OMFG Thank You To Whoever Captured This.

I think of Immersive Phantom as the random protein/granola bar stashed at the bottom of your purse or bookbag. If you’re super hungry between meals it’ll tide you over, but you’re really just saving your appetite for your favorite restaurant and dessert after work.

And you’re also waiting for the place to release the dang cast list—I mean, menu—to see if Jordan Donica is on it.

I feel like an outlier bc I know immersive phantom is the hot thing rn but I'm actually more excited for the (vastly more accessible) U.S. tour and all the new phans it's going to bring in

Phantoms: Sad Wet Cat or Crazy Bitch?

Inspired by this tweet by @glindaupland (i think). May delete because, well...

Earl Carpenter: Duh, the OG sad wet cat OG.

Kevin Gray: Definitely a crazy bitch, but makes me a sad wet cat watching him.

Ian Jon Bourg: Sad wet cat pretending to be a crazy bitch.

Tim Martin Gleason: Name a difference between his final lair and a kitten left out in the rain?

Hugh Panaro: Psycho bitch who becomes a sad wet cat for 1.5 seconds when he says "my angel."

Davis Gaines: Sad wet crazy bitch.

JOJ: Crazy wet cat.

David Thaxton: Is a crazy bitch because he's a sad wet cat.

Ramin Karimloo: Extra crazy bitch. No cat in him whatsoever, unfortunately.

Jeremy Stolle: Was a sad wet cat in his early days as an understudy but graduated to crazy bitch and sex god in the 2020s.

Greg Mills: People literally call him finger lickin' Greg...but he's still a wet cat.

Ben Crawford: Crazy bitch who swears he's not crazy.

David Shannon: Sad wet cat who is also injured.

John Cudia: Sad wet cat who makes my cat w—*phone dies*

Chapter 2 is live!!

Some random thoughts in the void as I try to work through wtf I actually want to do with this fanfic:

“Think of Me” is the first song I heard from POTO before I was even properly introduced to the show. But once I watched Phantom in full, I realized how much of an “odd man out” the song is. I get that it serves an introductory function and that it’s basically a Christine/Raoul leitmotif, but even so it doesn’t seem to feature much in the musical overall.

And I guess this fanfic retelling is taking up the song in a completely different vein and asking what the story would look like if “Think of Me” was a potential leitmotif for Christine and Erik. What if Erik and Christine had encountered each other in one set of circumstances, gone their separate ways, and then reconnected and “remembered” each other—but with a new set of emotions and challenges?

Maybe I’m just trying to extract an Erik/Christine ship 😅. But also want to gently explore whether it’s possible for Erik’s Angel of music/father figure act to be meaningful for the both he and young Christine and not just loaded with manipulation and grooming. And I feel like the only way that’s even slightly possible is for her to actually have room to grow up and come back to the opera house as a woman.

Maybe it won’t work but 😂🥴

Oh. Ok 😭

ʏᴏᴜ ᴀʀᴇ ɴᴏᴛ ᴀʟᴏɴᴇ

The chat next Saturday is going to be so unstable and I am totally here for it 💀

Saturday, May 3, 2025: NO STREAM

I try my best to schedule around Saturday evenings, but it's an event night! I might be back in time, but I don't want to risk it. See you next weekend!

Filing an Emotional Distress Claim Against Jonathan Roxmouth for:

The way he sings/acts "is THIS what you wanted to see?" during the unmasking. Why is it so unique and convincing??

That reptilian neck movement in the graveyard. He is a poisonous snake. He will BITE you, Raoul!

That looooooong pause in the final lair before he whispers "you try my patience."

(3a) Sometimes a well-placed pause is more powerful than a yell--especially in a musical like POTO where everything is meticulously paced and most of the audience probably thinks they know what to expect. I thought I knew!! Turns out I did not, JRox.

His hands. I'm bringing a claim against JRox's hands alone. They just kept...doing things that made me want to cry and/or die like (see points 6, 7, 8, and 9):

Touching Christine's face in PONR.

Wrapping his fingers around the apple like that.

The flickofthewrist during the title song.

Reaching for Christine during the ring return as if this is an Earl Carpenter throwback, I am GUTTED.

The whole first lair. The whole thing.

Resting his cheek against Christine's head during the embrace between kisses like he's being soothed/mothered.

The general thoughtfulness of his interpretation. Props to him for maturing into this role the way he has, it's all so assured now! He really "gets" it, but I'm just emotionally damaged by it.

I issue a public apology for my completely private judgments of you JRox. But you will still be served papers.

The Golden Girls – 5.26: The Presidents Coming! The Presidents Coming!

“Floating, Falling …”

Earl Carpenter and Katie Knight-Adams, 2006, London. The iconic MOTN pose and some very dynamic acting from both!

All final Broadway Phantoms, the kiss.

Why would you do this to me Fish?!?!

Phantoms who return the embrace, part 2 (part 1 here)

Sandor Sasvari & Andrea Maho | Budapest 2003

Josh Piterman & Kelly Mathieson | London 2019

Josh Robson & Georgina Hopson | Sydney Harbour 2022

Tim Howar & Harriet Jones | Thessaloniki 2023

James Gant & Holly-Anne Hull | London 2023

Kevin Greenlaw & Emma Kajander | Helsinki 2024

Nadim Naaman & Georgia Wilkinson | Lisbon 2024

Jon Robyns & Lily Kerhoas | London 2024