Ekko's Entire Story Is Loss, Grit, Dying-but-never-dead Hope, And Pain.

Ekko's entire story is loss, grit, dying-but-never-dead hope, and pain.

He loses his parents, his found family, his best friend, his aspirations, and life he might have wanted for himself, he loses people to Shimmer and Silco left and right,

he loses hope to get Powder back.

he tells everyone - and himself most of all, - how much Jinx is irredeemable and beyond saving, how she should be stopped, but he can never do it.

but why? why can't he ever let go of Powder?

oh, only because of what was and what could have been. all the dreams and nightmares of the past he has, all his daydreams that flood his brain whenever he's too exhausted to fend them off - they all include her (Powder, Jinx, doesn't matter, really).

only because she knew him inside and out one day. this bond that stretches across years, persists and festers for all it could have been but is not.

it's the only love that stayed from that glossed-over, barely remembered childhood - and even this love is warped, poisoned, stomped at,

always dying, never dead.

she is the only tether to his soft years. the only living proof it was real. she is his person, his... kismet, the worst blessing, the best enemy.

she stole what they could have had from him, she killed his friends, she tried to kill him - and somewhere deep down it never mattered.

and why would it?

Powder became a story. a symbol. just a dead girl who used to be his closest friend, the one he showed all his findings and inventions to, the one who knew all his secrets -

the one who left him. abandoned him. like he was nothing - when he felt in his bones: he was her person, too.

so Powder became a story, a memory, a wound, and stories never die, and memories fade, and wounds that are scratched open again and again, never heal.

if you resent and hold a grudge against someone, yet keep missing them as you remember them, as you could have known them and had them in your life - how can you let go? how can you forget?

replaying all the memories over and over, thinking what you could have done differently -

and he has to hurt his person. over and over, and over again. swing at her, hit her, plan to destroy her.

can you imagine the anguish? the pain? the powerlessness to change anything?

every time raising his fist means adding one more haunting memory to his cognitive dissonance. the girl he loved, the girl he misses, the rabid maniac with a gun who wears her face - lies, lies, he knows her inside and out still, and it is painful and hopeless, and he can't quit remembering, missing and daydreaming.

he hurts and hopes and loses, and loses, and loses - her and his life as it was with her in it.

he loses again.

but it's not about a girl, per se.

their love has always been life-affirming and full of joy and admiration first. romantic love came later.

it's about their life that crumbled in their palms.

fighting like playing, trying to kill only to have a chance to get closer because everything else is forbidden.

*

nothing is as haunting as a life never lived,

and a love never explored.

and they were both to each other.

they were trying so hard to pretend they didn't give up, pretend they are only adversaries, and only the bad blood ties them to each other.

they succeeded, but only just.

love never lived, life never shared. the closest soul turned enemy.

that is their tragedy.

More Posts from Mirameana and Others

1 year ago

I love "idiots to lovers" trope so much because I am an idiot when it comes to romance and being loved,

yet I want to be loved

desperately.


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5 months ago
So I Did A Thing

so I did a thing

1 year ago

Katniss, during almost the entirety of the trilogy: I don't want kids but I want Peeta to have children so much. He is so dad-shaped it hurts, Imagining his kids running in the meadow in 12 brings me so much joy..

Peeta: has never, not once,expressed any desire to have kids before the epilogue

2 years ago

the thing that always breaks my heart about benji ovich is just… how good he is. how selfless. how kind. how he helps people without expecting anything in return, without even asking for acknowledgement. he just has such a strong, solid moral streak, far superior to that of his peers and even those of the adults around him. 

he stops bobo from attacking amat in his fury after their first training session together, saving amat (whom he just met) from potentially serious injury. he splits with kevin, his best friend and the boy he’s loved for years, for the unforgivable act of hurting an innocent girl. he’s one of the first few people to believe maya and take her side. he wrecks an entire bathroom in school just so she doesn’t get in trouble for smashing the mirror, taking on all the blame for himself. he steps aside in the bathroom as she’s storming out so that she doesn’t physically touch him and relive her trauma. time and time again he throws himself in the line of fire to protect the people around him, even those he barely knows. 

and in spite of all that he still truly believes himself to be a monster. he’s convinced that he’s beyond redemption, that something inside him is irreparably damaged. he doesn’t want to be saved because he doesn’t think he deserves it. he gets high and starts fights and shuts people out because he’s afraid of those he loves seeing how gentle and vulnerable he truly is. despite being one of the most self-sacrificing and considerate individuals in beartown, he still makes himself out to be the villain.

it just gets me every time, man. 

1 year ago

[ Mockingjay, ch. 25, pg. 351 ]

"Peeta's still in the burn unit. He made it to the City Circle after all."

ONE line. This one line has me clawing at the walls because Peeta managed to follow her all the way. He was with her the whole time, to the point that he was just as injured in the bombs' blast as she was.

I know Katniss is an unreliable narrator BUT I NEED a little more appreciation for our love-drunk-even-when-hijacked idiot Mellark.

1 year ago

I'll say it twice, and this one will be brief.

Your favorite fanfiction works, ships, and tropes say more about you and your heart than your favourite books (especially, classics and "something for well-rounded people).

What we want in secret is what we seek in the cracks and hidden corners of our favourite stories.


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1 year ago

if you recommend me a good zutara fic ill kiss your cute lil head

1 year ago

I love that in Catching fire Katniss comes to the conclusion the other tributes are trying to keep Peeta alive because they must see how amazingly perfectly wonderful he is. When in actuality that’s just her having a crush and everyone else recognizing that if Peeta gets hurt Katniss will go fully feral and unhinged and probably try to kill everyone and then herself.

1 year ago

not having children in Panem isn’t even a guarantee that you won’t still watch your kids be reaped, is it, Haymitch?

10 months ago

i really hate when people dismiss the ending of his dark materials because it leans into the trope "love saves the world". truly, that is what the story is about, but reducing it to a cliché is doing a disservice to the point the story is making. when it says that love says the world, it's rewriting the meaning of sin by saying that giving into desire is not shameful. it's telling us to be brave enough to experience. it's saying that dying for love can have powerful impact, but living for it is much more romantic. it's saying that storytelling saves the world, because telling stories is a language of love. it's saying that the bonds we create with other people will outlast death as long as we share our memories. it's showing how a simple childhood friendship is extraordinary enough to change the course of a war between heaven and earth. is there a better way to end a trilogy that intertwines so many paths of love than with a kiss that shifts the fabric of multiple universes?

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mirameana - mírame, Ana, mira
mírame, Ana, mira

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