This is soooo perfect or should I say purfect! ( ˘ ³˘)♥
I want to be able to love Taylor's music without putting people down or fuelling the fire of gossip. I know the Reputation tour movie has been removed from Netflix but Miss americana is still there, people go and watch it before tweeting- "oh Joe beware. she's coming for you or Travis is the best thing happened." We, swfities have very selective perspective at least that's what I have realized while I was scrolling the x( formerly Twitter). Why bother putting people down to make Taylor and Travis look amazing. They are amazing on their own. Why can't we appreciate and love Taylor's music beyond her relationships?
I mean Taylor had to make sure everyone knew it was fictional while releasing the Folklore album so people wouldn't speculate about her love life.
I am eagerly awaiting for #TTPD but I don't like the speculations that are ongoing for Joe.
Why for once we can't be mature enough, so it doesn't affect Taylor. I have said it before and I'm saying it again, TAYLOR doesn't want her fandom to put a stake through her ex-boyfriends, her re-recordings are her way of owning her works not for her fandom to go and dragging them again, like posting/flooding Jake's Instagram during Red (Taylor's Version), or like giving death threats to Jhon during Speak Now (Taylor's Version). Now putting a stake through Joe while he is out there, showing his support for world genocide. There is a reason Taylor got a bad reputation, it's because of us, the Swifties.
You know what's surprising with Nalu is I think Natsu is more attracted to Lucy than she is to him
Like pushing my feminist to the side for a shameful moment, he only ever gets flustered and pleased when he sees her naked or when he some way or another ends up groping her (a lot more obvious in 100YQ)
(The fucking random chapter where they're in the stone age holy fuck 😭😭😭✋️✋️✋️)
He deadass attacked guys that were hitting on her at the train station
Says he finds her smell comforting (she's his canonical safe space lord have mercy)
Lucy gets flustered when Natsu closes in on her face when they dance, and when that kid (whose name I forgot lol) tried to force them to kiss
Lucy also gets flustered when he's naked, but any guy who is suddenly naked in front of her makes her embarrassed. Same with when he ends up landing on her boobs or something.
Lucy's attraction to Natsu is a lot more subtle and sometimes you can even interpret these teases as not special to Natsu specifically if you REALLY wanted to stretch it that way
From what I remember, Natsu flusters Lucy when he does something unexpectedly intimate or flirty, but when other guys do something similar (i.e. Loki) she's pretty stale about it
But Natsu now
It's Lucy or nothing LMAO
Like even when he semi-admits to having a crush on someone else- Anna Heartfilia- it is only so Mashima can reveal he is attracted to Lucy in the same way he was attracted to Anna before
When Lucy's drunk she's extremely clingy to only Natsu, while the usual oblivious Natsu is visibly flustered and nervous from her attention and proximity- WRITTEN AND ILLUSTRATED BY MASHIMA HIMSELF
Insane man
I'm happy and excited for Taylor and Travis but the last time Taylor was so socially active - around the 1989 era and she was with Tom Hiddleston. Then the social backlash began. So this time I'm also a little bit scared but I'm also super happy for them. Is it just me ?
Together they are complete :)
Si Mok can see her face. (x)
I just can't get enough of them 🥺
im sure this has happened at least once in canon we just didn't get to see it </3
Hi, I've created an Instagram account aka fan page for Taylor swift, it's @papercuts_ts
YOU BELONG WITH ME: how could you not know, baby?
Learn about consents in any place and in every place irrespective of who is saying that. Excluding their profession as well. Respect consent.
One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.