*hearing the soothing voice of tiilei say “I’m here for you”*
Me, tearing up: m-mx kaner you give me life and serotonin free of charge. I would die for you
Reasons why I am single..
For a second I thought this was real life and got really excited and confused at the same time.
when you hate someone but they’re still really cute
Riyo’s *ratatata* of a hatch being opened in ep 15, sounding so similar to “I’m in the ghetto” that it wacked me out for a couple of seconds
The monotone of David’s voice as he does an awful *scree scree* in reflection of Kenneth’s fuxking stress ball like please my boy how the fuck did u manage to keep a straight face??? While recording THAT???
The entire “my supervisor and my supervisors supervisor” bit in ep 11 that went on forever? Even better when David thinks they’ve swapped roles and doesn’t even dignify changing the titles
The burial part presiding Allegra’s backstory, wherein David sounds unsure whether it is a religious thing or maybe a kink thing when the people starting getting horny for burying themselves. And the fact he and Allegra just go “aight” and leave to go talk about tragic backstory stuff
Allegra manically shouting “just fine!!! Alright then!” When her friends melt into goo as if that isn’t a whole ass gen z mood right there
David and Allegra beginning to date and stand together against eskew after experiencing the fucked up dance recital, only for David to get REALLY into human sacrifice through sack vore at his new job almost immediately. What the fuxk David
David seeing Kenneth as a mere flesh blood with a stress ball fused into his chest: ah, my prayers were answered I get to keep my best friend
David to Allegra: don’t worry, doors and walls have power here. The dancers won’t get through. *Dancers coming through the wall* here’s Johnny! Allegra:
*several strange packages appear on his doorstep* David, quite literally: this is fine *apartment nearly gets swallowed up by freaky tenant, but at least there’s a cereal bar in a jacket pocket* David: I’m winning *apartment finally gets swallowed up* David: aight imma go feral now thanks. I’ll take my hammer and haunt y’alls asses now good day
*stuck in an immigration office and being subject to a “safety check”* Riyo, a coloured woman: ah this shit again
*eskew gifts David a child who likes to play peek a boo over cornflakes* *david snatched away the box* check mate u little fucker
The whole series really just ending with David punching out his identity crisis and then???? Becoming a ghost??? A bird??? And riyo just being like: this was fun and eskew is gonna vore the world but I on the other hand am gonna go find a new dude to get cripplingly attached to
A heterosexual clearly wrote this ending
you can tell i put little to no effort into this
My favourite thing about watching BNHA is seeing the all-round brilliant art style, with its appealing colours and smooth, expressive animation. And then suddenly shifting to scenes with Todoroki, in which every fucking movement is an ode to Angels, the colours are bolder and every particle of ice looks ten times better than anything Frozen could've done. His expressions can be broken down into frame-by-frame minute changes, with his fire looking like every animators wet dream. It's like someone higher up has a VERY apparent thing for Todoroki, and ensured. all of the animation budget was used to make sure Todoroki looked glorious no matter what. It worked.
While rewatching Miraculous Ladybug today I realised how poorly the children hide when they transform. Marinette jumped behind a wooden bench in a public park right by a fence in Climatika??? That's not very genius hiding. Now I'm all for the head cannon that the Miraculous have glamours to hide their identity, but I also like the idea of a Danny Phantom kind of scenario. Like literally every civilian KNOWS who Ladybug and Chat Noir are because they've seen them transform right in front of them when the kids think they're hiding so cleverly in bloody plain sight on the street and just outside class. However they don't have the heart to tell the kids that they know as they try so hard to keep their identities hidden (it's not their fault they're not very aware of their surroundings), so instead everyone just...pretends they don't know. Shop owners will give Adrien and Marinette free products when they realise who they are, but Adrien waves them off as part of being famous and Marinette is too sweet to not believe their excuses of there being extra stock. Their teachers even give them slack when they come in with bags under their eyes after a late night of chasing an akuma. Alya directs outsiders and tourists away from their identities by feeding the Lasyblog false information. The Parisians are very protective of their heroes. So basically we just see the series from Marinette and occasionally Adrian's view, in which they keep their identity safe. Meanwhile everyone around them are trying their best to support the two young teens as discreetly as possible.
How do we never talk about the fact that Mineta was Mt Lady's intern? We all knew that Mineta really wanted to intern under Mt Lady cause he's a perverted little dickhead, and that it wasn't what he expected due to that short clip of him vacuuming her room, but why would Mt Lady take on a student like Mineta who barely stood out in the Sports Festival? Why did she not turn him down when she realised his perverted nature? I'd like to think she took one look at his application to intern under her, remembered that one loser of a kid in the festival who deviated between being a coward and making goes at the girls, and just thought; 'I'm gonna ruin this kids life.' And so Mineta goes to intern under her, thinking it's going to be a constant montage of sexy close-ups and flirting, and instead he gets absoluTE HELL. While she's known for her laid back, almost lazy personality, Mt Lady didn't get those thick thighs that could crush a mans skull when she's NORMAL size for nothing. She puts Mineta through hell training that makes him long for Aizawa's gentle touch, and backs it up by lounging in front of him afterwards like she hasn't broken a sweet while he performs tasks he's always thought to be 'the women's job'. Every chance she gets, she flips the kids' misogynistic view of the world, and laughs gleefully as he cries and wails in response. They go out in patrol and Mineta expects to stand behind Mt Lady and get glorious shots of her ass. Wrong! Mineta is too busy using his quirk to keep the structure of falling buildings stable, a job he's always thought supporting sidekicks performed (always females to him, as of course men would be out there fighting!), and by the time he's done Mt Lady has already crushed the villains single-handily. No sexy shots for him. I know a lot of people like to label Mt Lady with incredibly derogatory and sexual characterisations due to her interactions with the media, but I'd like to think that Mt Lady knows the stigma still prevalent against women in tight suits fighting 'a mans job', and performs her job as a satire of this misogynistic portrayal. She hams it up in front of cameras because she's new and that's the only way to get sponsors, but also so she has enough publicity when she's big that her fight for feminism reaches a wider audience and has FAR more impact. She's a clever and powerful woman, she's just keeping those aspects under the radar for now until they're at their most useful in impacting social stigma. (Mineta learnt to fear Mt Lady, but unfortunately she was never able to change his misogynistic and perverted nature, clearly. So instead she makes sure that any internship or sidekick gig he tries to get with other female heroes always ends up with a fellow feminist, who beats both his ass and shitty ideals until they finally break and enters pro-hero industry as an avid feminist and great friend to a bunch of women who see him as their greatest piece of feminist work).
Watching ‘Toilet-bound Hanako-kun’ Is hilarious because it’s set up so that the 2 school/ghost trios are thematically meant to maul each otherto death/be each other’s foils.
The only problem is that god has given (1) brain cell to each trio to share.
The Toilet Trio pass it amongst themselves like a hot potato. Kou sacrifices the brain cell the rare times he gets it just to help his friends through their emotional stupidity. Nene loses it every time a hot boi goes by. Hanako only gets more time with it because he has a goddamn job to do.
Meanwhile Sakura has never let go of the brain cell.