With The New Book Being Out And My Never Having Read "A Wizard Of Mars" I Decided To Pick Up The New

Reasons the Young Wizards series is wonderful: there’s a scene that can be described as “Tiny kitten Roasts Satan” and it’s the best thing ever

This is why it's important to keep notes

Because I’d forgotten how I coined this word:

Peridexis (tweeted on 5/11/2010)

"Peridexis" is a pun, out of the "dexis/-on/-ontis" root (skill, expertise, dexterity) and "deixis/on/ontis" (display, demonstration, a reference or reference work"). The "peri-" suggests that the solution is temporary or unusual.

…Now if I can just find the note explaining how I coined mochteroof, my life will be complete. (I have a vague memory that both Coptic and Greek were involved, but I’m not sure any more…)

Thank the Powers for Evernote: that’s all I can say.

Top Ten Female Characters from Books or Television

2) Nita Callahan

Favorite quote: “Wow, who sold you that one? I think I’ll go ennoble a couple waffles.” (And basically all of books 6 and 9 where she saves the day)

Nita is my favorite book heroine ever. From the very beginning, I related to her completely for her love of reading and learning, and for being made fun of for it. She is one of the most relatable characters I’ve ever come across. She’s young, but seems so much older- whether because of the wizardry and the responsibility that comes along with it, or because everyone always feels like they’re more mature than the world thinks they are. She shows us that you don’t have to be a respected adult to change (or to save) the world. She’s insecure, selfish, moody (like when she snaps at Kit for no reason), but she also can admit when she’s messed up and learns from her mistakes. She considers giving up wizardry and her best friend to save her mother. She almost goes through with sacrificing herself to save the world (even though she wasn’t too happy about it when she first found out that’s what she got herself into) when she was what, 12/13? She’s quick in a crisis, and very smart. In A Wizard Alone, she taught me so much about grieving, and I wished those books had been there for me when my own mom passed away (though I was probably a bit too young then). Not to mention that in A Wizard Alone she singlehandedly saves the day, using what the Lone Power tried to use to bring her down to bring It down, and save Darryl and Kit. She also nearly singlehandedly saves the day in A Wizard of Mars, not letting her jealousy or anger get in the way of what needed to be done, while also being rather bad ass about it. Nita taught me that it’s okay to be angry- you can use it to your advantage. She helped to teach me that what people think of you doesn’t matter. The people who made fun of/beat up Nita didn’t know that she helped save their lives more than once, and she never let them color her view of humanity. She never once doubted that their lives weren’t worth saving, despite how they treated her. She showed me that being a good sister doesn’t mean you can’t fight and tease each other sometimes.  She went from being very dependent on Kit- always giving her power to him, helping him rather than the other way around- to being a very good, independent wizard who stands on her own and stands tall.

Just a quick reminder that the "All The Wizardry" bundle is still available at Ebooks Direct! (Curiosity rover not included...) :)

Contains nineteen DRM-free ebooks:

The nine New Millennium Editions of the main-sequence Young Wizards novels

The Feline Wizardry trilogy

The two collections of interstitial fiction: Interim Errantry and Interim Errantry 2: On Ordeal

The only two Young Wizards short stories (as the title item and "Theobroma" in Uptown Local and Other Interventions

The non main-sequence novel Young Wizards: Lifeboats and the standalone novella Owl Be Home For Christmas (These last two works are included as independent ebook volumes even though they also appear in the Interim Errantry collections.)

The "CD extras" work The "How Lovely Are Thy Branches" Advent Calendar, featuring outtake dialogue from How Lovely Are Thy Branches (which appears in Interim Errantry)

The Young Wizards OTP Challenge, Days 1-17: short fiction in the OTP format

...And as always, should you misplace any of these, or need to change platforms, we'll replace them for you free! Details here.

So stop in and grab yourself an armful of wizardry!

Get the "All The Wizardry" Bundle

(For our UK friends, the normal sad caveat: we can't sell directly to you from the Ebooks Direct store any more due to Brexit. Our apologies.) :(

Epic map reveals Mars’s geography in unrivalled detail

Some magical sisters from my absolute favorite book series of all time: the Young Wizards series! It’s really under-appreciated tbh and I, 10/10, recommend it!! Anyway, even if you haven’t read it, you still can appreciate the art I guess  ◕ ‿ ◕

Space, guys… SPACE!!!!

hologram: Saturn’s rings, photographed by Cassini, 18th January 2007.

Images taken as Cassini moves from one side of the ring plane to the other, neatly showing how the rings look in reflected and transmitted light (brighter and darker, respectively).

Image credit: NASA/JPL/SSI. Animation: AgeOfDestruction.

As someone currently spite-writing the second draft of a project...this fills me with such a sense of purpose and inspiration. XD

What inspired you to write Young Wizards? A relative, a dream you had? Did the story come to you as you were writing it, or was it hammered from bits and pieces of thoughts made plain on text? Were there parts you struggled with, parts that came easier than others? (Have you already answered these questions in an interview you can link to?)

What inspired me to write So You Want To Be A Wizard?

Partly humor. Partly rage. (More about both under the cut...)

The subject's come up in interviews every now and then, but let's tl:dr; it here.

The humor: Often enough while I was nursing, and seeing the bizarre things people would do to their own bodies, I wished out loud to other fellow professionals that human beings came with some kind of instruction manual. Now, I'd known the "So You Want To Be A…" series of (US-published) career books from my childhood. One day when I was thinking about them—and for no reason I can understand at this end of time—the word "…Wizard" plugged itself onto the end of the title template.

Instead of a simple instruction manual for people, I found myself considering what a wizard's manual would look like. Where would it come from? Who would it have come from? Might it, itself, be an entirely bigger manual than the one I'd been joking about—but the full instructions and background material you'd need for (maybe) understanding life, but (definitely) doing magic? A book as big or as small as you needed for the work in hand, and full of the answers to questions you never thought you'd get answers to? ...

From that basic concept, the wider concept of wizardly culture built itself up over the next couple of years. ...Naturally I'd read Le Guin's "Earthsea" books years before, and I'd noted (but decided to pass on) the concept of a school-for-wizards. While it was interesting enough, it'd already been done by a writer far more skilled. What interested me more was a DIY-ish approach, where you learn by yourself, do things that interest you, and join up with other like-minded practitioners when the mood moves you or circumstances require.

Anyway, now comes the rage. While all this was percolating in the background, I was finishing up a YA series by another writer. When I hit the end of it, I was profoundly upset by the events of the series’s closure. They seemed to me to have treated strong and resilient young characters as helpless creatures without agency, subjecting them “for their own good” to an amnesic end-state they absolutely didn’t deserve. I got mad about this. I dove into the writing of the first Young Wizards book with the intention of treating my young characters a whole lot better—since if there was anything I knew about kids from my nursing, it was that a lot of them were tougher than many of the adults around them.

Once I was started, the writing went straightforwardly from book’s beginning to book’s end (because as I was already a screenwriter, and screenwriters outline, the novel was naturally outlined too). The writing took about six months, as right then I was also writing for Scooby and Scrappy-Doo to pay the rent. I turned in the book and didn’t think much more about what might happen next (though I knew there was quite a lot more story to tell) until I ran into Madeleine L’Engle at some event of my publisher’s. She took me aside and said, “I read your last one. I liked it a lot! When’s the next?”

That was when I realized I had a problem... so I got busy.  :) ...And I’ve been busy with the Young Wizards universe ever since. I’m busy with that universe right now, though it may not look like it. And I expect to be busy with it for years to come.

HTH!