Coombs Country Market Field Trip
We went on a field trip to Coombs today to visit their grocery store. Coombs has a lot of really neat packages in their store because they sell items that come from all over the world! There were beautiful Balsamic bottles, chocolate bars, yoghurt packages and so much more! However, we were there with a simple enough goal and I wasn’t to get distracted, although in the end, it happened. We can blame the edible glitter and handmade paper for that!
Anyway, the goal was to find two sets of a package series that we could draw inspiration from and use as an example for our next project. We’re supposed to design a box for Granola for this delicious, local-based fresh juice company.
Series #1: Fee Brothers Bitters
How is the branding consistent across all of the packages?
While the brand’s colour changes, the layout of the packages remains consistent. The type, logo, paper and sticker along the top are all the same. The only thing that changes in fact, is the colour. Even then, the colours are in the same tones. Even with just a quick glance at the shelf, someone could register that they’re a series.
How does the design differentiate amongst “flavours”?
The design does not differ much, the only thing I did find is that on some of the bottles, the lid had a different colour to denote flavour as well. However, this wasn’t completely consistent so it was hard to say what it meant completely, which was a small issue in the concept overall.
What is the brand concept?
The concept for this brand seems to be higher end and meant to make the audience feel like it is an old-fashioned product. It is wrapped in paper to give it this illusion of being vintage and the sticker that runs around the top displays the portraits of what one must assume are the Fee Brothers. What’s fun about is that you can’t see the liquid inside until you open and unwrap the bottle, giving it the feeling of something you might be able to present as a gift.
Other thoughts?
I’m kind of curious to see what the bottle looks like underneath the paper and was seriously considering buying a bottle just to check. It’d be cool if this product was so easily recycled by just removing the label and bringing the glass in! While I want to create something consistent, I also want to make sure that I focus on the environment. I’m already thinking about what I might do to make the package sustainable and within my client’s budget. I like the idea of glass.
Series #2: Whittaker’s Chocolate.
How is the branding consistent across all of the packages?
Whittakers is a really neat brand because while there are a lot of flavours, the Whittakers chocolate brand is unmistakable. I first came across it in New Zealand, where it is manufactured and proudly second only after Cadbury chocolate. Every single package is a beautiful shade of gold in a paper wrap and when opened, another foil wrap of gold protects the chocolate inside. The branding remains consistent by keeping the logo at the top of the package, followed by the chocolate information and name.
How does the design differentiate amongst “flavours”?
There is always a block of chocolate at the bottom but it is always illustrated with the correct flavour profile per package. Each flavour also has a unique font colour. Otherwise, the rest of the package remains the same.
What is the brand concept?
The concept for the brand is definitely meant to be luxurious, denoted by the gold wrap colour. The font tells us that it is also meant to be old-fashioned. Knowing New Zealand, I know how proud they are of their heritage and this chocolate is meant to draw on that. The user should feel that when they are picking up this block at the grocery store, they feel like they’re in a lovely old candy shop.
Other thoughts?
I was wondering if I was drawn to this series because of the nostalgia I felt when looking at it, you can’t count on one hand the amount of these bars I got through when I lived there! However, you can tell just by the image that this is a really strong series. There is no question that they are linked and I think the key to that is only changing a small part of the package to reflect the different flavours. The goal is definitely to have the user know without question that the two separate items that they are holding are linked.
Erin Gibbs Response
This past week, we had Erin Gibbs join our class and present her process to us. She was extremely knowledgable and very thorough about her process. As someone who creates items for a customer base already, I found it really cool and helpful to learn about how she creates and how her items get manufactured. It was our task to come up with a piece in response to her work or inspired by it. I remember immediately scratching out this phrase after the class, perhaps the fact that she showed us a jungle-inspired line was to blame. Either way, I had a lot of fun making this piece though it alone took me 5+ hours. I can’t imagine creating a whole line based on it!
