The chaotic, premature end of the third school year on the island had seen Arthur, along with the other bewildered and traumatized student survivors, unceremoniously dumped back onto the mainland like so much unwanted refuse. For him, it meant a grim, dispiriting return to the life he had briefly, miserably known before his forced return to the academy: the anonymity of the teeming city, the gnawing ache of poverty, and the soul-crushing, repetitive labour of a sprawling construction site on the urban fringe. The bitter irony wasn’t lost on him; he was now walking the same path of grueling menial toil, enduring the same casual cruelties from foremen and co-workers, that Kyouya Onodera had apparently walked before his own arrival on that cursed island. He endured the harsh, unforgiving conditions, the meagre, often insufficient pay that barely covered the rent for a shared, squalid room in a decaying lodging house, and the constant, wearying taunts from his fellow labourers who mocked his still-halting Japanese and his foreigner’s awkwardness. Each day was a fresh testament to his unwanted, unwelcome survival. His phone, his former lifeline to communication and understanding, had been confiscated during the island evacuation, leaving him to navigate this complex, indifferent world with only his painfully limited vocabulary and a profound, isolating sense of linguistic inadequacy.
Months bled into one another, a dreary, monotonous procession of exhausting physical labour and long, lonely nights spent staring at the cracked ceiling of his cramped room. He heard nothing of Nana, nothing of Michiru, nothing of Kyouya. The island, and the unspeakable horrors it held, began to feel like a distant, terrible fever dream, its sharp edges softened by time and the sheer, grinding drudgery of his current existence.
One particularly bleak, miserable evening in late autumn, as a cold, persistent, sleety rain lashed the city, relentlessly turning the streets into slick, reflecting rivers of neon and grime, Arthur trudged wearily away from the cacophonous, muddy construction site. His body ached with a bone-deep exhaustion, his spirit felt numb, hollowed out. He took a shortcut through a narrow, dimly lit, garbage-strewn alleyway, more to escape the biting, rain-laden wind than to save any appreciable time. And there, huddled in a recessed, darkened doorway, trying desperately to find some meagre shelter from the relentless downpour, was a figure he recognized instantly, despite her ragged, filthy clothes and the haunted, almost feral terror in her eyes. Nana Hiiragi.
She looked up with a start as he approached, her eyes – those once bright, violet, calculating eyes – widening in shocked, terrified recognition. She was thinner, almost skeletal, her once vibrant pink hair now lank, faded, and plastered to her skull by the rain, her face smudged with dirt and etched with a weariness that went far beyond mere physical exhaustion. She looked like a cornered, wounded animal, a desperate fugitive who had finally run out of places to hide. On top of a nearby overflowing, reeking rubbish bin, a scrawny, spectral white cat sat preternaturally still, its intelligent, luminous eyes fixed on them both, seemingly entirely unfazed by the driving rain or the charged atmosphere in the narrow alley.
“Tanaka-kun?” Nana whispered, her voice hoarse, cracked, barely audible above the drumming of the rain, disbelief warring with a flicker of raw, desperate fear, and perhaps, Arthur thought with a jolt, a tiny, almost imperceptible spark of desperate, unwelcome hope. She looked utterly broken. She began to stammer, incoherent words of regret, of apology for… for everything, her body trembling violently.
Arthur, his own weariness a heavy, sodden cloak upon his shoulders, cut her off, his voice flat, the English words falling like chips of ice in the damp, cold air. “Save it, Hiiragi. Just… save it.” He saw the last vestiges of fight, of defiance, go out of her. She sagged against the grimy, graffiti-covered wall, the rain plastering her thin clothes to her shivering frame.
“Tsuruoka,” he began, speaking slowly, deliberately, still in English, knowing she had some comprehension, and needing the precision of his own tongue for what he had to say. “Commander Tsuruoka… he killed your parents, Nana. Not you. He did.” He saw her flinch as if he had physically struck her, her eyes widening in stunned, uncomprehending horror. “He hired two Talented criminals to do the job, individuals with existing convictions, easily manipulated, easily controlled. They were likely… disposed of… after they’d served their purpose. Silenced. Standard Committee operating procedure.” Nana stared at him, her mouth agape, rain dripping from her chin, her breath catching in her throat. “Your parents,” Arthur continued, his voice relentless, a grim, emotionless recital of terrible truths. “They supported Talents. They were actively opposed to Tsuruoka’s ideology, his methods, his growing power within the Committee. He decided not only to eliminate them as a threat but, as the ultimate, monstrous act of revenge against their memory, to take their only daughter and twist her, mold her, into the very thing they fought against. It was so much easier to shape you, to control you, if you could be blamed for their horrific murders, wasn’t it? If you truly believed yourself a monster from the very start.” He saw the dawning, unutterable horror in her eyes as pieces of her shattered, manipulated past began to align with his brutal words. “You running to that police station, a terrified child clutching your own father’s severed head… the accusations, the recriminations you faced there… that was all part of Tsuruoka’s meticulous, diabolical plan. The reason you were shunted from one uncaring, abusive foster family to another. It was all designed to break you, to isolate you, to make you utterly pliable, to make you his perfect, unquestioning weapon.”
He paused, letting the crushing weight of his words sink into her already fractured psyche. “You could have asked more questions, Hiiragi,” he said, his voice softening almost imperceptibly, a hint of weary sorrow creeping in. “You could have done more research. Yes, many Talents are bad, dangerous, destructive. But it was never your place to be their judge, their jury, and their executioner.” He looked her directly in the eye, his gaze unwavering, trying to convey the full import of his next statement. “And Talents, Hiiragi,” he added, his voice dropping to a low, pointed near-whisper, “they don’t have a monopoly on doing bad things.” The implication that he knew she, Nana Hiiragi, the Committee’s most feared assassin of Talents, was herself entirely Talentless, hung heavy, unspoken but deafening, between them in the cold, rain-swept alley. “Now, perhaps, after everything, you finally understand the full, terrible extent of my ‘Talent.’ My ‘predictions.’ And believe me, Hiiragi, things are going to get much, much worse. For all of us.”
Nana, looking utterly numb, her face a mask of dawning, unbearable truth and profound, world-shattering despair, finally spoke, her voice a mere breath, almost lost in the relentless drumming of the rain. “I’ve seen them… Tanaka-kun. I’ve seen… the Enemies of Humanity.”
Arthur, who had almost turned to leave, to walk away from her and the vortex of pain and violence she represented, froze in his tracks. Her words, so quiet, so full of a new, specific terror, stopped him cold. He knew, with a sudden, sickening lurch, where this was heading, to the most bizarre, the most terrifying, the most inexplicable aspect of this twisted, nightmarish world. He turned back slowly to face her, the rain dripping from his hair, from the collar of his thin jacket. He struggled for a moment with his limited Japanese, then resorted to blunt English again. “Tsuruoka. He’s shown you, hasn’t he?” he asked, his voice grim. “Two of them, I’d wager. Two of those… monsters. And he told you that Talents don’t truly die when you kill them? That they just… change? That they turn into those things?” Nana, her eyes wide and haunted, brimming with a fresh, unspeakable horror, nodded slowly, a single tear tracing a path through the grime on her cheek.
