just been making mha tik toks for the girls and the gays
me_irl
to all my writer friends out there.
I can’t write these scenes bro I just can’t
You can’t say tobey has the right to keep the post up but call her an awfull person for doing so in the same breath, pick one or stop the fake reasonable act
Yes I can. It’s called an opinion. She has the right to keep the post up, doesn’t mean I think that makes her a “reasonable” person. It’s problematic to me. If you don’t like that you don’t have to stick around my blog :)
Make your hero act on their deepfelt emotions. This not only adds meaning to their actions, but also helps communicate to readers your hero’s core emotional struggle.
When your hero acts, give their actions consequences that affect the plot, themselves, and/or the surrounding characters. For example, driven by curiosity, maybe your hero opens Pandora’s box; maybe they act recklessly and someone dies; or maybe they stand up for what they believe in, but at great personal cost. Consequences raise the stakes and empower your hero with agency.
Use the consequences of your hero’s actions to create a crucible of growth — challenges and situations that force them to take the next step on their character journey. That step may be forward, or backward, and it may be large or small; but something inside them changes.
When a character goes through a change, even a small one, allow it to affect them emotionally. Maybe they feel increasingly frustrated or guilty. Maybe they’re afraid, having just taken another step closer to abandoning their old way of seeing the world. Or maybe they finally feel peace.
Regardless of the form it takes, remember to reflect your hero’s change in their emotions. Then let their emotions drive action, to trigger consequences, which will compel further change.
Lather. Rinse. Repeat.
And there you have it! That’s how you write a character-driven plot.
So what do you say?
Give the wheel a spin.
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Your stories are worth telling. For tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.
Write down everything that happens in the story, then in the second draft, make it look like you knew what you were doing all along. -Neil Gaiman
Marksley did not stand like a servant. His back was too straight, and though his shoulders remained slouched, there was a certain tenseness there that never appeared with the male servants she interacted with both at Isidore and at the palace. His feet were positioned just so that he would be able to stand completely still without locking his knees, his weight displaced equally between his feet and his arms behind his back.
Marksley did not stand like a servant. He stood like Leda before she adjusted to her new position. He stood like the guards that watched over her at the Manor. He stood like her mother, in some odd way, though Titania’s stance never looked as rigid and uniform as the rest of them.
He stood like a soldier.