do you want to see a movie where you have no idea what is going on for the first forty-five minutes? jupiter ascending is the film for you! other highlights include:
a ten minute long spaceship fight with no context or purpose, which destroys a city. “no one will remember” channing tatum growls as they leave the city, as if youtube does not exist
“here’s a latke for you, bitch”
someone using a menstrual pad as a bandage by slapping the sticky part onto the wound, leaving the actual blood-absorbing part just kind of…waving around
actors chewing the scenery so hard i’m surprised beautifully over-constructed bits of space metal aren’t just falling out of their mouths
a man trying to shoot thousands of bees in the middle of a cornfield
a gun that makes dog noises. it barks. the gun barks.
oedipus complexes so beautifully twisted and terrible that you will spend half the movie mouthing “oh my god” to yourself
related to that, the climactic line of the movie is “i’m not your damn mother,” so take that as you will
a breathtakingly gorgeous and complex universe used as a background for a romance between woman and a man. granted, the man is a wolf angel. but still.
I CREATE LIVES……………….
[whispers] and destroy them
A stand specifically for criticizing Rohan's Manga
「CRAZY DIAMOND REQUIEM」
Just a little reminder that I love each and every one of you
doodle
1. Ah Fai was a chief animator for McDull’s animated features. He’s super cool. Ultimate senpai.
2. Previous post on breakdowns right here
Some thoughts on acceleration and force
I presented this in the order of how I slowly understood the trick of delivering force - first an abstract concept of impact taught by Ah Fai, then a more complicated discovery on the acceleration pattern, last back to a more abstract concept of breakdowns.
Like I’ve previously stressed, 2D animation is everything but one single approach. There’s no one rule that rules them all, but interchangeable ideas with math, or physics, or music, etc. There’s no “perfect” animation either, but what is perceived as organic and dynamic. E.g., using the Fibonacci numbers to animate didn’t bring me a perfect animation! On the other hand, a tiny change in the pattern could already make the feeling of force so much more powerful.
Not so much of a tutorial than a personal experience. I hope you find this interesting hahaha
1700s diving suit
Hey, guys! I’ve noticed that there are a lot of artists who struggle with “same face syndrome,” or the tendency to draw all their characters with the same face. To help you combat this, I’ve created two different challenges!
The first (pink) one is mainly geared towards artists who are struggling with same face syndrome and want to start branching out. It covers topics that a lot of artists struggle with when drawing faces, such as age, weight, and face shapes. It’s not super specific, so you still have some wiggle room.
The second (yellow) one is a bit harder and is mainly geared towards artists who want to really challenge themselves to diversify their faces. Personally, I think this one’s the most fun to work with despite it being more difficult. Chances are with this one, you’re not going to be drawing a whole bunch of beautiful people. You don’t have to roll for every option on this one either. A certain combination of rolls from 10/13 of the options may give you a great character idea, and that’s great!
I hope you guys enjoy these! I’d love for you to send me your drawings if you do one (or both) of them.
I get asked a lot for tips with coloring black people, so i put together a little tutorial! (and bumps my kofi if you found this helpful)
Reblog if the man on the right is just as beautiful as the one on the left
swedish is real
Here, I'll actually remember to post my art here for once