Can You Please Reblog If Your Blog Is A Safe Place For Lesbian, Gay, Bisexual, Transgender, Asexual,

please bring back 2014 indie pop (i could care less that a few of these songs were pre or post the 2014 era if the song fits it fits)

cecelia and the satellite by andrew mcmahon in the wilderness

i wanna get better by bleachers

cigarette daydreams by cage the elephant

ways to go by grouplove

girls by the 1975

miracle mile by cold war kids

take a walk by passion pit

little talks by of monsters and men

tongue tied by grouplove

midnight city by m83

undercover martyn by two door cinema club

i can talk by two door cinema club

young blood by the naked and famous

kids by mgmt

1901 by phoenix

young folks by peter bjorn and john

daylight by matt & kim

animal by neon trees

stolen dance by milky chance

out of my league by fitz and the tantrums

talk too much by coin

greek tragedy by the wombats

chocolate by the 1975

anna sun by walk the moon

everybody talks by neon trees

what you know by two door cinema club

dancing on glass by st lucia

FEEL FREE TO READ THE PART AT THE TOP WHERE I SAY ITS NOT ALL FROM 2014 THANKS!

Hiya! I started listening to the Lost Terminal because you mentioned it on here. I'm a few seasons in and really loving it. My friend is looking for some new narrative pods and I know you listen to a bunch. Got any suggestions? They can be finished or ongoing.

Oh do I! Have a couple, in alphabetical order:

Absolutely No Adventures - An outright pratchettesque fantasy parody about a (very) Chosen One who has studied the art of baking instead heeding the call to adventure and refuses to go on any quests.

Care and Feeding of Werewolves - A (in-universe) podcast addressing current events and issues in the (American) paranormal community, hosted by a witch and medical practitioner. Has very good plot and worldbuilding.

Folxlore - Queer horror podcast set in Glasgow. Excellent show. "This apartment complex is very haunted, extremely cursed, and it sometimes randomly shifts to an eldritch nightmare realm. Everyone here's queer though, including the building itself. 4 stars out of 5."

Gabriela & The Inn Between - A recent botany undergrad takes a job as Innkeeper at an inn with very strange and unusual guests. Cozy and low-stakes.

Gastronaut - Set a couple hundred years from now, a food journalist travels from Earth, then Mars, then a distant space colony. He's pathetic but in a good way. Excellent food descriptions, nice anti-capitalistic and anti-colonialist themes. Higher stakes and fewer steaks than expected.

Ghost Wax - I've always disagreed with the idea that necromancers are always evil. This show agrees - it's a horror podcast about an ancient necromancer solving supernatural murders by interviewing the victims. Very thrilling. Many feels.

Icarus Rising - Queer airship pirates! Stow-aways! Rebellion! Chases and Thrills! High-stakes drama and action among the clouds! An adorable ship cat!

Kalila Stormfire's Economical Magick Services - Very cool story about witches, fairies, werewolves, and more, a story about what makes a community, about modern-day working class neighborhoods, psychology, love, and of course magic.

Parkdale Haunt - This one I haven't listened to yet, but I've heard very good things about it. It's a horror show about a haunted house, set in Toronto, made with love for that city. Disregard this suggestion if you don't like Toronto, I've never been.

SCP: Find Us Alive - A podcast set in the SCP universe, about a site getting sucked into some sort of pocket dimension that keeps resetting in a sort of time loop. Very interesting cast of characters. Requires minimal knowledge about how the SCP Foundation works.

Starfall - Fantasy audio drama about the adventures of a theatre troupe that uses magical items and illusions in their work, and about a young warrior with mysterious powers who joins them.

Tell No Tales - Horror story about a company that specialises in removing ghosts from haunted places. The protagonist quickly becomes concerned about the ethics of that and tries to prove that they need to start treating spirits with the humanity they deserve.

