Tag Drop 1

they come to drink they come to dance to sacrifice a HUMAN HEART

RULES | MUSES | STARTERS

it’s in my carrd but it should be noted I’ve created my own sort of vampire lore for my vampires frankenstein’d together from other vampire media because smeyers sparkly no-blood mormon statues is the unsexiest thing ever and I wasn’t having that

they come to drink they come to dance to sacrifice a HUMAN HEART

RULES | MUSES | STARTERS

FOR THE “YOU CAN KILL ME BUT DON’T YOU DARE TOUCH THEM” DYNAMICS 

❝  i only want you.  ❞

❝  i don’t need anyone else.  i just…you.  you’re all i need.  ❞

❝  listen,  i’ve lost a lot of people in my life.  i learned how to deal with it but…you’re different.  i can’t take it if it’s you.  ❞

❝  i think about anything happening to you and i— i just.  i fucking lose it.  ❞

❝  you don’t understand.  i need you safe.  not because i don’t think you can handle yourself but because i can’t focus on anything else if there’s even the smallest possibility you’re in danger.  ❞

❝  no one is ever gonna get near you again,  you hear me?  ❞

❝  i won’t let you get hurt.  i promise.  and i don’t make empty promises.  ❞

❝  turn around.  you don’t need to see this part.  ❞

❝  just give the word and i’ll kill every one of them.  ❞

❝  you can’t get all worked up every time something happens to me.  that’s just life.  you’re not always gonna be able to protect me from it.  ❞

❝  no one else understands me.  but you do.  you always do.  ❞

❝  i don’t think i’m the best person for you,  i don’t.  but i do know i’m the one that can keep you safe  ❞

❝  hey—  look at me.  it’s over.  it’s done.  we’re okay.  ❞

❝  who the fuck made you cry i’ll fucking rip their head off.  ❞ 

❝  i know you’ve always got my back.  ❞

❝  please,  let me take care of you this time.  you’re always protecting me but it tears me up inside every time you get hurt because of it.  ❞

❝  can you make everyone else just go away?  i know they mean well but i just want to be alone—  alone with you i mean.  ❞

❝  i know when you’re here,  the real monsters can’t touch me.  ❞

❝   oh,  i am one of the monsters.  but that just means i can keep all the other monsters from ever hurting you again. ❞ 

❝  if you’re gonna keep risking your life for me than you’re also gonna let me patch you up without a single complaint.  ❞

❝  we keep each other safe.  it’s my turn to protect you.  ❞

❝  i killed them for you.  i know you could’ve done it yourself,  but you shouldn’t have to.  ❞

❝   i love you because i know how capable you are.  and i show that love by making sure you don’t have to be the one to always do the hard things.  ❞

❝   i’m gonna make them regret ever even thinking about laying a hand on you.  ❞

❝  tell me what you want me to do.  i’ll do it.  whatever you want.  ❞

❝  i love you just like this.  i love you when you touch me gently like no one else ever has.  and i love you when your hands are bloody and your knuckles are bruised. ❞

❝  please,  just let me protect you.  ❞

❝  are you hurt?  did they hurt you?  ❞

❝  wait,  stop you’re bleeding.  ❞

❝  did you just wince?  where are you hurt?  ❞

❝  i need you in my life.  i’m not used to that—  needing people.  but i do need you.  ❞

❝  you make me feel things i’m not used to feeling.  ❞

❝  why do you let me close when you’re always driving everyone else away?  ❞

❝   you’re mine.  and i protect what’s mine.  ❞

❝  thank you for always being here for me.  ❞

❝  you see things in me that i didn’t even know where there.  ❞

❝  that’s enough.  let’s go home.  ❞

❝  i’m okay now.  i’m safe.  you don’t have to be angry anymore.  ❞

❝  please stop—  this is scaring me. ❞

❝  you don’t have to do this for me.  ❞

❝   hey stop— stop!  look at me.  they’re dead now.  you can stop.  ❞

❝  i have to make an example outta them so no one else tries to hurt you again.  ❞

❝  killing for you is easy.  it’s right.  it feels natural.  ❞

❝  let me do this for you.  ❞

SCENARIOS

[ ONE ]  for sender to take a bullet for receiver. 

[ TWO ]  for receiver to take a bullet for sender. 

[ THREE ]  for sender to protect receiver and then carry them to safety. 

[ FOUR ]  for receiver to protect sender and then carry them to safety. 

[ FIVE ]  for sender to witness receiver get hurt which sends them into a violent rage.

[ SIX ]  for receiver to witness sender get hurt which sends them into a violent rage. 

[ SEVEN ]  for sender to be hurt trying to protect receiver which makes them bloodthirsty for revenge.

[ EIGHT ]   for receiver to be hurt trying to protect sender which makes them bloodthirsty for revenge.

[ NINE ]  for sender to have violently protected receiver,  so receiver kisses them to calm them down. 

[ TEN ]  for receiver to have violently protected sender,  so sender kisses them to calm them down. 

