couldn’t find a dumber hat than that
I have recently received another ask about my canvas pulling and since I've been thinking about making a serious tutorial for a while now, I took the opportunity to take some pics and vids while finishing the tree. Do please enjoy :3
1. Why pulling out canvas at all?
Primarily, this is a fantastic technique to apply cross stitch patterns directly to the item you want OR to make patches from old jeans, like this one:
With small patterns I usually don't bother to sew the canvas prior to embroidering, like with the pupper above. In case of the bigger patterns, I usually sew it lightly on the edges just to keep the canvas in one place. The more stretchy the material type is, the more important it's going to be to keep it in place.
2. Why not use a soluble canvas?
I'm sure you can and that they'll be as successful as the regular one 😁 However, as I mentioned in my previous posts here and here, I prefer to err on the side of cheaper, hence the tutorial.
3. Okay. I'm convinced - I even have a pattern embroidered on! What's next?
With small patterns (like the doggo earlier) it's going to be pretty easy. You just pull the threads one by one - preferably starting on the thinnest part of the pattern - and you may not even need the pliers. The fun (?) is with the large pieces, because the canvas has on average quite fragile threads and they like to break. Note - the canvas I'm using and I suppose most of the existing canvas types, will have four threads per one embroidery row. It's usually easier to pull one first and then the other three, bit that may vary when, for example, you managed to pierce the thread during stitching phase earlier 😉
If you were already careful during the stitching, you paid extra attention to embroider EXACTLY between the canvas threads and avoid piercing them at all. There are two benefits to that being extra careful: one, it's easier to pull it out later; two, the stitching gains an extra precision to it (and it looks great!). I recently discover that the round tip needle is making it much easier and if you're interested, there's a separate post about it as well!
On to the process! You can see from the pictures how I started with cutting out a piece of canvas that I can later reuse for something small (recycling is my hobby 🤷🏻♀️). I also pulled loose threads from around the tree:
Next part was to clean up the trunk and the grass on the right:
I then cut off the excess to avoid the threads tangling and slowly moved to the sides of the leaves on right and left:
You'll notice that the last photo has the thread pulled halfway through the pattern. That's because on this stage it's usually impossible to simply pull the thread out - even with the pliers it is just going to break off. I use a needle to pluck it from between the embroidery like this:
If you're more of the visual learner, I made this vid that I hope explains the process in more detail. You'll notice that I'm using my fingers and not the pliers here, because it's faster than to switch between tools.
And finally, when you're left with single direction threads like these, it's just a matter of pulling them out one by one.
And that's it! The final product looks clean and neat, AND you will notice that without the canvas beneath it's also getting a bit of volume that looks cool (and helps even out small mistakes you may have made along the way).
Thanks for reading this far! Let me know if there's something else I forgot to explain 😊
Excited for this outcome. Especially because Tumblr is so English-centric, even though a lot of people are not native speakers.
As always, reblog for a bigger sample size.
Put the actual language you write in in the tags!
if I try to write ficlets in norwegian,,, who would read?
They're already past the amount asked, past the double of the amount AND past the triple of the amount.
So yeah, consider donating to those above instead of AO3 for once. They'll be fine.
as ao3 approaches almost 6x what they asked for, here are some other places to give your money to
Iranian American Woman Fund
Women’s Committee of the National Council of Resistance of Iran
Taller Salud (which is non-profit in Puerto Rico currently collecting donations for support after Hurricane Fiona)
Out & Equal (which supports LGBTQ+ during the hiring process + helps defend against workplace discrimination)
The Foundation for AIDS Research
Center for Black Equity (supports the black queer community)
Funds for Writers (which offers grants to aspiring writers so they can afford publication, time off from work, etc.)
The Audre Lorde Project (which directly supports queer POC in New York City)
PEN America (which helps writers in financial need across the United States)
This is an entire list of organizations supporting queer and BIPOC STEM students you can donate to
The BGD Press (which specifically publishes queer POC)
****but if you want to directly support the people who make you free content, the next time your favorite fic writer or artists makes a crowd funding post, opens commissions, talks about their patreon/ko-fi, donate your money there!!****
literally Wikipedia would be better at this point
Chapter: 1/1
Words: 2134
Language: English
Fandom: Teenage Mutant Ninja Turtles (TV 2012)
Rating: General Audiences
Warnings: No Archive Warnings Applies
Relationship: Donatello & Leonardo & Michelangelo & Raphael (TMNT)
Characters: Michelangelo (TMNT), Donatello (TMNT), Raphael (TMNT), Leonardo (TMNT)
i've been asked what brushes i use so here they are (ibispaintx only)
bonus details:
So I was like "haha, only 13 squares left"
BUT
I some-fucking-how misread the fucking supra detailed explanation and listing and read 72
But it's 72 not ending with the colour A
There's also 12 not ending with the colour B
So 84 total, not 72
So yeah lmaoooooo there's 8 more to do, fucking end me
So I have thrown myself into a huge project, which is to make a plaid for my mother
This is the finished plaid from the creator and all the squares, half squares and quarter squares I have to do.
I've done all that so far, which corresponds to the four corners, all the big borders, half of the small borders and one baby square.
I'm doing it using yarn my mother wanted, which is a mix of cotton and merinos wool. There's 10 colours total but I'm not using the same as what is shown in the pattern.
So I did it....
Ok but them with each other clothes??? I need more
1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.
2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.
3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."
4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."
5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.
6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."
7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.
8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."
9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."
10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."
11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."
12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."
ok here eat this onions fellow ibispaint heads <- incomprehensible sentence
xey/xem French Don't be fooled, I'm a platypus, I don't much stuff (art side account)
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