The important thing to remember about the Star Trek universe is that the formula for Coca-Cola was lost during the Eugenics Wars, while PepsiCo was forcibly nationalized in the 2050s by Colonel Green, who dismantled their bottling plants and had much of the workforce executed on the grounds that they produced, quote, “an impure beverage”. (RC Cola still exists in the 24th century, but nobody drinks it.)
The most unrealistic part of Star Trek Deep Space Nine is the idea that root beer is exceedingly popular. Root beer is gross and a hyper-advanced humanity isn't going to embarrass themselves by drinking that in front of the aliens
“He reminds me of that delightful FBI agent with the future-glasses from that old David Cage game.”
These aliens have names like Garvin, Skorin, and Talur. And this kid comes up with Jayden. The hell, writers?
I thought my parent’s cat Archie was really serious about his breadmaking, but this is a whole other level. (His brother Claude, meanwhile, doesn’t seem to knead that much.) Also, Bodhi is getting so big!!! <3
I remember back in the day when this blanket used to be mine…
Holy hell. I loved Beyond the Black Rainbow, and I’ve been waiting for years for Panos Cosmatos to be able to make another movie. And now he’s got one! With cults! And monsters! And Nicolas Cage!
PUT IT DIRECTLY IN MY VEINS.
Seriously though, this feels like the first time I heard metal that I really, really liked.
There’s something deeply distressing to me about how there’s been this steady push over the past twenty years to transform all forms of media from things you can physically buy and use as you see fit into things you essentially rent in perpetuity from publishers and hosting services. It’s like there’s this assumption that we can rent these things forever and never have to worry about the Internet ever going down or one of these digital landlords deciding to take them away from us whenever they want. Movies and PC games are my beat, but I've certainly had to stockpile a number of hard copies over the years due to rights issues or lack of interest keeping them out of the digital marketplace.
“Digital is about access, it’s about sharing,” Schwartz said. “But once you digitize something, suddenly the object is not human-readable anymore—not readable like a stack of letters in your attic. With digital you have to preserve the letter, and you have to preserve the software, and the machine that can read it.”
That means that as technology evolves, the types of data it can read evolves as well. Think about the floppy discs you almost definitely have in a box somewhere—or DVDs, to pick a more recent example. My current laptop doesn’t have a CD/DVD drive at all. I couldn’t watch my Mona Lisa Smile DVD if I wanted to. So you can see how delicate that media is.
Thinking a lot about this since Apple announced the demise of iTunes. One great thing about iTunes was the convenience of digital while still owning a physical library. I spent a good chunk of the 90s building a music collection. It defined me, which was the things worked then. It’s no coincidence that the transition from aesthetic to moral signal occurred alongside the transition from owning a physical to a virtual library. If the things we own can’t define us, then what does? When I was twelve or thirteen, I would have killed for something like Spotify where all the music I could ever dream of was at my fingertips, but there’s no hunt, no sense of personal value.
This actually came up in the movie Shadow of the Vampire, where two members on the production team for the original Nosferatu ask actual vampire Max Schreck (played by actual vampire Willem Dafoe) what he thought of the book, though the movie plays the question more for melancholy and absurdity. https://www.youtube.com/watch?v=YgqgSaDCgC4
the best gag in dracula by far is how the entire time jonathan harker is imprisoned in dracula’s castle, dracula is pretending to have a full household of servants when in reality it’s just him running around doing everything, and it would be CRIMINAL to write a drac-centric adaptation and not milk this gag for all it’s worth. dracula dropping off harker in the carriage, pulling into the stables, then sprinting through the castle to answer the front door. dracula lurking outside harker’s bedroom for him to leave so he can sneak in and make his bed and fold his pajamas. dracula in the kitchen struggling to make food when he hasn’t eaten anything except blood in centuries. dracula giving up, turning into a bat in frustration, flapping over to the nearest farmhouse, stealing a pie off the windowsill, and proudly presenting it to harker for dinner.
I am so goddamn excited for this, and I eagerly await the return of Punished Akira.
we recorded anime club today. it should be up in the next few days. it’ll be an incredibly raw episode with lots of hollering, and some more, Madiha Lore
I still haven’t played the Mass Effect games yet, but these sound like the sort of things the Enterprise-D comes across in the middle of a normal planetary survey or supply run that turns into some delightful adventure about missing time, lizard aliens, and good old-fashioned space madness.
Mass Effect one is like, oddly surreal and full of little mysteries. Like you go on any planet with the mako, and you come across all sorts of stuff. Like debris from space ships, abandoned tents and rovers, and even dead bodies in the middle of nowhere??? Or a random beacon with the dog tags to some captain. Let’s not forget the mummified Salarian on some lifeless planet out in the middle of nothing remarkable space.
There’s a gas giant in a system in like Hades Gamma or Gemini Sigma or something with a moon notable for having the abandoned ship of a Turian general that served in the Krogan rebellions. All it says is that he was nowhere to be found, only a deliberately depowered ship was found. Like???? Or the gas giant with mysterious machines beneath the clouds that no one knows the origin or purpose behind.
Therum has a town of 13,000 on it for the mining, but we never see it?? The planet that’s 90% ocean also has a settlement and we don’t see that one either! In any of the games we never get to visit Elysium, even though it’s mentioned several times.
Another planet has some weird history and prothean ruins or something else super mysterious on it, and Earth universities want to study it but it’s stuck behind what could be decades worth or arguing with the council about it.
How did the Thresher Maws get scattered to so many random planets, and what they eat there??
And then there’s random outposts on these empty planets but we don’t know what they were researching?? The one planet where the mine is filled with husks, but we are never given any reason as to how they turned into husks in the mine. Or the occasional empty freighter ship orbiting a star that has some bizarre reason for it being abandoned and forgotten.
How did the pirates or scavengers get on these planets and appear in hideouts or trying to salvage some debris, but there’s no ship around? Did they get dropped off and someone was coming back to pick them up or what?? Where are the big pirate gangs based at? Some place akin to Omega or Illium or just a base on some empty planet?
Some of this confusion with logic, but most of these are like, so mysterious and I want to know all the answers.
Hello there! I'm nesterov81, and this tumblr is a dumping ground for my fandom stuff. Feel free to root through it and find something you like.
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