Today I'm Here To Talk About How From Season One We Are Shown How Mike Was Forced To Grow Up And Mature

Today I'm here to talk about how from season one we are shown how Mike was forced to grow up and mature at a very young age given the dysfunctional dynamics of his family, the neglect he was put through and how he's been left to fence for himself as if he was an adult.

There's many scenes where Mike's attitude and behaviors make a contrast from Dustin and Lucas, even though they are exposed to the same situations. For example, when Hopper questions them and Dustin and Lucas start bickering over whether Mirkwood is a reference from the Lord of the Rings or The Hobbit, Mike is sitting in the middle trying to convince Hopper they can help as well and that they should be out there to find Will. This isn't because Dustin or Lucas don't care about Will as much as Mike does, but immediately we see Mike taking over the role of leader of the group with a much serious approach to the situation.

Where this is even more evident is at the beginning of Episode 2 when the guys bring El to Mike's basement and interact with her. Here is how that goes down:

Mike: "Is there a number we can call? For your parents?

Dustin: "Where is your hair? Do you have cancer?!"

Lucas: "Did you run away?!"

Mike: "Are you in some kind of trouble?"

Lucas: "Is that blood?" *reaches out to touch the blood*

Then Mike stops Lucas saying he's freaking El out. When things get complicated over what to do with El, Mike immediately comes up with a plan for the next day so they all stay out of trouble and can go out there the next night to go and find Will.

Now, keeping in mind that these are twelve years old we are talking about, Dustin and Lucas' reaction to El make sense with how a kid could react. A bit of curiosity, a bit of hesitance and awe, asking questions like of El has cancer because her hair is buzzed and trying to touch the blood on her clothes. Mike, however, takes the approach I would expect from an adult, immediately asking for a number to contact and if the strange girl he found in the woods is okay or in trouble. Instead of giving into his curiosity and awe like Dustin and Lucas, Mike pushes that away and gets to the point in order to help El and learn more about the situation so he can understand how he can solve it.

Then when El tries to take off her clothes we again see this contrast. Dustin and Lucas freak out and turn away, both probably embarrassed and weirded out that a girl just tried to take off her shirt in front of them. And honestly, it makes sense for Mike to feel the same way, but he still instead reaches out to El to kindly stop her and show her the bathroom where she can change. He steps up in the situation and takes control of it. Then when El tells her she doesn't want the door closed, Mike is quick to learn how to communicate with her in order to make her feel comfortable around him (like a protective figure would).

Once Dustin and Lucas leave his house, Mike shows El where she will sleep and they sit down to talk. Now, this is an interesting part of their dynamic because THIS is the first time since meeting El that Mike allows himself to behave like a kid just like Dustin and Lucas had been acting before. When Mike sees El's tattoo he drops trying to control the situation like an adult would and reaches to touch the tattoo because he is a kid and he's never seen another kid with a tattoo, it's something new that surprises him and he acts on that surprise. And then El pulls away and Mike is quick to apologize and pull back as well, and just like that he's back on seizing control of the situation and acting like the grown up between them.

The next day we see Mike also allowing himself to behave more his age around El, showing him around and making impressions for her with his toys, but El is mostly uninterested going around on her own and looking around the house. (This because, in my opinion, El from the first moment is more interested in a parental/protector type of relationship with Mike since she doesn't know what a friend is and doesn't know that type of relationship can even exist. Then El learns about what a friend is but by then Mike has been pushed into a romantic type of dynamic with El by Lucas and Nancy). And then El sees Will's picture and she reveals she knows Will and saw him, and Mike is back on being the leader, the one that makes the plans and doesn't allow himself to be surprised over small things or get distracted with toys and games when his best friend is missing.

So, yeah. Mike has always been in a rush to grow up, but during the first and second season I see it more being an unconscious process for him that comes from being neglected by his family. Then, by season three, Mike takes an active role in wanting to grow up fast and leave all the "childish" things behind in order to fill his role as El's boyfriend.

It's interesting to think how running out of time is Mike's thing in ST, and how that's linked to Mike rushing through life as if he had no seconds to waste because he is either after something or something is chasing him.

I see how El exacerbates these feelings in Mike, that also link to him wanting to pretend to be someone else that's worthy of being with El, from season one when Mike tries to lie to El about the wound on his chin because he doesn't want El to know he gets bullied at school, to Mike wearing that outfit at the airport that's a knockoff of real brands and that, we know, is not his style at all.

