...more clothes augh
I read Bunny's discussion about her intentions/goals and so I mean, *flail*, what with the awesome tag its crowdsourced costume design almost, cannot deal. CLOTHES. I love stripes too but I'm super biased toward vertical ones especially on legs #teamverticalstripes :p
There's this special kind of el wire that's braided and animated in a way that makes it look like flowing liquid/marching ants/THE FUTURE so imagine that on the bolero jacket hnnnnnnghggh dear gOD I want to make it seriously Bunny if you're reading this I would absolutely make that for you just say the word because ROBOT CLOTHES GODAMMIT my stupid sketchbook is filling up with doodles of costumes (yup, totally including hatchy & the spine) adfhgdaadsdgf
I think I might take a break tho, I just want to make everything so badly but I can't (need a new sewing machine, moving soon, currenly traveling for work bla bla bla)... and it's starting to hurt my feelings T_T
I just love costumes so much you guys *ugly crying*
indigogrim replied to your post: Stuff like this is pretty livejournal ...
The more you practice performing and sharing your art with people the easier it gets.
Thiiiiissss is what I'm talkinbout tho? One would assume 10+ years of trying would be enough to tell if such a thing is gonna work out or not D: I'm reeeaally reaching right now trying to decide if it ever got any easier during that decade of effort and fffffnnnnghmaybe? BUT worth it? That I am even less sure about. Cos when I draw something and I finish I'm good. It's like welp, got a thing out of my head, done, satisfied. Might show a friend or two if they're online at the time. Its a little easier with fanart because fangirling and FEEEELS. But meeeehhh? WHY should I continue to push for it, is what I want to ask. I never got much reason other than because people wanna see? And that's not motivational enough?... sorry...? The inspiration to others thing is but again only sometimes because that's not whyyyyy I do this, so when I struggle to share and can't, then I just feel ashamed and as I said, I'm done with that.
adrhaze replied to your post:
You can always become a secret artist with a pseudonym and just keep yourself in the shadows while letting your work speak for you. The masked artist! Or maybe an agent? It works for banksy and a lot of writers.
I have totally considered a pseudonym! At least for writing, if I ever actually finished anything fff. For visual art I don't think Banksy is a good example, being mysterious brings EXTRA attention... (besides doesn't he have an entire crew helping him out...?) Musically I sure love Daft Punk's thing but man how much harder would it be to start doing something like that nowadays? Anonymity is kind of impossible. I'm already probably as secret as I could even be :C
Thing is though, I love musical theater best. Like I LIVE for Cirque du Soleil shows (only time something has ever made me cry just because it was so beautiful), and I did a lot of that stuff when I was a kid. But you really have to put yourself out there for it. Collaborating with a bunch of people to create something thats so many kinds of art all at the same time that no single person could pull off is just the greatest feeling. SO its easier when its a group thing too, a cast and crew can be a really supportive kind of artist family. I made costumes and props and magic tricks, I danced at festivals, I played in band etc. Stopped doing all that stuff publicly when I was 15ish for mostly angsty teenager reasons, though one year I did audition for a musical and that was the last damn time I sang outside of the shower or alone in the car and let me tell you I was ASTRONOMICALLY outside of my comfort zone there, woosh. (but I admit I wasn't satisfied doing ONLY crew cos I gotta daaaaance) After that I would say... a lot of things happened that made life a little bit tougher and I had to lean on my art for emotional support. I don't feel like sharing stupid life story stuff but I mean, maybe some people can at least relate to the idea that you might need oh I dunno, a stable life (one where you don't use up all your energy just trying to survive, for whatever reason. I mean this very broadly cos everyone has struggles) before you can do extra stuff like art. And art is usually in the category of extra stuff. When I had enough spoons left in the day to draw I still wouldn't have enough to deal with the kind of ridiculousness artists online tend to have to deal with. I hope I make sense.
Things are better for me now though which is a big reason this nonsense is on my mind actually.
HOW DO YOU ART SO GOOD?! Also why you no been on for like a year?
I was on the fence about answering this XD; BUT I got a bunch of new followers recently (HI THERE) so I figure I will give it a shot. tl;dr guys.
That’s.. kinda related to the second question. It’s hard for me to articulate why I am such a freaking hermit. It’s not shyness… a lot of it is sensitivity because my relationship with art is SO personal. People can dislike me IRL all day long and it’s not even an issue cos FFF they dont KNOW me. But if they don’t like my art its like OMG I’m giving you a peek into my BRAIN, that IS me, it just got personal, time to throw down. When I say I peaked early, I was a fairly active artist on the internets when I was a teenager and got a LOT of attention I wasn’t able to handle well. The pervasive attitude that artists are sort of visual candy dispensers with a duty to share everything they do makes me reeeeaaally uncomfortable. I don’t draw for attention. I draw because I have stuff in my head that has to come out, and because creating makes me whole (I say creating instead of drawing here because I also love to make stuff, dance, sing, play music, I wanna do EVERYTHING).
