To Be Honest These Two Were One Of My Favorite Part Of The Atlas Arc ;; Winter, Penny... I Care Them.

RWBY Characters as Song ♦ Neo

SNOWCONE - REI AMI (PART 2)

A little possessive Over-obsessive Recklessly reckless

And I'm just a Thrift store sweater with the holes Cute but I need a little sew

I'm Prozac dependent Attack when defenseless

Not such a bad bitch when I'm on my own

♦ ♦ ♦

Thrift store sweater with the holes Cute but I need a little sew

Thrift store sweater with the holes Faded left sitting at home

OK ALRIGHT HERE WE GO :D

THE MOST BIZARRE RWBY KIN YOU WILL EVER GET:

Reblog with who you got in the tags >D

This is how that scene went, right?

Fruits Basket is not about “the power of unconditional love” 

People say a lot of things about Fruits Basket and its themes and Tohru as a character. They say it’s about “the power of love” or the importance of “unconditional love” or “love and forgiveness”. Then they say that Tohru as the main character exemplifies these themes.  

But let’s really think about this. 

Fruits Basket is not about the power of love, or unconditional love, or forgiveness. 

Now Fruits Basket does have a lot to say about empathy, but it says both positive and negative things about it, and at most it is one subtheme of the larger themes of the narrative. 

People will say Furuba is about “love and forgiveness” and even just the positive side of “empathy” because they see this as what Tohru displays. Particularly they feel this is what Tohru displays as her “saving power” in the first climatic moment of the story’s end where she talks to Akito and offers her a hand in friendship. 

But “unconditional love” or “forgiveness” isn’t what Tohru has going for her in this scene that allows for such a powerful start of a resolution with Akito’s character. Nor is it ultimately empathy. Yes, Tohru has a lot of empathy for Akito in this scene, but as stated above, this is at best a subtheme of something larger going on that is the much more powerful play in the story. 

The true crux of this moment in the story is that Tohru relates to Akito. That of course leads to understanding, which leads to empathy, but it’s what Tohru relates to Akito about which is the main driving theme and purpose of the scene and the overall narrative of Furuba. 

Firstly, let’s acknowledge that Tohru isn’t empathizing with Akito in this scene simply because she has some otherworldly power that makes her “unconditionally love” even the most awful of villains. She relates to Akito because she isn’t relating to her as a “villain”, she’s relating to her as herself. Tohru is seeing herself as a villain and understanding her own flaws through Akito. Tohru is having a moment of personal development and growth as she faces down Akito with a knife - Tohru’s focus is as much on herself as it is on Akito. This is even more clear in the manga where these scenes between the two of them have tons of internal dialog from Tohru, where the bulk of it is about her own issues currently going on (with Kyo and her mother) and very little about Akito in front of her. She is talking to herself as she talks to Akito. Tohru is only able to understand where Akito is coming from at this moment because she recognizes that she has been coming from the same place - the untenable desire to hold onto unconditional and everlasting bonds. 

Now let’s talk about that theme. “The untenable desire to hold onto unconditional and everlasting bonds”. Note the word “unconditional”. Now there are a lot of dimensions to the Bond, but one key piece is that the Bond in Fruits Basket is an “unconditional love”. The Zodiac are bonded to (and love) God no matter what God does. There is also bitterness and hatred there after years and years and being bound by this feeling. But that “unconditional love” is supposed to overpower all other conditions - bitterness, oppression, abuse, desire, freedom, individuality. And it does. That’s why the Bond works, because it demands “unconditional love” from it’s members, and is set up to enforce it as the primary feeling they experience. 

So saying that Fruits Basket is about the “(positive) power of unconditional love” could not be further from the truth. Saying that this what Tohru “saves” Akito with could not be further from the truth. The story recognizes that which is unconditional and everlasting as something negative - love included - and, ultimately, impossible. The love between God and the Zodiac. The love Tohru tried to create between herself and her deceased mother. Tohru doesn’t reach Akito through a display of “unconditional love”. She reaches Akito through a recognition and a mutual acknowledgement that “unconditional love” does not exist. 

“It is terrifying to exist in this world, with no guarantee that I’ll be loved”. 

