This Is Why It's Important To Keep Notes

I’ve got another question for you (sorry for asking so many questions about the young wizards series). The concepts of the Wizards Manual and the Speech. Let’s say, for instance, a wizard isn’t mathematically minded and has a natural bent towards poetry and literature, could the Speech take the form of poetry and could the Wizard’s manual be a mixture of modalities (pen and paper, laptop, and headphones)?

Well, this question has to be handled in two parts.

Can a wizard use something besides the Speech to do wizardry? No. There's only one language in which the Universe was built (though numerous recensions of that).

But that said: want to do spells in which the Speech is structured like poetry? Well, sure, why not? Poetry (when it's not free verse) is some of the most structured stuff there is: it'd work perfectly. (As long as you were really careful with the scansion...) And other forms of artistic structure could also work.

As regards the math end of things: you could make a case that both Nita's and Kit's Manuals (maybe more Nita's...) are mathematically- or scientifically-aligned because both their mindsets lean (or leaned) that way. But are there wizards constructing spells that look more like artwork than equations? Almost certainly. (There's at least one reference in Games Wizards Play to wizards dancing spells in the Speech rather than speaking it. Not to mention one of the wizards working with the event organizers for the Invitational, a graphic designer who was embedding the Speech into fonts...)

Secondary to all this: can the Manual be used in more than one modality? I don't see why not. The master project of "porting over" the Manual into more modern and easier-to-manage instrumentalities is first mentioned in The Book of Night with Moon—where Ehef, one of the feline wizards living and working at NYPL is a supervisor on the project. And this would almost certainly be a continuing effort, resulting in items like the WizPhone that Nita trialed at Kit's urging some while back. (And of course Spot, who started out with Dairine as a desktop and upgraded to a laptop along the way.) The attitude of the Powers that Be would certainly be that they want to make doing wizardry easier for qualified people, not harder. So, mix and match among modalities? Sure. (And at least you'd never have to worry about them staying in synch...) :)

...As for pen and paper: it's likely enough that the Speech was for many centuries in writing-centric cultures most routinely written longhand (after it broke out of cuneiform and hieroglyphics...). Probably there are even now wizards who prefer to do their spell structuring longhand—who knows, maybe even with fountain pens. (In fact, now I've managed to make myself suspicious about the work habits of a couple of people I know...) :)

Anyway: HTH!

Fibonacci you crazy bastard….

As seen in the solar system (by no ridiculous coincidence), Earth orbits the Sun 8 times in the same period that Venus orbits the Sun 13 times! Drawing a line between Earth & Venus every week results in a spectacular FIVE side symmetry!!

Lets bring up those Fibonacci numbers again: 1, 1, 2, 3, 5, 8, 13, 21, 34..

So if we imagine planets with Fibonacci orbits, do they create Fibonacci symmetries?!

You bet!! Depicted here is a:

2 sided symmetry (5 orbits x 3 orbits)

3 sided symmetry (8 orbits x 5 orbits)

5 sided symmetry (13 orbits x 8 orbits) - like Earth & Venus

8 sided symmetry (21 orbits x 13 orbits)

I wonder if relationships like this exist somewhere in the universe….

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Orbital Mechanics by Tatiana Plakhova 

gosh but like we spent hundreds of years looking up at the stars and wondering “is there anybody out there” and hoping and guessing and imagining

because we as a species were so lonely and we wanted friends so bad, we wanted to meet other species and we wanted to talk to them and we wanted to learn from them and to stop being the only people in the universe

and we started realizing that things were maybe not going so good for us– we got scared that we were going to blow each other up, we got scared that we were going to break our planet permanently, we got scared that in a hundred years we were all going to be dead and gone and even if there were other people out there, we’d never get to meet them

and then

we built robots?

and we gave them names and we gave them brains made out of silicon and we pretended they were people and we told them hey you wanna go exploring, and of course they did, because we had made them in our own image

and maybe in a hundred years we won’t be around any more, maybe yeah the planet will be a mess and we’ll all be dead, and if other people come from the stars we won’t be around to meet them and say hi! how are you! we’re people, too! you’re not alone any more!, maybe we’ll be gone

but we built robots, who have beat-up hulls and metal brains, and who have names; and if the other people come and say, who were these people? what were they like?

the robots can say, when they made us, they called us discovery; they called us curiosity; they called us explorer; they called us spirit. they must have thought that was important.

and they told us to tell you hello.

