How I adress a person that use a gender neutral pronoun in a language that don't have one? The ones that come from latim per example don't have, like Spanish, portuguese and italian. I work as a part time translator and I don't want to mess the book that I translating. I could always use the person name, but sometimes have an "a" or "o" that end put a gender in the name too. Thanks for the attention.
this really depends on the language, there’s no general rule for this.
i suggest researching gender neutral pronouns in these languages, because im certain nonbinary speakers have already come up with some of their own. i know for example that a lot of spanish speakers will use -e in place of -o/-a for gender neutral purposes.
as for languages that might not have a widespread gender neutral tense yet, using the name is probably for the best. it’s unfortunate, really.
so really, just do your research.
Rebooting a franchise so the good guys are former oppressors and bad guys are freedom fighters is the laziest way to try and put in grayness for the sake of grayness.
Seen it in lots of fanfics as a kid.
Just ends up with pretty much all your childhood faves unlikeable, and unfocused moderate politics of writers muddling things.
Fascism sells a synthetic nostalgia.
why aren't you an avengers hater?
Hi anon!
I do like the Avengers; specifically, the version I got to know in the initial few comics, & their development until the 70s & 80s, and hell, i even appreciate some of what was going on in the 90s. part of this is because i simply have to; most of my favourite characters are majorly affiliated with the avengers, like scarlet witch, the vision, hank pym, wonder man, wasp, hercules etc, so if i didn't like them or didn't learn to appreciate them i'd probably struggle. you'd be hard pressed to find a hardcore fan of wanda, for example, and not have them at the very least tolerate the team, otherwise you'd be missing out on the crucial moments of her development, and this goes for other characters.
so why do i like them specifically? i guess because they offer an interesting place in marvel, in that their dynamics are... weird. like, the x-men have a very clear common cause in that they're all mutants & none of them want to get, you know, murdered, and simultaneously (in the leekirby era) want to keep mutant extremeists contained so they don't take their anger out on a defenceless human innocent. the fantastic four, while heroes, don't have that as their primary job; they're a family of explorers. the avengers are different in that they neither have a common thread really connecting them, except for the fact that they all in some way want to help other people, and recognise that this would be easier achieved with other people supporting them.
there's less strings attached, at least initially. they're a group of weird misfits that have a common cause, but a lot of the time, really find each other intolerable because they all have conflicting personalities & ways of heroing. this is different from the x-men of the era, because they all have broadly similar ways due to being taught by xavier. the fantastic four, while conflicting, balance each other out because of their defined archetypes. the avengers try to do this, but there are complications that make them interesting, and part of the intrigue for me is reading & watching how different writers grapple with trying to have different archetypes met by changing around different aspects. they are a team constantly reshuffling & remodelling, which is sort of frustrating today when a new team means a new volume, but is funner to read for me personally when things just continued as they were.
examples; when thor leaves the team, hank & janet return to the team, and hank becomes permanently stuck at 10 feet tall, because the team needed a new muscular character to act as the tank. around the time when hercules joins the team, hank becomes able to be normal sized again. we see this again when clint barton becomes goliath for some reason; the team needs a tank. janet, intitally a fun-loving, flirty character, matures as writers begin to focus on her marital problems with hank, and so beast arrives and takes on that roll. when he leaves, its not long until starfox joins the team, and similarly plays the role of flirty hedonist that beast did. this continues on & on, and its an interesting source of conflict for me between writer & team. in some ways, they're more free to reinvent & introduce characters more than the fantastic four or x-men of the same era. in other ways, they're more restricted by the very clear rules set up in what makes a superhero team work & what archetypes you need.
this is very well shown in hank pym; writers would constantly change him, his powers & identities, to justify him being there when more powerful characters inevitably came along to do what he did better, because he was only a regular human being. but they kept him around because he was psychologically interesting, which obviously resulted in the trail of yellowjacket arc. an innocuous change to make him seem more interesting had such a strange knock on effect and its interesting!