Now, of course I HAVE to link this to Byler. And, well, just thinking how Mike was forced to mature at a really young age, how he's pushed into thinking he should be embarrassed about the things he enjoys, about how he thinks he has to pretend to be someone he's not in order to get the "normal" everyone seems to want. And how then there's Will, the one person that tells Mike things don't have to be like that, that on this the rest of the world is wrong because yes, they can stay in Mike's basement and play games for the rest of their lives, they can keep on enjoying their favorite board game, they can make plans to retire at a young age and play Nintendo for a living. Will tries to tell Mike that it is okay if he wants those things, that it's nothing he should avoid or feel ashamed of, that they don't have to stop being kids because the world and the Upside Down keeps making them soldiers, fighting battles they should've never had to fight.

Because Will wants all of that, and Mike wants it too. But Mike knows he's not supposed to. He knows he should want something different, something like what the rest of the people want because otherwise he'll be different. And for now, it is Will the one that's okay with being different because Mike is there, and Mike makes Will feel like it's okay being different, that he shouldn't feel like a mistake at all. And I think Mike has put so much effort into not being different, that he hasn't stopped to think that maybe it could be good, until season four happens and the van scene happens.

There's a TON more of this I wanted to write about but this will do for now.

Anyhow, love Mike Wheeler and how disturbed he's on the inside.

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sielutonlampikana

2 years ago

sansa was lowkey a badass in a very understated way. when she said to joffrey “or maybe he’ll give me yours” and looked him dead in the fucking eyes like “yeah, i said what i said”…do you know how unhinged that was? that boy had just executed her father and pretty much every northman that came to king’s landing with them and she had the balls to say that to him???

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sielutonlampikana

7 months ago

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sielutonlampikana

2 years ago

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sielutonlampikana

2 years ago

People really think that Sansa lying at trial on Trident to save her bethrotal. As if Sansa words could change the decision that was taken by king. They really think Sansa had power similar to the adults around her. When Ned told the truth, it didn't have impact then why king and queen will take Sansa words for evidence. If Sansa had told the truth, Cersei could easily debunk it by saying she is just a child and her confession was probably influenced by Ned. No one cared about her condition.

What's fun about this whole discussion is that everyone who condemns Sansa for being a liar ignores the minor detail that we don't know what Sansa was going to say because she was interrupted.

His eldest daughter stepped forward hesitantly. She was dressed in blue velvets trimmed with white, a silver chain around her neck. Her thick auburn hair had been brushed until it shone. She blinked at her sister, then at the young prince. "I don't know," she said tearfully, looking as though she wanted to bolt. "I don't remember. Everything happened so fast, I didn't see …"

"You rotten!" Arya shrieked. She flew at her sister like an arrow, knocking Sansa down to the ground, pummeling her. "Liar, liar, liar, liar."

"Arya, stop it!" Ned shouted. Jory pulled her off her sister, kicking. Sansa was pale and shaking as Ned lifted her back to her feet. "Are you hurt?" he asked, but she was staring at Arya, and she did not seem to hear.

The next time Sansa speaks is at the end of the hearing when she begs for Lady's life. We don't know what all Sansa would have said because she only had the chance to speak 13 words.

This is similar to what happened in Arya I where Arya assumes the worst and loses her temper. It isn’t a coincidence that the pattern repeats. The author purposefully inserted that. And if Sansa was already nervous, after being tackled and beaten, there was no way she was going to recover and intervene with the truth. Let's reread that initial paragraph:

His eldest daughter stepped forward hesitantly.

First, we’re told she told Ned the truth earlier, and I think we can infer from her behavior here, he didn't coach her or assure her that the truth is what she should say. From the get go, she doesn't know what to do.

She was dressed in blue velvets trimmed with white, a silver chain around her neck. Her thick auburn hair had been brushed until it shone. She blinked at her sister, then at the young prince.

Oh, interesitng, she’s torn, she knows she is choosing between one or the other, that speaking is choosing a side.

"I don't know," she said tearfully, looking as though she wanted to bolt.

She is in way beyond her depth. Saying she doesn’t know can read as a simple “I don’t know what happened” but it is also true in the sense that she clearly has no idea what to say here.

"I don't remember. Everything happened so fast, I didn't see …"

I’m not convinced this is entirely a lie. Arya believes it is because she is primed to judge Sansa harshly, but the reader knows things Arya doesn’t. Namely, Sansa had been drinking. I do think it was hard for Sansa to comprehend what was happening in the moment and still hard for her to explain/talk about it after, not only because of the drinking, but also because of the suddenness of the escalation. It did happen fast. And, we aren’t privy to what she was going to say she “didn’t see” or what all she would have finally said (a defense of Arya or a condemnation of Joffrey) because she was stopped by the impact of a furious Arya. Describing what happened as Sansa lying (to me) gives a totally different impression than what I have when I read this section, and I think if you compare this to Arya’s first chapter you notice that while Arya assumes the worst about Sansa, we don’t necessarily know that she’s right to do so. In fact, I think knowing how Martin likes to play the POV game with us, and some of the other uncharitable things she thinks about Sansa, I’d say we know Arya isn’t right. Arya assumed Sansa was about to totally defend Joffrey, but being that Sansa already told Ned the truth, I don’t think she was about to lie. 🤷🏻‍♀️

Regardless, the choice to ignore Cersei and Robert’s roles here, the real point of the scene IMO, is very odd. Continuing:

"The girl is as wild as that filthy animal of hers," Cersei Lannister said. "Robert, I want her punished."

