Chapter 33: The Unravelling Of Reality

Chapter 35: Unravelling Threads of a Told Tomorrow

The fire in the damp cave crackled, spitting a shower of orange sparks into the heavy, charged silence that followed Arthur Ainsworth’s almost whispered invitation. For a long moment, no one spoke. The only sound was the distant, ceaseless roar of the hidden waterfall, a monotonous, indifferent rush of water that seemed to echo the vast, empty chasm of disbelief his words had torn open in their reality. Nana Hiiragi stared at him, her expression a battlefield of warring emotions: shock, anger, a dawning, horrified comprehension, and beneath it all, a flicker of something else – a desperate, almost unwilling hope. Kyouya Onodera’s usually impassive features were tight with a focused, almost predatory intensity, his mind clearly working at furious speed to process, dissect, and analyze the impossible. Michiru Inukai looked pale and stricken, her gentle eyes wide with a mixture of fear and a deep, compassionate sorrow for the sheer, unbelievable weight Arthur must have been carrying. Even Jin Tachibana, his enigmatic calm usually an impenetrable shield, seemed to regard Arthur with a new, sharp, almost piercing alertness.

It was Kyouya who finally broke the spell, his voice preternaturally calm, yet with an underlying edge as sharp as the makeshift blade resting by his side. “Ainsworth-san,” he began, the use of Arthur’s true surname a deliberate, pointed acknowledgement of the new reality between them. “You claim this… ‘story’… this ‘Munō na Nana’… it accurately depicted events on the island, events involving us, with a specificity that allowed you to make your… ‘predictions.’ How can you be certain this wasn’t merely a series of astute observations on your part, perhaps amplified by a genuine, if limited, precognitive Talent you are now choosing to deny for reasons of your own?” It was a logical, almost lawyerly challenge, an attempt to find a more rational, if still extraordinary, explanation.

Arthur met his gaze squarely. “Because, Onodera-san,” he said, his voice weary but firm, his Japanese surprisingly steady, “the details were too specific. Not just the ‘who’ but often the ‘how,’ sometimes even snatches of dialogue, internal motivations of characters that I couldn’t possibly have guessed. The sequence of Nana-san’s targets in that first year, for example, the methods she employed… many were almost identical to what I remembered from this… this narrative.” He paused. “And believe me, if I actually possessed a genuine Talent for seeing the future, I would likely have managed this entire horrifying situation with considerably more competence and far fewer… casualties.” The self-deprecating bitterness in his tone was palpable.

Nana spoke next, her voice low, hoarse, almost raw. “This… ‘Nana’… in your story. You said she… she changed. That she started to… to save Talents? That she wanted to destroy Tsuruoka?” There was a desperate, almost hungry intensity in her eyes. “Did it say how? Did it show her succeeding? What else did it say about… about what I became?”

Arthur looked at her, his heart aching with a complex pity. “The story, as I said, was ongoing when I… left my time. It showed her making that profound shift, yes. Driven by… well, by events similar to what you yourself experienced, Nana-san. By betrayal, by the realization of Tsuruoka’s true nature, by the influence of… of someone like Michiru-san.” He glanced at Michiru, who flushed slightly. “She became fiercely determined to dismantle everything Tsuruoka had built. As for how she went about it, or if she ultimately succeeded… those were parts of the story I never got to see. It was, as you might say, a continuing serial. I only had access to the ‘published volumes’ up to a certain point.” He hesitated. “It did show her becoming… incredibly ruthless in her pursuit of Tsuruoka. Almost as ruthless as she had been when serving him.”

“And my parents?” Nana pressed, her voice barely a whisper now. “The story… it truly said Tsuruoka arranged their murders? That they weren’t… my fault?”

“It was unequivocally clear on that point,” Arthur affirmed gently. “They were good people who opposed him. He had them eliminated and then, with sickening cruelty, manipulated you into believing you were responsible, to break you and bind you to him. That was a central, tragic element of your character’s backstory in the narrative.”

Nana closed her eyes, a single tear escaping and tracing a path through the grime on her cheek. The validation, however bizarre its source, seemed to offer a tiny, almost unbearable sliver of solace.

“What about the Committee?” Kyouya interjected, his focus shifting to more strategic concerns. “Did this narrative provide details about its internal structure? Its ultimate objectives beyond what you’ve already speculated? Were there insights into Tsuruoka’s specific long-term plans, or the identities of other key figures within the organization?”

Arthur sighed. “Frustratingly few concrete details, I’m afraid. Tsuruoka was always depicted as the primary antagonist, the mastermind. Other Committee members were shadowy, ill-defined figures. Their goals seemed to be about control, about manipulating society through fear of Talents, and perhaps, as I mentioned, about weaponizing those ‘Enemies of Humanity.’ But the intricate details of their hierarchy or their decades-long endgame… that was mostly left to speculation even within the story’s fanbase, as far as I can recall.” He paused. “Explaining a Japanese comic book that somehow predicted, or perhaps even influenced, their entire horrific existence… it felt like trying to summarize a particularly bizarre, convoluted dream to a skeptical psychiatrist. Or perhaps attempting to convince the local parish council back in Crawley – or for that matter, any sensible, rational person from Chichester to Land’s End – that their lives, their deepest pains and struggles, were nothing more than a work of popular fiction from another dimension. Utterly, certifiably mad.”