When Tohru offers Akito her hand in friendship, she is showing her that relationships (love) do not have to be unconditional in order to exist. At first, Akito rejects Tohru, saying that the first time she does anything undesirable, Tohru will reject her. Tohru doesn’t say anything and she doesn’t object to what Akito has said. She simply offers her hand again. She is not telling Akito that “I will accept you no matter what” - she is telling Akito that even without a guarantee, it is worth a try. That things don’t have to be unconditional and everlasting and frozen in time in order to exist or be worthwhile. Akito is terrified that if she leaves one absolute (the Bond and the love it guarantees her) then she can only possibly be met with the opposite absolute (no bond, no relationships, and no love ever in her life). Tohru is showing her that this isn’t true. Right here, now, she is offering Akito a chance to form a new relationship - one that may be imperfect, conditional, and limited in scope and time, but nevertheless real. 

This is what Fruits Basket is about. It is about ambiguity and change. It is about the lack of guarantees. The existence of both light and dark. The fallacy of absolutes. The false dichotomies we let rule our lives. 

So there is no absolute love. There is no absolute forgiveness. There is no absolute empathy. Tohru is not a character who, in the end, embodies any of those things. Tohru embodies hope in impermanence and the importance of change - and only after she’s learned to embrace those things herself when her character has been fighting against them for so long, just like Akito. - Mod Red (Christa) 

I don't think enough people follow me for me to actually get Asks about this but I think it could be fun !

I probably won't answer about the allusion thingy or very little because I don't have strong opinions about them ^^

But yea, in case someone wanna get to know my tastes quickly, here it is ! :D

Send me a RWBY character and I’ll tell you:

My top three ships for the character

My three least favorite ships for the character

My biggest criticism for the character

My favorite thing about the character

A headcanon I have about them

What I would change about them if I was making a re-write

What I I think of their character allusion and what (if anything) I would change about it

It's international asexuality day so you know what, let's make this "get to know me day". I will be pinning this

You can call me Nex, or invent whatver nickname crosses your mind if we chat once in a while. I'm french, a medicine student, and your average aro/ace nb ! This blog is just my playground. I reblog things I like very very much but otherwise mostly posts my own thoughts once in a blue moon.

I love associating songs to characters, ships, making up AMV in my little mind but not knowing how to create them, sharing thoughts with others & making little template memes I also love my DnD OCs very much, so if anyone would be interested in knowing more about them don't hesitate to ask or just tell me !

Take a short list of the stuff I'm into, and if we have anything in common feel free to chat or ask for memes, headcannons, playlists or thoughts or anything else concerning these things !

D&D, roleplay, my OCs

Cartoons : RWBY, The Owl House, She-Ra, Dragon Prince, A:TLA

Manga/anime : Fruits Basket, D Gray Man, Pandora Hearts/The Case Study of Vanitas, lots of others

Games : Genshin Impact, Fire Emblem:Three Houses, Detroit: Become Human

TV shows : Arcane, Doctor Who (12th Dr & Clara my beloved)

Webtoons : Omniscient Reader, Trash of the Count's family, I Love Yoo, Stray Souls, Castle Swimmer...

MUSICALS

Typology, more particularly Enneagram.

I have no tolerance for TERFs, Racism, those who contribute to the stigmatization of mental health issues/disorders & Ableists, Transphobes and Aphobes. If you ever feel like bringing up any of this stuff on my blog, save us both the time & just don't.

I do not bite and I'm always open for conversations so if someone wants to chat in PM or comment under my posts or reblogs & chat through Tags : GO AHEAD. I'll be delighted. Good day to you all. Every single one of you is incredible and bringing something to the world every day just by being there. Stay strong !

TOH Enneagram (+ MBTI)

Did anybody ask ? No. Does it make me happy ? Yes. THUS, I will share with you all my current/ongoing TOH typings ✨

I already mentionned this with RWBY but same applies here : I prefer enneagram to MBTI, so not all characters will have my MBTI guess because for several of them I just wasn't really interested in guessing it or nothing really striked me. Anyway, MOVING ON

Luz Noceda ♦ ENFP 7w6 4w3 9w8 so/sx

From the first few episodes of TOH I already knew that Luz was some kind of 479 (and good for her ! love that tritype & its contradictions). The only question was the order. If yourself hesitated for some time between 7 and 4 : just look at Reaching Out and come back to me. This episode is the epithome of a 7 : a race ahead, desperately busying yourself outside to avoid your internal world. Her 4 is also quite clear : Luz longs to be HERSELF, she's unabashedly authentic but also feels *wrong* in some shape or form for never managing to fit in the Human realm. Her 9 shows easily in the fact that she's simply put a pretty laid-back person overall, and rarely express anger. But most of all she's scared of being a burden and eager to accomodate others when she fears being abandonned.