The Antique Shop - Urban Fantasy drama about a student getting a job at the kind of antiques shop that you only find when you need to. Lots of cursed items. An excellent cat. Queerplatonic relationships.

The Mistholme Museum of Mystery, Morbidity, and Mortality - An AI audio tour guide shows you various interesting exhibits and learns how to be a person. There's lots of feelings here.

The Strange Case of Starship Iris - Sci-Fi story set in the aftermath of a war between Earth and extraterrestrials. It's about outer space, survival, espionage, resistance, identity, friendship, found family, romance, and secrets. The intro song is excellent.

The Tower - A young woman climbs an ancient, unfathomably tall tower from a forgotten age. It stretches up into the sky, through the smog and the clouds. Very vibes.

The White Vault - Travel Is Not Advised. Very scary story about what's been hiding below the ice and the stone. What's been slumbering for ages. What's now beginning to wake anew.

I hope this selection helps! I have more, but I felt it would be better to keep the list short-ish.

The thing I love most about the LOTR films is their ability to do storytelling without words. 

Many of my favorite moments in the trilogy are ones that have no dialogue. Wordless storytelling is the one thing the films do that the original books can’t, because books Have to use words.

I argue the vast majority of the films’ depth comes through things that AREN’T the dialogue. So much of the storytelling in LOTR is done through the music, cinematography, visual effects, character/costume designs, prop designs, environment designs, performances, and so on and so on. So some of the most powerful moments in the films are the ones that have minimal/no dialogue  – like the moments after Gandalf’s death, or  the lighting of the beacons, or Boromir dying as he defends Merry and Pippin, or the moment when Frodo wakes up after being rescued from Mount Doom and sees Sam in the doorway, the hobbits in the Green Dragon after their quest ends…..I could go on and on and on. And people joke about how Lord of the Rings is “50 percent landscape shots to pretty music”, because it IS, but I argue those landscape shots are so important and emotional and symbolic and evocative! They convey so much about the world, and the characters, and the tone!  I’ve written essays on it here and here and here –

 One of my favorite moments in the trilogy is the destruction of the Ring. I love how it captures this feeling of like…. relief beyond words. 

There’s just so much beautiful wordless storytelling! The way Sauron’s tower collapses to the musical leitmotif we first heard playing gently at the crossroads when Sam saw the fallen king statue and said “look– the King has got a crown again.” The way that, after Mount Doom explodes, the soundtrack transitions into the musical leitmotif that we last heard at Gandalf’s death.  The elvish in the soundtrack. ;_: And I love Gandalf’s reactions in this scene….the entire trilogy he’s been racked with guilt over “(sending) Frodo to his death.” The villains recognize and torment him over this: Saruman saying “Gandalf does not hesitate to sacrifice those closest to him, those he professes to love” while Gandalf has no response. And then we see that Frodo did it, he actually made it, and Gandalf breaks into tears…;_; and without a single line of dialogue you know exactly what this means for him. I’ve already written an overlong essay on how I love the general “watercolor painting” aesthetic of the films, and I want to add that I love the way the visual effects for Mordor’s collapse are designed– the way broken tower of Barad-Dur BURSTS outward, like a spirit is leaving it– and how initially it seems triumphant until you realize that Mordor is falling apart with Frodo and Sam still trapped there. And then all of the Fellowship breaks down. ;_; And so many scenes in the films are like this….Frodo crawling up the slopes of Mount Doom to a warped broken version of the Shire leitmotif. Eowyn standing on the edge of the Golden Hall as the flag of Rohan symbolically flutters away, and the Rohan theme plays on the Hardanger Fiddle. Frodo waking up in Rivendell and walking out of his room for the first time as the Rivendell leitmotif plays, autumn leaves falling all around him, then reuniting Bilbo to a mature sad verison of the Shire leitmotif. When Gandalf dies, the soundtrack in that scene is the only one in the films where the vocals aren’t in elvish/dwarvish– it’s just cries of pain, wordless grief. 

