Latest Posts by lune-versatile - Page 3

The secret to avoiding annoyingly perfect characters is less about what they do, and more about what they think and feel. Show that they still want to slack off even if they end up doing what they’re supposed to. The actual plot difference between “I’ll do it, because it’s the Right Thing To Do™!” and “Ugh, fine, I guess I have to do it; it’s…like…the right thing to do, or whatever…” is negligible, but the characterization difference is huge.

how to write relatable characters

writing relatable characters may seem like an easy task, especially when you’re constructing your protagonist. but what if you want to make your antagonist likeable? what if you want people to hate your protagonist but still root for them? all of this and more requires that your characters be relatable. they need to feel real, so how do you do that? here’s how:

- flaws: this is probably obvious. everyone has flaws, so we should give our characters flaws, too. this applies even if your character is non-human; they cannot escape the personification that we as writers or readers project onto them. we are humans reading, so we expect to see human qualities everywhere we look. if you’re having trouble of identifying your character’s flaws, here are some prompts for ways to think about flaws beyond a list:

what skills do they lack? what do they struggle with?

can their strengths be turned against them as a weakness?

what makes them react emotionally or impulsively?

are they aware of their flaws? if so, do they want to improve them or change them?

- quirks: these are what make your character unique or special, and no, i don’t mean purple eyes or unique physical traits. i mean: what makes your character authentically themselves? what traits define them that few others have? some ways to think about this are:

how do they react when nervous? do they have a tell? similarly, how do they react on behalf of any emotion?

what skills do they have that hardly anyone else has?

what obscure thing are they obsessed with?

do they have a unique outlook on life compared to their peers?

- values: these come from life experiences: where we were raised, our family and friends, our community, religious affiliations, etc. i suggest identifying eight to ten values that define your character and then narrowing that list down to five values that mark their core or essence. think about how these values influence their choices, decisions, and ultimately, the plot of the novel. here are some more prompts to think about values:

how do they react when their values are challenged? are they one to speak up or do they sit back in the shadows?

what, if anything, will change or shatter their values?

are their actual values misaligned with their believed values?

- stakes: what is at risk for your character? what is motivating them? stakes don’t need to be over the top or life or death; they can be as simple as maintaining a relationship or reaching a goal. unless there’s an outside influence (ie. percy’s mother being kidnapped in The Lightning Thief), most stakes—especially those relatable—tie back to values. even those influenced by outside factors can tie back to values: the only reason percy is motivated to get his mother back is because he cares for her and she is the one person who has always advocated for him and cared for him. he values family and riordan uses his family to motivate him and incite the plot. generally, there will be one overarching stake for your character, but throughout your novel, there should be several smaller stakes. these may not service the plot but should elaborate on your character nonetheless. some ways to think about stakes include:

how can i use internal or external factors to create convincing, relatable stakes that tie back to basic values?

why does the overarching stake matter to my character? why do they care?

how can i raise the stakes or introduce new ones that are relevant to my character and illustrate them as a relatable being?

- connection: even if your character is an introvert, they will still be connected to someone, something, or even an idea. we, as humans, look to certain people, pets, objects, and ideas to maintain our sense of reality whether we realize it or not. if your character prides themselves in having no attachments, think about the ideas or themes that mark the cornerstones of their reality. most human beings strive for some form of connection, so here are more prompts for thinking about your characters and connection:

what does connection mean to my character? how do they show how they value their connections or relationships?

how does my character’s behavior change when around different connections?

what connections define my character and their reality? how will these connections influence my character and/or the plot?

how will removing or challenging a connection change, influence, or motivate my character?

a good rule of thumb is to treat a character as a human, not a plot device. there is a time or place in which a character must act as a plot device, but if you’re wanting your readers to be compelled by your narration and the characters within them, you should strive to write your characters as human (aka as relatable). one of the greatest pleasures i find in writing is when other’s identify themselves in my writing.

you’re not just here to tell a story, you’re here to connect with others through the illustration of your characters. let the reader navigate your prose as a detective, to search for and identify the evidence provided by you. that is to say, show us how these things manifest in your character. don’t tell us.

happy writing! hopefully this post gave you some ways to start thinking about how to show the relatability of your character. if you have any questions about implementing these tools or about writing characters, our ask box is always open.

we always say that writing improves with practice, which is true & good to remind people of, but i think we fail to emphasize that literally every part of your writing will get better with time and effort.  sure, your prose will become clearer and more sophisticated, but it’s so much more than that.

you’ll become so much faster, for one thing.  if it takes you two weeks to complete a 3k chapter when you start out, you’ll eventually reach a point when you can crank that out in a matter of days.  maybe right now your story ideas are like a dripping faucet–slow, random, and occasional.  well, the longer you let that faucet run, the more your ideas will start to flow, until suddenly you’re finding inspiration in everything.  the length and complexity of your stories will grow too.  you might start writing stories in the 2-10k range, but you’ll eventually find that you’re writing 20-30k stories without even really intending to.