Eda Clawthorne ♦ ESTP 7w8 8w9 2w3

Her 7 and 8 are both clear : Eda is a very headstrong woman, she fears feeling trapped and she's eager to experience hands-on all that the world has to offer to her. She's playful and curious, and despises the Emperor Coven for restricting others' future and their magic. Her 8 shows in that as well : Eda is concerned with fulfilling her wants & needs in life, and will grow angry when others trying to prevent her from doing so. She rejects vulnerability in most situations and doesn't like to show her cracks to others. If you type her 783 instead I won't mind either and I would get it somehow. But I feel like, even if she likes to brag about being the strongest witch on the Isles, Eda doesn't really care about being respected or admired, and she certainly doesn't base her self-worth on her ability to fulfill others' expectations in any way. She's a caretaker who struggles to let others return the favor to her (reject). If you want me to elaborate on why 2 fix, I know one ep in particular led me to this conclusion but it was probably back in S2A so I would have to look it up.

King Clawthorne ♦ 3w4 8w7 6w7

His typing is made harder by the fact that he's literally 8 years old. I'm unsure of his core, torn between 3 and 8. King's arc clearly focuses on identity & image (heart core) issues. He's grandiloquent, concerned with how he appears to people. BUT not very competency (Competency : 135 triad who tends to solve problems by rejecting emotions and trying to stay objective/detached) He lacks care for what others expect from him. BUT at the same time he isn't raised in a 3ish household, Luz & Eda don't expect much from him so that could be the reason. He starts off as someone who denies vulnerability and tends to overfocus on *his* wants and needs (8). Or at least he DID but he's certainly grown since. He tend to be very reactive to when others go against him. (Reactive : 468 triad who tend to work themselves up emotionally in the face of a problem and want others to mirror that emotional reaction to be sure that they understand the gravity of the situation) BUT AGAIN. He's literally 8 years old. What 8 years old is competent, unconcerned with how he accomplishes his wants, and not at least a bit reactive. THUS, hard to say really.

Hooty ♦ 2w3 core

Lilith Clawthorne ♦ 3w4 1w9 6w5

3w4 and 1w9 are the strongest part of her tritype, I initially typed her as a 1 to be honest but had to switch when she literally asked her mom for congratulations over her folded napkins. She's concerned with getting love & appreciation over her objective accomplishments most of all. THEN she has the rigidty and perfectionnism of a 1 + the desire to make ther world around her (including Eda) fits her vision of what is good. At least in the beginning.

Willow Park ♦ 9w8 4w3 6w5

not sure what to say to argue here, if you feel differently you can ask for why's i suppose. Willow is overall easy to get along and her integration seems to fit the 9 -> 3 line : letting go of self-imposed isolation, trying to step out of her "background character" life to show what she's capable of. Comfortable with how she's different from others and her ''misfit'' status once she's shown that she's not WRONG but simply different.

Gus Porter ♦ 5w6/6w5? 3w2 9w1

i need to rewatch the Gus-centric ep. there's some stuff that could point to a 5 really : including his absolute *need* to be the most competent in the room, the most knowledgeable, to not be rejected and how it was reflected in his presidency over the human club. but at the same time, "trust" and an inability to trust yourself is a very 6ish theme and so I remain undecided. other than that 3 and 9 are a no-brainer : Gus is a very attachment character : he tends to conform to others expectations and what they consider as good for a variety of reasons.

Amity Blight ♦ 3w4 6w5 1w9 sp/so

Amity is constantly 3ing, just in different fonts. From "best student in the abomination track" to "i'm gonna be the best girlfriend ever". As she acurately explained herself, she was raised under the assumption that "everything is an opportunity to justify existing". In other words, you need to prove that you are worth something, and in her case through concrete and objective measures of success to earn love. ie she's a 3 core.