Michiru, who had been listening with a mixture of wide-eyed horror and profound sadness, finally spoke, her voice small and trembling. “Arthur-san… were… were other people we knew from the island… people like Nanao-kun, or Hoshino-kun, or Tachibana-kun… were they also… characters in this story? Did you know what was going to happen to them too, all along?”

Arthur looked at her gentle, troubled face, and the weight of his past inactions, his often-ineffectual interventions, pressed down on him anew. “Yes, Michiru-san,” he said softly. “Many of them were. And yes, I had… glimpses… of their fates. Sometimes clearer than others. As I tried to explain to Kyouya-san, my knowledge was often too little, too late, or too vague to act upon decisively without risking even greater catastrophe.”

“And what of me?” Jin Tachibana’s voice, smooth and cool as polished silk, cut through the charged atmosphere. He had remained silent throughout the exchange, his pale eyes fixed on Arthur, his expression unreadable. “This… ‘Rin’… Kyouya’s sister, who supposedly took on the identity of a boy named Jin Tachibana after a past tragedy. Was her specific role, her full story, also detailed in this… chronicle you remember so selectively, Ainsworth-san?” There was a subtle, almost imperceptible challenge in his tone.

Arthur met Jin’s gaze, choosing his words with extreme care. “The narrative I recall touched upon a character with a deeply tragic past, someone connected to Kyouya-san’s sister, yes. Someone who had been grievously harmed by the Committee’s system, who had lost their original identity, and who later operated from the shadows, with… complex and often ambiguous motivations.” He offered no more, sensing the dangerous, shifting currents beneath Jin’s calm façade. He knew he was treading on very thin ice.

“Why?” Nana asked suddenly, her voice raw with a new kind of pain. “Why didn’t you tell us all of this sooner, Arthur-san? From the very beginning?”

Arthur looked down at his hands, the hands of Kenji Tanaka, a boy whose life he had unwillingly usurped. “Would you have believed me?” he asked quietly. “If, on my first day, a strange boy speaking through a telephone had told you that your entire reality was a Japanese comic book from his world? You, Nana Hiiragi, trained assassin, would you have simply accepted that?” He shook his head. “You would have marked me for immediate elimination as a dangerous lunatic, and rightly so. I told you what I felt I could, when I felt I could, in ways I hoped might make a small difference, without getting myself killed in the process, or making things catastrophically worse. My ‘Talent depletion’ announcement after the escape… that was the first moment I felt it might be safe, or even necessary, to begin unravelling the true extent of the… absurdity of my situation.”

A long silence fell, filled only by the crackling of the fire and the distant, soothing roar of the waterfall. The survivors sat, each lost in their own thoughts, grappling with a truth that redefined their past, their present, and their utterly uncertain future. The world had not just been turned upside down; it had been revealed as a strange, distorted echo of a fiction from another dimension.

Finally, Kyouya spoke, his voice thoughtful, pragmatic. “This knowledge, however outlandish its origin, however unsettling its implications… it changes nothing about our immediate objectives. Tsuruoka is still out there. The Committee still operates. The threat to Talents, to all of us, remains.” He looked at Arthur. “But it does, perhaps, give us a new, if deeply unorthodox, perspective on our enemy. And on ourselves.”

Nana nodded slowly, a new, hard light dawning in her violet eyes, the earlier flicker of desperate hope now solidifying into something far more dangerous, more focused. “A story…” she murmured, almost to herself. “So Tsuruoka thought he was writing my story.” A small, chilling smile touched her lips. “Perhaps it’s time I started writing my own ending. And his.”

Arthur watched them, a strange sense of detachment settling over him. He had unburdened himself of his greatest secret. The pieces were now on the board, for all to see. His "one idea," the thought that had been coalescing in his mind since their escape, now felt more urgent, more necessary than ever. But first, they had to truly absorb this. They had to decide if they could even move forward together, now that the very foundations of their reality had been so profoundly, so utterly, shaken.

The Council Of The Unseen Versus SPECTRE

Nana Hiiragi

Of course the hate for her is well deserved.

First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.

Yes, she would be hated just as much if Nana was male (probably more so).

It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.

In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).

Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.

The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.

In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.

I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.

Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).

I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.

Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).

Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.

And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).

Hopefully she will pay some sort of price for her actions.

Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.

In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).