of course your style will improve.  of course your imagery will become richer.  of course your syntax will start to flow better.  but there are so many other aspects of the writing process, and literally every single one of them will start getting better too.

i know it’s been said before, but it bears repeating: a big, big part of maintaining your confidence & self esteem as a creator is fully embracing the concept of “you don’t have to be good like them.  you can be good like you.”

for example, i’m not someone who’s particularly good at coming up with complex, elaborate plots or incredibly unique ideas.  it’s just not how i choose to write.  and it would be easy for me to look at someone with an elaborate, super unique plot & decide that because i don’t write like that, i’m not a good writer.  after all, unique plots are good, and my writing lacks those, so my writing must not be good, right?  well, no, actually.  i just have different strengths, like taking a simple premise & digging super deep into its emotional depths.  that’s what i do well & it isn’t any better or worse than people who do elaborate world building or come up with really creative and unexpected plots.

your writing is never going to be all things to all people.  it just isn’t.  inevitably, you’ll have to make creative choices that favor certain aspects of writing over others.  there is truly no getting around that & it’s honestly a good thing, because it means you’ve developed your own style.  but you’ll always encounter other creators who posses strengths that you don’t.  it doesn’t mean one is better than the other or that your writing isn’t good enough. 

comparing yourself like that would be like taking a piece of pizza & a cupcake & going “oh no, that cupcake is so sweet & my pizza isn’t sweet at all.” or “gosh, the garlic crust on that pizza is delicious and my cupcake doesn’t have ANY garlic.”  obviously your pizza isn’t sweet.  obviously your cupcake doesn’t have garlic.  a food can’t have every single delicious flavor at once.  the cupcake is good like a cupcake.  the pizza is good like a pizza.  so you don’t have to be good like them.  you can be good like you.

how to stay motivated as a writer

reread your old writing

reread the scenes you’re most proud of

write something silly. it doesn’t need to be logical, or something you in your story. write something dumb

compare your old writing to your current writing. seeing how much you’ve improved can be very motivating

create AUs for your stories! explore storylines that otherwise never would make it into the story, but you would like to play around with

choose one of your least favorite scenes and rewrite it

act out your scenes

read old comments from people praising your work

create a playlist for your wip

team up with a friend, create AUs for each other’s stories

create playlists for your characters

draw your ocs/make memes of your ocs

draw/make memes of your friend’s ocs

don’t push yourself to get back into writing the thing that made you stop in the first place, you can always write something else!

write what you want to write, no matter how cliché it might be. it's okay

take a break, focus on another hobby of yours. consume other sources of media, or take a walk to clear your head

no need to write in chronological order if it isn’t working for you!

read bad reviews of books/movies/tv-shows. you will start appreciating your own writing more

create a new storyline, or introduce a new character! anything that helps bring something fresh into your story. could even be a completely new wip!

not writing every day doesn’t make you a bad writer. take a break if you feel like you need one

remind yourself to have fun. start writing and don’t focus too much of your attention on following ''the rules.'' you can get into the nitty-gritty when you're more familiarized with writing as an art. or don’t. it’s fiction, you make your own rules

get some rest. go to sleep, take a nap!

remember why you started. know that you deserve to tell the story you want to tell regardless of the skill you possess

I probably shouldn't admit this about something I wrote, but I accidentally re-read Carnivore all the time. I'll open it to look something up to reference in Gripped Tight and then start reading like "oh shit, this was good. oh dang i did that so true of me. oh wow i'd forgotten that part i love that jeez!" lol

I'm not sure I can express this sentiment strongly enough, but I'm going to try via the medium of large bolded text.

Write what the fuck you want.

Write what makes you happy. Write what makes your soul sing. Write what fucks you up and makes you cry. Write what comforts you. Write what distracts you. Write what you want to read. Write what you want to watch.

Write what you want to dream about tonight.

Write what you can't get enough of. Write what you're completely obsessed with. Write what wakes you up at 4am and drags you out of bed because you can't stop thinking about what your characters are going to do next.

Write what turns you on, if that's your vibe. Write characters you're in love with and characters who inspire you and characters you want to be friends with and characters you fucking hate but oh my god they're so much fun.

Write about things you would sell your soul to do in real life and things you would never do in real life. Write about things that are happening right now and things that happened a thousand years ago and things that might happen in the future and things you wish could happen.

Write to get a publishing deal or to sell your books yourself or not to sell your books at all. Write for your friends or for strangers or for the people who reblog your posts on Tumblr and send you songs that remind them of your characters.

Write for yourself.

Fuck any system that tells you there's only one right way to create or one valid way to share your writing. Your story, the way you tell it, has so much value. Make people smile or piss people off or do both of those things because art is divisive and fascinating and beautiful.

