Covid Got Me Feeling Like The World Is A Simulation

DAY TWELVE - BLOG POST #14

Bet you weren’t expecting this!

I know that last week I was pretty hung up on my box with the spout idea, but after taking a look at the notes I’d taken at our first meeting with our client, I realized that one of the things she’d said was a dream package for her, was a package with as little packaging as possible. 

This is still a little bit indulgent by having the paper wrap, but I don’t think I went overboard. The wrap is one piece of paper that wraps around the granola, which helps it stand up on the shelf and also gives the granola a handy little carrier handle for those juiced up yogi’s on the go! I think the design is playful enough that it looks cute but can also appeal to all genders. 

After talking to the client today though, I found out that I’d accidentally designed my package.....for ants! This package needs to be at least 1.5x the size for the amount of granola that needs to fit. This isn’t a bad thing though, that will allow me to make my font bigger and give me more room to play as well. I’m excited to plan this out again!

Things to note: 

Add ‘crunchy’, ‘raw’ and ‘dehydrated’ to the front. 

‘Not Your Average Granola’ or ‘Superfood Granola’

3 flavours based on juices

supergreens -> green 

ladyluxe -> pink

 nut milk -> milk chocolate -> tan/bran/bronze/compliments chocolate (quick fix bottle colour to light tan) 

That’s all for now!

Refined Rationales Blog Post #5B

Project Title: The Nav

The Nav is a unique project because it undergoes a visual identity change yearly. The challenge lies in creating new energy for the student-led press while keeping it recognizable as The Nav but it is also an opportunity to push myself as a design student and push the boundaries. This year I had the task of redesigning my own design from the previous year. The goal was to reign it in and give it a cleaner look from last year while maintaining the distinct personality within. I also needed to make sure that the layout was simple enough that a team of three could ay the 40 page magazine out in one day. 

Project Title: Balanced

Overwork is a worldwide social stigma that promotes an unhealthy lifestyle. Through this project, I wanted to work on a solution for people who lead an unbalanced life by giving them tools to change their relationship with work. The challenge lay in creating something usable that could be integrated easily into a busy lifestyle. I decided to create a scheduling app that would guide users to make healthier choices through education on mental health and forced rests. To this end, I designed a smart ecosystem that learns and adapts to the user through use. 

Project Title: Fox & Koi

Last year, I realized that I needed a way to reconnect with my passion for graphic design and push myself to create outside of classwork. I’ve always loved enamel pins and so along with a business partner, I began an enamel pin shop. There’s a lot that goes into a pin from conception to iteration and the final physical object. Through Fox & Koi I’ve not only worked on my illustration skills but my business skills as well. I run the business side of fox & koi. I speak to the manufacturers, find new manufacturers, coordinate locations and markets for selling the pins, create the websites, package the pins, do the marketing and I also design pins, stickers and prints.

This week I created some rules for my logo. My logo is interesting because it’s rather playful in nature and there’s a lot that can be done with it. I have three possible marks that can be used to represent place and four base colours to play with as well. 

This base set of rules is a good way to get me going on my brand guide. There’s a lot more to implement though, and I’m excited to keep going.

Day Five - Blog Post #6

Today we got started on redesigning a package of our choice. It’s a project I was kind of looking forward to since I first saw my friends working on it two years ago!

I had two packages I wanted to work on at the start of conceptualizing. One of them was an easy choice, an over packaged, instant matcha tea satchet, four box extra, plastic wrapped disaster. 

The other, was a beautiful knife pushed inside a plastic cage.

Though I knew which one would be easiest for me, something about the knife called to me. I started to paint pictures in my head of what my package could be and I knew, in the end, that was the one that I wanted to do. 

I have started ideating and drawing thumbs but I think I know what I’m heading towards. I want my audience to really enjoy their experience of opening the package to reveal their tool, in the same excited way that a graphic designer might unwrap their gorgeous apple packaging to reveal a macbook. 

To a culinary student or worker, a pairing knife is the ultimate tool, like the macbook is to the graphic designer. Both are equally important, both give the same delight and ease of use.

Day Eight - Blog Post #10

Coombs Country Market Field Trip

We went on a field trip to Coombs today to visit their grocery store. Coombs has a lot of really neat packages in their store because they sell items that come from all over the world! There were beautiful Balsamic bottles, chocolate bars, yoghurt packages and so much more! However, we were there with a simple enough goal and I wasn’t to get distracted, although in the end, it happened. We can blame the edible glitter and handmade paper for that!

Anyway, the goal was to find two sets of a package series that we could draw inspiration from and use as an example for our next project. We’re supposed to design a box for Granola for this delicious, local-based fresh juice company.

Series #1: Fee Brothers Bitters

How is the branding consistent across all of the packages?