"Seven hells," Robert swore. "Cersei, look at her. She's a child. What would you have me do, whip her through the streets? Damn it, children fight. It's over. No lasting harm was done."

The queen was furious. "Joff will carry those scars for the rest of his life."

Robert Baratheon looked at his eldest son. "So he will. Perhaps they will teach him a lesson. Ned, see that your daughter is disciplined. I will do the same with my son."

"Gladly, Your Grace," Ned said with vast relief.

Robert started to walk away, but the queen was not done. "And what of the direwolf?" she called after him. "What of the beast that savaged your son?"

The king stopped, turned back, frowned. "I'd forgotten about the damned wolf."

Ned could see Arya tense in Jory's arms. Jory spoke up quickly. "We found no trace of the direwolf, Your Grace."

Robert did not look unhappy. "No? So be it."

The queen raised her voice. "A hundred golden dragons to the man who brings me its skin!"

"A costly pelt," Robert grumbled. "I want no part of this, woman. You can damn well buy your furs with Lannister gold."

The queen regarded him coolly. "I had not thought you so niggardly. The king I'd thought to wed would have laid a wolfskin across my bed before the sun went down."

Robert's face darkened with anger. "That would be a fine trick, without a wolf."

"We have a wolf," Cersei Lannister said. Her voice was very quiet, but her green eyes shone with triumph.

It took them all a moment to comprehend her words, but when they did, the king shrugged irritably. "As you will. Have Ser Ilyn see to it."

"Robert, you cannot mean this," Ned protested.

The king was in no mood for more argument. "Enough, Ned, I will hear no more. A direwolf is a savage beast. Sooner or later it would have turned on your girl the same way the other did on my son. Get her a dog, she'll be happier for it."

That was when Sansa finally seemed to comprehend. Her eyes were frightened as they went to her father. "He doesn't mean Lady, does he?" She saw the truth on his face. "No," she said. "No, not Lady, Lady didn't bite anybody, she's good …"

(AGOT, Eddard III)

Jaime says later that Cersei meant to have Arya’s hand which means Arya was in danger here and Ned’s reaction confirms that the author intended us to understand that in this moment. However, Lady’s fate is decided by the dynamics of Cersei and Robert, not by the events at the Trident, but Robert’s obsession with Rhaegar and Cersei’s ability to press his buttons. Not even Ned’s intervening could save her which is why I believe we’re meant to understand this scene works primarily as a continuation of the discussion of justice and how the king fails to deliver it. It also is the beginning of Ned’s downfall (taking an innocent life, a gift of the gods), and the crack in Ned’s relationship with Sansa leading to her disobedience later, but I just don’t think the point is that Sansa did something wrong. So, I agree with you that it’s silly for people’s takeaway to be that Sansa could have stopped this if she wanted. If she told the unvarnished truth it could have fed Cersei’s fury and made her demand Arya be punished more insistently and there’s no telling how much effort Robert would have put into refusing her. I think we’re meant to understand that the situation is very precarious, so precarious even Ned wasn’t sure that Arya was safe.

I wrote this in defense of Sansa a while ago

People Really Think That Sansa Lying At Trial On Trident To Save Her Bethrotal. As If Sansa Words Could

and I really think readings in which Sansa is made responsible miss them entire point of justice and injustice, Sansa as a representative of innocence, and instead substitute in a very simplistic view that does nothing for the characters or themes (link).

And of course, the association the girls have with their direwolves that Martin just established must be ignored in order to make Sansa somehow guilty here too

so I don’t think it’s stan nonsense to push back on the idea that the author intended for us to find Sansa culpable here. There are lots of reasons to doubt that (link).

To me, there’s no reason to think this ends in a better way, no matter what Sansa said, but the fact remains that Sansa was stopped before she had a real chance to relay what happened, and based on the previous interaction of the girls, based on the emphasis on Lady’s innocence and the connection between the direwolves and their girls, I think we’re meant to know better than assume that Arya’s interpretation of Sansa is correct.

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sielutonlampikana

2 years ago

Franz kafka is... Bestie