Start writing. Keep writing. And write what the fuck you want.

how to write the second draft

@writingwithacutlass on instagram

source: https://www.masterclass.com/articles/how-to-write-a-second-draft#why-do-you-need-a-second-draft

hello and welcome back to my page! this post was requested some time ago and i finally got around to making it. second drafts are arguably the hardest draft to write, since you are taking your jumbled mess of a first draft and rewriting it to be more cohesive and organized. although picking apart your novel is a painstaking process, it’s a necessary step that will improve your novel and make you a better writer in the process. here are five tips on how to write the second draft!

take a break, then return to your draft with fresh eyes

especially if this is your first novel, only start your second draft after you’ve had adequate time away from it. creating distance between you and personal work can give your mind time to reset and detach from particular ideas. certain story elements may feel necessary but don’t actually fit into the story, or your story may need something, but you’re not sure how to implement it. taking a break can help you view your writing from a previously unseen angle that can bring more refreshing ideas to the table and help you get through your second draft. take some distance from your writing to brainstorm new scenes.

understand your chaos

your first draft got your ideas down and, hopefully, created a loosely structured beginning, middle, and end. however, the first time you go through the whole thing, it will probably feel overwhelming—and it should. go into your first chapter knowing there will be big changes and improvements to be made. you’ll cut some things and add others, but don’t be afraid. if it starts to go off into a direction you’re not happy with, or if you have no idea how to continue forward from what you’ve rewritten, you can always reconfigure. that’s what second drafts are for.

break it up into separate goals

you don’t have to comb through your second draft beginning to end and address everything along the way. setting goals to address each element of your first draft, like working on emotional character arcs first, or solidifying the bare bones of your plot through each chapter can help you divide and conquer each necessary aspect of your story that needs to come together in a cohesive manner. once all these elements have been solidified individually, you can piece them together in a way that makes your second draft feel more manageable.

track your narrative

read through each plot point or chapter and see if the narrative tracks. make notes on anything that stands out to you or doesn’t feel as smooth. are events moving logically or sequentially into the next? are character goals clearly defined? does each new chapter feel connected to the last? it may be a rough version you’re going through, but these elements should be in place in order for you to analyze it accurately. your subplots should feel natural to the central story and characters you’ve created—they should just be added fodder to take up space. ensure there aren’t any redundant scenes or a repeat of information that doesn’t need to be explained again.

don’t proofread until the end

it’s tempting to go back and fix all your errors, but unless you’re in your third stage or fourth stage, this may end up being a waste of time. correcting typos and grammar should be saved for your final draft, as the entire writing process will entail rewriting, restructuring, and reorganizing until the moment you’re ready to publish.

(Help) advice for people who have been writing for a long time and haven't seen improvements?

ok, so first of all have you REALLY not improved? most of the time when we are working on complex tasks, our ability to see what we are doing wrong grows more quickly than our skills, so there's this constant, growing awareness of what we aren't doing well. i suspect if you look back at your first stories, you will see that they are clumsier than your current work

BUT, it's frustrating. i get it. hoo boy do I get it.

SO... the advice you asked for.

sit down and do a really cold-blooded assessment of your work. ask a couple CPs to help if you can bear it. figure out several places you have a clear weakness.

common things people struggle with include:

mechanics (grammar, punctuation, how to format dialogue, etc.)

prose (how does it read on a line level)

engaging opening pages (do people reading the start want to keep going, does it set up promises for the rest of the book to pay off, do we know, as readers, what sort of story we're getting from the first page)

characters (do the people feel real, do they behave in the way people behave, are they well rounded with flaws and strengths, do their stupid decisions seem believable given their own set of issues)

pacing (does the story feel too slow to readers? does it seem to skip over important moments)

plotting/structure (does the middle sag, do things build up in a compelling way, do plot points come out of nowhere, are there too many moving pieces)

stakes (are there stakes? what is the main character's goal? what happens if they fail?)

theme/mood/vibe (do you have a vibe? is there an overarching theme?)

emotions (are your characters/is your plot emotionally engaging to the reader)

climax (does it stick the landing)

pick ONE (and only one) identified weakness to work on for the next 3-6 months. Google resources that talk about that thing. write or revise aiming to work on that thing. (if you ask for a specific one of these, I will put together a list of resources, but it might be a bit much on an already long post to include here)

shake up your working methods to see if that knocks skills loose from your brain in the learning process. if you usually outline, try just brain dumping onto the page, focusing on that thing. If you usually pants it, try outlining.

go back to beta readers and CPs and say "how does this story work FOR THIS ONE PARTICULAR THING." It's much easier to beta read a chapter for someone if you know the thing that they want you to focus on is "prose" or "emotions" than "just anything that jumps out at you."

good luck and have fun!

writing resources masterlist v2

happy nano lol here’s a masterlist of writing resources. over 300 links and counting. 

so. what’s in here? well:

where to write

ambient sound + visual ambience

moodboard making/ where to source images

character development

creating a look for your character

prompt, poem, and song generators

map making

medical accuracy in writing

first hand accounts of illnesses/disorders

law and crime writing

weapons/armor

folklore/mythology

esl resources

and way more!