“He was telling you the truth, Nana,” Arthur said, his voice heavy with a weariness that seemed to age him decades in that moment. “Up to a point, at least. My own… additional information… it may not be entirely precise, you understand. It’s… fragmented. But from what I’ve managed to piece together, from what I remember… when a person with a Talent reaches a certain point in their life – late teens, their twenties, sometimes as late as their forties, it varies – their Talent can undergo a kind of… profound, often terrifying metamorphosis. Think of it as… as puberty, but with new, often unstable, uncontrollable superpowers. A secondary, more monstrous blossoming.” He saw the flicker of horrified understanding in her eyes. “Unfortunately, from what I know, it’s not long after that stage, that secondary manifestation, that they can… they can transform. Become those creatures Tsuruoka so proudly, so callously, displayed for you. The process, I believe, can also happen, perhaps even accelerate, if a Talent appears to be dead to our eyes, like Etsuko, the girl he showed you in that body bag. Their essence, their Talent, it just… festers, corrupts, transforms.”
He saw the recognition of Etsuko’s name, the confirmation of her own terrible experience in Tsuruoka’s charnel house, reflected in Nana’s horrified gaze. “I don’t know what the Committee’s ultimate, endgame plan is, Nana,” Arthur admitted, running a hand through his wet hair. “I truly don’t. But I strongly suspect Tsuruoka will use – or perhaps already is using – these so-called ‘Enemies of Humanity’ as a potent, terrifying tool. Maybe, just maybe, it’s to keep the current Japanese government in power, by presenting these monsters as a constant, existential threat that only he, and the Committee, can manage, can protect them from. Or, and this seems far more likely given his megalomania, once he’s successfully eliminated all other Talents he deems problematic or uncontrollable, he’ll use these monsters, these transformed Talents, to try and take over the world himself.”
He looked at Nana, her face a canvas of shock, dawning comprehension, and utter, soul-crushing despair. “He played you, Nana,” he said, his voice softer now, almost gentle. “From the very beginning. He played us all.” With that, Arthur Ainsworth turned and began to walk away, his shoulders slumped, leaving Nana Hiiragi alone in the cold, dark, rain-lashed alley to absorb the full, crushing weight of his devastating revelations. As he reached the grimy, graffiti-scarred end of the alley, he glanced back, a brief, almost involuntary movement. Nana was slowly, unsteadily, pushing herself to her feet, a small, broken figure in the vast, uncaring city. The scrawny white cat, which had been watching their entire exchange with an unnerving, almost sentient stillness from its perch on the overflowing rubbish bin, hopped down with a silent, graceful leap and, with an almost imperceptible flick of its tail, began to follow Nana as she stumbled out of the alley and disappeared into the rainy, indifferent labyrinth of the darkened city streets. He knew, somehow, with a certainty that settled like a stone in his own weary heart, that their paths, his and Nana’s, were still destined to cross again. The island’s dark, insidious tendrils reached far, even into the deepest, most anonymous shadows of the sprawling mainland.
The dying embers of the fire in the cave cast long, flickering shadows, mirroring the uncertain, shifting thoughts of the fugitives huddled around its meager warmth. Arthur Ainsworth had laid bare his desperate, almost suicidal proposal, and now, the heavy silence was thick with unspoken fears, unvoiced objections, and the stark, terrifying absence of any readily apparent, less perilous alternatives. He had asked if anyone had better ideas, and the silence itself was a grim, eloquent answer.
Nana Hiiragi was the first to speak again, her voice low, almost rough with a new, unfamiliar emotion that Arthur couldn’t quite decipher – was it reluctant admiration for his sheer audacity, or a chilling premonition of shared doom? “If… if Jin-san truly believes he can create a convincing enough identity for you, Arthur-san… if there is even a ghost of a chance that you could get inside that… that place…” She paused, her gaze flicking towards Michiru, then back to Arthur, a fierce, protective light glinting in her violet eyes. “Then the information you could gather, the… the seeds of doubt you might be able to sow amongst those new students… it would be invaluable. More valuable, perhaps, than anything we could achieve by simply… running and hiding.” Her own past as Tsuruoka’s tool, her intimate knowledge of the Committee’s indoctrination methods, gave her a unique perspective on the potential impact of Arthur’s proposed counter-narrative. She knew how potent, how insidious, the right words, planted in the right minds at the right time, could be.
Kyouya Onodera, who had been staring intently into the flames, his face a mask of cold, hard calculation, finally nodded, a single, sharp, decisive movement. “The risks, as I have stated, remain astronomically high,” he said, his voice flat, devoid of emotion. “However, the potential strategic gains, should you succeed in establishing a foothold and disseminating even a fraction of the truth about Tsuruoka and The Committee, are… significant.” He looked directly at Arthur. “If Jin-san can provide the necessary logistical support – a credible identity, a viable insertion method – then this plan, for all its inherent lunacy, warrants further, serious consideration. We are currently… outmaneuvered, out-resourced, and largely reactive. This, at least, offers a proactive, if extraordinarily high-stakes, gambit.”
Michiru, her gentle face still pale with worry, looked from Kyouya to Nana, then finally to Arthur. She twisted her small hands in her lap. “I… I am still so very frightened for you, Arthur-san,” she whispered, her voice trembling slightly. “But… if Nana-chan and Kyouya-san believe this is… this is a path we must consider… and if you are truly determined…” She took a small, shaky breath. “Then… then I will support you in any way I can. I will pray for your safety.” Her quiet courage, her unwavering loyalty, was a small, steadying anchor in the midst of their swirling fears.
All eyes now turned to Jin Tachibana. He had listened to their deliberations with his usual unnerving, almost preternatural calm, his faint, enigmatic smile never quite leaving his lips. He tilted his head slightly, his pale eyes glinting in the firelight. “To create a new identity for Arthur Ainsworth, an identity as a qualified, unremarkable, and entirely Talentless foreign educator seeking employment in the Japanese school system,” he began, his voice as smooth and cool as polished jade, “will require… considerable finesse, access to certain restricted databases, and the cooperation of individuals with highly specialized, and often highly illegal, skill sets.” He paused. “It will also require a significant investment of time, and what few remaining financial resources I can… redirect.”
He looked at Arthur. “The alteration of your physical appearance will also be paramount. Subtlety will be key. Nothing too drastic, initially, but enough to ensure that the Kenji Tanaka who once walked the halls of that academy is no longer recognizable. We will also need to craft a comprehensive, verifiable, yet entirely fictitious personal and professional history for your new persona. Every detail must be perfect.” He made it sound almost mundane, like planning a particularly complex holiday itinerary. The sheer, almost casual audacity of it all made Arthur’s head spin. Becoming a convincing Japanese schoolteacher, complete with a fabricated past and forged credentials… it was a far cry from his predictable, meticulously ordered accounting routines back in his old life. The most acting he, Arthur Ainsworth, had ever done was feigning polite interest during Mrs. Henderson’s lengthy, unsolicited discourses on the blight affecting her prize-winning roses back in Crawley. Or perhaps when trying to look suitably enthusiastic about the tombola stall at the annual village fete, somewhere on a soggy summer green in the heart of Sussex… This level of sustained, high-stakes deception felt like preparing for a leading role in a West End stage production, with a significantly more lethal form of audience heckling if he flubbed his lines.