If you build it, they will come.
Together we can do so much.
Do something today that benefits tomorrow.
You have power, do good.
A hearth should always be warm.
We share this Place with everyone.
I knew that class would be good today when we walked in and there was a picture of an egg on the powerpoint. I thought we were probably going to talk abt how an egg is a naturally good package, I didn’t think that we were going to have the opportunity to try and design a safe package for an egg in 20 minutes!
We weren’t given a lot of direction other than to make the package, so my group wondered if we were supposed to focus on appearance, function or perhaps both. We decided to go for both and used two rolls of duck tape to encase the egg, paper to cushion it and then we wrapped it in foam. We also gave our package a little bit of decoration in the form of a pipecleaner bow and an origami butterfly.
I think we focused too much on the appearance of the package instead of putting as much focus on the function. Our package was poorly taped and when Nancy shoved it off the table, unfortunately, the package burst a bit and the eggshell got a crack in it.
It was really fun to do something so fast and right away and got our brains thinking for the rest of the day!
We learned how to score paper using a bone tool and tried it out ourselves on a box shape. So far, I’m really enjoying how hands on this class is.
Our assignment for this next week is to take a package that we were given in class and reproduce it three times, let’s see how it turns out!
Something to reflect on: We’re always wanting to think of the environment as graphic designers but when it comes to packaging and brand, brand needs to come first for a corporation. I think that makes it the graphic designer’s job, to provide a sustainable design for the company in question from the get-go. When redesigning for a brand, however, and working for someone like coca-cola who uses tons and tons of plastic each year but is so iconic, how much room does a designer have to play and is it that designer’s duty to do what they can to help the environment even if it means deviating from brand standards? Is it possible to stick to brand standards with the environment in mind?
We were asked to think about where we’d be in 5-10 years and what we’d like to be doing. This is a good tool for portfolio work because it can help guide what you want others to get out of it.
My Vision:
I want to be changing the world in a positive way through design.
Steps:
Work full time at Common Foundry and develop my design skills.
Create work for clients and passion projects for myself that is effective.
Involve myself in the community and take initiative.
Create every single day and travel often, meet new people, learn, grow, adapt and problem solve as best I can.
So there we have it, the last day of class and our final submission was due. I’ve pasted in a photo to give you guys a little look-see of how it turned out. As you can see, it really evolved from the initial concept to the final design. I know I say it constantly, but you need to ‘Kill Your Darlings’.
I don’t think I could have gotten to my final design if I wasn’t willing to flex on what I was doing and I’m really happy with how it turned out. I’ve learned to let go of my initial vibrant idea during my time in this class and I think I’ve learned that just because my initial concept works, it doesn’t mean it’s the only concept that does.
Due to printing, my design shifted a little on the page and cutting it became an issue. I didn’t get as clean a prototype as I would have liked as a result, but I’m happy enough with the results! We went from a complicated little box with a pour spout to as little paper as I could manage and I think that I accomplished the goals of this project in that sense.
I loved working with a real-life client and while my design was not chosen, she told me that she really liked it, so I feel happy about that.
When I think about Design Thinking, I mainly just think about a circle. A circle represents fullness, infinite and the feeling of being complete. It also has no actual beginning or end, much like the design thinking process. Sure, you start with a problem and you end with a solution to the problem (hopefully) but your path to get there isn’t always linear and can involve a lot of back and forth. Or, you get there in one full turn. Either way, each step of the process is connected. Whether you choose to believe in design thinking or not, you most likely have a loose concept of it that you follow anyway.
Activity One turned out to be a more fun challenge than I initially thought. I picked up a package that had a hole cut into it and when I unfolded it, I actually found that there were two holes! I was dreading trying to cut it. However, I decided not to worry about it too much and just enjoy the process.
I started out by tracing the package twice on tracing paper. I found I had to be careful with the tracing paper because it crinkled up easily when I used my eraser. I had trouble with tracing the entire package without it moving because it was too long for my hands. Eventually, I realized that if I folded it halfway, it was doable.