[ ELEVEN ]  for sender to carefully approach receiver in the aftermath,  gently touching them to try and bring them back to themselves. 

[ TWELVE ]  for receiver to carefully approach sender in the aftermath,  gently touching them to try and bring them back to themselves. 

[ THIRTEEN ]  sender was kidnapped,  receiver shows up to save them.  

[ FOURTEEN ]  receiver was kidnapped,  sender shows up to save them.  

[ FIFTEEN ]  sender executes a third party in front of receiver because that person hurt them. 

[ SIXTEEN ]  receiver executes a third party in front of sender because that person hurt them. 

[ SEVENTEEN ]  sender thinks they’re alone but receiver comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ EIGHTEEN ]   receiver thinks they’re alone but sender comes out of nowhere to rescue them from someone who intends to do harm/making them uncomfortable. 

[ NINETEEN ]  sender has been devastated by something.  receiver holds them until they calm down so they don’t do anything drastic. 

[ TWENTY ]  receiver has been devastated by something.  sender holds them until they calm down so they don’t do anything drastic. 

[ TWENTY-ONE ]  sender thought receiver died so they set out to get revenge.  receiver shows up in time to stand in front of them before they go too far.  

[ TWENTY-TWO ]  receiver thought sender died so they set out to get revenge.  sender shows up in time to stand in front of them before they go too far. 

[ TWENTY-THREE ]  sender is in a vengeful rage because of something that happened to receiver.  receiver gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FOUR ]  receiver is in a vengeful rage because of something that happened to sender.  sender gently approaches to calm them down saying this isn’t what they want. 

[ TWENTY-FIVE ]  for sender to have receiver stand by somewhere safe where they can watch sender kill on their behalf. 

[ TWENTY-SIX ]  for receiver to have sender stand by somewhere safe where they can watch receiver kill on their behalf. 

Being 13 years apart Didyme and Aro were originally very much like “younger sibling idolises older sibling and older sibling feels protective of younger sibling” dynamic but then after he came back and turned her they were basically like this the entire time

✧    THE   VAMPIRE   DIARIES   PROMPTS   !   (  PART   I  .   )

* A MIXTURE OF TVD S1 - S2 PROMPTS , CHANGE ANY PRONOUNS AS NEEDED .

‘ You left that girl alive tonight. That was very careless of you.. ‘

‘ I promised you an eternity of misery, so I’m just keeping my word.. ‘

‘ But wherever you go, people die.. ‘

‘ I live in the real world where vampires burn in the sun. ‘

‘ Are these bites going to turn me into a vampire? ‘

‘ I like being the eternal stud. ‘

‘ You have a lot more insults in you, I can tell. ‘

‘ Everything you know, and every belief that you have, is about to change. ‘

‘ I’m getting really bored and really impatient, and I don’t do bored and impatient. ‘

‘ How many more animal attacks is this town gonna believe, huh? ‘

‘ I’ve been in love. It’s painful, pointless, and overrated. ‘

‘ Tip for later - be careful who you invite in the house. ‘

‘ I promise I will keep your secret, but…I can’t be with you. ‘

‘ It’s so not what you’re craving, but it’ll do in a pinch. ‘

‘ Our values and our actions, they define who we are. ‘

‘ How can you be so arrogant and glib after everything that you’ve done? ‘

‘ This daylight thing is a bitch! I need more blood! ‘

‘ Well, your life was pathetic; your afterlife doesn’t have to be. ‘

‘ You confuse me for someone with remorse.. ‘

‘ Why does everybody have to die on me? ‘

‘ Uh, have you met you? You’re not a nice person. ‘

‘ After a century, I finally realized death means nothing without you. ‘

‘ I couldn’t miss your hundredth and…whatever birthday. ‘

‘ You saved my life - I’m sparing yours. We’re even. ‘

‘ It’s not like the welcome wagon was waiting with a bunk cake and a handbook. ‘

‘ You promise not to do that mind-control-thing with me? ‘

‘ Vampires can’t procreate. But we love to try. ‘

‘ It’s not like we all hang out at the ‘vamp bar and grill’. ‘

‘ You know…you were there in the road, all ‘damsel in distress’-like. ‘

‘ You just found out that your boyfriend is a vampire. ‘

‘ Now you remember that. Because it’s never happening again. ‘

‘ If I see something I haven’t seen before, I’ll throw a dollar at it. ‘

‘ What if your blood hasn’t passed out of her system?! ‘

‘ You went in there not knowing if you could come back out? ‘

‘ Is that a vampire thing? ‘Cause I read vampires don’t like running water. ‘

‘ First rule about vampires: don’t believe anything you read. ‘

‘ So you want a pity turn? I don’t think so. ‘

‘ You should turn me ‘cause I don’t have anything else. ’