(if any links are broken or i’ve credited incorrectly, please let me know! thank y’all for reading!)

Afficher davantage

Tips for writing an essay with executive dysfunction: do this.

Write out bits and pieces of the essay. When you get to a part you can’t/”don’t want to” write, put it in bold brackets. Get as much done as you can and come back in a half an hour or so!

If the executive function is still bothering you, take it one bracket at a time. Don’t delete the bracket until you’re done “filling it in,” so to speak. If you need to take more breaks or hop to the next bracket, you can do that too! Similarly, if you have a thought you want to get down but you aren’t sure how to word it, put it in bold brackets as well!

It may not “cure” the executive dysfunction or procrastination problems, but it makes writing the essay more like putting shapes in holes of the same shape. It can be a pain, but the process is a bit more streamlined and user-friendly.

I know this may not work for everyone, but as someone who has really bad executive dysfunction and problems focusing (thank you, ADHD!) this works REALLY well for me! I hope by sharing it it can help other people (with and without executive dysfunction/adhd) too! o/

Hello there!

I'm meaning to write a story for a long time (I've kind of brilliant ideas for the plot and stuff) but i can't get words out; half of the time I get confused about which pov will suit the story or sometimes it just doesn't seem appealable.

How can I go about it?

Have Plot Ideas, Can't Get the Words Out

When you have ideas for the story but you sit down to write it and it goes nowhere.... that's a good sign that you need to spend some time doing some planning and plotting. In fact, you may need to take some time to make sure you understand plot and story structure before you start to plan. Here are some posts to get you started!

Basic Story Structure Beginning a New Story How to Move a Story Forward Choosing a Point-of-View Choosing a POV Character Among Many Interesting Viewpoints Guide: How to Rekindle Your Motivation to Write Getting Unstuck: Motivation Beyond Mood Boards & Playlists Have Plot, Can’t Write

Good luck with your story! ♥

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How do you write scenery. I always having trouble writing a place where the characters is. Like do I have be specific around the surrounding or just say where it is.

Describing the Setting of a Scene

You should always do some level of description of the setting of a scene. If it's an area the reader can easily envision, either because you've already described it in a previous scene or because it's a common place like a school or grocery store, you only need to include a few relevant details. Here are posts from my description and world building master lists that may help:

The 3 Fundamental Truths of Description (5 Tips for Cutting Back) How to Make Your Description More Vivid Adding Description to Your Writing Five Things to Help You Describe Fictional Locations

I hope that helps!

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Have a writing question? My inbox is always open!

Visit my FAQ

See my Master List of Top Posts

Go to ko-fi.com/wqa to buy me coffee or see my commissions!

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my blog if you want to!)

Do you have any tips for doing nanowrimo for the first time? Or any tips in general?

I do actually. Kind of a lot of tips. But when I have a lot of things to say about something that people would need to take action on, I like to do bullet points to organize the information so it’s easier to digest.

So.

Bullet point time.

Start now. No I don’t mean starting the story. That’s the challenge, to write all the new words in November. I mean, start THINKING about your story. Start planning. Start brainstorming. Start character development. Start backstory. Start researching. Start your writing habit. Because writing at that level take training. You have to get INTO it. It’s far too hard to start writing a novel cold if you’re not used to writing.

Make An Outline. Okay. This is a choice. Not everyone likes outlines. In nanowrimo, we say there are two types; Planners who outline their novel and Pantsers who write by the seat of their pants. This can also be called “intuitive writers.” I think there’s a third, a combo of the two. Plantsers. I like that word because not only is it a combo of pantser and planner, it also has the word “plant” in it. So you plant your garden in a plan and then let it grow however it wants, intuitively. That’s me. Anyway. If you don’t want to plan an outline because you’re a pantser, take notes on your story. Do character interviews, research back story, get excited about tropes you want to use, write short stories about the characters, take notes and make lists about ideas you have.

Start a vision board for your story. I use pinterest. Here is an example of my vision board for one of my nano novels that has already been through three drafts, so...years. I’m REALLY into pinterest do no be intimidated. I’ve been doing it a long time. Keep track of characters, settings, ideas, research, advice. It gets a different version of my brain working on my story. 

Sign up at the nanowrimo site. Choose a title, a genre, a location. Plan to attend events if you can. Okay, quarantine, but maybe digital events, i don’t know what they’re doing yet I haven’t checked. Go to the forums and engage in conversations about writing. Ask questions. Answer some. Buy some merch. Read the advice. Get involved in the community. Don’t let the community take over your writing time, but before nanowrimo? Perfect time to get involved.

Make room in your life for writing: Writing is a commitment. You have to show up to the page. You have to sit down and write. And it more or less has to be everyday, unless you’re planning on bingeing on only certain days... which is possible but harder. Plan out regular times where you will write. Carve out a schedule. It can be the whole weekend or it can be fifteen minutes here and there throughout the day. I am proof that you can write a novel in stolen fifteen minute increments. It takes TIME to write. Oh hey, while we’re on the subject, find out how long it takes you to write. How much can you write in 15 minutes? 30 minutes? an hour? How many of those time chunks will you need to get the words down. Don’t assume you write faster than you do. 

