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A misconception I see often in the Mouthwashing Fandom

Daisuke & Swansea did nothing

I’ve been seeing many posts regarding this topic and it really confuses me on how it’s spread…

SPOILERS AHEAD

Let’s get sweet baby boy out of the way, Daisuke.

Daisuke is the youngest of the Tulpar crew, scene often by Swansea’s side, they are a joint package do not separate (I don’t mean as a ship)

In my honest opinion, I doubt Daisuke knew ANYTHING about what happened to Anya, we have to take the narrative were given with a grain of salt since most of it is through Jimmy’s eyes, but something we can take out of it is Daisuke’s death.

Daisuke before he dies is told to close his eyes, eyes seem to be a very important part of Mouthwashing and the narrative, Curly has one eye visible, Swansea loses an eye and Daisuke is told to close his eyes

With him being the youngest, and the crew looking to him as “the baby” or “kiddo”

Like what children do when scared or are exposed to something they aren’t supposed to see, they’re told to close their eyes, to preserve their innocence

Because of this I don’t think Daisuke knew anything regarding Anya’s situation, we see her tell two people. Curly and Swansea

Why do I think Swansea DID something?

There’s many instances where I believe Swansea was on Anya’s side

1st when the two are talking in the cockpit. Jimmy find the two, almost talking in secrecy, the cockpit being one of the few places that has a lock, a safe place for Anya to be vulnerable, to let someone in.

She allowed herself to be vulnerable with Curly in this room and here she is doing the same with Swansea, there conversation is cut short when Jimmy enters the room. Anya quick to barely utter a word while Swansea stares him down, ax in hand, arms crossed. His body language is guarded. Each time Jimmy talks, Swansea is quick to shut him down, brush him off, dismissing him just as Jimmy does Anya.

2nd instance I feel Swansea did something is after Daisuke and Anya’s death. Swansea is ENRAGED, chasing Jimmy down with an ax while he’s locked away in the cockpit, breaking in even

Some would argue that Swansea only cared for Daisuke, but I don’t think that’s true, he comes off as abrasive and intimidating, but let’s keep in mind too. Swansea is a father who cares deeply for his kids, with Anya and Daisuke being younger than him, probably the same age as his children, the two having moments of nativity, seeking guidance from him, Swansea probably saw his kids in the two.

In each scene with the Tulpar crew, Swansea is shown close to both of them, Jimmy almost isolated or in his own corner

Those are my thoughts so far, there’s definitely a lot more I could add but I’m unfortunately drawing a blank. Please feel free to give your thoughts and opinions on this though!

Sorry for being so quiet everyone! Work has me busy and I’ve been on and off sick the past couple weeks, and trying to get outside a bit more before it gets too cold

Not going on hiatus or anything, just know my posting will slow down a bit, plus trying to fix my sleep schedule <_<;

Mouthwashing hyperfixation please save me

Haunting Ground, 2005

"The birth of a burden"

Another mouthwashing fanart with religious subtext yay!!

daisuke and anya aren't shown interacting much. I think that's for a reason.

with daisuke being practically the embodiment of hope and innocence and naivety on the ship, it makes sense for anya not to interact with daisuke - or atleast be shown interacting with daisuke, especially from the perspective of jimmy. the one time that i can remember anya speaking of daisuke, is when speaking to curly about daisuke's psych eval and how daisuke says that he's enjoying his time on the ship, with anya then going "should i be worried?". anya, especially after the ship crashes, is always a foot out - always standing on the edge, ready to jump. she keeps the other pain meds in that locker hidden for as long as she can so she can have a way out - a way to control her own fate. she's given up on hoping. at first glance, you may assume the most hopeless character is swansea, with him ending his sobriety and falling back into his addiction, verbally stating that there is no hope for the crew any more - but swansea holds onto daisuke despite it all. he hopes. he dreams. maybe not for himself, but for daisuke and anya. swansea has also been a dreamer, even when he was in the midst of his addiction - he WANTED. but anya is never really hoping. she's just kind of there. and who can blame her? she's stuck in close quarters with her abuser, in a ship that's falling apart, 5 months pregnant with a child she never wanted. who can blame her for not hoping for better. she used to. she did, she had hoped when she went to curly about what jimmy did, but that hope was crushed when curly did nothing. he failed her. so she doesn't hope. she can't stand to - not any more. but for a long time she can't stand to give in either. not until she's pushed into it and locks herself into a room with curly - in the very room curly had dictated as having a lock for 'safety' concerns. and while she does this, daisuke - hope - is trying to get in and help her. banging at the door, desperately trying to get in to anya, but then jimmy takes daisuke away, and hope leaves, and anya kills herself as her hope is gone, once again taken away by jimmy. there's also the fact that daisuke is practically the 'child' of the group. the innocent and naive. and children are commonly seen as the 'hope'. the 'change'. the 'proof of something better to come'. and then you think of anya's pregnancy and how that happened. and how when she looked at daisuke and saw how hopeful and bright and young he was, all she was reminded of was the child inside of her, and then reminded of jimmy. of course she wouldn't wanna be around daisuke as much. it was too close. he was too close.

I love you Casca the women you are 💖

some moments last forever,

PEDESTAL is a freeware investigation and puzzle game by Uri made in WOLF RPG Editor.

One month ago, Cosmos Girls’ Academy student Shiori Natsume was found dead on campus. Though rumor spreads that it was suicide, Aoi Ooe of the newspaper club wants to know if that’s really true. Accompanied by her friend Akari, she begins an investigation to uncover the truth - no matter what may come of it.

Be sure to note the warnings on the page, both regarding the dark topics involved in the central mystery and the theme of the story.

For context: I decided to pass on translating this game a year ago when it came out. Uri felt unconfident at the time whether it would land with English audiences, and given the volume of text, she insisted I didn’t have to translate it if I didn’t want to. But I never really “didn’t want” to translate it; ultimately, I think it just came at a bad time for me focusing on something of this size. I wanted to come back to it someday, so now I have.

It’s important to recognize that this game is something of a departure from Uri’s previous games. Things to do with Japanese high school culture are rather prominent, assuming some familiarity with it, though I’ve of course done my best so that people can pick up on things with minimal external context. In addition, it’s not a “horror game,” nor going for that kind of atmosphere. I’d also say there’s more dialogue and less gameplay, and a good deal of that gameplay involves questioning lots of people to find those who have important information. It’s bound to be divisive, but I believe it’s a story worth experiencing if you’re willing to see it through.

There’s a walkthrough on my page, which I would encourage people to refer to if they want to meet the numerous special ending requirements without having to replay.