While the brand’s colour changes, the layout of the packages remains consistent. The type, logo, paper and sticker along the top are all the same. The only thing that changes in fact, is the colour. Even then, the colours are in the same tones. Even with just a quick glance at the shelf, someone could register that they’re a series.

How does the design differentiate amongst “flavours”?  

The design does not differ much, the only thing I did find is that on some of the bottles, the lid had a different colour to denote flavour as well. However, this wasn’t completely consistent so it was hard to say what it meant completely, which was a small issue in the concept overall.

What is the brand concept?  

The concept for this brand seems to be higher end and meant to make the audience feel like it is an old-fashioned product. It is wrapped in paper to give it this illusion of being vintage and the sticker that runs around the top displays the portraits of what one must assume are the Fee Brothers. What’s fun about is that you can’t see the liquid inside until you open and unwrap the bottle, giving it the feeling of something you might be able to present as a gift.

Other thoughts?

I’m kind of curious to see what the bottle looks like underneath the paper and was seriously considering buying a bottle just to check. It’d be cool if this product was so easily recycled by just removing the label and bringing the glass in! While I want to create something consistent, I also want to make sure that I focus on the environment. I’m already thinking about what I might do to make the package sustainable and within my client’s budget. I like the idea of glass.

Series #2: Whittaker’s Chocolate.

How is the branding consistent across all of the packages?

Whittakers is a really neat brand because while there are a lot of flavours, the Whittakers chocolate brand is unmistakable. I first came across it in New Zealand, where it is manufactured and proudly second only after Cadbury chocolate. Every single package is a beautiful shade of gold in a paper wrap and when opened, another foil wrap of gold protects the chocolate inside. The branding remains consistent by keeping the logo at the top of the package, followed by the chocolate information and name.

How does the design differentiate amongst “flavours”?  

There is always a block of chocolate at the bottom but it is always illustrated with the correct flavour profile per package. Each flavour also has a unique font colour. Otherwise, the rest of the package remains the same.

What is the brand concept?  

The concept for the brand is definitely meant to be luxurious, denoted by the gold wrap colour. The font tells us that it is also meant to be old-fashioned. Knowing New Zealand, I know how proud they are of their heritage and this chocolate is meant to draw on that. The user should feel that when they are picking up this block at the grocery store, they feel like they’re in a lovely old candy shop.

Other thoughts?

I was wondering if I was drawn to this series because of the nostalgia I felt when looking at it, you can’t count on one hand the amount of these bars I got through when I lived there! However, you can tell just by the image that this is a really strong series. There is no question that they are linked and I think the key to that is only changing a small part of the package to reflect the different flavours. The goal is definitely to have the user know without question that the two separate items that they are holding are linked.

When I think about Design Thinking, I mainly just think about a circle. A circle represents fullness, infinite and the feeling of being complete. It also has no actual beginning or end, much like the design thinking process. Sure, you start with a problem and you end with a solution to the problem (hopefully) but your path to get there isn’t always linear and can involve a lot of back and forth. Or, you get there in one full turn. Either way, each step of the process is connected. Whether you choose to believe in design thinking or not, you most likely have a loose concept of it that you follow anyway.

Day Nine - Blog Post #11

Project 2 Creative Brief: Granola Package Design for Good Life Juice

Objectives 

My goal is to create a sustainable series of packages for Good Life Juice’s new Granola line that stays true to the brand while being economically responsible for the producer (production costs and impact) and the environment. It should reflect Good Life Juice’s brand while being design smart. By that I mean that the design should be lasting and not follow trends, it should be something that my client can use for many years. I want to make something that will appeal to both men and women because my client said that 80% of her current clientele is female. Interestingly, 75% of her workforce is also female and that is something I want to showcase with the packaging as well. 

The goal isn’t to scare men away from it though. So we’re looking for something more in the middle. My client also specified that she would like the packaging to be ‘classy, beautiful and femme’. 

I already know that I want to make something super environmentally friendly that will match the way Good Life presents itself and strives to be. I found a Canadian Website that prints on seed paper and that’s a route I would really like to go down.

I also want to focus on the life cycle of the granola and the juice pulp involved in it. From start to finish, this granola is environmentally involved and I think this story is important. My client also mentioned that if my package contains plastic, she would like instructions for the user on how to recycle the plastic so that it is eco-responsible as a package and I think that’s really something I’d like to include if I go that route.

Audience

My client is expecting a wider range audience than she usually gets for her juices so I’m going to say that my audience ranges from the late twenties to people in their mid-sixties who are focused on their health and do not mind spending a little bit more on their granola! I have my parents as the perfect test audience as they are both on a health kick right now and have started to take an interest in good design because of my field of study.

