The Only One That Really Comes To Mind Is, Well, Jim Kirk Himself. He Spent A Fair Chunk Of His Tenure

Okay, let me see here: 1. The Mummy (1999)

2. Pride and Prejudice (2005)

3. Mad Max: Fury Road (2015)

4. Frozen (2013)

5. Star Wars Episode VII - The Force Awakens (2015)

6. Gladiator (2000) 7. One of the Lord of the Rings movies...I’m gonna guess Return of the King? 8. Rogue One: A Star Wars Story (2016) The gif was vague enough that I couldn’t place the movie at first, but your comment gave the game away. ;) 9. Jurassic Park (1993) 10. Star Wars Episode VIII - The Last Jedi (2017) Tag me in and I’ll see what I can do! (Assuming, of course, that Tumblr has any gifs for the movies I like.)

10 Movies Meme

Post ten gifs from ten favorite movies without naming them, then tag ten people.

@skybound2​ tagged me for this meme, and it was a lot harder than I expected! I think aside from a significant few, movies tend not to stick in my head as much as TV shows and video games do. 

I’ll tag anyone who’d like to do this!

“Who killed Palpatine?”

I’m just reblogging this to tag on a recommendation for Gemma Files’ novel Experimental Film, a horror story about Lady Midday and the forgotten world of hobbyist silent filmmakers at the dawn of the 20th century. (Plenty of female characters to boot as well!)

The ray of blazing, scorching, devouring sunshine.

My go-to source for the history of scientific romances is Brian Stableford’s 1985 book Scientific Romance in Britain 1890-1950. (While long out of print, this book is worth its weight in gold.) In Stableford’s account, scientific romances are very much the products of the environment they evolved from. Before the 1890s, publishing in Britain was divided into two rigid categories. On the “respectable” side were the great triple-decker novels, conservative in both style and content, and physically inaccessible to anyone who wasn’t wealthy or who didn’t have access to a circulating library. On the less reputable side were, of course, the penny dreadfuls; cheap to make, quick to read, easy to forget, and not that well-written. Scientific romances (and to a certain extent modern sf) tend to work best in the range between short stories, novellas, and single novels; long enough to properly extrapolate from a central idea, but not so long as to wear out their welcome. It was only at the end of the 19th century, with the decline of the triple-decker, the rise of a literate middle class, publications that catered to them, and of writers that could comfortably support themselves writing for this new audience, that scientific romances had the space and opportunity to emerge. Naturally, this was a different class of writers with different influences that those who had written the gothic works from earlier in the century, so scientific romances evolved in both style and content in a much different direction. (As an example, scientists in 19th-century Britain had a unique tradition of penning essays to explain their theories and their significance to a more general audience, a tendency that was absorbed wholeheartedly into the scientific romance, to the point that both scientists and novelists tried their hands at both essays and stories every so often.)

I was thinking about the literature of 1897 and it got me thinking about the Scientific Romances and how they differ from the Gothic Romances or Gothic Horrors of the age. Clearly, there is some overlap and Frankenstein (much earlier but still relevant) crosses those borders many time without showing a passport for either but by the late 19th you couldn't really compare say 'The War of the Worlds' to 'Dracula'. Where did they diverge so wildly? Or did they?

That’s a really good point, and I’m sorry I took so long to get to this question!  Arguably, Frankenstein himself brings this up- he started out reading ancient mystic texts and moved to more scientific ones later- but I guess there started to be a clearer divide between what we’d call fantasy and what we’d call science fiction as science itself became better known.  You could probably write gothic science fiction in the mode of Asimov, where the science is there to set up philosophical and psychological issues- I’d certainly read about the drama between robot heirs to their creators’ estate and legacy- but the divide certainly feels there.  Returning to H. G. Welles, maybe The Invisible Man is the midpoint?  Or maybe it’s when “scientist” became a common enough profession to not seem mysterious?  Any followers with ideas on this subject, help me out here!

Yaaaaaaaaaaaaaaaaaaay. :|

@nesterov81 depending on your point of view, for Hitoe things either improve, or enter fate worse than death territory, in these episodes of the show

get hype for the podcast

Deathloop is a weird one because it takes place in "a possible future" of the Dishonored series. The game is set about 130 years after the first two games on an out-of-the-way island outpost that's been completely cut off from the rest of the world via time nonsense, and while there's enough incidental detail for a Dishonored fan to make the connection, Deathloop itself goes out of its way to avoid namedropping anything from the earlier games.

More games should do the Disco Elysium/Deathloop thing of pretending that they're in our world before gradually revealing that it's a constructed world that has fuck-all to do with our world

Welp, this is it, the final episode of Selector Infected WIXOSS. Time to ride into the Valley of Death one final time, bottle of Jack in my left hand, loaded gun in my right.

Transmediacrity Anime Club, Ep. 16: Ultimate Fucked Up Lesbian Move

WE REGRET OUR WORDS AND DEEDS.

Topics include: WIXOSS FINALE!; Real anime club experiences; banned from the library for tiddy; legit weeb cred; hashtag blessed; weird shot of Ruuko’s clothed ass; Iona’s reaction to Ruuko emailing her; Yuzuki and Mayu both don’t know shit; incoming Madoka shit; DUBS VS. SUBS; LRIG wish consent; Hitoe the tough weenie; breaking down the Ruuko mom scene; explode with WIXOSS energy; Japanese immigration; Epic Bacon Girl Ruuko; Izanami from Persona 4; Iona’s fan event; the card texts in the Yugioh anime; Ulith’s dub lines; the opening theme of the final episode; killing yourself for your friends is the most beautiful thing; Ruuko Nukes; Ulith and Tama DBZ shit; analyzing the Ulith bloody mouth scene; reinforcing each other’s sexual pathologies; Black Desire; White Hope; should’ve memorized every line of the oath; dueling wishes; battling with you forever; Transmediacrity defeated; Simoun sucks; news stuff.

Ending theme is “Akira” from the Selector Infected WIXOSS OST.

Send us questions and game jam submissions!! Rate us on iTunes!

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A selection of the 3D character models in Minsk-based artist Dmitriy Bezrodniy’s portfolio.

This feels like a forgotten Federation track from one of the old Starfleet Command games.

EDIT: Damn, didn’t read the comment @velacity made. Eh, great minds think alike, and so such.

Guys?  My fellow Trekkies?  People?

Some of you know this already.  Some of you don’t.  But this song was almost the theme for Star Trek: The Next Generation.

No, I am not kidding.  I’m serious.  It really was.  They almost used this as the theme to TNG.  It’s even on the first soundtrack, the one with the music from the pilot “Encounter at Farpoint” if you don’t believe me.

Yes, this song was almost the TNG theme.

Seriously.

I mean it’s not horrible horrible, right?  But it’s… it’s not the TNG theme, you know? 

It really is very 1980s though.  I mean, you’d have to do 80s visuals with it, you know?  Not just text.  Picard would have to come on horseback galloping over the top of a hill.  Riker would have to do one of those half-turn-and-smile manuvers.  Troi would have shake her hair like a shampoo commercial.  Worf would have to do a toothy growl as he chopped wood with a bat'leth.  Beverly would have to be fixing Wesley’s uniform collar or something before turning to the camera.  Geordi would do the two-handed point-and-grin like Guy in the end opening credits from “Galaxy Quest” and Data would totally be painting a portrait of spot before spot knocked over the paints…

Barney #1: “Be quiet! This thing hears us!!!”

Barney #2: *stands inside the test chamber firing at the tentacles with his peashooter*

1-800-ARE-YOU-TAPPIN