Who Is In Control?

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

had a fascinating english class that resulted in the notes header “the forcefeminization of victor frankenstein”

Apparently there’s a website called Public Square where conservatives register their businesses to identify themselves as “anti-woke” so other conservatives can find them. I just thought I would share in case anyone wanted to put their zip code in and learn which local businesses to avoid.

So like... people have broached the idea of pride flags having dragons on them like heraldry, which is of course correct and just, but like... they shouldn't ALL have dragons, right? Or at least not the same dragon. Each flag should have its own heraldic beast, ideally one that relates to the orientation the flag represents.

Which begs the question of which heraldic beasts would best suit each color of the rainbow, as it were. I think the iconic four legged, two winged dragon makes sense for the main pride/rainbow flag, since dragons are often posited as, like, the pinnacle of monsters, and so feel best suited to be the one that encompasses the whole spectrum, but I'm kind of paralyzed by the options presented to pick out ones for the others.

rb if you think asexual people are cool

I made this post like a month ago and I have no idea what it means

7109

fish want me women divorce me

I listen to a lot of audiobook murder mysteries, which has me thinking:

Shen Yuan transmigrating into a murder mystery… as the killer!

There are a couple of ways the story could go.

First Option: Shen Yuan lets his System know, in no uncertain terms, he will not be murdering anyone.

Its response: [Alternate Plotline Initiated. New Assignment: Designated Red Herring].

Poor Shen Qingqiu finds himself stuck in a whole murder mystery series, and any time anyone is murdered, he somehow ends up being the number one suspect!

The victim? Probably picked a fight with Shen Qingqiu at some point. (Shen Qingqiu tries to avoid such arguments, but it never seems to work!)

The murder weapon? Yeah, Shen Qingqiu is almost guaranteed to have touched it at some point. (Shen Qingqiu is severely tempted to start wearing gloves 24/7.)

The body? Either Shen Qingqiu finds it himself at some inopportune time, and/or it was stashed somewhere “only” he is supposed to have access to. (At some point it's just: Shen Qingqiu opens a door… sees a body… closes the door. “Time to call the cops, yet again.”)

Shen Qingqiu ends up a tad paranoid about the whole thing, setting up cameras outside his house, in his office, in his car, etc. just to (hopefully) stop people from planting evidence any of those places.

If anyone asks about the truly absurd number of (eventually dropped) murder allegations, Shen Qingqiu insists he's cursed. Even with genre blinders on (making the number of convoluted murders in the area seem normal somehow), it's hard for anyone to argue the point.

For Shen Qingqiu's day job (when he's not busy being charged with murder) he works as a professor at a university with a highly regarded Criminology & Criminal Justice program. I'm thinking the original goods was a literature professor, with a strong distaste for cops, who was known for grading anyone in the criminal justice program exceedingly harshly. Naturally one of his students is the protagonist, Luo Binghe.

After his transmigration, professor Shen Qingqiu suddenly becomes a very kind and doting professor with a real passion for literature. This leaves Luo Binghe quickly smitten and makes him a very motivated amateur detective, since he's determined to prove his beloved's innocence as quickly as possible and as often as needed!

Second Option: Shen Yuan takes over after the original goods already committed the murder.

He wakes up with a splitting headache (the victim attempted to defend themselves presumably), looks at his bloody hands… looks at the victim… looks at the weapon… looks at his bloody hands again. “Damn it, Airplane.”

He decides he doesn't want to try and hide a body actually, just to be caught by the protagonist later and charged with a whole slew of things in addition to murder, so he calls the cops himself. He might as well take advantage of the fact he has a concussion and literally doesn't remember a thing. Maybe he can get the charges reduced somewhat and get a lighter sentence.

Of course the first cop that arrives at the scene is Yue Qingyuan, who as the #1 Xiao-Jiu stan gives Shen Qingqiu way too much benefit of the doubt. The most obvious evidence also keeps being erased or damaged by weird as hell coincidences.

Shen Qingqiu knows he certainly isn't responsible for damaging evidence and wonders if the System is working overtime behind the scenes to ensure there actually is a mystery for Luo Binghe to solve. (After all, it wouldn't be much of a story if Shen Qingqiu was already charged and sentenced before Luo Binghe had a chance to even do anything.)

To his complete bewilderment, after a few days leave to recover from the concussion, Shen Qingqiu is actually allowed to return to his university teaching job. He decides to make the best of it, since who knows how long he'll be a free man.

As in the first scenario, a few months later and Luo Binghe is absolutely smitten, not to mention all the other students and faculty that have come to adore him.

As Shen Qingqiu has successfully endeared himself to pretty much anyone and everyone local that could actually charge him or provide eyewitness testimony, not to mention all shady shit about murder victim Qiu Jianluo the ongoing investigation keep digging up, the plot stalls for a bit until the state police (aka Huan Hua Palace) are finally called in by Qiu Haitang.

Unfortunately for the ‘HHP’ folks, the protagonist himself is on Shen Qingqiu's side, and Luo Binghe is perfectly happy to muddy the waters by conveniently “losing” evidence, sending them after every single red herring he comes across, and “accidentally” digging up dirt on all the shady dealings going on in their department.

The System keeps trying to motivate Shen Qingqiu to hide evidence, lie, or do literally anything suspicious to progress the plot further, but all its punishment protocols involve sabotaging Shen Qingqiu's coverup attempts (of which he has none) or revealing information to the protagonist (who is complicit by this point) so it's fresh out of luck.

Eventually the System gives up and Shen Qingqiu is congratulated for “getting away with murder!” despite the fact he didn't actually do anything.

“Seriously? Does it even count as getting away with murder when the original goods was the actual murderer? I didn't kill anyone!”

[...]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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HELP I CHECKED UP ON A FIC THAT I WROTE IN LIKE 20 MIN AND PPL LIKED IT

PPL BOOKMARKED IT

Thank you to my lords and saviors that are commenters, kudosers, and bookmarkers, I love you all thank you very much