Sorry I’m Late I Slithered Here From Eden Just To Hide Outside Your Door

i grow with the same aches and pains in the same way that the house that i spent my childhood in did - the precise address and house always changing but the energy consistent - with groans as the wind blows past in unrelenting fury, with shudders as the heat boils down and with wails and the rain pummels down on the sturdy rooftop.

i grew steadily, but somehow shakily, like the strong bamboo outside my window yeah survives the tumultuous semantics of weather, yet bends at the lightest touch of breeze.

i wish to be like these childhood homes. steadfast and clean in their pure and joyful energy. i hope and pray as i grow that i can shed behind the parts of myself that i despise and have almost outgrown of, and that i can build myself anew.

i miss my childhood home, actually. even if i moved often as a child. perhaps i miss the simplicity of it all, of life when the most strenuous thing was moving a few streets away.

this is insane

i'm actually going insane because what do you mean the lines blurring between the physical and the mental effects, the "groans and shudders and wails" that might as well be you crying in the language of a building

the bamboo metaphor is absolutely genius because there's so much to unpick. the absolute unpredictable nature of it all? the irony of being able to withstand the harshest things but breaking down so easily when you're vulnerable. no one understands why you're so volatile yet so calm, so emotional and yet an adult in the body of a child. matured too fast, just as bamboo does?? actually incredible you're a genius???

the way this reads like a prayer and a promise is actually making me sick in the best way possible. i love the way it's hopeful but also so tragic. the fucked nostalgia you're capturing is something i've always wanted to describe and the fact that you wrote about this makes me feel understood but. in a way i'm sorry that i'm understood. it shouldn't be like that.

i'm so glad you showed me this because what do you mean you became the stable architecture and you are the house and you are now trying to be the walls that you were never certain would stay up for long enough

i'm so sorry you had to go through this, and i'm sorry that we're both able to bond over it, as beautiful as this poetry is. i'm keeping this one close to me. i hope you can get out of the circumstances one day.

thank you. thank you thank you thank you.

tamino and mitski photographed by ramy moharam fouad

seeing percy struggle in the live action with constant thoughts of that there’s something wrong with him, that he’s broken, because things never go his way JUST HIT SO HARD. esp as that’s how my life has been continuously and i think that is such a big deal for me. and it may be the percy adhd thing but. it just kicked me in the guts.

while i'm thinking about intimacy and violence and the ways they intersect there's something so compelling to me about allowing someone to hurt you. seeing someone consumed by their rage and pain so completely that it's burning them up from the inside out and saying you need to set this loose before it destroys you. you need to let it out. so give it to me. i can take it. take it out on me. i'm giving you permission. i want you to hit me as hard as you can, for as long as you need to. the way it blurs the lines between who is the victim and who is the perpetrator. who is in control and who is bowing to whose power and authority. who is truly dependent on whom.

Andrea Gibson, Lord of the Butterflies

i do enjoy "living weapon" characters but specifically living weapons who did in fact do absolutely horrific things which at least a part of them enjoyed and thought was good and right at the time, and that no amount of not knowing any better or guilt they feel in hindsight will ever make up for. i love living weapons who are "irredeemable", and no it's not their fault that they were made that way or pointed in the directions they were by the hand that wielded them, and yes they are victims, but so were their victims. living weapons who some people will never be able to forgive, but who still wake up every day and try to do better than what's expected of them. a sword that uses its blade to cut wheat to make bread for the people who once lived in fear of its arc falling on their heads.

having a job

Happy wet beast Wednesday

HOZIER — NFWMB | Acoustic Live (2018) [2/5]