Set up your writing space. A room, a corner, a laptop on your bed, a cafe, a library, a journal. Whatever it is. Make sure you have what you need and it is reasonably organized so that you can not worry about it. ALSO, get snacks and drinks set up so you can feed your body while you write.

Tell people in your life that you will be doing this. I know that may be hard, but telling people that you are committed to this project means you are being held accountable for your goal. It’s not just a wish. The more real you make it, the more likely you’ll reach it. You want them to know that you’ll be taking time to do this. But also, support helps. If you have no one irl to support you, find groups on line, if you don’t know where to look. go look at the forums on nanowrimo.org. You can find forums for age range, life stage, interests, genre, whatever.

It turns out these are all suggestions for how to get nanowrimo going BEFORE nanowrimo. I do believe that this is important. You need to work out your writing muscles before november. This is one of the things that can help you succeed. But I have other hints for how to get it done done while you’re doing it. I’m afraid for simplicity’s sake, that needs to be another post. 

If you want to do nanowrimo... which I do suggest even if it turns out not to work for you, it helps to start earlier. Like running a marathon, you need to train to be able to go the distance. There are lots of thing to do that can get you there. These are only some of them.

Oh okay. I have one more thing. I’ve been keeping writing boards over on pinterest. I have boards both to brainstorm my novels and for writing advice. 

nanowrimo pinterest board story ideas pinterest board character ideas SFF ideas Villain ideas The Writer’s Life

Feel free to plunder and pillage my writing boards. Repin whatever you want. That’s what it’s there for as well as my own inspiration.

All my writing boards start with “to write” or most of them do. There is “the writing life” and “kids and writing.” I have a lot of boards and a lot of pins. 

also check out my writing board @rosy-writes i think at some point I’ll return this blog to a writing blog, but maybe i’ll keep rosywrites for my writing advice or something.

possibly one of the most hilarious exchanges on doctor who 

ೃ⁀➷ writing resources

An ongoing list of writing resources I tend to come back to while writing. (None of these are mine)

Last updated: 09/07/21

Tips On Introducing Backstory

Fantasy Guide to Writing Architecture

Muggle Technology Through the Ages:

How To Foreshadow

How To Write A Realistic Argument

How To Write An Apocalypse

How To Make Your Story Scary

How To Make Your Writing Longer

Humour in Dialogue/Narrative

How To Write Close Platonic Relationships

How To Write A Kiss

Writing Intimidating Characters

How To Write Teasing In A Romantic Relationship

Resources For Writing Sketchy Topics

Resources For Writing Injuries

Symptoms of dying that aren’t coughing up blood

Tips On Writing Time Skips

Tips On Writing Flashbacks

How To Write Falling In-Love

Cheat Sheet For Writing Emotion

Writing Pain

Writers Guide: Hand to Hand Combat

Body Language Cheat Sheet For Writers

Fainting and losing your consciousness for writers

How To Write A Fight Scene

Writers Guide: Guns

Words For Skin Tone | How To Describe Skin Colour

How to write passages like film effects

Words to use instead of “said” organized by emotion/intention 2.0

Hello, love. Do you have any advice on how to self-edit a short story after completing the first draft?

5 Tips for Editing a Short Story

1) Reconsider the First Paragraph

With short stories, it's even more important that the first paragraph starts off with a bang. You really don't want it to be exposition if you can avoid it. Instead, start when something is happening. In other words, start with action.

Exposition: The moon hung high in the star-speckled sky, turning the snow into a radiant white blanket.

Action: The girl crept out the door into the star-speckled night, leaving a trail of tiny footprints in the moonlit blanket of snow.

2) Consider Each Paragraph's Purpose

The limited length of short stories means it's all the more important for each paragraph to pull its weight. For each paragraph, ask yourself, "What is lost if I cut this paragraph? Will the reader still understand the story?" Get rid of paragraphs that don't need to be there.

3) Cut Unnecessary Details

In novels, we can take the time to add details that are only there to embellish the world or characters for the reader. In short stories, it's much more important for details to really matter.

4) Watch Out for Repetition

Make sure no details, ideas, actions, etc. are repeated unless they truly need to be. In a short story, you probably don't need to describe the main character's town as sleepy/charming/quiet more than once, for example.

5) Zap Some Adverbs and Adjectives

Adverbs and adjectives are one of those things we don't typically need...

With: The small girl crept quietly out the door into the cold, star-speckled night, carefully leaving a long trail of tiny footprints in the moonlit blanket of snow

Without: The girl crept out the door into the star-speckled night, leaving a trail of tiny footprints in the moonlit blanket of snow.

What I Zapped and Why:

Small - The reader will know she's small because her footsteps are later described as "tiny."

