I Am SQUEAKING OUT BRO.

I am SQUEAKING OUT BRO.

All I see, eyes open or closed, is a god damn barely anthropomorphic RAT with a MOP ON ITS HEAD, that is so squeaking tiny that his OTHER FATTER RAT FRIEND (who mind you is the embodiment of a weird pseudo Mr. Clean ad mixed with the cool aid man) looks like a GOLIATH when he in fact takes like five hits to kill and if the first rat wasn’t so GODDAMN PATHETIC, HE WOULD PROBABLY BE STRONGER THAN THE FAT ONE.

IS THERE INTERNET CONTENT ABOUT THESE WEIRD LITTLE RAT GUYS?? NO, IM THE ONLY ONE WHO WILL EVER REMEMBER THEM IN FIVE YEARS TIME, OR EVEN CARES ABOUT THEM NOW. EVEN THE GAME DEVS BARELY GAVE THEM A HAPPY ENDING WITH THE GOD DAMN APAWCOLYPSE COMING.

I’m not happy.

More Posts from Strawberryroses3929 and Others

strawberryroses3929

2 months ago

Being almost strictly a Saiouma shipper for 4 years and then suddenly (like within a week) realizing that Saimaki might be a new otp is actually crazy

What do I do with this? Read fanfiction? Scroll Tumblr for content?? Sit and reevaluate the choices that got me here???

Tags

danganronpa I love them shuichi saihara maki harukawa danganposting drv3 killing harmony saimaki chat theyre silly saimaki yuri perchance??

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strawberryroses3929

7 months ago

This Is How It Feels When Youre Obsessed With A Unpopular/dead Fandom.

This is how it feels when youre obsessed with a unpopular/dead fandom.

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strawberryroses3929

2 months ago

Digital canvas titled "How to: drawing characters with paralysis on their face" with "since I barely see it and would like to see more" written underneath. It features three colored drawings of different characters with various kinds of facial paralysis, labeled "ones that look more like this", next to a drawing of a heavily exaggerated character with cartoonish facial paralysis labeled "and less like whatever this is". There is a diagram in the corner of all the cranial nerves in the brain, with half of them scribbled out. The rest of them are labeled "i.e. what happens when any of these get fucked up". In the corner there is the artist's signature "@saszor" as well as "by: someone who has it" written out.

Second digital slide. It's titled "basic information". Underneath is a spectrum colored from dark green to red, with the dark green end labeled "works perfectly" and the red "complete paralysis". The light green, yellow, orange, and light red middle is labeled as "some degree of paralysis. It's not a 0:1 thing". Below that are 4 very simplistic drawings using the spectrum's colors to show different kinds of paralysis, including Moebius syndrome (complete full face paralysis), trochlear nerve palsy (both eyes being mildly affected), Bell's palsy (half of the face being slightly affected) and "multiple (me)" with the forehead, mouth, and eyes being labeled in different shades. The text around the characters reads "All these people have some kind of paralysis on their face. Before actually drawing a character, you need to pick what part of their face is paralyzed and how much. Having your whole face completely paralyzed is really rare. Weakness on one side of the face is the most common. You probably saw someone with it since it's very common after a stroke". Another block of text in the corner reads "If you have a simpler artstyle, paralysis of the eyes and/or mouth is the easiest to show. Jaw or forehead are more subtle (usually)".

Third slide, titled "Ok, but how do I draw it? (With asymmetry, mainly)". There is a drawing of a man with Bell's palsy, captioned "I will be doing examples showing unilateral (one sided) paralysis to showcase this since it will be easier to show the differences". In the top right are two drawings, one in anime style and other in a western cartoon one. The text box reads "While I encourage to try out multiple options, focus on the features that are more important in your artstyle. Big eyes? Focus on ptosis. Big mouths? Focus on lopsided smiles, etc. Otherwise it can look out of place". The main section of the slide is titled "Upper third of the face". There are simple drawings to accompany the text. It reads "paralysis on the forehead: it looks like one-sided botox essentially. The wrinkles will be weaker or non existent. Paralysis of the eyebrow: moves less. It rests lower than the other eyebrow and can have a crease under. Eyelid paralysis (arguably the most common one): generalyl affects the upper eyelid. It rests lower and has less or no movement". There is a drawing of a pair of eyes, where one is so closed the iris is invisible. Text reads "Note: paralysis very frequently comes with strabismus. Severe ptosis+hypertropia can look like the eye is just white. The iris can be hidden like that". Another text box to another drawing reads "it does get a bit trickier in angles that don't show both sides of the face; IMO focusing on strabismus+eyebrows pointing down is the easiest way to get it across". In the bottom left is a diagram showing different eyes with increasing severities of paralysis. Text reads "As a rule of thumb, more severe paralysis = eyelid rests lower. Here you can see how much of the eye could show".