Kepler-62 Has Two Water Worlds Circling in its Habitable Zone

NASA’s Kepler spacecraft has discovered two planets that are the most similar in size to Earth ever found in a star’s habitable zone — the temperate region where water could exist as a liquid.

The finding, reported online today in Science1, demonstrates that Kepler is closing in on its goal of finding a true twin of Earth beyond the Solar System, says theorist Dimitar Sasselov of the Harvard-Smithsonian Center for Astrophysics in Cambridge, Massachusetts, who is a member of the Kepler discovery team.

Both planets orbit the star Kepler-62, which is about two-thirds the size of the Sun and lies about 1,200 light years (368 parsecs) from the Solar System. The outermost planet from the star, Kepler-62f, has a diameter that is 41% larger than Earth’s and takes 267 days to circle its star. The inner planet, Kepler-62e, has a diameter 61% larger than Earth’s and a shorter orbit of 122 days.

Kepler detected the planets by recording the tiny decrease in starlight that occurs when either of them passes in front of their parent star. Astronomers used those measurements to calculate the planets’ relative size compared to that star.

Continue: Worlds Apart

Never understood why I love black holes so much, there’s something about them that just pulls you in.

IM NOT FLAILING ARE YOU FLAILING!?!?

DD's ten favorite lines from "Games Wizards Play"

10: “I’d prefer it to rain chocolate frosted donuts in my kitchen on Sunday mornings, but I don’t seem to be getting a lot of that.”

9: “Look, we’re all in The Sims.”

8: “But I’m on your side this time.”

7: “Wizardry is mean to me. I’m gonna tell.”

6: “Just don’t blame me if now she lives long enough to reproduce.”

5: “We’re using such different dictionaries.”

4: “It can probably be seen from space, but don’t let that bother you.”

3: “You may continue to stand in my presence.”

2: "That worked.”

1: "It made my day."

The full rotation of the Moon as seen by NASA’s Lunar Reconnaissance Orbiter.

So You Want To Be A Wizard by Diane Duane

I’m a little nervous about doing a review of this book, actually. For one thing, it’s one of the foundations of my ethical code today. Who I am is, in a large part, based on this novel and the ones that come after. That makes it a little hard to be objective and give a nice unbiased review, but I’ll do my best. Another thing I’m nervous about is that the author, who I (obviously) respect, is a regular Tumblr user, and is probably going to see this at some point. Finally,this series has a devoted fandom comprised of intelligent, wonderful people who know a lot about the series.

Still, all those reasons to be nervous should make it clear that this is a series you really shouldn’t miss!

So You Want To Be A Wizard is the first book in what is, at the moment, a nine book series. The tenth book, Games Wizards Play, is due out… sometime… Well, we know it’s coming! Recently, the series got a revamp. The first book is copyright 1992, so the timeline needed a bit of help after twenty-two years. If you’re looking to get into the series, starting with the NMEs is a good choice.

But let’s talk about the book itself.

It opens with Nita Callahan, reader extraordinaire and space devotee, running away from bullies from her middle school. She manages to duck into the library, and as she’s hiding, her finger is snagged by a book - when she pulls it out, it’s a book called So You Want To Be A Wizard. Naturally, she thinks it’s a joke, but. Well. It doesn’t read like a joke. And if she was a wizard, if she had magic, maybe she could stop getting hurt. So she takes the Wizard’s Oath, and though momentarily lulled into a sense of complacency by finding another teen wizard and learning about exciting magic things and meeting a white hole, presently finds herself engaged in a struggle against the forces of entropy, embodied in the form of the Lone Power, where the stakes are the Earth itself.