Hunter ♦ ISTP 6w5 3w2 8w9

i nearly typed him 3w2 but had to switch after Any sport in a Storm and Hollow Mind. The 3 and 6 are both very strong in Hunter, but in the end it's clear that seeing Belos as good and trustworthy played a big part in him feeling safe and secure in his place in the world. And having that certainty shattered really shook him. His 3 is clear as well in the way he is constantly trying to prove himself useful. Some might type him as a Te user because Hunter appreciates rules and authority as he says, but I do believe that this is his 6 speaking more than anything : 6s feel secure when the rules and expectations are clear-cut and out there, they appreciate authority they can rely on. But Hunter's way of fulfilling this when it comes to Belos certainly seemed more Ti-ish. Even while trying to deny the truth, he still had to try and make things logical and rational *to himself*. He doesn't deny the evidence, but tries to make it fit in a framework that fits his understanding of reality.

Belos ♦ IxTJ 1w2 5w 2w1

Hollow Mind clearly showed that Belos is a 1 and not an 8. Belos has so far always been a controlled & cold villain. He has outbursts but they are directed at others' incompetence or (in Elsewhere and Elsewhen) at witches and what he considers *wrong* : these are 1 reasons for anger, not really 8ish in essence. 1s care about whether the world around them fits their standarts and might enforce them on people. They're the one who will rise to the top to try & make the world fit their idea of what is ''correct'' and will berate people for their incompetence. 8s, on average, will more often be anti-authoritarian because rules are an obstacle to them having free reign over their actions & accomplishing their wants/will. And being the one to establish the rules isn't the 8 go-to solution to avoid being controlled quite as much as people pretend it is. They care about being able to do whatever they want, and do not (on average) get along well with overly rigid structure. As for the 5 : if Belos had a 6 fix, it would have been easy to throw in some 6ish reasonning into his whole cleansing plan : him fearing witches or the unknown or anything of the kind (fitting of his time period). But there's none of that aspect with this character. (although to be fair he does use 6 tactics, but mostly on others) I think 5 is more likely since he does have this tendency to keep all the knowledge & plans to himself, and it's one of his go to way to control others. He has an independant streak but not for 8-related issues (no problem delegating, no problem with rigid structure, no problem weaponizing weakness) rather in a 5ish way (only one to know what is going on, shares the strict minimum, leaves other in the dark to avoid being challenged, emotionally distant & unavailable) As for the 2, the part that would most probably surprise people : The Emperor Coven is an environment that breeds 3 like tomorrow but I do not think Belos himself is one surprisingly. If you look at it more carefully, over the course of the show we have never seen Belos actually SHOW his competency or talents to anyone to garner their appreciation. And he never does really. Instead his tactis always rely on being kind, complimenting others and he downrights sees himself as a savior. He expects gratitude, not respect, and presents himself as good-natured and helpful which brings me to type him as a 2 over a 3.

Kikimora ♦ 6w? 3w4 8w

she acts the way she does because of fear, for her life or her position. she's also driven by her desire for recognition through objective measure of success. As most people in the Emperor Coven.

Darius ♦ 3w4 7w8 8w9/9w8?

another 3 again, the Emperor Coven is annoying like that. that said, I do not think Darius has a 6. He distinguishes himself from characters like Kikimora or Hunter so far in the sense that he respects people with individuality, who thinks for themselves and make their own call in situations. As opposed to mindless obediance, that he seems to disapprove of. He doesn't understand people who lack self-respect (like Hunter) and himself shows a willingness to skirt rules & arbitrary orders in favor of getting some "him-time" or having fun. All of this said, I think he could be either 379 or 378 : he's focused on his wants and willing to fight for them to some extent, and doesn't respect people who fail to do the same and don't respect themselves. At the same time he's a very laidback guy, who doesn't mind just up-and-leaving conversation and brushing off others. And seem keen on preserving his time & energy.

Edric Blight ♦ 6w7 3w2 9w?

reaching out made him sound like a 2 somewhat but i think it's a trap because if you think about it, edric has never seemed concerned with being a caretaker or feeling needed in a 2ish way. his issue in Reaching out is more about feeling like the brunt of a joke and also incompetent aka 3 issues. like hunter, he says "i can help" but actually means "I'm capable/competent/reliable enough to help." which comes back to more 3ish struggles. I think 3 fix in general is more coherent with the persona Edric presents to the world the rest of the time. Pretending to be more put together, charming & confident than he actually feels deep down aligns more with the 3 tendency for Deceit than the 2 desire to make themselves indispensable through answering others' needs. Also 3s, despite being a competency type and usually seen as confident, are very much dependant on others' opinions & expectations since they're an Attachment type : they define their worth through answering others' expectations, and not fulfilling this aspect f/cks with them.

