<<lunarelles fanart3
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ASHSEKSHGKS I’M LAUGHING SO HARD
people assuming Sherlock is in love with Irene, based on this photo:
when in fact:
IT.IS.EXACTLY.THE.SAME.LOOK
The Poppy War characters ❤️❤️
This took me nine hours and 45 mins :)
Young Donna Tartt. You’re welcome.
I'll never get enough of these two people together!
+2🤍
시목여진
Ewan Mitchell [Aemond] for 'Esquire UK' Interview
One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
Big Sis?
“Stop apologizing. You don’t have to say sorry for how you laugh, how you dress, how you make your hair, how you speak. You don’t have to be sorry for being yourself. Do it fearlessly. It’s time to accept this is you, and you gotta spend the rest of your life with you. So start loving your sarcasm, your awkwardness, your weirdness, your unique sense of humor, your everything. It will make your life so much easier to simply be yourself.”
— Unknown
My body my choice was never given to the girls in the red room
The Black Widow movie highlights all the problems I had with the way Joss Whedon approached the forced hysterectomy aspect of Nat’s background.
As Yelena notes when she shows Nat her vest- the girls of the Red Room don’t have bodily autonomy. They can’t make any decisions for themselves. The hysterectomy bit in the plane acts as a very vile and vivid example of this.
Joss Whedon chose to put all his focus on the “no kids” angle instead of the bodily autonomy angle. In his eyes the horror was the absence of child bearing, not the absence of choice. To him- it’s a given that all the girls in Red Room would’ve had babies if their lives had gone differently- bc women who can’t have children are monsters and societal outcasts.
When Nat inquired about Yelena wanting kids she replied that she wanted a dog. I take this as Yelena doesn’t want kids, BUT she still mourns the loss of that choice. She resents how she never had a chance to come to that realization herself. Which, for most women, will hit home more than just “shes infertile and it’s the worst possible thing that could happen to her.”