‘ Teacher by day, vampire hunter by night. ‘

‘ Can you just not joke around for two seconds? ‘

‘ We’ll just add it to the growing list of how everything’s falling apart. ‘

‘ Please dance with your alcoholic vampire boyfriend. ‘

‘ You know this vampire problem is real, right? It’s a potential bloodbath. ‘

‘ Do you wanna hear the bad news, or the really bad news? ‘

‘ I wanted to feed on him, and it took everything inside of me not to do it. ‘

‘ I have this hunger inside of me that I’ve never… I’ve never felt before in my entire life ‘

‘ Does that mean you’re okay, now, with all the cravings? ‘

‘ You were playing house with half of a tomb of really pissed-off vampires.. ‘

‘ I’m talking about the fact that you’re a closet blood junkie. ‘

‘ There’s that switch - sometimes it goes off and you snap… ‘

‘ If you’re just gonna mock me, could you move along, please? ‘

‘ He has a fridge, full of stolen blood bank contraband, in the house. ‘

‘ Normal to a vampire is drinking human blood, but he’s spent all this time fighting it. ‘

‘ I wanted to drain every ounce of blood from that girl’s body. ‘

‘ I like being a living dead person. ‘

‘ So either kill me or compel me, because I don’t believe it. ‘

‘ I’m a vampire. What’s your excuse? ‘

‘ Come on, don’t pout about it. We got a body to bury. ‘

‘ Why are you looking at him with your serious vampire look? ‘

‘ What do you know about werewolves? ‘

‘ You knew that they were going to burn the vampires in the church? ‘

‘ So, can you like do a hocus-pocus to ace a test? ‘

‘ That werewolf road leads straight to vampire boulevard! ‘

‘ It must be painful to desiccate and mummify. I can’t even imagine. ‘

‘ Torture me, keep me captive, drain me of blood until my body turns to dust.  ‘

‘ We both know I could rip you to shreds and do my nails at the same time. ‘

‘ You know, if you wanna see me naked all you have to do is ask. ‘

‘ What is up with that family? They’re not vampires, what the hell are they? ‘

‘ I’m just happy that’s a, uh– a blood bag and not a sorority girl supplying your dinner. ‘

‘ At least if you’re a vampire, you don’t have to feel bad about it if you don’t want to. ‘

bella swan in new moon vs louis de pointe du lac in season 2 did u mean two dumb bitches hallucinating their toxic exes and telling each other exactlyyy

Steely, curious eyes examine Esme as she speaks and moves further into the room. There was an air of something maternal in her attempts at connection, though Rosalie wouldn't really have known. Her own mother had only known how to show her affection through buying her pretty things. The best example of a mother she had to compare it to was how Vera had been with Henry, and how she had only seen that for such a short time.

Rosalie raises a brow at the other woman's comment about having things she could kill for, deciding to make joke of it. Deflection, perhaps, but something makes her want to put the other woman at ease, feeling there are things underneath her comment that cause a similar despair. "I can imagine, you've had to live with two men for....how long?" Though she doesn't want to get too familiar with these people, still uncertain of their intentions with her. She was no fool, she could put the pieces together that their son - the gloomy boy by the name of Edward who Rosalie felt tried too hard to be mysterious - was a bachelor and she was a pretty thing around his age. She wouldn't be pawned off to some strange man after everything she'd survived, no matter how handsome. Clearing her throat, the beauty perches herself on the arm of the nearest chair, returning to her steely reserve.

"Well, I've decided I am going to kill Royce." It's matter of fact, as if she's decided what she will have for breakfast. "And his friends. I do not care if it is against Carlisle's rules, or if I am no longer welcome here after the fact." Rosalie isn't quite sure why she is telling the other all this. There was something to be said about the presence of another woman. Something that told her she might understand why there would be no stopping her on this decision.

The bite is familiar. In fact, it reminds Esme of herself when she remembered the exact reasons for becoming what she is now. The moment of realisation that Carlisle had stolen death from her was met with anguish and fire. Her rage was white and all consuming; the fresh pain of remembering her grief was only enhanced by newborn senses. Carlisle had taken the brunt of it admirably, just as he is now.

"No, no I don't. But as a woman who opened her eyes into this life without another woman to come to, I felt incredibly alone." Her words silence, Esme standing just in front of a closed bedroom door. With their vampiric hearing and Edward's ability, closing the door will do little to offer privacy, but at least it's something. "And I wish to be able to help you not feel similarly."

There is almost regret in trying to reach out, but Esme knows she at least has to try. Edward is being needlessly difficult and Esme isn't exactly thrilled by Carlisle's decision to do... well, this.

"Carlisle... he doesn't kill to preserve his idea of humanity. It's... complicated. I don't because, well, I have never known any different," Esme explains, deciding not to sugarcoat anything under the impression Rosalie will prefer to deal in facts. "... I think, sometimes, yes. But I am a coward in that regard... I'd lose my nerve despite the things I could kill for."

sorry again for dropping off the face of the earth but I just came back to say that if The Giver by Chappell Roan had come out in her time it would have saved Vera from years of comphet