Quietly - The word "crept" already implies quiet.

Cold - She's walking in snow at night. It's obviously cold.

Carefully - Also implied by "crept."

Long - Not important, also somewhat implied by "trail." If she left a short trail that would be a noteworthy detail.

Best of luck with your editing!

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some writing advice nobody asked for

- figure out why you write. is it a hobby? is it something you want to become your career? do you have intentions of going to print? then you'll have a better idea of what advice you need.

- experiment with scheduling versus writing whenever you fancy it. i'm reading on writing by stephen king right now for uni and he says that he sets himself a goal of writing 2,000 words a day. he gives a lot of good advice about writing but i won't put it all here because then it won't be my writing advice lol, but one thing he says is to get into a room with a closed door and no distractions (unplug the tv, turn off your phone/wifi etc), sit down, and do not leave that room until you have your 2,000 words. i did this in the final week of writing my novel and it worked wonders, even though i'm not usually the kind of person to start a writing session with a wc goal in mind!

- don't show people the first draft. this exists solely for you. show them the second, or maybe the third. the first draft's job is just to exist, not to be by any means brilliant. don't introduce unnecessary pressure or doubt by showing people the rough work (unless obviously this is your agent/editor because it's kind of what your job together is)

- try not to get too bogged down by the driving plot or clear arcs/ideas at first. people will tell you different things, so really it's about figuring out what works with your personal writing style, but in my experience i start with a vague idea or atmosphere, maybe a character or two. when i start with a central plot point (i.e. "i want this group of students to end up involved in a murder"), even if i do stick to that, the plot will grow and expand itself as you write. what began as the big, main, central part, becomes just one little part of a huge, rich plot. it's true when people say that books like to write themselves - your final draft will most likely look absolutely nothing like your original plan or even your whole first draft, and that's what i absolutely love about the craft.

- and finally, listen to more radiohead. alternately put "something in the way" by nirvana on loop. just trust me.

The Top 10 Writing Posts From June 2021

Every month, we look at the posts that people read the most.

These were the new Writers Write posts you enjoyed in June 2021:

30 Writing Prompts For June 2021

A Quick-Start Guide For Creating Characters

On Ghosts & How To Write About Them

The Way Of The One – For Writers

14 Boring Expressions & What to Use Instead

How Much Sex Do You Need In A Sex Scene?

The Notorious ‘You’ – An In-Depth Look At Second Person

What Is Imagination & Why Is It Important For Fiction Writing?

The Unintended Consequences Of A Lack Of Setting

7 Writing Observations From Ian McEwan

So I just started my short story writing class! These are dialogue tips from Janet Burroway’s Writing Fiction: A Guide to Narrative Craft

Your narrator and each of your characters should sound different from one another (unless your story is in the first person and one of the characters is actually telling the story!). Remember that no two people speak in exactly the same way, so if all your characters sound identical to your narrator, it will pull the reader out of the story.

Every person has distinct vocal habits or “go-to’s,” words or phrases they use often, and giving your characters their own vocal “go-to’s” can help lend them some realism and make it easier to tell them apart from one another. Here’s a little hint: we use these “go-to’s” even more often when we’re distracted or not fully paying attention to the conversation and what we’re saying.

People sometimes stumble over their words. Let your characters stutter, or repeat themselves, or forget what they were about to say, or even ramble sometimes, especially if they are feeling flustered or overwhelmed in the scene. This will add realism to your dialogue, and make your characters seem more real to your readers!

Just like in real life, the situation should affect how your character speaks. For example, if a character has just gotten a big, unpleasant surprise, they probably won’t be in the right frame of mind to make a calm, articulate speech. Think about what’s happening and how it will affect what your character says and the way that they say it.

Most people speak differently depending on who they are talking to. For example, you probably wouldn’t talk to your boss the same way you would talk to a friend! Think about your character’s relationship to the person they’re talking to, and how they feel about that person, and let that come out in their dialogue.

Descriptive verbs (like “exclaimed” or “demanded” instead of “said”) are a great way to breathe some life into your dialogue, because they give the reader more information, telling us not just what the character said but how they said it. On the other hand, when used too often, or incorrectly, descriptive verbs can pull the reader right out of the story (for example, using “demanded” when the character isn’t making any kind of demand in their dialogue).

do you have any advice for younger / newere writers? you write so much and you're very skilled! i'm inspired by you

Aww thanks! Maybe I write a bit too much ahaha.

Well, idrk what you’re searching advice for so I will give general tips.

Before writing:

Do your research. Not only about the subject, but if there’s people out there who have also thought about the idea and have a tag for it.

Set a goal. I suck at this myself, but having a not-rigid word count goal (with timer if it makes you feel more motivated) really get your gears going. There’s a few pages that make it more entertaining too!

Warm up Drabbles. Nothing better than writing something adjacent to what you really want to write just to warm up and get a bit more creative so you hit the zone quicker.