“As for gaining entry to that specific academy,” Jin continued, his gaze unwavering, “that will be the most… challenging aspect. Kyouya-san is correct. They do not advertise vacancies in the usual manner. However…” A flicker of something unreadable crossed his face. “…organizations, even ones as tightly controlled as Tsuruoka’s, are still comprised of individuals. Individuals have routines. Individuals make mistakes. And sometimes, unexpected… vacancies… can arise, or be discreetly engineered, if one knows where and how to apply the appropriate leverage.” The chilling implication in his soft-spoken words was not lost on anyone in the cave.
He stood then, a graceful, almost fluid movement. “I will make the necessary initial inquiries,” he stated, his tone conveying a quiet, unshakeable confidence that was both reassuring and deeply unsettling. “I will assess the feasibility of creating this new identity for you, Ainsworth-san. I will explore potential avenues for your… insertion. This will take time. I will need to travel, to access resources not available to us here.” He looked at Nana and Kyouya. “In my absence, your group’s security, your continued evasion of Committee patrols, will be paramount. Maintain vigilance. Conserve your resources.”
He then turned back to Arthur. “And you, Ainsworth-san. While I am… engaged… you must begin your own preparations. Improve your spoken Japanese beyond its current, shall we say, charmingly rudimentary level. Learn everything you can about current Japanese educational curricula, about the expected comportment of a teacher in such an institution. You must become this new person, inhabit this role so completely that even you begin to believe the lie. Your life will depend on it.”
With a final, enigmatic nod to the assembled group, Jin Tachibana turned and, with the silent grace of a phantom, slipped out of the cave and into the pre-dawn gloom, vanishing as if he were merely a figment of their collective, desperate imagination.
With a final, enigmatic nod to the assembled group, Jin Tachibana turned and, with the silent grace of a phantom, slipped out of the cave and into the pre-dawn gloom, vanishing as if he were merely a figment of their collective, desperate imagination.
A new kind of silence descended upon the remaining occupants of the cave – Arthur, Nana, Kyouya, and Michiru. It was no longer the silence of stunned disbelief or fearful hesitation, but the heavy, contemplative silence of individuals who had just made a pact, a desperate covenant, with an uncertain and terrifyingly dangerous future. The fire had burned down to glowing embers, casting their faces in a dim, ruddy light. The decision, however tentative, however fraught with peril, had been made. They were going to try. Arthur Ainsworth was going back to the island, if Jin could pave the way.
Arthur looked at their faces, etched with weariness, fear, but also a new, fragile determination. He, an unqualified former accounts clerk from Crawley, was about to embark on a mission that would make most seasoned spies blanch. The idea of needing to become an expert on an alternate Japan's entire socio-political history, on top of faking teaching credentials and a new identity, was daunting. His mother, he thought with a fleeting, absurd internal pang, would have a fit if she knew. Still, it certainly beat another dreary Tuesday afternoon trying to make sense of overly complicated departmental spreadsheets back in... well, back where things, however mundane, at least made a modicum of conventional sense.
He cleared his throat, breaking the quiet. “Thank you, everyone,” he said, his voice heartfelt, his gaze encompassing Nana’s newfound, wary resolve, Kyouya’s stoic acceptance, and Michiru’s anxious but supportive expression. “For… for being willing to even consider this. I know it’s… a lot to ask.”
He pushed himself to his feet, a sudden, restless energy coursing through him despite his exhaustion. “There’s much to do, and Jin-san is right, I need to prepare. Not just the language, not just pretending to be a teacher.” He looked around the cave, at the crude drawings Nana had been making on a piece of salvaged slate. “I also need to learn about the history of this world as well as well. Properly. Beyond the fragments I remember from that… that story. If I’m to be convincing, if I’m to understand the context of what I’ll be walking into.”
A small, determined smile touched his lips. He clapped his hands together once, a decisive sound in the stillness. “Well,” he declared, a spark of his old, almost forgotten pragmatic energy returning. “No time like the present!”
The long, dangerous road ahead was shrouded in uncertainty, but for the first time in a very long time, Arthur Ainsworth felt not just the crushing weight of a terrible, unwanted fate, but the faintest, most fragile stirring of active, defiant purpose.
Nana Hiiragi
Of course the hate for her is well deserved.
First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.
Yes, she would be hated just as much if Nana was male (probably more so).
It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.
In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).
Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.
The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.
In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.
I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.
Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).
I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.
Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).
Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.
And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).
Hopefully she will pay some sort of price for her actions.
Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.
In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).
.
Would be even better if Nana is killed by someone she trusted. Would be nicely ironic
Nana ran. She fled Tsuruoka’s opulent, soundproofed office, the chilling echo of his mocking laughter a spur in her side, the image of his dying adjutant a fresh, searing brand on her already overburdened conscience. She had no plan, no destination, only the desperate, primal, animal instinct to escape, to put as much distance as possible between herself and that monster. The sprawling, indifferent city became a bewildering labyrinth of glaring lights, hostile shadows, and a million unseeing faces. Hours later, utterly exhausted, drenched in a cold sweat of terror and exertion, her body aching, her mind a chaotic whirl of guilt and fear, she found herself drawn by some subconscious, desperate current, some fragile, unacknowledged homing instinct, towards a quiet, unassuming suburban street, the kind of place where ordinary people lived ordinary, peaceful lives she could now only dream of. She stumbled, almost collapsing, into the first open establishment she saw that offered a dim promise of warmth and temporary, anonymous sanctuary – a small, unpretentious neighborhood restaurant called “The Corner Nook,” its windows steamy, its air smelling faintly of grilled meat and soy sauce.
Arthur Ainsworth was just finishing his shift. It had been a surprisingly busy Saturday evening for mid-May, the small restaurant bustling with local families and chattering groups of friends. He was tired but content in a way that still occasionally surprised him, looking forward to the quiet sanctuary of his modest nearby apartment and a soothing cup of strong English breakfast tea – a small, hoarded luxury. As he untied his waiter’s apron and hung it neatly on a hook in the tiny staff area, the bell above the restaurant’s front door chimed with a discordant jingle, and a dishevelled, wild-eyed, rain-soaked figure stumbled in, leaning heavily against the doorframe for support. Arthur looked up, a polite, professional enquiry forming on his lips, and his blood ran cold, freezing him in place. Nana Hiiragi. Her face was pale as death and streaked with grime, her once-vibrant pink hair was lank and darkened by rain, her clothes were torn and filthy, and her eyes – those unforgettable violet eyes – were wide with a hunted, desperate terror he recognized all too well from the darkest days on the island.
