Getting Mugged By A Bisexual Man? Ask Him About His Relationship With His Father And The Coast Is Clear

the thing is that childhood doesn't just end when you turn 18 or when you turn 21. it's going to end dozens of times over. your childhood pet will die. actors you loved in movies you watched as a kid will die. your grandparents will die, and then your parents will die. it's going to end dozens and dozens of times and all you can do is let it. all you can do is stand in the middle of the grocery store and stare at freezers full of microwave pizza because you've suddenly been seized by the memory of what it felt like to have a pizza party on the last day of school before summer break. which is another ending in and of itself

beloved exy boyfriends 🤲

Andreil x Fail You by Movements

AFTG Mixtape Exchange 2025, gift for @mellvetica

I hope you like it!! 💕💕💕

@aftg-mixtape

scenes that we know happen but that i would give a lung to have written out by nora sakavic (or scenes i'd like to see from other povs)

andrew choking kevin after neil gets kidnapped from andrew's pov (i just NEED to know the fear and anger andrew must've felt in that moment. and kevin "you were always going to lose him" day like isn't that just so crazy)

aaron's trial from neil's pov (i would honestly love any pov of this but i feel like neil as someone who isn't very involved in the situation would provide the most insightful pov and GOD I'M FOAMING AT THE MOUTH the THINGS i would do to have a whole book about neil's sophomore year GODDDD)

the garter scene after nicky's wedding from andrew's pov (late-twenties neil is SO unserious i just know it)

nicky's wedding from literally anyone's pov (it would be just like. pure joy tbh.)

dan + matt's wedding from dan/matt's pov (again. see above.)

katelyn + aaron's wedding from aaron/neil's pov (i say neil pov bc i would LOVE to see how aaron and neil's relationship fares after they get over their beef. and i know neil would be happy for aaron and kate. and yeah obv aaron pov because again, see above.)

neil convincing andrew to go to aaron and kate's wedding from andrew/neil's pov (idk it could either be really sad or really funny)

kevin's phone call to jean in tfc from jean's pov (i NEED to know exactly the emotions jean was feeling when he saw kevin's name on his phone and heard his voice again)

the scene where andrew handcuffs neil after stuart dies from andrew's pov (this is genuinely one of my roman empires. the way nora wrote about this in the ec is genuinely embedded in the folds of my brain. neil kissing words into andrew's jaw. the sick gleam in his eyes that makes him look like nathaniel. i LIVE for andreil angst actually.)

andrew punching his pro team coach after he makes neil play injured from neil/andrew's pov (another roman empire. post-tkm andreil my SHAYLAS)

the angsty kevneil conversation in trk from kevin's pov (i'm just. so curious on kevin's perception of neil tbh.)

the robin cross arc from andrew/neil/robin's pov (i LOVE robin cross she's acc my favourite part of aftg lore. i would DIE to see her dynamic w andrew and neil. robin and neil friendship you are so loved by me)

neil buying his car w robin + i forgot who else was there from neil's pov (random but i just KNOW it would be funny)

the US court winning gold at the olympics from kevin/neil/andrew's pov (ugh the serotonin RUSH and the post-match andreil hug they have me in such a chokehold)

when allison and kevin find out that allison's son has a crush on kevin's daughter from kevin/allison's pov (HELLOOOO THIS IS ONE OF MY FAVOURITE AFTG EC CRUMBS IT'S SO FUNNY)

neil hanging out with amalia from neil/amalia's pov (TELL ME they wouldn't have the funniest dynamic)

wymack picking neil up from the airport after evermore from wymack's pov (idk it would be so fun to see how absolutely blindsided everyone is by neil's fucked-up lore)

practically any andreil scene in the series from andrew's pov (foaming at the mouth chewing on drywall clawing at the bars of my enclosure for it)

ok i know i said every andreil scene but this HAS to be included separately: THE BALTIMORE REUNION FROM ANDREW'S POV (oh this would make me crazy)

tetsuji and kayleigh in their university days from either pov (like this is just crazy. that they were like. good friends. they literally made a world famous sport together tf.)

nathan wesninski's trial (the one where neil has to testify) from neil/andrew's pov (the complexity of it all)

andrew yelling at bee after she wakes up in the hospital from andrew/neil's pov (it would be fun. i think.)

the birthday blood scene from andrew's pov (like i know nora's already said what andrew was thinking in that scene but like i reread it recently and it was actually crazy how PISSED neil was idk i would just love to see andrew's reaction to neil being THAT mad)

fall banquet riko roast from literally anyone else's pov (i just know i'd reread that shit religiously)

kathy ferdinand riko roast also from literally anyone else's pov (imagine watching neil "quiet boy" josten absolutely CLOCKING riko moriyama's shit on LIVE TV)

the twins' session with betsy from andrew's pov (after reading aaron's pov it just made me so much more curious to get inside andrew's head in that scene bc that was just crazy tbh)

the foxes' skiing trip from neil's pov (neil pov just bc he's the one i'm most used to. but yeah i NEED this)

Jean & Cat. I genuinely adore them more than anything.

Andrew is proof that Nora Sakavic is a brilliant writer

I will probably make more posts about this because it is something I feel so strongly about. I have seen SO many people wishing we'd had Andrew's POV but I am so glad we didn't. As a writer, I am ashamed at how long it took me to understand the GENIUS of Andrew's character. When writing a story, there are precisely THREE ways to relay what your characters are thinking and feeling to the reader: 1. Dialogue 2. Internal Monologue 3. Descriptions of Expression/Body Language And you need to do all three really well to make it real, natural, and believable. You have to trust your reader to understand what you're trying to say without outright saying it. This task is made all the more difficult when you don't have #2, the internal monologue. Secondary characters are ONLY understood through what they say and what emotions they show on their face and in their body language. To write a character that BARELY speaks and is INFAMOUS for having an expressionless face is the greatest show of RESTRAINT I have ever seen in a writer and it worked SO beautifully. The number of times we desperately want to know what Andrew is thinking and feeling and I BET Sakavic was twice as desperate to show us, to tell us straight out "ANDREW IS INFATUATED!" But she didn't. She stuck so perfectly to Andrew's character and GAVE US NOTHING and TRUSTED us to read between the lines to find truth. That's not even to mention the entire time Andrew was on his meds. As a writer, we want nothing more than for our readers to KNOW our characters the way we do. I can only imagine how infuriating (but also delightfully challenging) it was for Sakavic to write Andrew knowing most of what he was doing and saying was because of the meds and his promises. I could scream this from the rooftops. Sakavic deserves so much praise for this alone. I won't EVEN get into Neil's character and the relationship dynamics between every single character and every other character too. Andrew is literary genius, imo.

The Foxes, leaving the banquet after Neil physically and verbally assaulted Riko:

jean and his vegetables😔