Whenever There’s A Content Creator I Like In A Fandom And I Go To Look Them Up To See If The Rest Of

Sometimes I forget about my tiny lil mustache. It’s barely visible, but I like to run my tongue against it. It eases my dysphoria a littlr

Had to do a little thing for mclennon monday

URGENT HELP SAVE THE LIFE OF MY CHILD.

Dear humanity,

Please Help Me – My Son May Die at Any Moment.

I'm Amal, a mother of three children, living under the weight of the genocide taking place in Gaza. 🍉

Here’s my story, and I’m reaching out with a hopeful heart 💔✨, hoping someone will feel what my family and I are going through.

My son is suffering from a severe and life-threatening injury after being shot by Israeli drones. He urgently needs medical treatment outside Gaza.

Time is running out, and we are facing a critical situation. I am asking for your generosity to help us save him either through a donation or by sharing this urgent plea with others

I beg you, i kiss your feet, to help my son. My son may die at any moment.

I lost most of my family. I'm afraid to lose my son too 🥺

Mohammed deserves to live a happy and healthy life, just like every other child on this earth.

So I humbly ask you to donate even a little or at least reblog this appeal.

Please Donate now:👇

https://www.gofundme.com/f/join-us-in-our-struggle-save-our-family-from-war-in-gaza

^^

Peter Tork and I.J. Jefferson during the filming of Head, February 1968.

In London in January 1968, Peter was interviewed by the British press, and had this to say “about The Monkees as a group”:

“I wouldn’t like to say whether we as a group could outlive the TV series. I can’t visualize myself as anything but a Monkee right now. Micky is a very good friend of mine and Davy and I share a very deep bond of understanding. We probably understand each other more than anyone understands us. And Mike is the complete opposite to me except that we share the same religious beliefs — something I find very difficult to understand.” - Disc & Music Echo, January 13, 1968

* * * Peter Tork: “We did decide to do a movie, and we wanted to do a movie that was not a — not another episode. I’d seen, you know, movies made from TV series, and all they did was just expand the episode. And we said, ‘Well, let’s not do that.’ So we didn’t. Ah, and the movie died. (laughs)” Q: “You know, it was a good movie.” PT: “I thought so, yeah.” Q: “It does well in rentals.” PT: “Yeah.” Q1: “People go to rent it. Why did nobody go to see it in ‘69?” PT: “It was so terribly promoted. It was promoted as a hippie, head movie to the teeny-boppers and as a teeny-bopper to the heads, and so nobody got it. It was just, it was all badly marketed. And I, I think the producers were upset with us personally because we were beginning to act like… (chuckles) you know, there’s always this problem when your children start acting like, like they… they, you know, know who they are, it’s always conflict with your, with the adults. And they actually had, the producers actually didn’t like us growing up, I think. I mean, they were conflicted, they had their Geppetto complex.” - GOLD 104.5, 1999

* * *

As for the scene pictured here:

“All four of us jump off a bridge. There’s a long sequence of us falling into the water. We hit the water and get carried away by mermaids, and this thing called ‘The Porpoise Song’ comes on. After a while it suddenly seems like we have been looking through a fish tank, and on the other side is this very, very pretty woman who kisses each one of us. When the woman kisses Mike, he whispers to her, ‘How about you and me ditching these guys and going out together?’ She looks at him and says, ‘Are you kidding?’ and walks off.” - Peter Tork, When The Music Mattered (1984)

I came across this photo of Micky Dolenz I had never seen before. Love his shirt!

Wednezday y’all,,,,

JAY LENO: Who was the best cuddler?

RINGO: Ohhh. Georgie loved a hug.

“We’d walk down Lilly Lane which was like a lovers’ lane and kiss and cuddle.” - Iris Caldwell 

“He was just standing there. Little George, all lost. I gave him a big bag of sweets and some apples. He threw his arms around me and Stu, which was the sort of demonstrative thing they never did.’" - Astrid Kirchherr

“George giving me a bear hugggg. My first time in London and…what a welcome!!! ‘It’s Klaus!’ George Harrison called, setting his guitar aside and walking toward me to give me a firm hug.” - Klaus Voormann

“I was surprised to see how affectionate he was with Olivia, holding hands, heads touching as they talked, snuggling up next to her at every opportunity…” - Chris O’Dell

“Olivia was in the room and asked Madeleine her name. The next thing [Madeleine] knew, George was walking across the room directly to her, and as if they were old friends, put his arms around her! She was so overwhelmed and she automatically put her arms around him and hugged him back.” - A fan

“Even hugging George was a psychedelic experience, what a gem of a man. Love him forever.” - Dave Stewart

“George was the kind of guy who wasn’t going to leave until he hugged you for five minutes and told you how much he loved you.” - Tom Petty

“Just a few months after his death, I was in Bungalow 8, a New York club that Paul Shaffer dragged me to, when I noticed a skinny fellow who was the spitting image of George - only young George - coming right toward me. Before I could say anything this young man embraced me in a tender hug and then pulled back to explain himself. ‘I’m Dhani Harrison,’ he said. ‘One of the last things my father told me was that if I ever come across people who were important to him, I should give them a hug.’” - Martin Short