TWO GOOD OLD BOYS ‼️‼️ BEHIND THE WHEEL 🚘🛞 CHASING DOWN BAD GUYS🚨❌ IN LUCILLE 🫶🏻🚘
Ok, so I have feelings and I need to express.
Ok, so, Kitty Pryde, AKA Katherine Anne Pryde, started in the Claremont era of X-Men. When I first saw her, I was immediately obsessed. I've always liked the X-Men because of what they represent, but haven't gone too far in because X-Men is usually pretty dark and depressing. But I, a little ten year old Jewish girl, came across Kitty right when I was starting to get unsure of who I was. And then here was this hero, aroundy age, who acted like me, looked like me, and believed in the same God I did. When I read the holiday issue I was so excited because they had included Kitty in her traditions. They had a chanukiah (the holiday menorah) and they explained the traditions and it wasn't just a chanukiah thrown in the corner of a panel. I felt so seen. Then they started to go dark. I don't know when, because like I said, I am woefully confused with the current X-Men timelines, but they started to turn her into this assassin. They gave her tattoos(which, btw, the Torah has always been against tattoos and Kitty has mentioned before her distaste for them...) They have her killing, which is so far from the kitty I found, the kitty I idolized. She never killed, she was snarky and smart and strong and she was friends with killers and accepted them but SHE NEVER KILLED. Because she was 13! And she grew up around Logan and they got so close and it was always that she knew what he did, so she let him do the killing and she got the info. Just because you say she was upset about it doesn't erase both the actual act and the complete and utter character assassination. This, to me, is about the same as giving Batman(Bruce Wayne's Batman specifically) a gun. It's wrong. Also, they gave her a cool ass look, made me have hope she was gonna have a dope ass pirate look (which totally fits the Jewish theme, the amount of Jewish pirates is kind of astounding. If anyone wants a separate post on that let me know please:]) and then I read some panels and they gave her the sick coat... And a fucking unitard. A corset belt. With a unitard. She went from this:
To this:
It's like. Bruh. The hell is that?! Talk about a downgrade! Also, that quote, in the panel? I *know* that Logan would be so upset at this because of how the two of them interact. They either have a older-younger sibling relationship, or it's parentally mentor-mentee. Either way, Logan never wanted Kitty to kill, and it sickens me to see this. That's all, sorry for the rant
Ooooh epic girlies (mostly on TikTok) I am BEGGING you to learn the mythology because no. No no no Circe and Calypso are not girlboss. No you do not want to ship the with Odysseus.
Girl I am begging you. Do not call original Odysseus a cheater I am still saying it. Don’t go down this bath girl. Hold my hand and we will read the myths together so you understand
An absurd insult comprised of one expletive/vulgarity and one non-sequitur, usually one of them single-syllable and the other double, frequently with the two components sharing vowels. Examples: "shitgibbon", "ratbastard", "douchecanoe", "cockwaffle", "jizzbiscuit", "fartshark", "snotgasket", &c.
You can literally make anything and anyone problematic if you try hard enough seriously give me people and things and I’ll make them all “problematic” right now.
(a realization about dialogue formatting, from a comic artist turned novelist.)
One of the first things a novice writer learns about speech tags is that they’re part of the “scaffolding” of prose. They should be largely invisible to the reader: use them when necessary, omit them when not, and be sparing in the application of verbs other than “said”. They serve only the function of clarifying who is speaking when it is necessary to do so.
Except:
Sometimes you might want to use a speech tag in spite of the redundancy. The fact that the reader’s eyes slide right over them is an exploitable property. By slicing a line of dialogue in half with a speech tag, you can force the reader to perceive a meaningful pause between two utterances—and the effect is much stronger than you might get out of an ellipsis or an em dash. Developing an intuition for when and how to do this is a huge part of learning to write dialogue, I think.
(And yes: if you ever wondered, this is exactly same the reason why comic artists sometimes “double bubble” their speech bubbles. Same end, different means!)
There needs to be more cosplayers like this.
Am I working on a dandy AU fic? Yes, I am.
Alright, attempt #2:
We got a three-way tie last time, so I'm hoping this one is gonna gain a bit more traction! So, for the second time: who do you all want to see first?
@deadandgaysetanta @queen-of-hobgobblers @redkarmakai
just your friendly neighborhood gremlin probably won't post too much, just because I don't really know what I have to offer to the platform. my goal is to be as chaotic and funny as possible, while still spreading knowledge about my special interests. Said interests include, but are not limited to: The Scarlet Witch, Young Avengers, Keeper of the Lost Cities, words, etymology, random knowledge that I don't know what to do with, wonder woman, Hellenistic Polytheism, writing, art, and other things that relate to the above topics please message me if you have any questions about the above topics, or wish to be friends! 😃❤️ thanks, Seraphina ❤️
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