DOCTOR WHO (2005—) "Turn Left" (4.11)

Trauma didn't make me nice, I consciously made me nice because I don't want anyone else to suffer like I did. Trauma didn't make me strong, I made me strong. Don't you dare ever tell me my trauma made me anything but scared, broken, and confused. Don't give credit to the abusers for me being a good person. They didn't make me good, I made myself good.

Stretch marks sort of look like lightning bolts which basically means that your body has been blessed by Thor Odinson.

SPOILER ALERT.

Alex Claremont-Diaz is not throwin’ away his shot! *chortles*

Per EVERYONE’s request, albeit @andakillerqueen beat everyone to the punch, here is the Red Room Scene from Red White and Royal Blue! Having seen this room in person on a tour of the White House, this was a fun challenge. Although I swear, it took just as long to paint the dang Hamilton painting and its picture frame as it did to paint Henry and Alex. Lol

My fav quote ever has to be “the quickest way to a mans heart is through the fourth and fifth rib” god bless Amrens immortal soul

Underwriting: ways to boost your word count

I wrote a fic recently and the word count for the first draft came to about 40,000 words – roughly the length of a novella or ficlet. And that’s fine because I wasn’t striving for a novel or a 100K slow-burn coffee shop AU.

But coming to edit my first draft I realised something about myself. I am an underwriter. My fic could actually be at least 10k (maybe 20k) longer. Of course it’s not all about word count, it’s about the story, but in this case a smaller word count isn’t because I’m a fantastically efficient storyteller it’s because I’ve missed out a lot of stuff. Like, Important Stuff.

So as I set out to add muscle to the skin and bones I’ve already created in draft one I thought I’d share five tips for my fellow underwriters to help you flesh out your writing too.

1)     Make sure to describe the place and space in which the action happens.

There are quite a few places in my first draft where there’s no indication as to where things are taking place– or there is, but it’s the bare minimum and not really enough to build up a clear picture. This probably because as the writer I know exactly what the place looks like so I make the assumption that a bare minimum description will mean the reader knows too.

Now I’m not saying go into masses of detail about what your settings look like. In some cases it’s not useful to describe setting in a lot of detail (e.g. during really fast paced action sequences) but doing a verbal sketch of the space is essential for putting your characters in context and reader understanding.

I really is a fine balance (which is why beta readers are your friend!) But definitely go back to your setting descriptions if you’re an underwriter, they might need some work.

2)    Make sure to describe your character’s appearance.

Similar to the above point – you know what your characters look like, but unless you describe them, the reader won’t.

It’s fair to say that descriptions are open to reader interpretations, but that doesn’t mean you shouldn’t describe them in a healthy amount of detail. So you might try to nail down some of the interesting quirks about your characters to help the reader build a picture – not only will it help the readers understanding, it’ll boost your word count too!

Note: This one functions a little differently in a fic because the readers are probably familiar with how the character looks, but there is nothing wrong with adding your interpretation (or even reminding them, especially if the characters are from a book.)

3)   Include character reactions outside of what they say out loud.

Real life conversations aren’t just about the stuff that comes out of our mouths. So much of human interaction is about body language – so include it in your writing! Saying that the character covers their mouth with their hand when they talk suggests shyness. While another character crossing their arms shows they’re defensive -perhaps because they’re feeling threatened. In real life we don’t always say what we mean – but a lot of the time our actions give away what we’re really thinking. By including these actions around dialogue writers can influence how we as readers view characters and how we interpret interactions between characters. And it can boost your word count too.

The big stuff:

4)     Check your pacing.

When you write it feels like your scene is taking place over hours, days, weeks because when you’re writing it takes time. Reading, on the other hand, is much quicker. A seasoned reader can fly through a 100 page novel in a few hours – a seasoned writer can spend hours writing a 100 words.

When you read back your writing, make sure to check your pacing. You might just find that the Impossible Task you set for your characters at the start of the story is suddenly resolved within the next fifty pages. To boost your word count you might want to start by adding more obstacles between the character and their goal.

