropriate, and Aeris' death so integral to the rest of its themes.

The second is the non-self. Related to the concept of impermanence, the idea here is that there is no permanent incarnation of the self, and there is no way to separate the self as an individual from its myriad pieces and its context. From What Are The Three Marks of Existence by Dana Nourie:

When you start to see how you aren’t a solid, unchanging self, but a impermanent, dynamic person, you also loosen your clinging to thoughts, ideas, emotions, and the idea of a “real you”.

The connection to Cloud's personal journey throughout the game is obvious - an abundance of attachment to an artificial self causes him to suffer until he is able to reconcile it and let it go. Sephiroth, meanwhile, faces a similar challenge to his own identity and slips sideways into Nihilism, unable to overcome (or even admit) his own suffering.

There's a connection between Buddhist and Existentialist/Existential Nihilist thought. While Buddhism incorporates the concept of suffering as an inherent and endless facet of life until nirvana can be reached, Existentialists struggle with a post-modern feeling of dread or anxiety fundamental to living in a meaningless and chaotic world. There's also been plenty of cultural exchange between eastern and western concepts here - Heidegger is one notable participant.

Another is Keiji Nishitani from the influential Kyoto University of Philosophy. Engaging with western Existentialist thinkers, he wrote Religion and Nothingness on the connection between the concept of the non-self and the western philosophy of Nihilism. He compared the similarities between the two, while ultimately refuting Nietzche's perspective. This quote (helpfully, from his Wikipedia page) seems particularly instructive, especially in returning back to some of the initial concepts expressed by "inochi":

"All things that are in the world are linked together, one way or the other. Not a single thing comes into being without some relationship to every other thing."

My original answer to this question was Existentialism because there simply isn't a word or a tidy concept in my vocabulary that can convey all of this disparate information. Existentialism seemed to me like the most familiar and broad concept to encompass these themes, always in the form of questions: How do we live? How do we separate subjectivity from objective truth? How do we preserve the sense that our lives are meaningful?

You must decide for yourself; you must remember your connections to other lives; you must let go.

Parallel #7

Same pose...

...Same words

[Previous]

FFVII Remake Easter Eggs and compilation continuity - Part 3: ADVENT CHILDREN

     KIDS

Feeling close to death, Biggs asks Cloud to take care for him of the orphans of the Leaf House. Cloud refuses implying that he doesn’t like kids. Anyway, not even one year later he will take care of both Marlene and Denzel, two orphans.

     SPARE GLASSES

In the movie Rude broke his glasses during the fight with the Remnants but he immediately replaced them with another pair. The same happens in the Remake in Chapter 8, during the fight against Cloud and Aerith. 

     AERITH’S CHURCH

The design of Aerith’s church is almost the same of the one showed in Advent Children.

     AERITH AND MARLENE

Just before the plate fall, Aerith goes to Seventh Heaven to save Marlene and the two share a sort of mysterious interaction. Despite having known her for so little, after two years Marlene will still be very fond of Aerith. She’ll have her same hairstyle but she’ll also be “special” since she’ll be the only kid not affected by Geostigma and she’ll perceive Aerith’s presence during the battle against Sephiroth. 

     SEVENTH HEAVEN

On the wall of Seventh Heaven there are some AC references: a picture of the future Seventh heaven and a blurred photo of future Barret, Marlene, Nanaki and Cait Sith.

     GEOSTIGMA

When Cloud met Sephiroth in the drum, he grabbed his left arm in pain while being mentally tortured - the same arm that will be affected by Geostigma.

     MOTORCYCLE FIGHT

The motorcycle fight with Roche recalls the chase on the highway of Midgar-Edge with the Remnants.

     WHISPERS

In Chapter 18 the Whispers mysteriously started cyrcling around the Shinra tower the same way the corrupted Lifestream will do in Advent Children.

When Sephiroth delivere the line “Destiny comes”, the Whispers started escaping in every direcion from the top of the Shinra tower. The same happens in the movie when the Lifestream finally erupts in the church. 

     VISIONS

During the battle against Whisper Harbinger, all the members of the group have some visions of the future, taken directly from the movie. 

     THE REMNANTS

Whisper Harbinger summons three “entities from a future timeline that have manifested in the present day", that the Ultimania confirms being manifestations of the Remnants:

Whishper Rubrum is a swordsman like Kadaj; 

Whisper Viridi is a pincher like Loz;

Whisper Croceo is a shooter. 

When they materialize Whisper Rubrum appears in front of Cloud and Whisper Viridi in front of Tifa (in the movie Cloud fought against Kadaj and Tifa against Loz).

After the battle the three entities merge together in Whisper Bahamut (in the movie the three remnants summoned Bahamut SIN).

     SEPHIROTH

Remake Sephiroth seems to have already experienced the events of Advent Children. In the original story he seemed to be indifferent about Cloud’s feelings, considering him no more than a numb clone, while in the Remake he started mentally tormenting him from the beginning.

Tell me what you cherish most, give me the pleasure of taking it away.

7R: You’re too weak to save anyone. Not even yourself. - You’ve failed again, I see.

AC: I’m not fit to help anyone. Not my family. Not my friends. Nobody.

     FINAL BATTLE

Sephiroth starts the final battle with the same gesture he used in the movie to summon the corrupted Lifestream.

He throws at the enemies debris of a destroyed Midgar like in the movie.

In both installments there’s a huge swirl of corrupted Lifestream in the sky.

Sephiroth shows one single black wing like he did in the final stages of the battle in Advent Children.

-

For the other parts refer to the masterpost

Oh those glasses ❤️❤️❤️

FINAL FANTASY VII REBIRTH (2024) ↳ Aerith x Sweet Gangster (⌐■ˬ■)❀°。

We'd seriously need a clear paraphrase to get over the misinterpretations about this song.

Guitar is the main instrument in both Hollow and Hollow Sky, just like Crisis Core soundtrack, especially CC Aerith's theme, The price of freedom and Why, all playing at the end of the game to narrate THAT scene. And Why has a guitar acoustic version too.

Hollow sky plays in Sector 5, an homage to Crisis Core, "sky" is the symbol of Zack and, coincidentally, the new key art of Aerith has her staring at the sky.

Funny: Aerith's final line is about the sky and Hollow starts when Zack shows up at the end.

All coincidences I guess.

Tetsuya Nomura discussing the Final Fantasy VII Remake theme song

SOLDIER-Cloud VS Real-Cloud