“Hiiragi?” he breathed, the name a shocked, involuntary exhalation, his carefully constructed wall of mundane peace crumbling in an instant. This was a ghost from a past he had tried so desperately, so diligently, to bury.
Before either of them could utter another coherent word, another figure materialized, as if stepping out of the deepening evening shadows themselves, silently in the restaurant doorway. It was Jin Tachibana, his white hair a stark contrast to his dark, unobtrusive clothing, his expression as calm, as unnervingly serene, as ever. He gave a small, almost imperceptible, acknowledging nod to a stunned Arthur. From the rain-swept street outside, a scrawny, spectral white cat watched them for a long, silent moment from beneath a parked car, its eyes gleaming with an unnatural intelligence, then, with a flick of its tail, it vanished into the gloom.
“It seems,” Jin said, his voice a low, melodious murmur that somehow cut through Arthur’s shock and Nana’s ragged breathing, “our disparate paths converge once more. And at a most… opportune, if somewhat dramatic, moment.” He gestured with a subtle inclination of his head towards a small television flickering almost unnoticed in the corner of the nearly empty restaurant, currently tuned to a late-night news channel. The lurid banner headline screamed: “TALENTED TERRORISTS: Public Menace Escalates Dangerously – Government Pledges Swift, Decisive Action.” The news anchor, his face grim, was speaking in grave, measured tones about a recent series of violent incidents supposedly involving rogue Talents, painting them as a dangerous, unstable, and increasingly hostile element within society, a threat to public order and national security.
“The societal situation, as you can see, is deteriorating with alarming rapidity,” Jin stated, his cool gaze sweeping between a visibly trembling Nana and a still-reeling Arthur. “My sources within the Committee – and yes, Ainsworth-san, I still maintain certain… useful connections – confirm what these inflammatory news reports are merely foreshadowing. Mass roundups are imminent. Internment camps, cynically styled as ‘Protective Talent Re-education and Assessment Facilities,’ are being prepared, staffed, and expanded across the country. They will start taking everyone with a known or even merely suspected Talent. Very soon. Within days, perhaps hours.”
Arthur felt a familiar, icy chill crawl up his spine. Internment camps. It was the logical, horrifying, and entirely predictable next step in Tsuruoka’s monstrous, systematic plan.
Nana looked frantically from Jin’s calm, assessing face to Arthur’s shocked, wary expression, her desperation palpable, her breath coming in short, shallow gasps. “I… I didn’t know where else to go,” she stammered, her voice barely a whisper, raw with exhaustion and fear. “Tsuruoka… I… I tried to… and then his adjutant…” Her words dissolved into a choked sob.
“You tried to confront him,” Jin finished for her smoothly, his tone devoid of any surprise, as if he had foreseen this very eventuality. “And it went badly. Predictably so, given Tsuruoka’s nature.” He then turned his unnervingly perceptive gaze fully on Arthur. “Ainsworth-san, or do you still prefer your island moniker, Tanaka-kun?” Arthur flinched almost imperceptibly at the casual, confident use of his true surname; Jin’s intelligence network, his sources of information, were clearly as formidable and far-reaching as ever. “You and Hiiragi-san here, despite your… shall we say, rather complicated and unfortunate history, are now two rather tarnished sides of the same devalued coin. You both know more about Commander Tsuruoka and his insidious machinations than almost anyone else still breathing and at liberty. She possesses firsthand, intimate experience of his brutal methods and his psychological manipulations; you, Ainsworth-san, have your… unique, and often unsettlingly accurate, insights into his patterns and potential future actions.”
Jin’s implication, Arthur knew, was clear. His ‘Talent,’ his cursed knowledge from another world, however much he wished it gone, was still perceived as a valuable, if dangerous, commodity.
“The world, as you are no doubt beginning to appreciate,” Jin continued, his voice still a low, calm murmur that nonetheless commanded their absolute attention, “is about to become a very, very dangerous place for anyone possessing abilities beyond the accepted norm. Alliances, however improbable, however distasteful, will be absolutely essential for even short-term survival. You two,” he looked from Nana’s desperate, pleading face to Arthur’s grim, conflicted one, “need each other now, whether you like it or not. Whether you can even bear to be in the same room as each other.” He looked directly at Nana. “He, Ainsworth-san, knows the true depth of Tsuruoka’s evil. He understands, perhaps better than anyone alive, what you’ve been through, what has been done to you.” Then, his gaze shifted back to Arthur. “And she, Hiiragi-san, for all her past, deplorable actions, is now one of the Committee’s most significant, most dangerous loose ends. Tsuruoka will not rest, cannot rest, until she is silenced. Permanently. Her intimate knowledge of his operations, however incomplete or manipulated, makes her an intolerable threat to him.”
Arthur looked at Nana, truly looked at her. He saw not the cold, efficient teenage assassin from the island, not the monster of his nightmares, but a broken, terrified, and perhaps, just perhaps, redeemable young woman, a fellow victim of a system far larger, far more monstrous, than either of them had ever initially imagined. He still felt the visceral anger, the deep, aching bitterness over Michiru’s sacrifice, over all the other innocent lives lost. But Jin, damn him, was right. The true enemy, the ultimate architect of all their suffering, was Tsuruoka, was the Committee. And in this new, desperate, unfolding war, old, bitter enmities might have to be, however reluctantly, however painfully, set aside for the simple, brutal sake of survival.
“I don’t like this, Jin,” Arthur said, his voice low and gravelly, the English words escaping him out of ingrained habit when stressed and emotionally overwhelmed. He caught himself, then forced out a few halting Japanese phrases, his accent thick, his grammar clumsy. “She is… abunai. Dangerous. Unpredictable.”
“And you are not, Ainsworth-san?” Jin countered, a fleeting, almost invisible hint of a smile playing on his lips. “We are all dangerous in our own ways now, are we not? The only pertinent question is, can we learn to direct that danger towards a common, and far more deserving, enemy?”
Nana looked pleadingly at Arthur, her violet eyes, shadowed with exhaustion and terror, brimming with unshed tears. “I… I’ll do anything,” she whispered, her voice raw with desperation. “Anything you ask. Just… I don’t want to go back to him. I don’t want to be his monster anymore. Please.”
Arthur sighed, a deep, weary, soul-shaking sound that seemed to carry the weight of all his years, all his regrets, all his impossible knowledge. His quiet, carefully reconstructed life was over, shattered once more by the long, inescapable shadow of that cursed island and its monstrous puppeteers. “Alright, Hiiragi,” he said at last, the name still tasting like ash and bile in his mouth, the Japanese words stiff and reluctant. “Alright. We… we try to figure out what to do next. Issho ni. Together. For now.” He looked at her, his gaze hard, unwavering. “But if you even think about reverting to your old, murderous ways… if you betray what little trust this desperate situation forces me to place in you…” His unspoken threat, his grim promise of retribution, hung heavy, palpable, in the suddenly silent, steamy air of the nearly deserted restaurant.