yes, you get that in other comics, but because they're not as tied together as the ff or the x-men, writers constantly have to justify why is the character there. what are they contributing. for wanda & pietro, it's because they represent a potential safe space, a way to realise their heroism that didn't exactly get much light with magneto, an opportunity to discover their potential. for janet, it's initially a way to get away from the mundanity of being a wealthy heiress, because she's developed a taste for the adrenaline of superheroics with hank, and as she grows it is because she feels a genuine responsibility for others & knows she can make more radical change there than she would as a fashion designer. for t'challa, it's initially because he wants to protect his home from them, and then because they're facing a lot of threats that could harm wakanda, and does develop a genuine appreciation & closeness for the team but his nation always comes first. and so on.
i realise i've gone on a bit and to be honest i don't think i articulated myself well, but those are the reasons i come to; they offer a clearly defined other purpose in the 616 universe, they serve interesting dilemmas for characters in a way that very naturally comes, at least in the 60s thru 80s, while for other teams like the ff it could sometimes feel a bit forced.
now, this isn't to say there aren't flaws, and i'll try to be brief when i say these; they are the team worst impacted by 9/11 and the changes it had on american politics. the change from a mostly indepentant team that actively rebelled against the government & agents put in charge of them to essentially a government puppet hurt them so much. the avengers are supposed to actively fight corruption; vision, beast, and i'm pretty sure sam wilson all try to deck gyrich in the face at least once, but after 9/11 they all listen & argue his arguments.
the change from one or two main titles to multiple also hurts the team. it makes sense; there's so many avengers characters, but having so many has made contemporary writers lose sight of what makes the avengers the avengers. what makes them matter, what makes them work. the first main reshuffle of the team brought three different villains into the team to become heroes. they shouldn't be attacking & arresting superpowered people at random, who've committed very mild crimes. they offer a place for redemption, and that has gotten lost in recent times.
anyway, sorry for rambling, but tldr; avengers mostly good, their characterisation post 9/11 is deeply unfair & needs to be actively looked at by writers if they want to move past it, and i think that most comic readers, especially a certain facet of x-men fans, should read through their earlier stuff to avoid making generalisations mostly based off contemporary event comics, because that isn't the avengers i am thinking of when i talk about them, & i think people should know those avengers before making overarcing statements abt how they're all cops or something lol
You know I kind of like the pettiness of Megatron and Optimus’s first meeting on one of the Marvel UK comics being Optimus acting as a referee or security for gladiator fights and interfering when Megatron is about to kill his opponent.
Unlike the nonsensical use of deathmatches in a species with a low reproduction rate in IDW and others, the games were meant to be a nonlethal way to blow off steam and ease past tensions between city-states.
…it didn’t work and soccer-fan like loyalties helped recruit for a terrorist attack.
honestly seeing godzilla minus one just made me even more jaded to the monsterverse fans who act like it doesn't matter if the movies are badly written because "it's just a godzilla movie" as if there isn't physical proof in both minus one and also shin godzilla that godzilla films can be more than that.
but EVEN THEN i'm not even fucking asking that the monsterverse fundamentally change to become poignant pieces about ptsd and survivor's guilt and government inaction, i'm fine with them remaining fun little action movies primarily about big monsters punching each other, literally all i'm asking is that the human plots do something other than (a) put me to sleep or (b) barely hold themselves together long enough to get to the next scene.
pacific rim is a film first and foremost about big robots punching big monsters, but it also has a genuinely well written human storyline with fleshed out characters. it doesn't have a half-baked plot built only to loosely connect the monster battles, it has an actual story.
like you guys "fun action movie about big monster battles" and "decent script" are not mutually exclusive and it's an insult to the kaiju genre to act like they are. and you should also take it as an insult to the fans that studios think they can ship out rushed scripts because audiences will give them money for it anyway. like, besties, i like the monsterverse. i just also acknowledge that the movies are lowkey shit and want them to be better and hope they will be in the future.