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Chapter 26: Reunion in the Rain

The chaotic, premature end of the third school year on the island had seen Arthur, along with the other bewildered and traumatized student survivors, unceremoniously dumped back onto the mainland like so much unwanted refuse. For him, it meant a grim, dispiriting return to the life he had briefly, miserably known before his forced return to the academy: the anonymity of the teeming city, the gnawing ache of poverty, and the soul-crushing, repetitive labour of a sprawling construction site on the urban fringe. The bitter irony wasn’t lost on him; he was now walking the same path of grueling menial toil, enduring the same casual cruelties from foremen and co-workers, that Kyouya Onodera had apparently walked before his own arrival on that cursed island. He endured the harsh, unforgiving conditions, the meagre, often insufficient pay that barely covered the rent for a shared, squalid room in a decaying lodging house, and the constant, wearying taunts from his fellow labourers who mocked his still-halting Japanese and his foreigner’s awkwardness. Each day was a fresh testament to his unwanted, unwelcome survival. His phone, his former lifeline to communication and understanding, had been confiscated during the island evacuation, leaving him to navigate this complex, indifferent world with only his painfully limited vocabulary and a profound, isolating sense of linguistic inadequacy.

Months bled into one another, a dreary, monotonous procession of exhausting physical labour and long, lonely nights spent staring at the cracked ceiling of his cramped room. He heard nothing of Nana, nothing of Michiru, nothing of Kyouya. The island, and the unspeakable horrors it held, began to feel like a distant, terrible fever dream, its sharp edges softened by time and the sheer, grinding drudgery of his current existence.

One particularly bleak, miserable evening in late autumn, as a cold, persistent, sleety rain lashed the city, relentlessly turning the streets into slick, reflecting rivers of neon and grime, Arthur trudged wearily away from the cacophonous, muddy construction site. His body ached with a bone-deep exhaustion, his spirit felt numb, hollowed out. He took a shortcut through a narrow, dimly lit, garbage-strewn alleyway, more to escape the biting, rain-laden wind than to save any appreciable time. And there, huddled in a recessed, darkened doorway, trying desperately to find some meagre shelter from the relentless downpour, was a figure he recognized instantly, despite her ragged, filthy clothes and the haunted, almost feral terror in her eyes. Nana Hiiragi.

She looked up with a start as he approached, her eyes – those once bright, violet, calculating eyes – widening in shocked, terrified recognition. She was thinner, almost skeletal, her once vibrant pink hair now lank, faded, and plastered to her skull by the rain, her face smudged with dirt and etched with a weariness that went far beyond mere physical exhaustion. She looked like a cornered, wounded animal, a desperate fugitive who had finally run out of places to hide. On top of a nearby overflowing, reeking rubbish bin, a scrawny, spectral white cat sat preternaturally still, its intelligent, luminous eyes fixed on them both, seemingly entirely unfazed by the driving rain or the charged atmosphere in the narrow alley.

“Tanaka-kun?” Nana whispered, her voice hoarse, cracked, barely audible above the drumming of the rain, disbelief warring with a flicker of raw, desperate fear, and perhaps, Arthur thought with a jolt, a tiny, almost imperceptible spark of desperate, unwelcome hope. She looked utterly broken. She began to stammer, incoherent words of regret, of apology for… for everything, her body trembling violently.

Arthur, his own weariness a heavy, sodden cloak upon his shoulders, cut her off, his voice flat, the English words falling like chips of ice in the damp, cold air. “Save it, Hiiragi. Just… save it.” He saw the last vestiges of fight, of defiance, go out of her. She sagged against the grimy, graffiti-covered wall, the rain plastering her thin clothes to her shivering frame.

“Tsuruoka,” he began, speaking slowly, deliberately, still in English, knowing she had some comprehension, and needing the precision of his own tongue for what he had to say. “Commander Tsuruoka… he killed your parents, Nana. Not you. He did.” He saw her flinch as if he had physically struck her, her eyes widening in stunned, uncomprehending horror. “He hired two Talented criminals to do the job, individuals with existing convictions, easily manipulated, easily controlled. They were likely… disposed of… after they’d served their purpose. Silenced. Standard Committee operating procedure.” Nana stared at him, her mouth agape, rain dripping from her chin, her breath catching in her throat. “Your parents,” Arthur continued, his voice relentless, a grim, emotionless recital of terrible truths. “They supported Talents. They were actively opposed to Tsuruoka’s ideology, his methods, his growing power within the Committee. He decided not only to eliminate them as a threat but, as the ultimate, monstrous act of revenge against their memory, to take their only daughter and twist her, mold her, into the very thing they fought against. It was so much easier to shape you, to control you, if you could be blamed for their horrific murders, wasn’t it? If you truly believed yourself a monster from the very start.” He saw the dawning, unutterable horror in her eyes as pieces of her shattered, manipulated past began to align with his brutal words. “You running to that police station, a terrified child clutching your own father’s severed head… the accusations, the recriminations you faced there… that was all part of Tsuruoka’s meticulous, diabolical plan. The reason you were shunted from one uncaring, abusive foster family to another. It was all designed to break you, to isolate you, to make you utterly pliable, to make you his perfect, unquestioning weapon.”