Emira Blight ♦ 278

this tritype in some order is my best guess but we don't know a lot about her yet. countrary to amity & edric she seems completely unbothered by what others think of her when it comes to her talents or her accomplishments. at the same time, she's clearly the caretaker of the family (healing edric & giving advice to amity while dying her hair). she's confident in her personal worth but still ties herself to her siblings until being almost resentful of how much her life revolves around her twin. she's clearly the more headstrong of the two, seems pretty willful and handles edric with ease. but sorely lacks the rigidity of 1s, she seems (like Eda) more concerned with having her fun and doing what she wants instead. she's also bothered by the fact that her & edric are always together. This is why I think she might be a 7, who dislikes feeling trapped and currently is because her and edric aren't on the same page on the subject. but as the show progress they distinguish themselves more & more so it should be okay for these two.

♦ ♦ ♦

If you're thinking : but where is Raine ?? THEY'RE NOWHERE I'm so sorry I genuinely like them but I have 0 strong opinion about their enneagram so far ?? I need another Raine ep I think before giving my take on it. It's pretty clear that they don't have a 8, and I also doubt they'd have a 3. But other than that ? I'd rather not be hasty and just admit that I have no clue for now.

Don't hesitate to disagree in asks, reblogs or notes as long as you stay respectful. And if you want me to elaborate more on 1 character or another, feel free to ask as well ! Or if you want to ask about background characters I didn't put here.

Good day everyone !

Ozpin: This is just a reminder that all psychiatric and therapy services are completely covered by our health insurance plan

Qrow: Why do you always look at me when you say that

The way that each Schnee family member responds to trauma perfectly illustrates the four main types: fight, flight, freeze, and fawn. Fight:

Weiss’s response has always been to fight. Those who are stuck in a constantly activated “fight” response to trauma tend to act entitled, angry, and contemptuous, which is what Weiss was like at the beginning of Volume One. “Fight” types typically see themselves as perfect and morally superior to others as a defense mechanism against abandonment, which, unfortunately, tends to perpetuate their loneliness. As Weiss grows and begins to heal from her trauma through healthy relationships, she is able to use her “fight” response in healthier ways. For example, instead of completely removing herself from the family, she intends to reclaim the family name and restore its honor, which is a great goal to have and one that gives her purpose. As Blake has said, the word that best describes Weiss is “defiance”.

Flight:

Winter’s response to trauma was flight. Her goal was to get away from Jacques Schnee as quickly as possible, and her chosen escape route was the Atlas military. “Flight” types tend to have obsessive-compulsive tendencies, believing that order and perfection will keep them safe. They lose themselves by constantly being busy so that they do not have to present with their emotions, which they don’t know how to deal with. Winter still seems to struggle with actually confronting her feelings, but as she works through her trauma, we begin to see a healthy manifestation of her “flight” response: she has gained the distance needed to create her own destiny.

Freeze:

Willow Schnee, knowing that there is no escape from her husband and that resistance is futile, did the only thing she knew she could do: she froze. “Freeze” types tend to withdraw into themselves and dissociate as much as possible in order to numb the pain. This is learned helplessness. They self isolate, avoiding others and using whatever method of distraction best distances them from reality. In Willow’s case, she uses alcohol. While Willow is still stuck in her “freeze” state, we see one positive way she has used it: she has been able to gain an advantage over Jacques Schnee by placing cameras all over the estate. Only someone like Willow, who presents as helpless and detached, would be able to get away with such a thing without being caught.

Fawn:

Finally, we have Whitley Schnee. Unlike his sisters, he doesn’t have the Schnee family semblance or the talent that would have allowed him to join the military or enroll in an academy. As the last of the children, he must be aware that his father is going to hold on to him tightly and not let him get away like the other two. So what does he do? He “fawns”. “Fawn” types seek safety by forfeiting all of their needs, preferences, and boundaries in order to become exactly what the abuser wants them to be. They essentially try to do damage control by complying with the demands of others and by trying to be as agreeable as possible. These are the codependent types. Whitley, knowing he was left alone by his sisters and cannot depend on his detached mother, must do everything in his power to get along with Jacques Schnee so that he can survive. That’s where he still is, and we have yet to see how he progresses.

Some gay baby