This is optional but if you have time, make a page for your characters and setting. Like a reference page so you don’t go write someone is 160 cm when you have already said they’re 178.

While writing:

Limit your editing. It’s tempting to correct in the moment, (more if you’re unsure about grammar) but sometimes while fixing something you lose your pace and in the worst cases, forget where you were going. Editing can come later.

If you’re gonna have CW at the top, highlight the key words so it’s easier to go through it later.

After writing:

Don’t delete your scrapped ideas. You don’t know when you might wanna use that idea, so even if it’s never used having an scrap document for them is great.

If you didn’t like the end product altogether, it’s fine to put it aside for a while and come back to it later to see if it really should be abandoned in the scrap document or tossed away. Sometimes a little bit of time makes the errors look less severe and fixable and the good things to pop out more. Let it brew!

Pass your text through a beta reader and a program that allows you to correct your grammar and spot typos.

To gain attention:

Quick note here, don’t get discouraged if you don’t receive millions of likes in your first chapter. Sometimes it takes two projects or more to get traction. Keep going regardless of numbers! They don’t dictate how good you are!

Interact with others. Slide into inboxes, participate in ask and tag games, reblog other people’s fics, make collabs. most people are cool with being tagged in games even if you’re not mutuales with them so don’t be shy! Although, Don’t just talk to people to use their following.

Take part in writing/drawing challenges. July has the @whumpmasinjuly event with a prompt list, as there is events like the month of writers, nanowrimo, whumptober, etc.

Keep writing and explore other ideas besides your comfort zone. This started as a whump writing blog, but evolved into positivity, some art and writing (even occasional thoughts and poetry) The variety lends itself to grow your range of public and to expand your creative library.

Promote yourself. Shamelessly self reblog your favorite fics, or just reblog it for the timezone difference. You’re proud of what you wrote and I’m proud of you for writing it, but sometimes tumblr sucks and I won’t see it immediately. So don’t be afraid of reblogging your own things!

Make your own events and ask games. DTIYS, requests, giveaways when you hit a follower milestone. If you have the time for it and have fun doing it, go for it!

This is my personal opinion, but having visuals for your story such as mood boards, picrews, illustrations, etc. Makes me more interested in a story. It’s also an easy way to present your characters to your readers.

Have fun. It’s noticeable when an author is having fun writing it and when it feels like a chore. I’m not telling you to absolutely love it, just to trust in yourself and what you’re doing a bit. If it doesn’t feel right, revision it. If you can’t find it, hand it to someone and ask for their opinion. Not having fun doing what you love hurts like a bitch, and it just rubs salt in the wound when it flops or you can’t stand reading through it. So, explore ideas, maybe go back to your comfort to come back to the new a bit less scared. Or maybe find new inspirations so you can go rush and add new stuff and weed out what doesn’t seem right.

Overall that’s it I think. @ashintheairlikesnow has a great tag for new writers in her blog so I advice to check that out and ask more people. @thewritershandbook is also a good resource place!

Good luck anon! I’ll be cheering on you.

Do you ever think you'll stop drawing fanart? No offense it just seems like the kind of thing you're supposed to grow out of. I'm just curious what your plans/goals are since it isn't exactly an art form that people take seriously.

Ah, fanart. Also known as the art that girls make.

Sad, immature girls no one takes seriously. Girls who are taught that it’s shameful to be excited or passionate about anything, that it’s pathetic to gush about what attracts them, that it’s wrong to be a geek, that they should feel embarrassed about having a crush, that they’re not allowed to gaze or stare or wish or desire. Girls who need to grow out of it.

That’s the art you mean, right?

Because in my experience, when grown men make it, nobody calls it fanart. They just call it art. And everyone takes it very seriously.

Writing Tip!

An easy way to tell if you’re showing instead of telling is how much you’re using is/was. My English professor explained this to me a few semesters ago, and while he just wanted varied sentence structure in my papers, it also works very well for creative writing. 

This isn’t to say that is and was are bad verbs, but rather that they are very basic and do not express anything beyond the fact that something exists. Sometimes, that’s all you need to know in a sentence, but often, the writer can make the story or the characters more engaging by explaining who someone is, what something is, where something is, when something is, why something is, or how something or someone is more powerfully by using one of a few tactics.

The first method is to use strong verbs. “Strong verbs” is a term that gets thrown around a lot, but a strong verb is simply a verb that explains what action is happening as clearly as possibly. For instance, when one “jumps” off the diving board, the reader doesn’t know how the person jumped, but the reader will be able to more clearly see the action if you write “she dove” or “he cannonballed” or “she belly-flopped.” Be aware of who is reading your writing and who the narrator is. In general, if your target demographic probably doesn’t know the word or if your narrator wouldn’t know the word, use a simpler, less precise verb and use adverbs to make it specific.