For example; your character has to find an object such as a precious jewel. Sounds relatively easy, right? But what if the jewel is lost in the mines of an ancient people, amongst thousands of other treasures that look very similar? What if no one has found this jewel because it’s guarded by a fire breathing dragon? What if the ancient mines and dragon are located in a mountain which is miles and miles away across dangerous lands? What if your characters need to enlist the help of someone with a very specific skill set?

You take one simple objective (finding the jewel) and you put into play a series of obstacles that must be overcome in order to complete the objective. Your underwriting tendencies, like mine, might just mean that there aren’t enough metaphorical (or real) dragons in your story!

5)    Sub-plots.

A sub-plot is a smaller scale plot - often involving the supporting characters - which runs secondary to the main plot. It can be directly linked to the main plot, i.e. the info provided in the subplot directly influences events in the main plot. Or it can simply be linked through place, time or themes of the overall story (e.g. Hermione’s elf rights campaign ‘S.P.E.W’ in Harry Potter and the OoTP is linked to the overall theme of oppression.)

Sub-plots are great because they can serve as some respite from a traumatic main plot; your character is fighting a war (main plot) but also fighting and failing (in hilarious ways) to win the affection of their love interest (sub-plot).

Plus, sub-plots can also help with characterisation, can cause your main character to have the moment of realisation which allows them to overcome the obstacles they face in the main plot and is generally a better reflection of real life! Sub-plots often centre on side-kicks and other characters – people who might not be as devoted to the end goal as the protagonist is. In fact, well written side characters seemingly live their own lives with their own goals. You might choose to showcase this in your sub-plot by letting the conflict of interest cause more problems for the protagonist to overcome.

Either way you could find your word count sky rockets as soon as you add in a few clever sub-plots.

I hope this helped!

Got any questions? Send me an ask

Sirius getting super depressed when McGannagall refuses to call them that

everybody always makes the marauders out to be super cool and suave but dude

they had codenames

they named their own friendship group

as far as i can tell only aBSOLUTE DORKLORDS DO THAT

how much do you wanna bet the entirety of hogwarts refused to call them ‘the marauders’ and they got all grumpy abt it

“Carry yourself with the confidence of a mediocre white man.”

— The Love Hypothesis

**At Caco's Wedding** Carlos: Lando, this is my Family. Everyone, this is my Lando.

Carlos:

Carlos: wait—

Lando: no, he's right, i am his Lando

“i don’t like writing about my day, but i want to keep a journal”:

quotes and copywork. when reading, if you find something you enjoy, just copy it into the notebook. you can copy a whole chapter if you wish, highlighting what caught your attention the most.

definitions. look up on a dictionary and copy it. you could write your own dictionary as well, making up definitions for words.

lists. a classic, write movies to watch, books to read, the playlist of the month or just the groceries you have to buy.

maps. when going somewhere, you could draw the route you took or just a map of the place itself. just look up the place on google maps and copy it. you can draw a little map of all the places you have lived or the schools you have attended as well.

photos

take “notes” as you watch movies / documentaries. write down phrases that caught your attention or doodle.

illustrations and clippings. if you see an image or piece of art that you liked, put it in your journal. if it’s from a book or from a magazine I would recommend scanning it, tho’. it will serve as a record of what kind of art you enjoy through the years.

newspaper clippings from the day.

tickets and pamphlets. from movies, museums, transportation.

postcards

records. you could record for a month what the temperature was when you woke up and when you went to sleep. if you do that for a year, it gives you a better notion of the passing of seasons. you could record rainfall and other seasonal changes as well. you could choose something (an animal, a plant, an item or object) and write down every time you see it.

rubbings of leaves, coins, landmarks.

count. there’s a scene in the movie Coraline (2009) where Coraline’s dad tells her to go count the windows. you could do the same type of counting game if you are bored and write down.

mindmaps/sketchnotes + timelines of books, movies, music albums.

collages

pressed leafs and flowers

your collections. if you collect anything you could write down an inventory or maybe try to draw the items.

recipes. write down recipes and give it a score every time you try it. you could do the same for drinks you try out.

stickers

comic strips. you can find a bunch of it online, glue your favorites in your notebook.

Maybe you are the punishment

for all the hearts I have broken

Maybe you are just a realization

of the love that I don’t deserve

Maybe you are just an empty sadness

that will be the end of my story

Maybe you yourself are a story

that starts from where I end.

mirror