nine/or so people i wish i knew better :)
(Awww, I love being tagged in stuff)
tagged by: @wheel-of-fish and @selcouthself (oop and @dj-triumph lol)
favorite color: indigo blue
currently reading: Yvonne Chireau, Black Magic: Religion and the African American Conjuring Tradition (grad student lol)
last song: "My Funny Valentine" (Chet Baker cover) by Matt Maltese
last film: Sinners dir. Ryan Coogler
last series: Obsessed with Étoile on Prime.
sweet/salty/savory: This is so hard but I could eat chocolate chip cookies until the end of time, so sweet.
tea or coffee: Chai!
working on: grief, a syllabus project on AfAm Religion and American Cinema, and a fanfic that keeps my spirits up lol.
tagging: @poorerik @flora-gray @daaesviolin @forever-and-whats-left @achillmango @from-aldebaran @warpweight (sorry if you've already been tagged by someone else!)
Incorrect Quotes: Jane Eyre (70/?)
Source
And of course I'm thinking about Phantom of the Opera.
panna a netvor (beauty and the beast), dir. juraj herz (1978) + anne williams - art of darkness: a poetics of gothic
OMFG thank you to whoever captured this.
Dean Chisnall - The Music of the Night (14th August 2024) 7.30 performance
Thinking about how Erik wasn't just left alone by people, but also had no support system in the century he was born. His traumas would never be taken seriously (specially considering the men in his time), his mental illness would never be treated, he would probably be locked in an asylum and endure horrific torture if he ever tried to search for help. His abusers were protected by this very system and got away with everything they did to him. He was left down by everyone, even in his family, anywhere he went he was met with abuse, discrimination and ableism, and there was no way to escape this monstrous society other than hiding from it.
Thinking about no matter how much Leroux evidenced Erik's humanity, his nuances, the good he was capable of making, how his crimes were circumstantial (and in a lot of cases even forced), but not from thoughtless sadistic satisfaction, how he had no chance of living as a normal person in the world that casted him out like a 'monster'... he will always be a "villain" in the eyes of so many people. Because it's easier to blame one single person that already doesn't have anything or anyone and is already down on his misery, poverty and trauma, than to aknowledge the very system and society that forced him to live that way. It's easier to create an enemy that won't be accepted by anyone as anything other than an enemy, an 'other'.
Just thinking about how tragic and sadly realistic Erik is.
I'm ruined.
John Cudia + Jennifer Hope Wills
2006 U.S. tour
God give me courage to show you, you are not alone...
Killian Donnelly and Lucy St Louis as The Phantom and Christine
For @meilas
@lasagnatrades master
Again: Marie Danvers stood on business when it came to laying smooches on her costars. And her roster was impeccable.
It’s Monday and I’m still thinking about that Cudia boot.
What I love about theatre is that no matter how many times you’ve seen a show or even a particular actor’s performances, there’s always room for surprise. I always liked John Cudia, but that boot was distinct from all his other performances. He just walked into work that day and said “I feel like being more feral than usual.”
I'm going to reblog this combination whenever I see it.
"Letters To Milena", Franz Kafka
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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