Another way is to show why the narrator was saying “it is/she was/there is” in the first place. Think of the is/was statement as the disease. You want your reader to guess the disease, so you start describing symptoms. For instance, “She is mourning her husband.” vs. “She stared at the empty seat at the table, unfazed by her mother’s repeated attempts to get her attention.” This way is more rambly than just swapping boring verbs for strong verbs, but it is a good way to show the narrator’s experience in life, the narrator’s biases, the narrator’s emotional state, etc. 

One other way is to make the object of the sentence the subject instead. This just means that whatever “is/was” is now what the sentence is about. This is a simple fix in cases when the object is doing something in the sentence. Instead of “There was a ball rolling past her feet.” write “A ball rolled past her feet.”

Let me illustrate:

How you can use varied word choice to show who is being talked about:

Bland: Jason’s dad was standing in front of Jason. 

Engaging: His dad loomed over him.

By using a stronger verb, the more hostile loomed, the reader gets a better idea of who Jason’s dad is and how Jason feels about him.

How you can use varied word choice to show who is talking:

Bland: Macy was sitting at the edge of her seat.

Engaging: Macy balanced very carefully at the very edge of the seat so her feet could touch the floor, because Macy was a very big girl now.

The POV character is a young girl at an age where she wants to be perceived as older than the height of chair legs and the lack of height of her own legs will let her be. She also refers unironically to herself as a big girl in her own thoughts, something grownups generally do not do. By expanding on the reason for the action instead of the action itself and with careful word choice, you can set the tone of the character and of the story.

How you can use varied word choice to show what something is:

Bland: That is a tree branch blowing against the window.

Still bland but better: A tree branch blew against the window.

Engaging: The branch smacked against the window. 

This is an example of taking the object (the thing in the sentence that the verb is happening to) in this case “branch” and make it the subject. In the still bland but better version of the sentence, the fact that the tree branch is blowing against the window is obvious, but that doesn’t tell us anything about how the narrator feels about what the tree branch is doing. That tells us what, but it does not tell us what the character feels about this thing. Smacked is a more violent, sudden, startling verb that communicates suddenness, surprise, and unease.

How you can use varied word choice to show where something is:

Bland: The phone was on the far side of the nightstand. 

Engaging: She flopped an arm blindly across the nightstand, but her fingers hit empty air just shy of the faint glow of her phone.

The engaging version of this sentence tells you more about the character’s mental state, fatigued, while also communicating where the phone is. Also, using a more descriptive word like flopped gives the reader a clearer mental image of what is physically happening in the scene.

How you can use varied word choice to show when something is set:

Bland: It was the early two thousands.

Engaging: Jana looked around the room and saw many a teenage male heinie, but not a belt among them.

Noting fashion trends, like sagging pants or hoop skirts, can reinforce the time period that you’re writing in and how the narrator fits or does not fit into that time period.

How you can use varied word choice to show when (what time) something is:

Bland: It was seven P.M. on a summer night.

Engaging: He watched the sun dip below the far reaches of the ocean as he wiped the sweat from his brow.

The engaging version of this sentence uses a few details to show about what time and when in the year this sentence takes place: it is sunset, so the exact time isn’t stated, but the rough time is implied; the ocean does exist at times of the year when humans aren’t on it as much (and here I though the entire state of Hawaii disappeared between September and April) but most readers will associate the beach with summer; and if the reader didn’t get the clue about the traditionally seasonal location, it is hot enough to make the main character sweat. 

How you can use varied word choice to show why the narrator believes something:

Bland: Kai is a good friend.

Engaging: Kai held her hair away from her face as she threw up into the toilet bowl for the fourth time that night.

Anyone can say anything about anyone else, but the best way to get a reader to like a character, an idea, or a thing is to show them why they should like that thing. Instead of making bland moral claims like “Love is stronger than hate.” tell me how the Samaritan stopped to save the Jew, or how the enemies put aside their differences to protect what they care about. Instead of saying “He was scared of his dad.” show me the beer cans and the slurred speech, show me the belt falling and the voice yelling. Show the reader why.

How you can use varied word choice to show how something is:

Bland: The woman was looking at him.

Engaging: The woman ogled him.

Strong verbs again! Use strong verbs that are emotionally charged when you’re talking about emotionally charged situations! Being ogled is an uncomfortable sensation for the person being ogled, and it also shows disrespect on the part of the person ogling. 

Keep in mind that these are guidelines! Sometimes is is the best word for the job, and don’t stress if you have a lot of is/was in your stories. Just because they’re bland doesn’t mean that sometimes you need bland verbs to communicate what you want to communicate. Still, you don’t want vagueness to be your crutch, either. Practice showing instead of telling when showing is more important, but have fun with it! Besides, you can always edit whatever you hate or are unsure of now sometime later. 

Don’t sweat! Go write awesome papers and stories!

Outlining Resources

Nanowrimo Prep Workbook (outlining: session 3, page 19)

Choosing the Best Outlining Method for You

Outline Your Story Like a Subway Map

How to Build a Plot from an Idea

How to Build a Plot from Characters/Setting

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~Grand List of Writing Resources~