Nana nodded quickly, almost violently, a flicker of desperate, unbelievable relief in her haunted eyes.
Jin observed them both, his expression one of cool, enigmatic satisfaction. “Excellent,” he murmured. “A most… pragmatic, if somewhat unenthusiastic, decision. We should leave this place immediately. It will not be safe for any of us for much longer.” He glanced meaningfully at the television screen in the corner, where the news anchor, his face grim, was now detailing new, sweeping emergency powers being granted by the government to special security units for the “humane and efficient management of potentially disruptive Talented individuals.” The trap, as Jin had so accurately predicted, was closing around them all with terrifying speed.
The unlikeliest, most uncomfortable of alliances had just been forged, born not of trust or affection, but of raw desperation, shared trauma, and a common, monstrous enemy. It had been brokered in the fading, artificial warmth of a humble suburban eatery, as the world outside, whipped into a frenzy of fear and prejudice, prepared to hunt them all down like diseased animals.
With her meticulous initial plans for Nanao Nakajima temporarily, infuriatingly, thwarted by Arthur’s unsettlingly accurate (or so it seemed to Nanao, at least) premonitions, Nana Hiiragi was a coiled spring of suppressed frustration. Arthur knew her handler, the enigmatic and ruthless Tsuruoka, wouldn’t tolerate delays or failures indefinitely. The invisible pressure on her to perform, to meet her quotas, would be immense. This, Arthur suspected, made her even more dangerous, more volatile, more likely to lash out with cold precision if another complication, another unforeseen variable, arose.
That complication promptly presented itself in the unctuous form of Ryouta Habu. Habu was a lanky, sallow-skinned boy with greasy hair and a perpetually smug expression, rarely seen without a bulky, professional-looking camera slung around his neck. Arthur had already clocked him as a minor creep from his hazy anime memories – the sort of boy who used his proclaimed Talent, the ability to photograph events moments before they happened, for leering, voyeuristic purposes rather than anything noble. His photographs often focused on unflattering angles of female students, or "accidental" upskirt shots, all passed off with a knowing smirk as the unpredictable nature of his future-capturing lens.
The evening after Arthur’s third successful, if nerve-wracking, intervention to keep Nanao safe from Nana’s clutches, the students were gathered in the noisy, brightly lit canteen for their evening meal. Arthur, as had become his habit, was seated alone, trying to make himself as inconspicuous as possible while keeping a wary eye on Nana. He saw Habu, a predatory glint in his eyes, saunter over to Nana’s table, where she was picking at her food with a distinct lack of her usual cheerful appetite. He was clearly agitated about something.
Habu leaned in conspiratorially, a greasy lock of hair falling into his eyes, and with a theatrical flourish, showed Nana a photograph on his camera’s small digital display. Even from across the crowded, echoing room, Arthur could see Nana’s posture stiffen, her perpetually bright smile dimming for a dangerous fraction of a second before being quickly reasserted, albeit with a noticeable strain. He couldn’t hear the hushed, intense exchange over the din of the canteen, but he could guess its ugly nature. Later, through snippets of terrified, whispered gossip from students who had been seated closer, and by piecing together the grim fragments of his own foreknowledge, he confirmed the sordid details.
“Interesting shot, isn’t it, Hiiragi-san?” Habu had apparently leered, his voice a low, suggestive drawl. The photograph on his camera clearly showed Nana looking intently over the cliff edge where Nanao had nearly been lured just days before. It was a damning image, especially in light of Arthur’s public “prediction.” “I was up there myself, you see, testing out a new telephoto lens. A bit suspicious, you standing there all alone, Hiiragi-san, looking down like that, especially after our peculiar Tanaka-kun had that little ‘vision’ about Nakajima-kun taking a tumble. I think you were going to kill him. I think you were planning to push him.”
Nana, ever the consummate actress, had feigned wide-eyed, innocent confusion, her hand flying to her mouth in a gesture of shock. “Kill him? Nakajima-kun? Why on earth would I ever contemplate doing something so utterly horrible, Habu-kun?”
“Don’t play dumb with me, Hiiragi,” Habu had sneered, his confidence bolstered by her apparent dismay. “I know what I saw. Or rather, what I think you were about to do. It’s a very compelling photograph, don’t you think? The kind of thing that might make people ask… awkward questions.” He paused, letting his threat hang in the air. “Now, if you don’t want this rather incriminating picture, and my… very strong suspicions… shared with, say, Mr. Saito, or perhaps that nosy Onodera Kyouya, or even the entire class, then perhaps you could pay me a little visit tonight? My room. Number 207. We can discuss how to make this… misunderstanding… go away. Maybe you could start by giving a hardworking, stressed photographer a nice, long, relaxing back massage?” His leer intensified.
The sheer, idiotic audacity of it was breathtaking. Blackmailing a highly trained, deeply ruthless government assassin. Habu was either incredibly stupid, dangerously overconfident in the protection his Talent supposedly afforded him, or, most likely, a lethal combination of both. Arthur felt a familiar wave of helpless dread wash over him. He knew, with a sickening certainty, where this was heading. He couldn’t warn Habu; the boy was far too arrogant and would either dismiss him as the “weird Tanaka kid” or, worse, report his ‘meddling’ to Nana herself, further complicating Arthur’s already precarious position and possibly accelerating Habu’s demise. All he could do was watch, a silent, horrified spectator, as the grim pantomime unfolded.
Nana, trapped and seething internally but maintaining an outward composure of reluctant agreement, had acquiesced with a tight, saccharine smile. “Of course, Habu-kun. I’d be happy to come to your room and clear up this… unfortunate little misunderstanding. A massage sounds… lovely.”
Later that night, the inevitable occurred. Nana, her face a mask of calm but her eyes glinting with cold fury, visited Habu’s cluttered, untidy room. Arthur, lying awake in his own dorm, his ears straining for any unusual sounds, could only imagine the scene. He knew from the source material that Nana, while giving Habu a perfunctory, unwanted back massage, would be seriously contemplating snapping his neck then and there. She would refrain, however, her cold logic overriding her immediate anger. She needed more information about his Talent’s specifics – its range, its limitations, how far into the future it could truly see. Knowledge was power, and Nana always sought to maximize her power before striking.
Instead, as her fingers worked his tense shoulders, she would deliberately, with surgical precision, press a sensitive pressure point, just hard enough to cause a searing, unexpected jolt of pain. Habu, arrogant and foolish, would yelp, then snap, “You stupid girl! Watch what you’re doing! Be careful!” Nana, Arthur pictured, would then offer a profuse, deeply insincere apology, her eyes wide with feigned innocence, claiming it was a complete accident, that her hands had simply slipped. This calculated incident would not only test his reaction but also fuel her resolve to eliminate him swiftly and efficiently once she had the information she needed.