He paused, letting the crushing weight of his words sink into her already fractured psyche. “You could have asked more questions, Hiiragi,” he said, his voice softening almost imperceptibly, a hint of weary sorrow creeping in. “You could have done more research. Yes, many Talents are bad, dangerous, destructive. But it was never your place to be their judge, their jury, and their executioner.” He looked her directly in the eye, his gaze unwavering, trying to convey the full import of his next statement. “And Talents, Hiiragi,” he added, his voice dropping to a low, pointed near-whisper, “they don’t have a monopoly on doing bad things.” The implication that he knew she, Nana Hiiragi, the Committee’s most feared assassin of Talents, was herself entirely Talentless, hung heavy, unspoken but deafening, between them in the cold, rain-swept alley. “Now, perhaps, after everything, you finally understand the full, terrible extent of my ‘Talent.’ My ‘predictions.’ And believe me, Hiiragi, things are going to get much, much worse. For all of us.”

Nana, looking utterly numb, her face a mask of dawning, unbearable truth and profound, world-shattering despair, finally spoke, her voice a mere breath, almost lost in the relentless drumming of the rain. “I’ve seen them… Tanaka-kun. I’ve seen… the Enemies of Humanity.”

Arthur, who had almost turned to leave, to walk away from her and the vortex of pain and violence she represented, froze in his tracks. Her words, so quiet, so full of a new, specific terror, stopped him cold. He knew, with a sudden, sickening lurch, where this was heading, to the most bizarre, the most terrifying, the most inexplicable aspect of this twisted, nightmarish world. He turned back slowly to face her, the rain dripping from his hair, from the collar of his thin jacket. He struggled for a moment with his limited Japanese, then resorted to blunt English again. “Tsuruoka. He’s shown you, hasn’t he?” he asked, his voice grim. “Two of them, I’d wager. Two of those… monsters. And he told you that Talents don’t truly die when you kill them? That they just… change? That they turn into those things?” Nana, her eyes wide and haunted, brimming with a fresh, unspeakable horror, nodded slowly, a single tear tracing a path through the grime on her cheek.

“He was telling you the truth, Nana,” Arthur said, his voice heavy with a weariness that seemed to age him decades in that moment. “Up to a point, at least. My own… additional information… it may not be entirely precise, you understand. It’s… fragmented. But from what I’ve managed to piece together, from what I remember… when a person with a Talent reaches a certain point in their life – late teens, their twenties, sometimes as late as their forties, it varies – their Talent can undergo a kind of… profound, often terrifying metamorphosis. Think of it as… as puberty, but with new, often unstable, uncontrollable superpowers. A secondary, more monstrous blossoming.” He saw the flicker of horrified understanding in her eyes. “Unfortunately, from what I know, it’s not long after that stage, that secondary manifestation, that they can… they can transform. Become those creatures Tsuruoka so proudly, so callously, displayed for you. The process, I believe, can also happen, perhaps even accelerate, if a Talent appears to be dead to our eyes, like Etsuko, the girl he showed you in that body bag. Their essence, their Talent, it just… festers, corrupts, transforms.”

He saw the recognition of Etsuko’s name, the confirmation of her own terrible experience in Tsuruoka’s charnel house, reflected in Nana’s horrified gaze. “I don’t know what the Committee’s ultimate, endgame plan is, Nana,” Arthur admitted, running a hand through his wet hair. “I truly don’t. But I strongly suspect Tsuruoka will use – or perhaps already is using – these so-called ‘Enemies of Humanity’ as a potent, terrifying tool. Maybe, just maybe, it’s to keep the current Japanese government in power, by presenting these monsters as a constant, existential threat that only he, and the Committee, can manage, can protect them from. Or, and this seems far more likely given his megalomania, once he’s successfully eliminated all other Talents he deems problematic or uncontrollable, he’ll use these monsters, these transformed Talents, to try and take over the world himself.”

He looked at Nana, her face a canvas of shock, dawning comprehension, and utter, soul-crushing despair. “He played you, Nana,” he said, his voice softer now, almost gentle. “From the very beginning. He played us all.” With that, Arthur Ainsworth turned and began to walk away, his shoulders slumped, leaving Nana Hiiragi alone in the cold, dark, rain-lashed alley to absorb the full, crushing weight of his devastating revelations. As he reached the grimy, graffiti-scarred end of the alley, he glanced back, a brief, almost involuntary movement. Nana was slowly, unsteadily, pushing herself to her feet, a small, broken figure in the vast, uncaring city. The scrawny white cat, which had been watching their entire exchange with an unnerving, almost sentient stillness from its perch on the overflowing rubbish bin, hopped down with a silent, graceful leap and, with an almost imperceptible flick of its tail, began to follow Nana as she stumbled out of the alley and disappeared into the rainy, indifferent labyrinth of the darkened city streets. He knew, somehow, with a certainty that settled like a stone in his own weary heart, that their paths, his and Nana’s, were still destined to cross again. The island’s dark, insidious tendrils reached far, even into the deepest, most anonymous shadows of the sprawling mainland.

