Willem Seems So Disappointed In This Fact...

This actually came up in the movie Shadow of the Vampire, where two members on the production team for the original Nosferatu ask actual vampire Max Schreck (played by actual vampire Willem Dafoe) what he thought of the book, though the movie plays the question more for melancholy and absurdity. https://www.youtube.com/watch?v=YgqgSaDCgC4

the best gag in dracula by far is how the entire time jonathan harker is imprisoned in dracula’s castle, dracula is pretending to have a full household of servants when in reality it’s just him running around doing everything, and it would be CRIMINAL to write a drac-centric adaptation and not milk this gag for all it’s worth. dracula dropping off harker in the carriage, pulling into the stables, then sprinting through the castle to answer the front door. dracula lurking outside harker’s bedroom for him to leave so he can sneak in and make his bed and fold his pajamas. dracula in the kitchen struggling to make food when he hasn’t eaten anything except blood in centuries. dracula giving up, turning into a bat in frustration, flapping over to the nearest farmhouse, stealing a pie off the windowsill, and proudly presenting it to harker for dinner.

I don’t watch Westworld, but I always like hearing people re-orchestrate songs into different genres, and this is a damn fine example from a show full of them.

I used to think that, but a few years ago an old opinion piece completely changed my mind on the subject. To summarize the piece’s argument (in case the site ever goes down), the key differences between superhero movies and westerns is that:

1. People go to see superhero movies because they like certain characters; people went to see westerns because they like westerns. To put it another way, if you want to see a western, the genre is broad enough that you can see all sorts of different movies. But if you want to see a superhero movie, you usually just want to watch Batman acting like Batman and doing Batman things, or Cap acting like Cap etc...

2. Westerns were small enough and cheap enough to make that directors and writers could experiment widely within the genre; modern superhero movies are so expensive that's there far more pressure to play it safe just so you’ll earn your money back.

3. Great characters usually only have a handful of truly interesting stories. A controversial point, but I think this gets at why superhero films tend to focus on either origin stories or constantly feel like retreads of the same ideas. 4. The actor is the draw of the western, while the character is the draw of the superhero film. With the western you can make different movies that emphasize different aspects of the actor’s persona or even have him play against type, while in a superhero movie the actor is something of an interchangeable widget that takes second place to the character. 5. At the end of the day, the audience doesn’t really want innovation or personal films all that much. This is only a crude summary of the piece’s arguments, so I really recommend reading the linked article above.

Superhero movies are the cowboy movies of our time.

I really like this design, even if it’s just the basic patrol escort hull profile kitbashed with TOS components. It’s a good design for a little putt-putt ship that does all the dirty work.

Pioneer-class, Star Trek: Online

Alien Covenant (2017)

well life just isnt fucking fair is it humpback whale 85

Esther, speaking as a big ol’ Star Trek fan, your friends were right. Season 1 was rough. A lot of the time it comes off as an attempt to make a 1960s-era Trek show in the 1980s, and it does not work at. all. Production was also a nightmare, to the point where the TNG writers’ room gained the reputation as one of the worst places a writer in Hollywood could work at. There’s a documentary called Chaos on the Bridge that discusses some of what went on, but it has its own biases and axes to grind. Still, Season 1 TNG did give us this incredible moment. (cw: more gore than you’d ever expect to see on an episode of Star Trek) If you ever want to give the show another shot, I’d recommend just watching any episode whose summary sounds cool. TNG was made with an eye to syndication, so the writers were discouraged from any heavy serialization. Anyway, great podcast, and I hope Madiha has recovered from finally seeing the Super Best Friends stumble their way into one of the worst (in all senses of the word) endings for Detroit: Become Human.

Transmediacrity Episode 23: You Deserve To Be A Space Kid

I'm not down with the catholic church; I just want to dress this way.

Please do not listen to this episode on full blast volume earbuds, there’s A Thing.

Topics include: Heart to heart about being depressed all the time; Madiha reads HAKAIOU ~ GAOGAIGAR VS. BETTERMAN; 2017, a year of closure for Betterman; the story of GGG vs Betterman; a brief, confused summary of GaoGaiGar; combining the tones of GaoGaiGar and Betterman; Linker Gel Dyalisis; THE POWER; Esther is back into Shin Megami Tensei Apocalypse; masters of reusing assets; god’s toilet; sexy nun; it all sounds like a doom level; SMT Mobile, why the fuck would I play that; did you get the dick chariot; CAN’T ESCAPE FROM CROSSING FATE; BACK IN to Honkai Impact; but first the masocore gacha hell of Bang Dream!; 29:00 warning for volume; this is like hell; NOT EVEN A FREE ROLL; thank you Honkai Impact; Sakura Samsara, the open world content; Theresa, the old small nun; Mihoyo storytelling; FGO is a demon monster gacha game; PUT HONKAI ON STEAM MIHOYO; honkai impact is warframe for lesbians; warframe anxiety; impossible to progress; FUCK DAVID CAGE. Send us timestamped suggestions for the Transmediacrity podcast sampler for newbies!!!

Outro theme is “Ashura-Kai Authorized Shop” from the Shin Megami Tensei IV OST.

Email us at transmediacrity@gmail.com! Check out our TUMBLR and TWITTER.

SUPPORT US ON PATREON! Or donate directly to Madiha for hosting costs.

Check out our YOUTUBE CHANNEL. Subscribe, and like our videos!

Special thanks to Velt for our cover art! Check her art here. (Not worksafe.)

You can find us at:

Madiha: Twitter, Tumblr, The Solstice War. Esther: Twitter, Tumblr.

@coppermarigolds, this speaks for itself.

I’m ashamed to admit that it was only after I finished watching the new Venture Brothers movie that I realized that Distributor Cap was a riff on the ‘66 version of Mr. Sparkplug.

Reading the wikipedia entries for minor Batman villains is like, “Mr. Sparkplug was introduced in 1969. He wore a rectangular costume that resembled a sparkplug, and had power to make electrical outlets stop working. After the Infinite Crisis event, he was reimagined as a serial killer with a fetish for electrostimulation. He had a cameo on Batman the Brave and the Bold where the Joker shoved him into a locker. In the New 52, the Riddler killed him and hung his costume over the mantlepiece as a trophy. He is now on the Suicide Squad.”