Fourth slide, titled "Eyes specifically since people tend to put more detail into them than the rest of the face". The "First step" has 2 characters with unaligned eyes, titled "Step 1: give them strabismus (easy)". Below that are examples of eyes with strabismus, captioned "literally just draw the eyes to be unaligned. Inward, outward, up, down, etc.". Step two is titled "Don't make it into the most unfunny joke possible (very hard)". It shows two characters, one having a very exaggerated strabismus and the other having a more realistic one combined with a falling eyelid. The first character is crossed out, and is saying "I'm stupid because I look weird haha (laugh)", while the second character has the checker mark and is saying "I have a personality trait that is not related to having an eye condition". The text below the step 2 reads "Not every person with facial paralysis will have strabismus but a lot do and I never see that in drawings". In the bottom right is a designated square with a character who has significant hypertropia and slightly red eyes. The text reads "rarely, people will be unable to close their eyes rather than the other way around. I meant to put it on the previous slide but I ran out of space".

Fifth slide, titled "mouth and smiling". There is a simple drawing of a man with bell's palsy smiling, there are red lines illustrating how the smile is lopsided and pulls towards the nonparalyzed side. There is another "correct/incorrect" demonstration with the incorrect one, labeled "not how faces work", having their face essentially halved, with one side smiling widely and one actively frowning, and the correct one, labeled "it just pulls to the nonparalyzed side", smiling normally on one side and having a neutral/relaxed expression on the other. The incorrect one has additional text box: "if it looks like the ancient Greek theatre mask, stop. I couldn't do this really downward frown on my paralyzed side even if I wanted to. You need to be able to move your face for that...". At the bottom of the slide are two drawings of the same character smiling; he has bell's palsy in one but not the other, highlighting the differences. The text reads "There are other things that can also be affected but smiling is the main one, especially for drawing. What is not affected are like, jaw muscles. Someone can have problem with that as well but it will be from something else". The rest reads: "A lot of people will overdo smiling so that other people can actually tell they're smiling and essentially do a really wide smile on just one side of the face. So things like gums showing, nose skewing to the side, lower eyelid going up, lip being thinner on the smiling side, etc.". There is a colored disclaimer "also a disclaimer (in case that's not clear): not all people with facial paralysis have it visible on their eyes. I do it here so that you can easily tell which side is supposed to be affected".

Sixth slide, titled "have fun smile emoji". It features a Hindu woman in a powerchair, a Black man walking with a cane, a Brown girl posing, and a white guy looking stern. The first two are captioned "Most people have facial paralysis because of a stroke/traumatic brain injury and a lot will have other disabilities". The girl is captioned "Some people are born like this also. You can draw people with facial differences as pretty people BTW, it's allowed". The last character is drawn with a straight line scar going through his eye. He is captioned "if you're giving your scarred OC #3743 this fuckass scar then at least give them nerve damage like get real LMAO. He would not be fucking ablebodied". While the main drawing doesn't show the character with any sort of paralysis, there's a smaller one where his eyelid and eyebrow are clearly paralyzed. There is another box of text in the corner reading "We are also just normal people and yous on;t have to name your OC with bell's palsy some combination of "half-face" or whatever the fuck".

[ID in alt]

Tutorial on drawing characters/OCs who have some sort of facial paralysis. It doesn't cover all possible variants because I was using mirror as my main reference lawl

Keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People 👍

Consider supporting me on ko-fi if you find this to be helpful.

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strawberryroses3929

5 months ago

heyyy hiii mootie. You should draw me up a luckduo….:3c/nf

they’re so silly,,,,,,,,,

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strawberryroses3929

1 month ago

Using this as games I should play

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strawberryroses3929

5 months ago

i redrew this bit i saw on one of brent miller's videos becuz it made me laugh a bit

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strawberryroses3929

2 months ago

let’s get one thing straight about the Minecraft movie. It cannot be labeled a good or bad movie based on viewing it alone. As anyone who’s been looking at the reviews for it have seen, opinions on the matter are very split. To truly decide if the Minecraft movie was good or not, we need to know intentions.

If the intention of this movie was to use the nature of the inevitable cringe of the movie to not only: enhance comedic jokes that are more childish or poorly written by showing their qualities as purposeful, but also dig deeper into the nostalgic side of people and call out their childhood interactions with Minecraft as cringe but in a good way, yeah I think it was a good movie.

if the intention was to create something well made, complex, and clever while also adhering to modern day movie standards and working for the viewer intelligence points rather than viewer nostalgia points, it is not a good movie.