Chapter 28: Justice, Parole, and a Ghost from the Past

Nana Hiiragi’s fragile, newfound resolve to confront Commander Tsuruoka, precariously bolstered by Jin Tachibana’s enigmatic counsel and Arthur Ainsworth’s devastating revelations, was tragically, almost laughably, short-lived. She had woefully underestimated the speed, the reach, and the utter ruthlessness of her former handler. Just a few desperate days after her clandestine, rain-swept meeting with Jin, as she was cautiously, almost timidly, trying to gather meager resources and formulate even the most rudimentary plan of action from the squalid sanctuary of her tiny, anonymous apartment, Tsuruoka made his decisive, inevitable move. He contacted Detective Maeda, the outwardly respectable police officer to whom the earnest, unsuspecting Akari Hozumi had so trustingly entrusted her meticulously compiled dossier of damning evidence against Nana.

“Maeda,” Tsuruoka’s voice was cold, devoid of inflection, and utterly decisive over the secure, encrypted line, “it is time to officially activate the Hiiragi case file. I want a full-scale, highly publicized manhunt. And I want her found. Quickly. Public interest in this matter is… considerable.”

The well-oiled machinery of the law, its gears greased and subtly guided by Tsuruoka’s pervasive, unseen influence, ground into motion with terrifying, unstoppable efficiency. Within hours, Nana Hiiragi’s face – a younger, more innocent-looking photograph taken from her old school records – was plastered across national news broadcasts, online forums, and police bulletins. She was branded “The Island Schoolgirl Killer,” a teenage monster who had preyed on her unsuspecting classmates. Her carefully constructed anonymity evaporated like morning mist under a harsh sun. The city, once a sprawling, indifferent refuge, transformed overnight into a vast, tightening net. Within days, her desperate attempts to change her appearance, to melt into the urban sprawl, proved futile. She was cornered in a crowded, brightly lit suburban shopping mall by an alert off-duty police officer who recognized her from a wanted poster. Her frantic, desperate attempt to flee, to lose herself in the throng of shoppers, was short-lived and brutally curtailed. Nana Hiiragi, the Committee’s former star assassin, the girl Tsuruoka had molded into a perfect weapon, was apprehended, her brief, flickering hope of confronting her tormentor on her own terms extinguished.

Her trial was a media sensation, a lurid, captivating spectacle that fed the public’s morbid fascination with youthful depravity. The damning evidence Akari Hozumi had so meticulously gathered was laid bare for all to see: chilling witness testimonies from former island students (their own traumas carefully managed and selectively presented by the prosecution), Akari’s own unnervingly precise forensic reconstructions of multiple murder scenes, and Nana’s own fragmented, tearful, partial confession made by the lake on the island. The prosecution, led by a sharp, ambitious young lawyer, painted Nana as a cold, calculating, remorseless serial killer, a monstrous aberration who had systematically preyed on her innocent, unsuspecting fellow students. The public outcry was immense, a wave of revulsion and fear. The death penalty seemed not just a possibility, but an almost foregone conclusion.

But Nana’s court-appointed lawyer, a tenacious, fiercely idealistic, and surprisingly skilled older woman named Haruka Ito, fought tirelessly, passionately, against the overwhelming tide. Ito, with a quiet dignity that often wrong-footed the more aggressive prosecution, argued for diminished responsibility. She meticulously detailed Nana’s brutal, isolated upbringing, her systematic indoctrination from a young, impressionable age, and the extreme, undeniable psychological manipulation she had endured at the hands of a shadowy, unaccountable government organization. She portrayed Nana not as an inherent monster, but as a tragic, deeply damaged victim, a child soldier psychologically tortured and molded into a weapon in a covert war she hadn’t understood, couldn’t possibly have comprehended. Nana herself, during the long, agonizing trial, remained mostly silent, a pale, hollow-eyed ghost in the defendant’s box, her demeanor one of profound numbness, punctuated by occasional, barely perceptible flickers of remorse and a deep, soul-crushing weariness. Haruka Ito’s defense was compelling, deeply unsettling to the public narrative. While it could not exonerate Nana of the terrible acts she had committed, it cast enough doubt on her sole, unmitigated culpability. The death sentence was, to the shock and outrage of many, commuted. Nana Hiiragi was instead sentenced to a lengthy, indeterminate prison term for multiple counts of culpable homicide. She disappeared into the unforgiving, anonymous depths of the penal system, her name forever synonymous with betrayal, youthful monstrosity, and the dark, hidden secrets of the nation’s clandestine operations.

Three years later, in the mild, cherry-blossom-scented spring of late 2028, Arthur Ainsworth was expertly wiping down a small, Formica-topped table in “The Corner Nook,” the bustling, unpretentious restaurant in a quiet, residential Tokyo suburb where he now worked as a waiter. He was surprisingly, almost guiltily, content. The mundane, predictable rhythm of the work – taking orders, delivering food, clearing tables, the easy, unforced banter with the regular patrons – was a soothing balm to his once-tormented soul. His Japanese, honed by years of daily immersion and supplemented by diligent attendance at informal language exchange meetups, was now reasonably fluent, his English accent a minor, charming novelty that amused the customers and his co-workers alike. He had even, cautiously, begun to make a few tentative friendships.

