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I did not know which blog to invite so I invited both, I hope that is okay. I am unsure how that invite thing works, so if for any reason it does not work, let me know, cause I think I can just send you a link too.

Hi peeps! As I work on Every Hero Needs a Villain, do y'all want me to make the community for it so you can see some funny behind the scenes stuff and potentially certain bios as I make them? You can also make suggestions for stuff there if you want. Trying to encourage myself to complete them.

Tag list: @aweirdshipp, @floofyboi57, @aralithmenathere

I primarily write horror mysteries, so you night like some of my stuff. I also include a lot of queer characters.

Active writeblrs?

Yelling out into the writeblr void because I haven't been active on here in over a year and my dash is super empty, so if you're a writeblr please reblog this ♡

I especially love horror, mysteries, and really anything about queer characters!

My primary project is a southern gothic horror about a girl returning to hometown after more than a decade, which you read more about on my intro post.

Oooo omg this is so interesting! Your descriptions are so vivid and beautiful. I was entranced the whole time. I could just picture the world in my head, and the ending had me so intrigued. Also, this is one of my favorite types of plots as a trans man.

Some fantasy thing I am fiddling with

She made the decision that from this day forward, she would no longer be Astrid, a peasant girl of unremarkable stock with no discernible direction. Now she’d go by Aegir, the name of her cousin who had passed from the sweating sickness many moons ago. Father’s work as a farrier kept him busy with the horses, mules, and donkeys of traders, merchants, and lower-tier nobles that kept their manors and homes close to Lykkested, the capital of Álfarune the northernmost province of the kingdom of Upplond, and the family’s name had spread far enough for those to know his high-quality work. Whilst Mother worked to help the village women watch the children and brew the mead and dark, stout ale that the village had become known for. All the while, Astrid desired to join King Ragnar’s court as a page and then a knight—a path forbidden to her.

Skinny but strong, a girl on the cusp of womanhood who lacked the curves that defined her gender at this age. Much for the better, in her opinion. Astrid wore a close-fitting under-tunic against her lean chest, with another tunic over it to hide even further. A sharp, chilly wind, smelled of brine and distant adventures, whipped off the Rømskog Sea that ruffled her reddish-brown hair—cropped short beneath the pointed ears of her people, and she even pierced the left tip with a sharp needle and kept an iron ring it, a boyish fashion and something her parents were against but did not stop their strong-willed girl.

That day, with her mind made up, Astrid—now Aegir—announced that she was her lost cousin, at least to those who did not personally know her or her family, who did not pass away but only took some time to heal from the sweating sickness. Arming herself with an iron short-sword shoved into a sheepskin sheath gave her the look of a young boy just before the age of training and education.

Despite the chill of fall on the back of the strong wind, the warming sun still proclaimed itself as summer, even if late in the season. Astrid sat on the low stone wall that surrounded her father’s tiny parcel of land, his hammer still going, even this late in the day. The land of the Álfarune was as breathtakingly beautiful and hauntingly dangerous as its people, that she felt herself proud to come from. From the sapphire-colored, icy waters to the jagged granite peaks, worn smooth by countless ages of wind and snow, that pierced the sky and were called the Backbone of the World. To the deep woods, filled with both the mundane and the magical. Their ancient trees, gnarled from the ages, twisted like arthritic fingers; their shadows cast long on those who sought to be under the shelter of their leaves. Just past the outskirts of the hamlet were fields full of ripening barley, millet, and other hardy crops that could survive and grow in the brief summers, a familiar sight that acted as a balm to soothe the anxiety in her stomach. And even now, it helped bolster her decision to leave the hamlet for Blomma Castle, and under the darkness of nighttime.

After the successful escape from her parents’ hut as they slept, Astrid took a deep breath of the sweet summer night air—honeysuckle, juniper berries, and the ever-present damp earth—a deep, cleaning breath, the first of many as she pursued her dreams, which did not include an arraigned marriage to Jozef. Her slightly-upturned nose crinkled in disgust at the mere thought of it. With no time to waste, she took off toward the western road; the ocean was a shimmering silver under the full moon. Leaving the village required careful steps; a bit of luck, and no patrolling guards or their echoing steps behind her, as she escaped from the outskirts.