Yes the Minecraft movie is cringe, and yes the sheep look weird, and yes some of the dialogue is funky, and yes there are a million flaws but that’s the point. Or, it should be. If the Minecraft movie wants to be considered good, it needs to use these things to its advantage. As children, we were cringe and dumb and loved all of the oddities of Minecraft and the fandoms that went with them. By making a movie that's kind of shabby and really cringy, the creators are giving out a reminder that not everything has to be super well made to make an enjoyable movie. As long as it is intentional, all of these details make the Minecraft movie amazing, because it is exactly like us. Imperfect, flawed, cringe as hell.

Enjoy the Minecraft movie. Laugh at the jokes you would have laughed at as a ten year old. Don't think of anyone else in the theater (except for the staff, Jesus guys stop throwing popcorn on the ground) and certainly don't live off of the opinions of professional theatre critics because people can have different opinions.

Comments on Falsettos recording describing people's experience with pre-revival casts & being gay in the 80's and 90's

for @holdwinetosky

“I lived in Manhattan in 1981, met my husband that year. We lived through the AIDS drama of real life on the Upper West Side. This show speaks to me on So many different levels.

Saw this production on Broadway shortly after it opened. Crazy, Intense, Wonderful .

Just like it was in 1990 as Falsettoland at the Lucille Lortel, and when it first moved to Broadway as Falsettos in 1992. Saw the original casts of each, and each production multiple times (1 time with Mandy Patinkin as Marvin), saw the road companies that came to Philadelphia........etc...lol

Freakin Love this Show."

@ rugby8-Philadelphia

“Saw a traveling company which came through Phoenix, AZ. I left Manhattan in '81 as numerous friends were getting ill and shortly thereafter died. This show made me laugh out loud AND cry out loud!”

David Helmstetter (@ davidhelmstetter6661)

“Thank you. You signed my program when I was a kid. I waited by the stage door. My Mom didn't want to see the show at the time. She turned into the most accepting woman and this musical changed my life. xo”

@ castChicagoactors

“An absolute perfect moment in theater... this opened in nyc in 1990!!!!! We all had just lost lovers and friends and it was still raging without any meds. Vowing to "buy the farm arm in arm" was and still is the most moving loving words to hear so beautifully sung”

Jeff Schecter (@ jeffschecter4543)

“I saw Falsettoland at the Theatre De Lys in the Village shortly after my brother Marty died of AIDS, and I have never cried so hard in my life as during "What More Can I Say" and "Unlikely Lovers." I cried so hard that in part of my brain I thought someone might escort me out of the theatre, but there was nothing I could do about it, Michael Rupert you gave voice to everything I felt and there was no stopping it. Thank you thank you thank you. Of course saw the short multiple times on Broadway and afterwards in various productions and I will just never forget this song and that moment until every brain cell I've got has given up and every memory is erased because this is the such an honest statement of what love is all about. To all of you in the show and William Finn I am forever grateful.”

David Fleischer (@ davidfleischer455)

“Thanks for posting, Michael. Today, after 29 years together, my husband and I are legally married in our state of Georgia.”

@ theBestArts

“I have seen many Broadway musicals in my day. Over one hundred original and first run shows since 1980. I can honestly say without heistation that Falsettos in 1992 is the best musical I have ever seen in NY. The ensemble cast, simple set, lyrics, and use of character to tell a story is a perfect example of theatre art. Every theater lover should have seen this one, it is a masterpiece. Chip Zien and Barbara Walsh shine in every performance they give.”

@ muscled57

“I saw March of the Falsettos in 1980 and marvelled at it's musical brilliance and ended up seeing it half a dozen times. Then I saw Falsettoland a decade later which devastated me with it's sensitivity and humanity. Years later I saw a regional production of Falsettos which is the combination of the two shows and was enchanted and remain grateful to Mr Finn for writing such a masterpiece of musical theatre that I could see again and again.”

@ donovan3535

“I was fortunate enough to be reach up and touch Mr. Patinkin at the Golden Theatre in February, 1993, during his run with this amazing show. Those who don't think he made a good Marvin: I have to disagree with you completely. The man is one of the best American talents alive today and gave an amazing performance, in my opinion.”

@ dyabolykyll

“I can't believe I've never seen this before. I've sobbed all the way through the second act. Such strong memories of my dear friend Sammy, who died in 1993. The last time I visited him with my kids, he asked if he could change my daughter's diaper, and afterwards he cried because I wasn't afraid.

It hits so hard for those of us who were young adults when AIDS came on the scene. People were afraid to be in the same room with someone who had it, much less to touch them. It made hand holding and hugs mean so much more."

@ VeracityLH

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strawberryroses3929

3 weeks ago