The island, Tsuruoka, Nana Hiiragi – they were ghosts that still haunted the periphery of his thoughts, their sharp edges softened by the healing balm of time and distance, but their presence, their impact, was undeniable. Annually, on the grim anniversary of his inexplicable, violent arrival on that cursed shore, he would make a quiet pilgrimage to a large, peaceful, and entirely anonymous public cemetery on the outskirts of the city. He didn’t know where Nana’s victims were truly buried, or if their families had even been allowed the dignity of a grave. So, he would choose a weathered, unnamed, forgotten headstone at random, lay a single, pure white chrysanthemum at its base, and talk to them, to Michiru, to Nanao, to Hoshino, to Tachibana, to Habu, even to the foolish, cruel bullies, Etsuko and Marika. He would speak to them in quiet English, recounting their small, stolen lives as he remembered them, acknowledging their needless deaths. It was his private penance, his way of remembering, of shouldering the small share of responsibility he felt for their fates.

The world outside the comforting, predictable routine of his quiet restaurant, however, was growing increasingly, palpably uneasy. News reports, both mainstream and from more fringe online sources, spoke with alarming frequency of rising anti-Talent sentiment across Japan, often fueled by isolated, sensationalized incidents of Talents losing control of their abilities or, more disturbingly, using their unique powers for overtly criminal, even terroristic, acts. Whispers, then more overt discussions, of government-run “Protective Custody and Assessment Centers” – internment camps, Arthur knew them to be, his blood running cold at the familiar, chilling euphemism – for individuals with “problematic” or “unstable” Talents were becoming more frequent, more insistent, presented as a necessary measure for public safety. The seeds of fear and division Tsuruoka and the Committee had so carefully, so cynically, sown over the years were now bearing bitter, poisonous fruit.

It was on a cool, clear spring evening, as Arthur was meticulously cashing up for the night, the familiar scent of soy sauce and grilled fish still lingering in the air, that Nana Hiiragi walked, not back into his life, but back into the turbulent, unforgiving life of the world at large. She had been paroled, her release from prison quiet, unpublicized, almost surreptitious – likely another of Tsuruoka’s intricate, inscrutable machinations, Arthur suspected. Her first act as a conditionally free woman, her gaunt face hardened by three years in the brutal, dehumanizing environment of prison, her eyes still burning with a desperate, unquenched need for truth and retribution, was not to seek anonymity or a fragile peace, but to confront her primary tormentor, the architect of her ruined life.

She found Commander Tsuruoka, as she somehow knew she would, in his heavily fortified, opulently appointed private office deep within the Committee’s impenetrable headquarters. He received her with a chillingly calm, almost paternally amused demeanor, as if her unexpected appearance was an entirely predictable, mildly entertaining diversion from his important work. Nana, older now, her youthful softness almost entirely erased, her voice raspy from disuse but her resolve like tempered steel, demanded answers – about her parents, about the Committee’s lies, about the true nature of the “Enemies of Humanity,” about everything.

Tsuruoka deflected her every accusation, her every anguished question, with infuriating, condescending ease, his words a masterclass in psychological manipulation, twisting reality, subtly shifting blame, painting Nana herself as the architect of her own misfortunes, a flawed, inherently unstable instrument who had inevitably, disappointingly, broken under pressure. He smirked, a slight, dismissive, utterly contemptuous expression that finally, irrevocably, shattered Nana’s fragile, prison-honed composure.

Consumed by years of suppressed, impotent rage, by the fresh, agonizing grief of her remembered, manipulated past, Nana lunged, not for Tsuruoka himself, but for the heavy, ornate, antique silver letter opener lying innocuously on his vast, polished mahogany desk – a poor, desperate substitute for a real weapon, but the only thing immediately at hand. She tried to stab him, to silence his maddening, condescending voice, to inflict even a fraction of the pain he had caused her. At the last possible second, Tsuruoka’s ever-present, stoic, and utterly loyal adjutant, a career military man who had served him faithfully for over two decades, threw himself in front of his boss with a shout of warning. The sharp, pointed steel of the letter opener plunged deep into the adjutant’s chest. He collapsed with a surprised, gurgling grunt, a dark, rapidly spreading stain blooming on the crisp white front of his uniform.

Tsuruoka looked down dispassionately at his dying, devoted aide, then back at Nana, who stood frozen, horrified, the bloody letter opener dropping with a clatter from her trembling, suddenly nerveless hand. A slow, cold, almost predatory smile spread across Tsuruoka’s face. “Is that all you’ve got, Hiiragi?” he taunted, his voice soft, laced with a chilling amusement. “Still so… predictably emotional. So very… disappointing.” Panic, raw and absolute, seized Nana. She had just killed again, this time an innocent man, a man who had tried to protect his monstrous boss, right in front of her nemesis, the man who held all the power. She turned and fled, stumbling from the opulent office, Tsuruoka’s derisive, mocking laughter echoing in her ears, a soundtrack to her renewed, now doubly damned, fugitive status.

posting nothing but ai and hate in main tags/on others posts isnt gonna get you very far on tumblr

That is a great question. But needless to say, it's nothing to care about.

Nana is a dislikable character - that's what this account is for.

Do hope Nana Hiiragi gets her comeuppance

Thank you @sku-te and everyone who got me to 5 reblogs!