After taking the measurements and making note of all the writing on the little package, I finally decided to draw it out with my ruler using the measurements that I had taken.
Before cutting it, I carefully used my bone tool to create folds in the package. It was actually really good to struggle with getting the same effect in class with a pen lid, only to do it so easy with the actual tool at home. Even so, my tool got a bit ruined by my ruler because it was only hard plastic so I’d like to find a better material to use in the future.
I decided to opt out for drawing the fold marks, going off the measurements and bone fold lines instead. The hardest part was definitely trying to cut holes into the package and unfortunately, I didn’t do the best job at it. I need to figure out better tricks for cutting holes in the future.
This time, I tried cutting a pie into the holes, hoping that I could cut them out section by section. This just resulted in a choppy cut.
Still, it was a joyful experience to fold my little package up and understand just why each flap had to be different, and understand how it fit together.
While I wasn’t entirely happy with the recreation, I was satisfied with the way it folded together and when I pushed the flaps together correctly, I knew some glue would keep the holes lined up. I decided to leave it unglued for further work in class as it held together perfectly otherwise.
Reflection: Working with something tactile for the first time in a while was a joyful and happy experience. It reminded me what I love about graphic design, the simple happiness of making something that works. I need practice cutting holes too and I guess I’m going to need a steady supply of fresh blades in order to get through this semester and my fresh pad of bristol paper.
Today we swapped the packages we’d worked on this past week and our assignment was to recreate the new package but digitally! My new package is fun because each text block has a gradient colour scheme. After getting a close to accurate digital outline, I made sure to grab the correct swatches for the gradient from the Pantene swatch books that my professor provided in class.
I’m lucky that I’ve had quite a bit of practice with the pen tool this past summer or I may have found this a bit more frustrating. At this point, I think that illustrator is my favourite program to work in. I still need to get on buying some replacement blades for next week to ensure a good cut. I really want to make sure I get this package as accurate as possible so I’ve scanned the package itself to double check my work.
Reflection: Taking this tactile work back to digital adds a fluidity from hands-on to computer work, something that I’ve always appreciated about design work.
So with a chosen logo to work with, I now have to figure out colour. I know these posts have been a little bit long-winded but bear with me here, typing all this out is helping me think as well.
When working with colour, it’s important to think about emotions you’re trying to get across as well as what your audience is. Since my audience is the community, I want to use colours that are welcoming and friendly.
I started by collecting some colours that I like. I usually do this by looking at other work I’ve done and picking from photos that fit the mood of the project.
Lately, I’ve been really into softer, bright colours.
These are some of the colour combos that I played with for this project but ultimately, I’ve ended up on the pale yellow, red and blue. They’re a softer take on a fully saturated primary palette. I may use the light pink as well later in some pattern work.
Yellow = optimism, happiness, enthusiasm, hope red = passion, love, fire, determination blue = sea, sky, confidence, calm
Today we got started on redesigning a package of our choice. It’s a project I was kind of looking forward to since I first saw my friends working on it two years ago!
I had two packages I wanted to work on at the start of conceptualizing. One of them was an easy choice, an over packaged, instant matcha tea satchet, four box extra, plastic wrapped disaster.
The other, was a beautiful knife pushed inside a plastic cage.
Though I knew which one would be easiest for me, something about the knife called to me. I started to paint pictures in my head of what my package could be and I knew, in the end, that was the one that I wanted to do.
I have started ideating and drawing thumbs but I think I know what I’m heading towards. I want my audience to really enjoy their experience of opening the package to reveal their tool, in the same excited way that a graphic designer might unwrap their gorgeous apple packaging to reveal a macbook.
To a culinary student or worker, a pairing knife is the ultimate tool, like the macbook is to the graphic designer. Both are equally important, both give the same delight and ease of use.