The next day, Nana approached Kyouya Onodera in the library, her face a carefully constructed mask of terror and distress. She clutched a photograph in her trembling hand – one Arthur knew she had expertly faked in the intervening hours. It depicted Nana herself, seemingly unconscious, tied up with rough-looking ropes, in a grimy, unfamiliar room, a faint bruise artfully applied to her cheek. “Onodera-kun!” she’d cried, her voice breaking with convincing panic. “I… I found this! Slipped under my door! I think… I think it’s my future! Someone is trying to kill me! Could it have been Habu-kun? He was acting so strangely towards me last night!”
It was a brilliant, if diabolical, move, Arthur acknowledged grimly. She was establishing a preemptive alibi with the school’s most persistent, logical investigator, painting herself as a potential victim, and simultaneously casting suspicion on Habu. Kyouya, though perpetually suspicious and likely sensing the theatricality of her performance, would have little choice but to take her claim seriously and investigate.
The actual murder happened later that same evening, or perhaps in the early, silent hours of the morning. Nana, having deduced the limitations of Habu’s precognitive camera – likely that it couldn’t photograph events too far into the future, or in areas he hadn’t physically scouted and focused on, or perhaps that it only showed potential futures he was actively trying to capture – would have cornered him in his room. Arthur didn’t know the exact method beyond strangulation, but he imagined it was quick, brutal, and terrifyingly efficient, Nana’s smaller stature no impediment to her lethal training.
The discovery of Ryouta Habu’s lifeless body the following morning, his camera lying broken beside him, sent a fresh wave of genuine panic and fear rippling through the already unsettled student population. Mr. Saito was visibly distraught, his attempts to calm the students increasingly futile. The other teachers were tight-lipped, their expressions grim. Nana, of course, played the part of the shocked and grieving classmate to absolute perfection, even “confiding” in a few tearful girls that Habu had been acting strangely and aggressively towards her, subtly planting the idea that he might have been a dangerous individual who had brought his grim fate upon himself.
Kyouya Onodera was, as expected, intensely, almost ferociously, investigating, his impassive face a mask for a keen, analytical intellect piecing together timelines and inconsistencies. He questioned Nana again, who recounted her faked photo and her “fear” of Habu, her performance flawless.
Arthur watched it all from the periphery, a knot of cold fury, frustration, and a growing, weary despair tightening in his chest. Another death. Another victim he couldn’t save without revealing his impossible knowledge and immediately making himself Nana’s next, and undoubtedly final, target. He hadn’t even liked Habu; the boy had been an unpleasant, sleazy individual. But did he deserve to be murdered, his life snuffed out so callously? The question was a bitter, unanswerable torment.
The weight of his foreknowledge, his terrible prescience, was becoming a crushing, unbearable burden. Each death he failed to prevent, each life Nana extinguished, chipped away at his already fragile psyche. He was an unwilling observer of a horror show he’d already seen the grisly highlights of, powerless to stop the actors from hitting their gruesome, predetermined marks. His phone translator, his only means of coherent expression, felt less like a lifeline and more like a cursed tool for documenting a tragedy in a language he was only beginning to comprehend on a visceral, soul-deep level. Nanao was safe, for now, but at what cost? And who, Arthur wondered with a chilling certainty, would be next on Nana Hiiragi’s ever-growing list?
The absolute, unequivocal last sensation Arthur Ainsworth, fifty-one years, three months, and a dreary Tuesday into a life he often felt was on loan from a particularly uninspired mail-order catalogue, registered with any degree of certainty was the gritty, slightly abrasive texture of overly toasted wholemeal bread lodging uncomfortably between his teeth. The sharp, familiar, and frankly unwelcome tang of too-bitter, cheap chunky marmalade still coated his tongue. He’d been staring blankly out of his perpetually damp Crawley kitchen window, past the condensation fogging the lower pane, at the aggressively, almost offensively cheerful fuschia in Mrs. Henderson’s meticulously manicured, gnome-infested garden. He was contemplating, with a familiar sense of existential dread, the yawning, featureless abyss of another interminable Tuesday morning meeting about synergistic resource allocation and departmental overheads, when the very fabric of his mundane reality had simply… dissolved.
Not in a gentle, cinematic fade to black, but with a violent, nauseating, wrenching compression, as if he were being forcibly, painfully squeezed through the eye of a cosmic needle that was far too small for his middle-aged, slightly paunchy frame. A silent scream, a pure rictus of terror and disbelief, tore from lungs that, a horrifying microsecond later, felt alarmingly… undersized, tight, and distressingly inefficient.
He blinked. Once. Twice. His vision swam, a nauseating, disorienting blur like looking through a disturbed goldfish bowl that had been filled with murky water. The comforting, slightly musty, entirely familiar aroma of his own small kitchen – old tea towels needing a boil wash, the faint, lingering ghost of last night’s overcooked shepherd’s pie, the metallic tang of the ancient gas hob – was gone, brutally, inexplicably supplanted. Now, his nostrils flared against an aggressive, unwelcome olfactory assault: the sharp, briny sting of sea air, the unmistakable, oily reek of diesel fumes, and beneath it all, a cloying, faintly sweetish, almost chemical perfume he couldn’t quite identify – cheap cherry blossom air freshener, perhaps? It made his stomach roil with a sudden, violent wave of nausea.
He wasn’t standing, a half-eaten piece of toast clutched in his rapidly cooling hand. He was seated, or rather, vibrating, perched precariously on a ridiculously hard, unforgivingly cold plastic bench that thrummed with the powerful, rhythmic, almost hypnotic beat of a massive engine. The vibration resonated through his slight, unfamiliar frame, up his spine, and into his teeth, making them ache. His entire field of vision still swam, a nauseating blur that slowly, reluctantly, resolved into... a boat? No, this was larger, more substantial. A ferry, judging by its considerable size and the churning, slate-grey-green water visible through a salt-streaked, grimy window.
His hands. He stared down at his hands, which were resting, almost formally, on knees that felt strangely knobbly, pointed, and alarmingly close to his face. They were small, slender, the skin unnervingly smooth and pale, entirely unblemished. Gone were the familiar, comforting liver spots, the intricate network of fine wrinkles he’d painstakingly earned over fifty-one years of worry and indifferent skincare. Gone, most shockingly, was the faded, silvery-white scar on his left thumb, a cherished, almost nostalgic memento from a foolish, boyish attempt to whittle a stick with his father’s intimidatingly sharp penknife when he was barely ten. These were the hands of a boy, a complete stranger. A wave of pure, unadulterated vertigo, cold and terrifying, washed over him, making the already unsteady deck beneath his feet seem to tilt and sway even more alarmingly.
Panic, sharp, icy, and visceral as a shard of glass plunged into his chest, clawed its way up his throat, a silent, suffocating, desperate scream. He looked down further, a strangled, wheezing gasp escaping lips that felt thin, unfamiliar, and strangely unresponsive to his mental commands. A pristine, almost unnaturally dark-blue school uniform – a tailored blazer with an unfamiliar, elaborate embroidered crest on the breast pocket, a stark white, slightly stiff shirt, a neatly, tightly knotted tie that felt like a miniature noose around his suddenly slender neck, and sharply creased, unfamiliar trousers – encased a frame so lean, so light, it felt like inhabiting a fragile, empty birdcage. His comfortable, tea-stained cardigan, his worn, beloved corduroys, his trusty, down-at-heel slippers – all relegated to a life, a world, a self, that felt galaxies, lifetimes, away.