Hej

Heh

Chapter 30: The Roundup

A tense, nerve-wracking month crawled by, bleeding from the anxious heart of May into the oppressive, humid heat of mid-June in what would have been, in Arthur’s old life, the summer of 2028. Arthur Ainsworth, Nana Hiiragi, and the ever-enigmatic Jin Tachibana had found a precarious, fleeting anonymity in the sprawling, indifferent depths of Tokyo, moving frequently between a series of increasingly dilapidated, anonymous safe houses procured by Jin’s surprising and unnervingly effective network of unseen contacts. Their life on the run was a grim tapestry woven from constant fear, whispered conversations, shared, meagre rations, and the ever-present shadow of Tsuruoka’s inevitable pursuit.

The atmosphere in the country, meanwhile, had grown uglier, more poisonous by the day. Anti-Talent hysteria, deliberately fanned by sensationalist media outlets controlled by or sympathetic to the Committee, and further inflamed by a series of carefully orchestrated, highly publicized incidents attributed to rogue, "dangerous" Talents, had reached a terrifying, fever pitch. The government, citing an escalating threat to national security and public order, had passed sweeping new emergency legislation, granting sweeping, almost unchecked powers to newly formed special security units. The internment camps Jin had warned of were no longer a whispered rumour, a shadowy future threat, but a stark, brutal, and rapidly expanding reality. Posters appeared overnight on city walls: stern, ominous warnings about the "Talent Menace," urging citizens to report any suspicious individuals or unusual abilities to the authorities. Radio talk shows and television news programs were filled with inflammatory rhetoric, expert panels discussing the "inherent instability" of Talented individuals, and thinly veiled calls for their segregation and control "for the good of society."

Arthur and Nana had settled into an uneasy, almost claustrophobic cohabitation in their current hideout – the back rooms of a small, long-shuttered and forgotten noodle bar in a decaying industrial district, its windows boarded up, its air thick with the smell of dust, disuse, and their own shared anxiety. Their conversations were often strained, punctuated by long, uncomfortable silences filled with the ghosts of their past and the looming dread of their future. They were trying, hesitantly, awkwardly, to forge some kind of functional working relationship, sharing fragmented, painful memories from the island, attempting to understand the true extent of Tsuruoka’s monstrous manipulations. Arthur still found it incredibly, almost impossibly difficult to reconcile the subdued, haunted, and seemingly genuinely remorseful Nana Hiiragi before him – the young woman who now flinched at loud noises and wept silently in her sleep – with the cold, efficient, ruthless teenage assassin he had first encountered on that cursed island. Nana, in turn, visibly struggled with the sheer weight of Arthur’s quiet, unspoken knowledge of her past, his occasional, inadvertent English pronouncements a constant, unwelcome reminder of the depth of his insight, his very presence a mirror reflecting her own suffocating self-loathing.

They were in the middle of one such tense, circular discussion, Nana hesitantly recounting a half-remembered detail about Tsuruoka’s early indoctrination methods, Arthur listening with a grim, weary patience, when the boarded-up back door of the noodle bar suddenly splintered inwards with a deafening crash.

Before either of them could fully react, before Arthur could even scramble to his feet, the small, dark room was swarming with black-clad, heavily armed Committee agents, their faces hidden behind impersonal, menacing gas masks, their movements swift, brutal, and terrifyingly efficient. Arthur and Nana barely had time to register the assault before they were viciously subdued, their desperate, futile struggles silenced by harsh, barked commands, the painful pressure of stun batons, and the brutal, practiced efficiency of highly trained government operatives. There was no escape. The roundup, Jin’s dire prophecy, had begun in deadly earnest.

Arthur next found himself blinking dazedly against the harsh, unforgiving glare of fluorescent lights in a vast, echoing, and terrifyingly crowded processing centre, the air thick with the metallic tang of fear, unwashed bodies, and institutional disinfectant. He was fingerprinted with rough, indifferent hands, photographed like a common criminal, forcibly stripped of his ragged civilian clothes, and issued a drab, numbered, ill-fitting prison uniform. He caught a fleeting, horrifying glimpse of Nana, her face pale as death but her expression one of grim, almost stony resignation, being herded into a separate line by two armed guards. Then she was gone, swallowed by the chaotic, terrified throng.

The internment camp itself, when he finally arrived after a long, jolting journey in an overcrowded, windowless transport vehicle, was a monument to despair. It was a desolate, sprawling, hastily constructed complex of prefabricated barracks and grim concrete bunkers, surrounded by multiple layers of high, electrified fences, stark, skeletal watchtowers manned by heavily armed guards, and an almost palpable aura of hopelessness. It was a place built to crush spirits, to extinguish hope, to reduce human beings to mere numbers.

Within days of his arrival, amidst the hushed, fearful whispers and the constant, grinding misery of camp life, Arthur heard the news he had both dreaded and somehow expected. Kyouya Onodera was here, captured in a separate, equally brutal raid in another city. More astonishingly, and a small, sharp, painful joy for Arthur, he learned that Michiru Inukai had also been swept up in the Committee’s merciless nationwide purge, her quiet, unassuming life on the mainland, where she had been living with distant relatives, violently, inexplicably interrupted. They were all here, it seemed, the key surviving pieces of the island’s cursed, tragic legacy, brought together once more by Tsuruoka’s machinations, confined in this new, even more horrifying circle of hell.