But that’s the plot. What makes this series so exceptional is the motivations of the characters, wizardly and otherwise, and the level of responsibility with which they interact with their world. In retrospect, that first scene with the bullies is pretty telling for the series as a whole. It’s seriously treated - Nita is a victim, and she is not responsible for their actions or what happens to her. She is, however, responsible for her own actions; she chooses to antagonize the bullies to claim some power from the situation. What her Ordeal (the quest when you accept the Oath) lets her realize is that she already has power - she controls her own choices, her anger and what she does with it - and it shows her how to claim it. As a wizard, she has the power to terrify those who want to hurt her; as a human, she has the power to break the cycle of violence. The very nature of wizardry in this universe demands that she choose to “guard growth and ease pain”, but it doesn’t require her to forgive the bullies. That she does choose to use her power for forgiveness shows how strong she is as a person. 

Choice is in many ways the center of the book, and of the series. A species makes a Choice that defines their relationship to wizardry and entropy. Each wizard chooses to take the Oath. In the course of wizardry - and life in general - choices come up all the time. There are consequences to all of the choices you make, but what you do with your free will is in the end up to you. Figuring out what to do with your free will isn’t easy, though, and it becomes increasingly difficult as the series progresses and the characters age - the choices we make as children are always more straightforward than those we make as adults, when our ability to see the complexities of a situation grows, which is another thing I appreciate about the series. The characters are in no way static, and the books do become more difficult as the characters gain the age-appropriate abilities to handle the problems that come up.

Those problems aren’t always wizardly, either! There’s at least one very long-running romance subplot between Nita and her best friend Kit, not to mention a plethora of truly excellent sibling and parental contretemps. The familial relationships are absolutely phenomenal, by the way, and are pretty varied. Both Nita and Kit have complex, realistic, and person-specific sibling relationships. And the parents! One problem I often have with YA literature is that parents are very sketchily characterized, mostly a name and a figure to rebel against. Which makes sense - one’s perspective as a young teenager is limited, and one’s ability to see other people as people is also limited. Part of adolescence is learning to recognize that other people are distinct individuals, and in their lives, you’re on the periphery if you register at all. In this series, the parents are well-characterized from our perspective, and as the kids age, how they perceive their parents also changes. I’d like to see more of Kit’s parents - we get some of them, but not nearly so much as we get of the Callahans. There’s a good reason for that, but it’s a spoiler.

Their parents aren’t the only adult figures in these kids’ lives, either. Tom and Carl are Senior wizards who live just up the road, and provide an excellent sort of hands-off mentorship. They’re very clear from the beginning that they don’t have all the answers. The kids can ask for aid and answers, but they might not get them. I’m making a note of their care in establishing themselves as fallible early on, because the kids do forget this, and I feel like they should get some recognition for the effort. Good try, guys!

It’s an eminently quotable book, funny and heartbreaking by turns. It’s a great book to give kids - magic and mystery! Travel the universe, meet the gods! Be scared witless and thrilled breathless! Develop a strong ethical code based around the Hippocratic Oath, individual responsibility, empathy, and the strength of forgiveness, belief, and second chances! Save the world, with or without magic!

That last is actually the last thing I really want to talk about. Although it doesn’t come up much in the first series, one of the things that makes this series so very influential is the idea that you don’t actually need magic to change things. The wizards get to play in the grand scheme of things, but regular folks are no less important or influential. Sure, we can’t stop a sun from exploding, but we can slow entropy in a thousand other ways. We can conserve energy, spread order and kindness and cooperation, help the hurt, counsel the despairing, and if all that fails, we can stare evil down and refuse to go along with it because that, too, is a choice we have the capacity to make.

tl;dr - amazing book, with surprisingly nuanced discussion of ethics and excellent characterization. Purchase it for one and all! The only content warning I have for this one is bullies, though feel free to contact me if you want content warnings for the remaining books. This book is available as a multi-format package from Diane Duane’s ebookstore for $6.99. Hard copies can be purchased from Amazon for $7.19, but it’s not the NME, so be warned! You can also get the hard copy from your favorite local bookstore! If you want an ebook, I recommend getting it straight from the source. They’re excellent quality ebooks, reasonably priced, and frequently on sale as well.