This isn't happening, the thought was a frantic, desperate, looping denial against the overwhelming, irrefutable sensory evidence. This is a stroke. A brain aneurysm. A complete psychotic breakdown. A ridiculously vivid, cheese-induced dream brought on by that questionable Stilton I had before bed. But the insistent, bone-jarring thrum of the powerful engine beneath him, the penetrating chill of the damp sea air seeping through the thin, unfamiliar fabric of the school uniform, the too-tight, starched collar chafing uncomfortably against his strangely youthful skin – it was all terrifyingly, undeniably, horribly concrete.
He was on a ferry. A modern, somewhat utilitarian vessel, judging by the functional, uncomfortable plastic seating and the smeary, salt-streaked windows that offered a bleak, uninviting view of the turbulent, grey-green water churning past under a bruised, weeping, overcast sky. In the middle distance, wreathed in a swirling, clinging mist that seemed to swallow the light, an island rose steeply, almost menacingly, from the restless sea, its slopes a dense, unbroken, unwelcoming carpet of dark green. It reminded him, vaguely, unsettlingly, of some of the starker, more dramatic parts of the south coast back home, but… wrong. Utterly, fundamentally wrong. The light was wrong, the air felt wrong, the very angle of the sun, when it briefly, weakly, pierced the oppressive cloud cover, seemed alien. What a dreadful, dreadful May this was turning out to be, he thought with a sudden, bizarrely specific pang of dislocated misery, before shaking his head to dispel the irrelevant, nonsensical thought.
Around him, other teenagers – actual, living, breathing teenagers, their faces a sea of youthful energy and incomprehensible expressions – chattered and laughed and scrolled through their phones, their voices a bewildering, overwhelming cacophony in a language that flowed around him like fast-moving water, every sibilant hiss, every sharp vowel, every lilting intonation entirely, utterly alien and incomprehensible. They all wore the same dark blue uniform, a depressing ocean of conformity. They were all, he noted with a fresh, sinking wave of despair, Japanese.
“Excuse me,” he tried, the English words feeling thick, clumsy, unnaturally foreign, and obscenely loud in this new, higher-pitched, unfamiliar voice. A few heads turned, their expressions ranging from mild curiosity to outright, disdainful indifference. Blank, uncomprehending eyes stared back at him for a moment before dismissively turning away. One girl, her hair an impossible, almost aggressive shade of bubblegum pink tied into ridiculously perky pigtails, giggled openly into her hand, then whispered something clearly amusing to her smirking friend, who also giggled. The isolation was immediate, profound, absolute. He was a foreigner in a land he didn’t recognize, in a body that wasn’t his own, speaking a language no one here apparently understood. He was, he realized with a sudden, sickening lurch of his stomach, utterly, terrifyingly alone.
His heart, this new, unfamiliar heart, hammered a frantic, panicked rhythm against ribs that felt alarmingly close to the surface of his skin. He patted the pockets of the unfamiliar school blazer, a desperate, fumbling, almost spastic search for something, anything, familiar, an anchor in this maelstrom of unreality. His worn leather wallet, with its comforting, familiar collection of well-thumbed loyalty cards, a few emergency pound coins, and that faded, creased photograph of his late, beloved spaniel, Buster? Gone. His house keys, his car keys, the comforting jingle they usually made in his pocket? Vanished. But then, his fingers, these new, slender, unnervingly smooth fingers, brushed against a familiar, solid rectangular outline in the blazer’s inside pocket.
His mobile phone. An older, slightly battered, but entirely reliable smartphone. His lifeline. With trembling, uncoordinated hands, he pulled it out, its familiar weight a small, almost insignificant comfort in this ocean of terrifying unfamiliarity. The screen flickered to life, displaying its usual, incongruously cheerful background of a slightly out-of-focus bluebell wood he’d photographed on a long-forgotten bank holiday walk. 27% battery. A fresh, sharp spike of pure, undiluted panic lanced through him, colder and more terrifying than the sea wind. Twenty-seven percent. How long would that last? Hours? Minutes? It was his only link to potential understanding, his only tool for navigating this waking nightmare.
He fumbled with the touchscreen, his larger, older man’s muscle memory struggling, fighting against the delicate, precise coordination required by these smaller, younger, entirely unfamiliar teenage hands. He found the voice translation app – a half-forgotten relic from a disastrous, sunburnt package holiday to Majorca with his ex-wife nearly a decade ago, an app he’d kept on his phone for reasons he couldn’t now fathom but was, in this moment, profoundly, desperately grateful for. He jabbed clumsily at the English-to-Japanese setting, his finger slipping twice on the smooth glass.
Clutching the phone like a drowning man grasping a flimsy piece of driftwood, he turned to a boy slumped apathetically beside him on the hard plastic bench. The boy was entirely, almost aggressively, engrossed in a sleek, brightly coloured handheld gaming device that emitted a series of tinny, irritatingly cheerful bleeps and bloops. “Excuse me,” Arthur said again, his voice shaking slightly as he spoke clearly and slowly into the phone’s microphone. The device chirped once, a small, tinny, almost hopeful sound, then emitted a short, polite, perfectly synthesized Japanese phrase.
The boy jumped as if he’d been poked with a sharp stick, startled, his game momentarily forgotten. He looked up, his eyes wide with surprise, then narrowed with suspicion as he took in Arthur’s clearly foreign, distressed appearance. He pointed a questioning finger at himself, then at Arthur. “Watashi? Anata?” (Me? You?)
Arthur nodded vigorously, a ridiculous, almost hysterical wave of relief washing over him at this tiny, fragile, almost insignificant flicker of basic human comprehension. He spoke urgently into the phone again, the question feeling utterly absurd, almost laughably inadequate, even as he voiced it. “Where are we going? Please, can you tell me where this ferry is going?”
The phone chirped. The boy listened, his expression still wary, then replied in a rapid, almost unintelligible stream of Japanese, gesturing vaguely with his free hand towards the misty, forbidding island looming ever closer on the grey horizon. The phone dutifully, if somewhat tinnily, translated back: “To the island. We are all going to the island. For the special school.”
“School?” Arthur croaked, the word catching in his throat like a fishbone. He repeated it into the phone, needing confirmation, needing something, anything, to make sense.
“Yes. The academy. For those with Talents.”
Talents? A sliver of icy, unwelcome unease, sharp as a shard of freshly broken glass, pierced through the thick fog of Arthur’s confusion and terror. The word echoed with a dark, half-forgotten, deeply unpleasant familiarity. The island. The special school. For the Talented. His mind, sluggish with shock, began to churn, to sift through old, discarded memories, searching for a connection, a terrifying, almost unthinkable recognition beginning to dawn.