I think people need to understand that when someone says the situation in Israel/Palestine is complicated they are not necessarily saying that the discussion of who the oppressor vs oppressed is complicated. The Israeli government has been oppressing the Palestinians for a very long time, that is clear, and it is not complicated to understand that at least since the 80s they have had dramatically more financial and military power to keep control of the territory in the way they like.
However, it is reductive and dismissive to insist that there is no complexity in the potential ways to move forward to bring peace to the region. Despite what people on tumblr.edu like to believe, "Israel should never have been created" is not a practical solution to an incredibly heated geopolitical situation in the present day. Israel was created and it does exist. 10 million people live there. 74% of the population is native born and the country has existed for 75 years. Hand waving these fact away with the opinion that "they should move back to where they came from" may make you feel good about being a Radical Leftist, but it does not give anyone a road map for how exactly millions of people without dual citizenship are supposed to just up and evaporate. Nor does it acknowledge the reality that 21% of Israelis are Arabs, the very people you are claiming to want to give the land back to.
Insisting that there's nothing complicated about expecting an entire country's population to willingly dissappear with no consequences is not a productive way to think about this conflict. It ignores the many massive superpowers that have an interest in proping up different states in the region, the power dynamics involved in any land back movements, and the inevitably negative consequences of totally dissolving an established state without a plan. It is also completely and almost comically unrealistic, so much so that it makes it hard to believe that anyone who's opinion starts and ends with this idea really gives a shit about anyone who lives in the area as much as they care about their online leftist clout.
There's nothing complicated in understanding that the Israeli government is and has been maintaining an oppressive apartheid state for decades. It is, however, very complicated to come up with a realistic way to resolve some of the most intricately entangled land disputes on the planet without plunging the region into total chaos. Not everyone has to be deeply educated on every geopolitical situation, but it is very hard to take people seriously when they know nothing about the politics or history of a region and yet insist that there is nothing complicated about it at all.
There's a lot of people on this website who are getting dangerously smug about their own ignorance, and are starting to go down Qanon type anti-intellectual paths in the name of being sufficiently radical. Not knowing the details of a very convoluted land dispute isn't something to brag about online as you call for intentionally reductive solutions. You can support the Palestinian cause and be aware of the oppression they have faced while also holding off on calling people trying to do real analysis and de-escalation work bootlickers. We need to get control of the urge to fit every global issue into a simplistic YA novel narrative structure that appeals to Western revolutionary fantasies.
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“some people don’t deserve redemption” redemption isn’t something that’s deserved, it’s something someone does. it’s making the choice to change the way you live your life, to be better, to do good things instead of bad things and try to make up for the bad things. and everyone can and should do that, at any time, no matter what they’ve done. we can’t change the past, but we can choose what kind of person to be now and in the future. we have the responsibility to do so. it is so completely not about “deserving.”
When writing a blind character, what are some things to avoid?
Ah! So this is definitely a bit of a broad question, but I can give a few basics:
Blind people don’t actually give a shit about touching faces, so please, please stear clear of that. The only exceptions may be the same way sighted lovers may caress each other’s faces and parents may hold a child’s face in an emotional moment, but it’s just like a sighted lover or parent would, nothing more.
Please avoid giving your character a cure. One of the most crushing things as a disabled reader is to finally have a disabled character, but for them to end up with a fantastic magic cure half-way through. It rarely makes for a good story, and often a much better story is that person’s journey in understanding themselves as equal and learning that they aren’t broken and useless and can do whatever they want, overcoming internalized ableism rather than “overcoming the disability.”
Few blind people actually wear sunglasses or eye coverings, so your character probably won’t either if the likelyhood says anything. Chances are they will not be part of that minority, so probably better not to do that.
Something similar can be said for characters with white or cloudy eyes. The vast majority of blind people will not have very abnormal-looking eyes, so chances are your character will not be part of that minority.
Another very similar thing should be noted about the level of vision they will have. Somewhere between 80 and 90% of blind people have some level of remaining vision, weather it be little more than light perception or enough that they were forced to use their eyes a lot growing up and weren’t taught braille or to use a cane because they could get by well enough not to die most of the time.