I feel weird saying “I don’t draw for attention” because there’s a sort of implied diss that I don’t want to be there. Attention is actually really valuable! Motivational encouragement, constructive criticism, etc, all great stuff. I have made a lot of amazing friends through sharing art, and I totally love talking about it all the damn time, it’s often the medium that gets in the way with me. I like realtime chats best. I’m gonna sound like a cranky old lady now but it took me way too long to figure out tumblr and I miss IRC >:( And in my crankly old lady old age I just don’t have anything to prove to anyone and fucks are no longer given. I draw what I want, when I want, and share when I feel like it. SORRY NOT SORRY.
I’ll be honest, it’s only because once in a while someone tells me that they are really inspired by my art that I make the effort to share. But I forget often, and the fact that I can go thru really long periods without drawing much at all… well. Gushy fangirling is about the only thing that will bust down that wall these days. I used to feel guilty about this but it’s just how I am.
I’m a lot happier answering more specific asks about art tho XD Composition? Design? Style? CLOTHES? Lighting/Materials? Color theory? COLORSILOVECOLOR? Gimme.
I adore her work and she deserves not only better, but the best things. She's already great and has been for ages, and the rest of us need to catch up.
here is her kofi, her artstation, and her website. she also has an instagram & facebook, both of which with descriptive captioning.
who is elicia donze? just one of the most amazing and inspirational pop artists in this current time.
a prevalent yet underappreciated and absolutely slandered fan artist for the spn fandom, she’s a master at not just realism but adding a touch of whimsical beauty and etherealness in everything she does.
her job opportunities are and have been sabotaged by spn fans for years. how many years? over 10 years. i wasn’t a part of her followerbase until a few months ago, but just so you know she goes through so much fucking bullshit every day. just the usual death threats and lost job opportunities and panic attacks and so on that she’s had to manage for longer than i’ve been in school!
she struggles to make ends meet for herself and her two cats, and she’s got pills (? i don’t know for sure, she is mentally disabled though) and bills to pay for. wanna help? here is her kofi, her artstation, and her website. she also has an instagram & facebook, both of which with descriptive captioning.
can’t give her money right now? then follow @eliciaforever and reblog her artwork, reblog the bullshit she has to put up with, listen to what she says. like, actually listen. tell people about elicia. tell people about her art. elicia knows she’s good. she’s a fucking legend. but people don’t seem to like women artists who know their worth, so might as well flaunt it as much as possible.
and also, if you know people who can spare some change, here is her kofi, her artstation, and her website. she also has an instagram & facebook, both of which with descriptive captioning. a third time. just so you all know ;)
hoss. (Taken with Instagram)
Madranek looks like a pretty sweet guy. What's his story/what's he like/got anything interesting to tell us/etc? :) Spill! <3
Madranek is a minor councilman for a small wealthy province of Esterahad, he's psychic and is sort of a mentor figure to Lillia who is a very young powerful psychic. Because my story is mostly about politics a huge portion of my characters are politicians of some kind D:
Portrait commission, tried to move out of my comfort zone a little and do more dramatic light/shadow.
super late to this hype train also its been ages since i stayed up super irresponsibly late to color something but it feels awesome (for now ;p ask me again at work in the morning 8|) 70s prom douchey elf wizard atcherservice
It seems like a lot of your characters have pointed ears/"unnatural" hair colors-- I'm assuming they're something not-quite-human, so can you explain what exactly they are/what's the deal with their race/their culture? Does your storyworld(/storyworlds) have other common races? What's up with them?
oho, two questions! All my pointy ears characters are elves from the same story of which Errikan is the main character... I've been working on a website to provide at least a bit of overview and context for them. So its a fantasy world with several races but most of my characters are elves, and they are really only elves and not human because I love drawing big pointy ears, created them way back when I discovered legend of zelda and elfquest comics about age 14. :p It was kind of a blow to learn that most elves in fantasy aren't actually as cool as those so heh, I just had to make sure mine lived up to my expectations.
The fantasy takes place on a continent called Rethamnel, the elves are the majority humanoid race, but there are also dwarves, merpeople, orcs, trolls, giants, and centaurs. I won't lie, they are mainly there because it is fun to design your own versions of fantasy races, but its not a huge aspect of plot or anything, since by the time I decided to have lots of non-elf races my main characters were already established. I worked that into my history by making them the majority, conquering, culturally imperialist race with the dominant religion, so it fits :p heh
questionstar.org & questionstar@deviantart. I like to make art, friends, costumes, trouble, and history this is an art/creativity/rambling blog where I complain about art more often than I actually post it!
176 posts