One of the biggest things that people think of when they think of graphic design is logo design. I must admit that it isn’t necessarily an area that I feel particularly strong in. Conceptualizing a logo isn’t easy though, I shouldn’t speak like it is. Sure, you can go online and pay someone five dollars for a logo for your business, but when you do that, you’re getting the quality of work that you pay for.
The process of branding a business is definitely more than a five dollar job. A logo takes thought and care, it shouldn’t be taken lightly because a logo can and usually stick with a business forever, depending on how successful the logo is. A logo can even add to the success of the business it’s for.
The current project that I’m working on to develop my branding skills, is creating the logo for a business designed to promote tourism for Vancouver Island.
Because I noticed a real lack of it and I love taking the opportunity to promote tourism within my own city, I decided to imagine a venue downtown that could be used for a multitude of things, its main purpose being to promote a sense of place and provide a venue for activities in Nanaimo such as open mics, community classes, receptions, showcases, art shows, intimate concerts, etc. The opportunities are pretty endless. In the summer it could double as an information center downtown for tourists and hold informative talks about Nanaimo’s history. It could be a gathering place for those that come in on cruise ships and a banquet hall.
I decided to keep it simple and name it ‘Place’. As in, “That could be a good place”, “This is your place”, “This Place is so cool.” I felt that calling it Place gives it almost a sense of ownership to Nanaimo.
Before getting into sketching, I started with a mind map. Mind maps are a really good way to get some concepts and ideas down on paper, things that you maybe didn’t even realize were connected before can all come together in a mind map. I also filled out the survey seen in the post previous to this one. I decided to focus on uses, anatomy of the place, emotions that should be evoked when thinking about the Place and associations I wanted to be made with it.
Then I went on to starting to draw out some logo concepts. These all look a little goofy but there’s a reason to the rhyme and a rhyme to the reason. Before you can have some truly good ideas, sometimes you need to get rid of the excess thinking in your brain. I worked fast to try and get some of the bad ideas out first and tried a lot of different things, in some simply trying symbols, and others only trying word marks.
I’ve got a couple of pages more of these little logo sketches but they aren’t much better. While I worked on them, despite getting out a lot of ideas, in some instances I only felt frustrated. I know there’s a logo concept there that’s truly great but just out of reach. If I need to get all of these ones out first before I can get at it, then so be it. In the end, I wound up with around 100 little sketches, give or take.
Having definitely exhausted my creativity when it comes to the letter ‘P’, I’ll probably work on narrowing these concepts down to just three choices and develop them for the next step in the logo process. If I don’t like anything I have, I’ll just have to sketch another hundred up. (The joys of being a graphic designer. :)
This seems like a very self-centred approach to this project because I might be one of the select few that faces this problem. But hey, I think it’s important to do a passion project every now and again.
When I think about Design Thinking, I mainly just think about a circle. A circle represents fullness, infinite and the feeling of being complete. It also has no actual beginning or end, much like the design thinking process. Sure, you start with a problem and you end with a solution to the problem (hopefully) but your path to get there isn’t always linear and can involve a lot of back and forth. Or, you get there in one full turn. Either way, each step of the process is connected. Whether you choose to believe in design thinking or not, you most likely have a loose concept of it that you follow anyway.
Today was fun! We took our digital work and printed them out to see how the type and colour looked and to make sure that we had our sizing right.
I had a heck of a time with it and needed to print my package out three times! The first time I did it, I accidentally cut a flap that was meant to be a fold. The second time I printed, I ripped my paper when trying to use the bone tool on it. For my third attempt, I realized that patience was key so when I glued the design onto the bristol, I pressed firmly and then waited for a few minutes before trying to use the bone tool on it. I also made sure that I had a fresh blade in before I tried to cut out my package.
I was happy to see that my colours worked perfectly! I used the pantone book last week to choose them but I was worried that they wouldn’t be quite right. Working with the gradient has been a bit of a chore but also fun! Getting it just right will be tricky so I really need to spend some time on that.
Now I just need to make sure that I have my type set perfectly before I send my package off to print!
Project 2 Creative Brief: Granola Package Design for Good Life Juice
Objectives
My goal is to create a sustainable series of packages for Good Life Juice’s new Granola line that stays true to the brand while being economically responsible for the producer (production costs and impact) and the environment. It should reflect Good Life Juice’s brand while being design smart. By that I mean that the design should be lasting and not follow trends, it should be something that my client can use for many years. I want to make something that will appeal to both men and women because my client said that 80% of her current clientele is female. Interestingly, 75% of her workforce is also female and that is something I want to showcase with the packaging as well.
The goal isn’t to scare men away from it though. So we’re looking for something more in the middle. My client also specified that she would like the packaging to be ‘classy, beautiful and femme’.