So these are just the first several things I can think of at the moment, but definitely feel free to ask about more things!
I'll explain some of my choices under the cut
So a lot of these choices are pretty obvious, although some are a bit iffy or require explanation of the Subspace story which can be found in trophy descriptions & The Dojo.
The first category was for characters who were engaged in the Subspace plot from the get-go and were the "good guys". In case you didn't know, King Dedede is the hero of Subspace, and if it weren't for him, Tabuu would have won, since he made the "reset badges", and his initial plan was to hold onto some people and give them the reset badges in case Tabuu used his Off Waves. Meta Knight is considered to be a good guy, even though he mostly just wanted to get the Halberd back. Fox I put into this category as well since he's first seen giving chase to the Halberd in his Arwing, so I consider that pretty engaged, even if we don't know the exact reasoning.
The second category is open and shut. They're the Bad Guys. Ganon, Bowser, and everyone's favorite winner, Wario. Technically Wario kinda defected from Tabuu and wanted to just steal all the trophies, but I'm counting him here.
Next was the "Used by Tabuu" tier. According to the lore, the entire Subspace Army is made from the power of Game and Watch (although it says the Game & Watch are unaware of this). Pikachu's electricity was being used to power a lot of the operations (most notably the Subspace Bomb Factory iirc). And it's implied that R.O.B was coerced into helping Tabuu, feeling so ashamed that he put on the Ancient Minister garb to hide himself out of shame.
The "Was Doing What You Expect" Tier is a tricky one, since some characters like Mario & Kirby weren't doing what you'd expect in their normal games, but they were fighting, which is something you'd expect in Smash, but I was kinda lenient. Pit was watching from Skyworld, which is in character. It's shown that Pokemon Trainer was looking for Ivysaur and Charizard, so we can assume he was on that journey when we found him in the Ruined Zoo. ZSS's motivations are kind of unclear about whether she knew about the Subspace Bombs and tried to stop them or if she just knew her Power Suit was there and wanted to get to it. I always figured it was the latter, so I'm putting it in this tier. Marth was defending a castle, which sounds right (I haven't played Fire Emblem). Ice Climbers were climbing ice. Monkeys were getting their bananas. Link was getting Master Sword. Yoshi was sleeping (which only gets him out of "Just Standing There" tier because he is Yoshi).
Next are the ones who just kinda showed up. And it so happens that all five of them make a pretty grand entrance. Sonic is the obvious example here. Ness also counts since there's no implication that either he or Lucas actually live in or even near the Ruined Zoo, but then again in the dialogue-less cutscenes tying together over 30 characters, I don't think that detail was important. Falco makes a grand entrance, although you could argue that he was meant to be Fox's backup. Ike makes a grand entrance with this Great Aether. Captain Falcon literally shows up to jump out of his car, punch a robot and kill approximately 50 aliens in one fell swoop, so either there was an F-Zero track around the Island of the Ancients that we don't see and he quit in the middle of his race to do that, or he just did that. Either way there's something wrong with him.
And then finally we have the characters who were Just Standing There. Luigi obviously was minding his own business when he got got by Dedede. Peach and Zelda I almost put in the "Doing What You Expect Tier" (or at LEAST Peach since she knew Mario at least), but honestly? They were just standing there. No hate, obviously. Sometimes you just gotta Stand There. Olimar was minding his own business letting his Pikmin eat a robot before they were murdered. Lucario was vibing on top of a mountain (as you do). Lucas was just being sad. And Snake? We don't see any sign that he's on a mission. We just see that he's been on the Halberd for an undisclosed period of time before dramatically revealing himself way way later. I like to imagine he accidentally fell asleep.
And then the last tier are for the 3 characters that are unlocked after Subspace, so I don't really count them.
Anyway in case you can't tell I am back on my ADHD meds! Hope you enjoyed this. See you all for the Nuzlocke stream later.
Hello, this blog is for posting things I find interesting like critical opinions about media and fanarts. PS: NO spicy fanart on this blog
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