The camp was under the iron-fisted command of a man named Ide – Commandant Ide, as he insisted on being addressed. Ide was a tall, imposing figure with cold, fanatical eyes, a neatly trimmed grey moustache, and an unshakeable, almost religious belief in the inherent danger and genetic inferiority of Talented individuals. He would often address the new arrivals during their initial processing, his voice amplified by loudspeakers, spewing forth a venomous stream of anti-Talent rhetoric, justifying their imprisonment as a necessary measure to protect the "purity and safety of normal society."

Commandant Ide, Arthur soon learned through the camp’s terrified grapevine, took a particular, sadistic, and almost scientific interest in Kyouya Onodera. Reports of Kyouya’s extraordinary immortality had, it seemed, reached him, and Ide appeared determined to personally test its limits, to find a way to break the unbreakable boy, perhaps even to discover the secret of his regenerative abilities for the Committee’s nefarious purposes. Kyouya was dragged from the already harsh conditions of the general prison population and subjected to weeks of relentless, systematic, and increasingly brutal torture in a special, isolated detention block known only as “Ward Seven.” The methods employed there were whispered to be horrific, designed to inflict maximum, unendurable pain and complete psychological disintegration. Yet, Kyouya endured, his body, though repeatedly broken, always regenerating, his spirit, though undoubtedly battered and traumatized, somehow remaining defiantly, stubbornly, unyieldingly intact.

News of Kyouya’s unimaginable ordeal, though heavily suppressed by the camp authorities, inevitably filtered through the camp’s hushed, fearful rumour mill, adding another deep layer of visceral terror and utter despair to the prisoners’ already wretched existence. Arthur felt a particular, agonizing helplessness; Kyouya, for all his aloofness, his cold detachment, had become a stoic, if distant, and surprisingly reliable ally.

Then, one dark, moonless night, during a period of unusually intense camp-wide lockdown, a small, heavily guarded unit within the infamous Ward Seven was unexpectedly, almost silently, breached. Not by an external force, not by a prisoner uprising, but seemingly from within the camp’s own impenetrable administrative structure. Jin Tachibana, who had, with his usual uncanny, almost supernatural skill, somehow managed to either evade capture during the initial roundups or had deliberately allowed himself to be interned, quickly infiltrating the camp’s complex bureaucracy using his high-level, if now presumably compromised, Committee contacts, orchestrated a daring, almost suicidal rescue. He, with the help of a few carefully chosen, strategically placed individuals within the camp staff whom he had either bribed, blackmailed, or perhaps even genuinely persuaded to his cause, neutralized the guards around Kyouya’s solitary confinement cell, his movements precise, silent, and lethally efficient. He managed to extract Kyouya from the bloodstained, nightmarish torture block.

Kyouya Onodera, emaciated, his body a canvas of fresh, horrific wounds that were already, almost visibly, beginning to heal, his white hair matted with sweat and dried blood, but his eyes still burning with an unquenchable, defiant light, was brought under the cover of darkness to the crowded, squalid barracks section of the camp where Arthur, Nana, and Michiru were housed. His sudden, almost miraculous arrival was a profound shock, but also a tiny, desperately needed spark of something akin to hope in the suffocating darkness. Jin Tachibana had proven his extraordinary capabilities, his enigmatic reach, once more, his influence extending even into the black, beating heart of the Committee’s most brutal prison system.

“Commandant Ide is a fool,” Jin commented quietly to Arthur later, after ensuring Kyouya was safely hidden amongst a small, fiercely loyal group of prisoners who had sworn to protect him. “He believes that pain is the ultimate master, the only true language of control. He doesn’t understand resilience. He doesn’t understand that some spirits, like some bodies, simply refuse to break.”

The unexpected reunion of their core group – Arthur, Nana, Michiru, and now Kyouya – was deeply, profoundly bittersweet, overshadowed by the grim, unyielding reality of their indefinite imprisonment. Nana, her face a mask of complex, conflicting emotions, tended to Kyouya’s initial, horrific wounds with a quiet, almost reverent efficiency, her movements surprisingly gentle. Michiru, her eyes wide with sympathy and a quiet, horrified understanding, offered what little comfort she could, her gentle presence a small solace in the overwhelming brutality of their situation. Arthur watched them, these familiar, battered faces a stark, painful reminder of all they had lost, all they had endured, and all they still stood to lose. The internment camp was Tsuruoka’s new, even more unforgiving crucible, designed to break them, to categorize them, to ultimately, inevitably, eliminate them. But with Kyouya’s miraculous rescue, a fragile, almost invisible seed of defiance, of resistance, had been unexpectedly, improbably, planted. The only question that remained was whether it could possibly survive, let alone hope to flourish, in such barren, toxic, and relentlessly hostile soil.