The worn leather of her fur-fringed satchel creaked as Astrid adjusted the strap, its weight a familiar ache across her chest. A night-hawk cried overhead; its sharp call sliced through the subdued hum of the wind that rustled through tall sea-grasses. A shiver, born of the chilly wind and of apprehension, traced its path down her spine; she was young, undeniably so, and despite looking like a boy, was very much a tempting target in these lands, however safe they might be.

High in the inky sky, the moon, a pearl about to dip below the horizon, cast long shadows like darkened fingers. Between the trees, a faint, flickering light shone through—a tiny, defiant flame against the vast, dark forest. The crisp night air allowed the aroma of wood-smoke to linger, which mingled with the rich, savory aroma of roasting meat; her stomach growled, a low rumble against the evening. Who, she wondered, was cooking at this late hour?

****

@fablesandfragments @seastarblue @vesanal @theink-stainedfolk @leahnardo-da-veggie

@aalinaaaaaa @an-indecisive-nerd @write-with-will @the-ellia-west @carb0n-m0n0xide

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@dyrewrites @moremysteries

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miss me w that

i loveeeeeee nonlinear storytelling. show me where we are. now show me how we got here. the end before the beginning. show me how it was inevitable or how many chances we had to change things(nothing was ever going to change). let's meet in the middle as all the puzzle pieces slide into place hell yeah that's the good shit.

Writing update 5/1/2025

I am continuing to write Sleep Laughing slowly but surely. I'm getting caught up in making the logs detailed, and trying to get myself to realize, "you need to write the skeleton of this idea before you can go into the depths of this character's suffering". And also, during the first logs he's so weak/in so much pain he's barely concious or thinking straight, so it makes sense why they're not as detailed.

Still, I managed to get extremely good progress for logs 7 and 8. Here's my favorite snippet (tw body horror and agony):

I've come to a conclusion. Even if I am in Hell, it really isn't such a bad thing. It just means I'm being punished, and, if I'm being punished, that means there's a chance to redeem myself, right? Every single agony I experience is a debt being paid, a sin washed away. This pain isn't a curse. No… …this pain is a blessing! It's giving me a chance to repent for everything. Oh God I'm sorry, I'm so sorry. I'll never do it again. So please, just let the light take me!

Also, I am looking for beta readers for my stories The Diary of Spinel Bramford and The Breeding Grounds. You can find their descriptions here. If that'd interest you, please let me know!

Taglist: @aweirdshipp

Does anyone know a name for lamp shades with this texture, or how to describe that?

Source

If you ever make a taglist, feel free to add me to it!

Master Post of Neon Ash

Chapter 1 - Jesse Survived.

Chapter 2 - Lira Cried.

Chapter 3 - Jesse Slept.

Chapter 4 - The Protest.

Chapter 5 - Mysteries.

Chapter 6 - Hope.

I love how on Tumblr, "media literacy" has become "Um, just because someone writes about this doesn't mean they're endorsing this. I hate all these media puritans ruining everything."

I'm sad to inform you that knowing when and whether an author is endorsing something, implying something, saying something, is also part of media literacy. Knowing when they are doing this and when they're not is part of media literacy. Assuming that no author has ever endorsed a bad thing is how you fall for proper gander. It's not media literacy to always assume that nobody ever has agreed with the morally reprehensible ideas in their work.

Sometimes, authors are endorsing something, and you need to be aware when that happens, and you also need to be aware when you're doing it as an author. All media isn't horny dubcon fanfic where you and the author know it's problematic IRL but you get off to it in the privacy of your brain. Sometimes very smart people can convince you of something that'll hurt others in the real world. Sometimes very dumb people will romanticize something without realizing they're doing it and you'll be caught up in it without realizing that you are.

Being aware of this is also media literacy. Being aware of the narrative tools used to affect your thinking is media literacy. Deciding on your own whether you agree with an author or not is media literacy. Enjoying characters doing bad things and allowing authors to create flawed or cruel characters for the sake of a story is perfectly fine, but it is not the same as being media literate. Being smug about how you never think an author has bad intentions tells me you're edgy, not that you're media literate. You can't use one rule to apply to all media. That's not how media literacy works. Sorry! Sorry! Sorry! Aheem heem. Anyway.

You know, while I'm on the subject, I think a really fascinating thing about Infernal Serenade is knowledge of the soul, accuracy wise, is basically in reverse to what you'd respect. An old scholar has more accurate information on souls than any modern spiritual or religious beliefs about the soul, because there was no societal pressure to come to one conclusion, nor would it be quickly dismissed like that type of thought often is in modern times.