I already know that I want to make something super environmentally friendly that will match the way Good Life presents itself and strives to be. I found a Canadian Website that prints on seed paper and that’s a route I would really like to go down.
I also want to focus on the life cycle of the granola and the juice pulp involved in it. From start to finish, this granola is environmentally involved and I think this story is important. My client also mentioned that if my package contains plastic, she would like instructions for the user on how to recycle the plastic so that it is eco-responsible as a package and I think that’s really something I’d like to include if I go that route.
Audience
My client is expecting a wider range audience than she usually gets for her juices so I’m going to say that my audience ranges from the late twenties to people in their mid-sixties who are focused on their health and do not mind spending a little bit more on their granola! I have my parents as the perfect test audience as they are both on a health kick right now and have started to take an interest in good design because of my field of study.
In my head, I have three basic users I want to design for. Here is a quick set of notes on each:
Karen Whitmarsh - 28
Interests include maintaining mental and physical health through juice cleanses, yoga and daily exercise. She shops at Whole Foods because she likes buying locally and organic. She’s on the market for a new granola and already drink Good Life Juice. She’s considered GLJ’s granola before but has yet to buy it because the package underwhelms her in comparison to some of the other more sustainable packaging found at Whole Foods.
Jordan Bickeridge - 35
Jordan spent most of his twenties binge drinking at parties, smoking cigarettes and not really worrying about his health and now regrets it. He is brand new to the world of health foods and just wants to buy a granola that will be healthy for him and is worth his money. He wants to go into the granola/cereal aisle at Whole Foods and just grab a package probably based on what it says.
Elia Yang - 62
Elia has been eating raw and organic for the last five years and has finally gotten her wife on board with her. The two of them love drinking smoothies in the morning and are now looking for a filling snack that also satisfies their sweet tooth. They read online that granola was a great thing to just toss in their purse. Both of them love pretty packaging but hate waste and will likely buy packaging that appeals to them environmentally as well as aesthetically.
As you can see, this is a pretty wide range but that was the vibe I got from our client meeting today. I think it will be a fun challenge to meet these audience expectations.
Desired Response
I feel happy buying this granola because I know that it is eco-friendly and has the ingredients I want from it to make me feel healthy and whole.
Creative Considerations
This is NOT Mom n’ Pop’s granola. The packaging must be beautiful, high-end and gorgeous.
My client wants to be transparent with her customers, she hates it when packages say things like ‘all-natural’ and hates pushy packages.
HAS TO BE CLASSY.
No trends, no geometry, chevrons or primary colours as per my client’s taste.
Must be careful of food packaging regulations to Canada standards.
The packaging must have the essence of the Good Life Juice brand.
I can’t go overboard with materials, it needs to be affordable for my client.
The package should be sustainable but not look ‘hokey’.
The biggest challenge I have when looking at portfolio websites is that oftentimes, the user experience is poor because of the amount of focus the designer has put into the user interface. I can appreciate a flashy website with a lot of moving pieces but I don’t think that there’s a place for them on a portfolio website unless it’s serving a purpose. For example, it might make sense for someone whose career is in uiux to show off what they can do, but something that’s been drilled into me as a design student is the concept of function over form.
When looking for a portfolio website that inspired me, I found that I leaned towards websites that used grids, that had a definite branded look (colour, style, etc) and that was easy to navigate.
Kate Moross is a bit of a hero of mine. (Kate goes by they/them) They’re a fantastic designer that has been in the business for over a decade and is based out of London. Their work is vibrant, stylized and unique.
Their website neatly links to each piece and gives many examples of it in different lighting and with great photography. They lay out their involvement in the project in most cases and Kate’s site seems to update each year.
I really like the way Kate’s site is laid out because while they utilize a grid, it has a couple of quirks to it which stays true to their nature as a designer. Kate isn’t afraid to be themself on their own website and I think that’s important, as it was discussed in class, it’s vital to represent yourself truthfully.
I also really like how easy it is to navigate Kate’s website.
The sidebar is bright and easy to find and it pretty much takes you anywhere you might think to go. Kate also has an extensive background though with a lot more experience than I’ve had. They’re well known worldwide and even if you think you’ve never seen their stuff, you most likely have. While my portfolio will be smaller to start, I think a simple layout like this would be easier to keep building up.
Summary of takeaways for my own portfolio site:
Keep it simple, only use flashy stuff if it’s necessary. As a designer, I tend to lean towards a minimalistic approach so my website should reflect that.
Be honest. Don’t use language that you don’t mean when referring to yourself.
Give users the information that they’re seeking with minimal effort.
Try to use excellent photography and avoid unedited/poor quality imagery for the website. Reshoot if you have the time or use mockups for now.
