You Know I Kind Of Like The Pettiness Of Megatron And Optimus’s First Meeting On One Of The Marvel

the concept of fatphobia isn't "skinny people have never ever been shamed or insecure about their bodies ever" but rather "society literally doesn't want fat people to exist at any cost to the point healthcare systems are willing to let fat people die rather than address any other possible medical issue, in addition to facing insults and disgust at every turn socially". online the fact u can't make a body positive or even neutral post without somebody going "but what about us naturally skinny and petite people" is so fucked man

Crazy idea for a new continuity: Megatron having died multiple times

And Soundwave and Shockwave just takes a spark from a random Decepticon or captured Autobot and shoves it in the corpse and then brainwashes/programs the resulting new mind into being almost exactly the same.

Sits TF fandom down gently. Please. Please understand that the whole 'Decepticons as revolutionaries/workers/etc' thing is new to TF from IDW1 and Aligned onwards and was not in G1. Or anything through TFA, for that matter. It isn't some inherent part of the canon that must always be there. Please do not 'correct' people on this, because you sound. Silly.

I can't lie, I find it very odd that posts cautioning people against donating to individual* campaigns and promoting the idea of supporting mutual aid efforts and community kitchens in Gaza can rack up 10k+ notes--while a post promoting a community kitchen (that I can personally vouch for) struggles to get 1k notes, and has barely pulled in a couple hundred dollars over the past week.

I actively try to avoid using guilting tactics in fundraising, but this is weird to me. It's like people are using these posts as an excuse not to do things they already didn't want to do anyway, rather than actually taking their recommendations on board...

*In my experience, these campaigns often support large extended families + their neighbours

Chuffed

Mawasi Al-Qarara Mutual Aid Project

This campaign is a mutual aid initiative involving myself, my friends Mohammad Abu-Alwan and his two brothers in Palestine, and Shakhya Scri

MAQMAP is a community kitchen aiming to support families in the Mawasi Al-Qarara area.

this isn't kirby anime slander I swear

An under-talked about part of Columbo is the way it presents non-murderers. Most episodes have at least a few scenes where Columbo talks to people involved in the case who, you know, aren't the ones who killed the victim, and in those scenes to see a multitude of ways people handle grief (or, if not grief exactly, the simple shock of someone you know no longer being around). I'm watching one of my favorite episodes right now, the one with Leonard Nimoy as the killer, and Columbo is interviewing one of the victim's co-workers, a nurse, and she just keeps going on an on about how much better the victim was morally than her - how the victim really cared about healing people as opposed to herself, who only wants to advance her career. And in this brief, minute-long interaction you get both the comic relief of Columbo quickly realizing this woman will provide almost no useful information but being unable to get her to stop talking without being rude, and a very clear illustration of how the victim was inspiring to others and how this co-worker in particular not only admired her, but feels inadequate for not living up to her. It's a very short interaction, easy to ignore in the scope of the episode (Leonard Nimoy gives SUCH a good performance as a villain it'd be hard to talk about anything else), but it all adds a humanity to the episode that would be sorely missing without it. If you didn't care about the murder before, you sure as hell do now, and you know Columbo is a better person than the killer because he actually cares about the effect these murders have on people enough not to coldly shut down a grieving friend of the victim when she's rambling on about her feelings.

Anyway, I know this is a hot take for Tumblr, but Columbo is really great.

from the r/Jewish subreddit:

it's interesting to me that torture just works to us, as a literary device. It's everywhere in movies and stories and whatnot, from big-budget dramas to little grindhouse short stories. It fits neatly into the requirements of plot: character doesn't want to offer information, Gets Tortured, has to offer information.

the issue with this is that it isn't how it works.

torture is a display of power. It fouls interrogation, this is known; a person being tortured will tell you whatever you want to hear to make it stop, which is more often than not a lie, made up on the spot, or if the truth an incomplete and useless version of it. It isn't generally done for information's sake anyway, but as a form of what the ancient Greeks called hybris, the violent exhibition of your power over another person.

This is, every once in a great while, done right in fiction, but it's a challenge to write vs. the idea that it's a shortcut to one character revealing plot-critical information to another. Pretty much every form of torture works this way, even the ones that are legally permissible. Psychological torment or physical discomfort also produce an animalistic desire to escape harm and foul interrogation. The forms of torture the cops can do? The cops do it not to gain information (or if they think it will, they're lying to themselves) but because it makes them feel powerful.

There's probably a master's thesis in it for somebody studying the rise of torture as a plot device since the beginning of the war on terror and the contemporaneous development of the Broken Windows theory of policing. I'm not really aware of any similar level of disconnect between what Works in fiction and what happens in real life!

honestly seeing godzilla minus one just made me even more jaded to the monsterverse fans who act like it doesn't matter if the movies are badly written because "it's just a godzilla movie" as if there isn't physical proof in both minus one and also shin godzilla that godzilla films can be more than that.

but EVEN THEN i'm not even fucking asking that the monsterverse fundamentally change to become poignant pieces about ptsd and survivor's guilt and government inaction, i'm fine with them remaining fun little action movies primarily about big monsters punching each other, literally all i'm asking is that the human plots do something other than (a) put me to sleep or (b) barely hold themselves together long enough to get to the next scene.

pacific rim is a film first and foremost about big robots punching big monsters, but it also has a genuinely well written human storyline with fleshed out characters. it doesn't have a half-baked plot built only to loosely connect the monster battles, it has an actual story.

like you guys "fun action movie about big monster battles" and "decent script" are not mutually exclusive and it's an insult to the kaiju genre to act like they are. and you should also take it as an insult to the fans that studios think they can ship out rushed scripts because audiences will give them money for it anyway. like, besties, i like the monsterverse. i just also acknowledge that the movies are lowkey shit and want them to be better and hope they will be in the future.