The ferry docked with a gentle, almost anticlimactic bump against a solid, seaweed-stained concrete pier. The previously chattering students began to gather their bags, a river of dark blue uniforms flowing with a surprising, almost disciplined orderliness towards the disembarkation ramp. Arthur, feeling like a man walking to his own execution, followed them woodenly, his legs like leaden stilts, his mind a maelstrom of fear and dawning, horrifying comprehension. The island air, when he finally stepped onto solid, unmoving ground, was humid, heavy, carrying the cloying scent of pine needles, damp earth, and something else, something faintly metallic, like old blood. A few stern-faced adults, presumably teachers, their expressions uniformly unwelcoming, were directing the arriving students with curt, impatient gestures towards a narrow, winding path leading steeply upwards, into the island’s dense, shadowy, and deeply foreboding interior.
He walked as if in a trance, the phone clutched in his hand like a talisman against the encroaching darkness. This new, young body, this ‘Kenji Tanaka’ as his hastily discovered student ID card (found in another pocket of the unfamiliar blazer) proclaimed him to be, was a reluctant, terrified automaton, and he, Arthur Ainsworth, was its bewildered, unwilling, and increasingly horrified pilot.
Evening found him in a small, stark, sparsely furnished dormitory room, shared with another silent, sullen boy – his roommate, Suzuki, who had grunted a minimal, almost resentful greeting earlier before burying himself completely in a brightly coloured manga volume, effectively vanishing from Arthur’s immediate reality. The overwhelming, unrelenting newness of it all – the constant, bewildering barrage of the unfamiliar Japanese language assaulting his ears, the strange, unappetizing food he’d barely been able to touch at dinner (a slimy, unidentifiable fish and a bowl of disturbingly grey rice), the constant, terrifying, almost schizophrenic disconnect between his fifty-one-year-old mind and this unfamiliar, unwieldy teenage body – was crushing, suffocating.
He sat heavily on the edge of the narrow, unyielding bed, the phone’s battery indicator now a glaring, accusatory, terrifying red 15%. He needed to charge it. Urgently. Desperately. It was his only link to comprehension, his only tool for navigating this bewildering, hostile new reality. But the power sockets in the dorm room wall were a different, unfamiliar shape, and he hadn’t seen his own trusty charger since… well, since his own familiar, comforting kitchen in Crawley, a lifetime, an eternity, ago.
He had to think. He forced his panicked, reeling mind to focus. Talented. Island academy for the Talented. Snippets of disjointed conversation, hazy, half-recalled images from a garishly coloured, excessively violent animation his teenage nephew had been briefly, inexplicably obsessed with some years ago, flickered like faulty neon signs at the frayed edges of his memory. A pretty, innocent-looking girl with bright pink hair and an unnervingly sweet, almost predatory smile. A sullen, white-haired boy with an obsession with immortality and a penchant for asking inconvenient questions. Gruesome, inventive deaths, casually, almost gleefully, inflicted. Dark secrets. Government conspiracies.
Talentless Nana.
The name, the title, hit him with the force of a physical blow, knocking the last vestiges of air from his already constricted lungs. No. It couldn’t be. It simply couldn’t. That was fiction, a dark, twisted, nihilistic little piece of entertainment his sister had tutted disapprovingly about. He wasn’t in an anime. Such things didn’t happen. They couldn’t happen.
But the evidence, the terrible, mounting, undeniable evidence, was all around him. The isolated island, miles from any recognizable mainland. The special school, exclusively for "Talented" youth. The subtle, pervasive undercurrent of something… predatory, something dangerous, he’d sensed beneath the thin, fragile veneer of enforced institutional normalcy.
If this was true, if this waking nightmare was indeed his new reality, then he was in unimaginable, immediate, and quite possibly terminal danger. Everyone here was. And he, Arthur Ainsworth, a mild-mannered, unremarkable, fifty-one-year-old former accounts clerk from the peaceful, predictable suburbs of Crawley, was trapped, helpless and horrified, in the unfamiliar, ill-fitting body of a Japanese schoolboy named Kenji Tanaka, days, perhaps mere hours, from the inevitable arrival of a ruthless, highly trained, government-sanctioned teenage assassin.
The phone’s screen flickered ominously, then dimmed. 10%.
The raw, animalistic panic gave way, momentarily, to a desperate, pragmatic, almost cold urgency. He had to find a charger. A compatible one. And a socket that would accept it. Now. Without the phone, without his translator, without his only tenuous link to the world around him, he was deaf, dumb, defenceless, and almost certainly, irrecoverably, dead.
He scrambled to his feet, his earlier exhaustion forgotten, replaced by a surge of pure, undiluted adrenaline. He left his silent, manga-absorbed roommate without a word and ventured cautiously out into the dimly lit, echoing corridor. The dorm was quieting down for the night, most of the other students presumably already in their rooms. He found a common room at the end of the corridor, its lights still on, though it was deserted. It smelled faintly of stale noodles and cheap cleaning fluid. A few students were chatting quietly within, others were hunched over textbooks, already studying. His eyes, wild and desperate, scanned the walls, searching. There. A grimy, overloaded power strip, with a couple of tantalizingly vacant sockets. And discarded carelessly on a low, battered coffee table, amidst a scattering of empty snack wrappers, discarded manga volumes, and students’ textbooks, was a tangled, spaghetti-like mess of assorted charging cables. One of them, a generic-looking black one, looked promising, its micro-USB connector seemingly, blessedly, similar to his own phone’s charging port.
His heart pounding in his throat like a trapped bird, he darted forward and snatched it up. It was a cheap, no-name brand, but the connector looked right. He hurried back to the precious, vacant sockets in the power strip, his hands shaking so badly he could barely insert the plug. He then, with a silent, fervent prayer to any deity, any force, any cosmic entity that might conceivably be listening in this godforsaken corner of reality, connected the other end of the cable to his phone.
The charging icon appeared on the screen. 10%. Then, after an agonizing, heart-stopping pause, 11%.
A tiny, almost hysterical, choked laugh escaped him, a sound perilously close to a sob. One problem, at least, one immediate, life-threatening crisis, was temporarily, blessedly, solved. But as he slumped weakly against the cool, indifferent wall, watching the battery percentage slowly, painstakingly, begin to climb, the larger, more terrifying, more inescapable reality of his utterly impossible situation settled upon him with a crushing, suffocating, and unyielding weight. He was, without a shadow of a doubt, on Murder Island. And the deadly, bloody games, he knew with a certainty that chilled him to the very marrow of his new, young bones, were about to begin.
Existence of group chat including Hegseth, his wife and others prompt calls for defense secretary to step down
Nana Hiiragi
Of course the hate for her is well deserved.
First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.
Yes, she would be hated just as much if Nana was male (probably more so).
It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.
In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).
Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.
The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.
In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.
I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.
Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).
I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.
Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).
Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.
And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).
Hopefully she will pay some sort of price for her actions.
Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.
In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).
.