Explain what you did for each project so that people can understand what they’re looking at and why.
I knew that class would be good today when we walked in and there was a picture of an egg on the powerpoint. I thought we were probably going to talk abt how an egg is a naturally good package, I didn’t think that we were going to have the opportunity to try and design a safe package for an egg in 20 minutes!
We weren’t given a lot of direction other than to make the package, so my group wondered if we were supposed to focus on appearance, function or perhaps both. We decided to go for both and used two rolls of duck tape to encase the egg, paper to cushion it and then we wrapped it in foam. We also gave our package a little bit of decoration in the form of a pipecleaner bow and an origami butterfly.
I think we focused too much on the appearance of the package instead of putting as much focus on the function. Our package was poorly taped and when Nancy shoved it off the table, unfortunately, the package burst a bit and the eggshell got a crack in it.
It was really fun to do something so fast and right away and got our brains thinking for the rest of the day!
We learned how to score paper using a bone tool and tried it out ourselves on a box shape. So far, I’m really enjoying how hands on this class is.
Our assignment for this next week is to take a package that we were given in class and reproduce it three times, let’s see how it turns out!
Something to reflect on: We’re always wanting to think of the environment as graphic designers but when it comes to packaging and brand, brand needs to come first for a corporation. I think that makes it the graphic designer’s job, to provide a sustainable design for the company in question from the get-go. When redesigning for a brand, however, and working for someone like coca-cola who uses tons and tons of plastic each year but is so iconic, how much room does a designer have to play and is it that designer’s duty to do what they can to help the environment even if it means deviating from brand standards? Is it possible to stick to brand standards with the environment in mind?
Unfortunately, I still have a lot to do on my portfolio but I’m not really mad about it. I chose to work with Semplice which is a plugin for WordPress. This meant I had to learn a whole new system! while it’s been a learning curve, I don’t have any regrets. While not very intuitive, it’s a beautiful, clean system. I’m pleased so far with what I have and also feel comfortable taking my time.
Things to do:
design the footer + what I want in it -> eg, contact info?
about page (or just put it on our main page.)
grid layout separate for each page?
photoshoot for new nav once newest issue launches?
More sketches exported for my little joys page
create asset library
reevaluate my case study and redraft.
remember to keep it minimal and stretch from there.
Today we got started on redesigning a package of our choice. It’s a project I was kind of looking forward to since I first saw my friends working on it two years ago!
I had two packages I wanted to work on at the start of conceptualizing. One of them was an easy choice, an over packaged, instant matcha tea satchet, four box extra, plastic wrapped disaster.
The other, was a beautiful knife pushed inside a plastic cage.
Though I knew which one would be easiest for me, something about the knife called to me. I started to paint pictures in my head of what my package could be and I knew, in the end, that was the one that I wanted to do.
I have started ideating and drawing thumbs but I think I know what I’m heading towards. I want my audience to really enjoy their experience of opening the package to reveal their tool, in the same excited way that a graphic designer might unwrap their gorgeous apple packaging to reveal a macbook.
To a culinary student or worker, a pairing knife is the ultimate tool, like the macbook is to the graphic designer. Both are equally important, both give the same delight and ease of use.
I really enjoyed the relevancy of this reading for this class and felt that although it uses some industry-specific language it is still accessible. It seems like such a simple concept to ‘design from the attendees’ perspective’ but it also et like a ‘eureka moment’ to read that phrase. I think that in the past, many events have been designed specifically with the organizers perspective and it feels like designing for attendees is just common sense. What better way to use a people-oriented method like design-thinking?
Opportunity, Formulate, Build and Debrief
It’s easy to fall deeply into the design aspect of our grad show because that is the primary focus, displaying our work, but I think this reading has an excellent point about involving the attendees to keep their focus. There’s the yearning to want to make a whole new experience and refresh the Design grad show but there’s also the need to work with the space (and items in that space) that we have. We want the attendees to feel welcome but not overwhelmed, and we want to make sure that everyone involved is getting the same amount of attention to detail and care as everyone else because all attendee’s motivations for being there are different and in the case of our event, they’re most likely there to support one or two students in particular.
“Consciously think about event design from the user perspective.” I think that our focus for the grad show, now that we’ve obtained a speaker and location, is to really focus on wayfinding and hammer out how we want to display our work in a way that does the work justice. We need to map out the floorplan in a way that prioritizes the attendee’s experience and can maybe be interactive.
I’m wondering what might be a good way to make our show a bit interactive? We were thinking about creating a walk through an area of our work that would require the attendee moving through all of it, sort of like a museum floor, but even better could be printed objects they can pick up and touch or digital screens that they can swipe through.
I think we have many opportunities here and after this reading, I’m feeling inspired.