And I know that’s Basic Film Theory– the vast majority of things viewers will take away are the things that aren’t in the script– but Lord of the Rings does it so well! 

Every element has so much love and care put into it. Every artist gets to add something to the story.

And I don’t actually think it’s because “every artist on Lord of the Rings was uniquely talented in a way no artists have been before or since.”  I actually have….really mixed feelings on LOTR as a franchise, both because there’s so much in them that I think was objectively Bad and wrong (like the horrible lack of diversity/racist use of coding.)But the reason there are so many strong moments in Lord of the Rings despite its inarguable flaws was because the films had an extended pre-production time that a lot of movies don’t get. Howard Shore was given years to work on the soundtrack rather than months. The visual artists were treated like storytellers in their own right.  The difference between the Hobbit and LOTR trilogies wasn’t talent or money– it was time.  

And the problem with a film industry where everyone is trying to churn out as much Content as possible is that time is something you can’t really buy.

"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit

kaminari !! 💛 ⚡

One thing I feel people miss about lord of the rings is that it’s sort of……….post-apocalyptic?

Like– the world already ended, a long time ago, and the characters are surrounded by the ruins of dead countries. They spend most of their time journeying through places that are either abandoned (Moria) soon to be abandoned (Rivendell/Lorien) or half-destroyed and falling into decay (Rohan/Gondor.) The villains are creatures that Used to be Human; I feel like Lotr’s orcs/ringwraiths have more in common with zombies than they do with DnD-style orcs, because they’re a state that “normal” people enter when they’re corrupted by a supernatural force.

Even the Shire is surrounded by ruins– the ruins of watchtowers, the ruins of the old Northern Kingdom, the ruined city near the Grey Havens. The people around there have an idiom “when the king comes back” that means the same thing as an idiom like “when pigs fly”–  “when a completely ridiculous improbable thing happens.” They’re so used to the disintegrated state of the world that the idea of a central government is fairy-tale-like and bizarre. They have their little mayors and thains; they don’t need anything else.

So yeah! I see people try to “modern-real-world- au” versions of Hobbiton by making it “a peaceful suburb” but to me, a modern au version of Hobbiton would be more like…….

You are a hobbit.

You don’t know much history, but you understand that there were Wars a long time ago that destroyed a great amount of life on earth.

You live in a little hole in the ground. You don’t know that long ago these holes used to be called “bunkers;” you decorate them with flowers.

When you want to say that something won’t happen, you’ll sarcastically say things “lol yeah SURE that will happen! And tomorrow pigs will fly, Parliament will come back into session, there will be a president in the White House, there will be a prime minister making speeches, and diplomats will intercede between all of them! ha! XD”

If you journey even a little outside of your home, you’ll find the ruins of old cities and skyscrapers. There are messages in the ruins that are written in languages you don’t speak. Human beings used to live here; they don’t anymore.

And you’re not supposed to leave the Shire because sometimes you’ll meet the things that used to be human, but aren’t anymore.

either junichirou's really good at acting or he should reaaaaaaaaaaaally be allowed to kill someone

Also what the fuck was the im sorry dance. They really just did that and there was no further context. One of them said "do a silly little jig for my forgiveness" one day and they both just. Committed. What is wrong with them I wanna study them under a microscope

Can't stop thinking about the line "you treat your mouth as if its heavans gate" to describe someone who heavily regulates what comes and goes from their body whether that be in the form of strictly following a healthy diet or refraining from profanity and speaking in ways that may be deemed sinful

I think it is hilarious that when Dazai left his little villain perch in the mafia, he couldn’t quite shake the innate urge to be a menace and his only outlet is tormenting select coworkers at the ADA (Kunikida) to feed the evil little monster at the back of his mind that does a delighted little victory dance every time he manages to make Kunikida’s blood pressure rise and it is hilarious to me that he actually gets twitchy when he can’t get a rise out of Kunikida and starts foaming at the mouth bc he needs his evil fix for the day