In my head, I have three basic users I want to design for. Here is a quick set of notes on each:

Karen Whitmarsh - 28

Interests include maintaining mental and physical health through juice cleanses, yoga and daily exercise. She shops at Whole Foods because she likes buying locally and organic. She’s on the market for a new granola and already drink Good Life Juice. She’s considered GLJ’s granola before but has yet to buy it because the package underwhelms her in comparison to some of the other more sustainable packaging found at Whole Foods.

Jordan Bickeridge - 35

Jordan spent most of his twenties binge drinking at parties, smoking cigarettes and not really worrying about his health and now regrets it. He is brand new to the world of health foods and just wants to buy a granola that will be healthy for him and is worth his money. He wants to go into the granola/cereal aisle at Whole Foods and just grab a package probably based on what it says. 

Elia Yang - 62

Elia has been eating raw and organic for the last five years and has finally gotten her wife on board with her. The two of them love drinking smoothies in the morning and are now looking for a filling snack that also satisfies their sweet tooth. They read online that granola was a great thing to just toss in their purse. Both of them love pretty packaging but hate waste and will likely buy packaging that appeals to them environmentally as well as aesthetically. 

As you can see, this is a pretty wide range but that was the vibe I got from our client meeting today. I think it will be a fun challenge to meet these audience expectations.

Desired Response

I feel happy buying this granola because I know that it is eco-friendly and has the ingredients I want from it to make me feel healthy and whole. 

Creative Considerations

This is NOT Mom n’ Pop’s granola. The packaging must be beautiful, high-end and gorgeous. 

My client wants to be transparent with her customers, she hates it when packages say things like ‘all-natural’ and hates pushy packages.

HAS TO BE CLASSY.

No trends, no geometry, chevrons or primary colours as per my client’s taste.

Must be careful of food packaging regulations to Canada standards.

The packaging must have the essence of the Good Life Juice brand.

I can’t go overboard with materials, it needs to be affordable for my client. 

The package should be sustainable but not look ‘hokey’. 

Design Thinking  - Tim Brown

‘Design Thinking’ by Tim Brown is an article about the development of design thinking in the ideation stage of a project and how it has led to new ideas that have flourished due to the consideration of the human element.

It’s always interesting to discover a new facet of the design process and while I believe that Design Thinking is something that we have been integrating into our learning for the past couple years, it’s nice to take a more in-depth look at it and this article is an easy introduction.

Here are my key takeaways:

Innovation = design thinking. One follows the other, you can invent on your own but it won’t ever get far without other’s input and without thinking of the human element.

The design process has been reimagined in the sense that designers no longer come in late to the project but are involved from the beginning and are often even asked to help with the design of the actual product/program.

Design Thinking is only growing as a ‘trade’ as economies shift from physical products to knowledge-based outcomes.

Succesful design thinkers are empathetic, integrative thinkers, optimistic, experimental and collaborative.

I found this case study for a portable incubator called Embrace. Embrace was developed with the idea of keeping premature babies alive by offering a portable incubator to families that live far from the hospital. What I like about this piece is the objective behind it, and a key message in the article.

“Empathy is at the heart of design. Without the understanding of what others see, feel, and experience, design is a pointless task.”

This project really focuses in on the people using it and went through a couple iterations before being finalized. It took feedback from users in the areas it was wanting to help seriously and that’s what made it successful. If they’d only designed something and sent it out to people without consideration, the project would have failed. This article does a good job of showing that.

We’ve Got Colour

So with a chosen logo to work with, I now have to figure out colour. I know these posts have been a little bit long-winded but bear with me here, typing all this out is helping me think as well. 

When working with colour, it’s important to think about emotions you’re trying to get across as well as what your audience is. Since my audience is the community, I want to use colours that are welcoming and friendly.

I started by collecting some colours that I like. I usually do this by looking at other work I’ve done and picking from photos that fit the mood of the project.

Lately, I’ve been really into softer, bright colours. 

These are some of the colour combos that I played with for this project but ultimately, I’ve ended up on the pale yellow, red and blue. They’re a softer take on a fully saturated primary palette. I may use the light pink as well later in some pattern work. 

Yellow = optimism, happiness, enthusiasm, hope red = passion, love, fire, determination blue = sea, sky, confidence, calm

Unfortunately, I still have a lot to do on my portfolio but I’m not really mad about it. I chose to work with Semplice which is a plugin for WordPress. This meant I had to learn a whole new system! while it’s been a learning curve, I don’t have any regrets. While not very intuitive, it’s a beautiful, clean system. I’m pleased so far with what I have and also feel comfortable taking my time.

Things to do:

design the footer + what I want in it -> eg, contact info?

about page (or just put it on our main page.)

grid layout separate for each page?

photoshoot for new nav once newest issue launches?

More sketches exported for my little joys page

create asset library

reevaluate my case study and redraft. 

remember to keep it minimal and stretch from there.