WHAT IS WRONG WITH US?

WHAT IS WRONG WITH US?

Holding rag in this darkness, I keep cleaning the rotten carpet of ethics. Knees are bruising, But my hands keep moving, The mind can’t comprehend how to stop. Eyes can’t adapt to the pitch dark. But ears are alert, Realization dawns, You all are here too.

Some scratching softly, Some rubbing too vigorously. I know that I’m not alone. How come there are so many of us? Trying to remove these stains in the darkness, and hoping for a glimpse of white. Cleaning this tainted carpet of ethics.

What is wrong with us? This house is full of bodies without guts. Few are dancing like puppets, freed on the condition of being muppets. Some keep peeing all over it, Others keep cleaning all their shit. The smell of this home is atrocious, It makes me nauseous.

They are covering the skin of God in red, and if we whispered, we are bad. If and only if, I can know about their scale, I might try not to fail.

Let’s get a new carpet. Stop dreaming about turning this obsidian into white.

LEPTIR CHAHAR

More Posts from Laylabsposts and Others

4 years ago

“i complain about tumblr but i refuse to leave unless the site itself deactivates” squad

4 years ago

hey losers, does anyone want a basic website,,,, once i have freetime id love to mayhaps get some work to build a portfolio,,,,

4 years ago

all azhar does is exhibit authority issues, act dramatic, plot revenge, set shit on fire, commit atrocities, simp for ella and cry

4 years ago

I have been thinking of the ways we tell people things. My father's hands shake, but he holds the phone up so I can watch the video from six feet away. My mother emails me the recipe of her beef stroganoff at 6 in the morning with the comment - woke up and didn't want to forget to do this! On the highway, we sing so loudly my voice grows hoarse; on the beach I sneak nice rocks into people's hands so they have something to hold; on the floor we all sit quietly in the same agreeable silence. We are all saying the same thing.

My friends say "Oh you know, keeping busy." This means they are having a hard time but making themselves survive it. I ask them to help me walk me dog; this is me telling them it's okay sometimes to just be present and talk about young adult fiction. When I cancel again because I can't get out of bed, she tells me she's on her way with cookies.

I point out the sunset. She shares her fork before I ask for it. He calls me at 1 AM just because I'm on the road alone, we talk about stupid shit. She waits for me to get indoors safely before driving away. He says - nah, forget it, I'm happy to do it for free.

People are saying it, you know? They say it often and loudly. Sometimes, you know - you just have to be listening.

4 years ago

When I was little my mom’s meatloaf was my favorite food. But ONLY her meatloaf. I didn’t like anyone else’s, and she told me that she would teach me how to make it when I was older. And when I was like 19? She finally taught me, but she told me never to tell anyone else and I was like weird but okay

Anyway, she was super fucking homophobic and abusive to me when I told her I was gay, so here’s the recipe

4-6 lbs of Hamburger/turkey burger

1 pk onion soup mix OR ranch mix

1 TBs ketchup

1 Tbs spicy brown mustard,

1 Tbs bbq sauce

1 Tbs steak sauce

1 egg

mix, shape into a loaf in a big pan, and bake at 350 for 2 hrs (maybe 2 and a half if you’re feeling dangerous)

You can get almost all of these ingredients at the dollar store, and have leftovers if it’s just you. The leftovers make great tacos if (taco seasoning is also like a dollar). Enjoy your revenge loaf

4 years ago

the sexual tension between me and wasting time on tumblr instead of writing like i should be

4 years ago

Your most recent emoji describes your mother’s thoughts when you were born

4 years ago

Your character is driven by 3 emotional motives. See? I even made a graphic.

image

(I’m proud of the graphic, too.)

Mood: The immediate (and temporary) emotions of your character. A feeling of joy after kissing the girl they like; frustration after a busy day working a summer job at the fair; despair after somebody eats the last Oreo.

Situation: The plot and relationship contexts of your character. The apprehension they feel with a friend in the weeks following a nasty fight; the nerves felt in the week leading up to their big championship game; the frustration and boredom of being grounded after crashing the family car into the county creek.

Struggle: The core, deepfelt pain of your character, which often emerges from their background. The fear of failure from overly demanding parents; a deep longing for a family they never knew; a desperate need to be accepted after spending years as an outcast.

How these 3 motives influence your character

The above emotional motives all play an important role in driving your character’s actions, muddying or even overriding their more logical intentions — just as it happens to the rest of us. (We’re all human, after all.)

That being said, while your character’s mood and situation will shift throughout the story, their struggle will remain constant: their true north, emotionally speaking. This struggle will always be at the root of their actions, even as you swap in new situations and moods.

Take Bethany as an example

Let’s say your character’s name is Bethany, and her struggle is this: a deep fear of failure, stemming from her parents’ impossible academic expectations, which conflicts with her own desire to finally experience the life she sees passing her by.

Her actions, while primarily driven by that struggle, are going to vary quite a bit depending on her situation and mood. For example, if it’s the night before a big test, she might blow off a friend’s invitation to a party so she can study.

But if the party is a week before the big test, and she finds a handwritten invitation in her notebook from Emma (the girl on the lacrosse team she has a crush on), Bethany might act differently. Maybe she feels a lightness and warmth in her cheeks as she reads Emma’s note. Maybe she puts those textbooks away, and maybe, just maybe, she sneaks out the window and goes to the party.

But if Bethany finds the note after her parents just chewed her out for being ungrateful and not studying hard enough? Maybe Bethany doesn’t go to the party. Instead, maybe she reads Emma’s note, trembles, then rips it in two, knowing she can’t disappoint her parents like that. Then she spends the rest of the evening studying. Alone.

Mood. Situation. Struggle.

All three kinds of emotional motives are important. Your character’s struggle is the anchor, but their mood and situation are the ever-shifting masks you use to express their struggle in fresh ways. 

And by the end of the story, hopefully your character will overcome their struggle — putting away the textbooks, sneaking out the window, and meeting their crush at a party. Maybe even having their first kiss.

Whatever the character, and whatever their struggle, I’m sure you’ll do great. 

So good luck! And good writing.

— — —

Your stories are worth telling. For tips on how to craft meaning, build character-driven plots, and grow as a writer, follow my blog.

4 years ago
Do I Need To Say More

do i need to say more

4 years ago

You ruin your life by desensitizing yourself. We are all afraid to say too much, to feel too deeply, to let people know what they mean to us. Caring is not synonymous with crazy. Expressing to someone how special they are to you will make you vulnerable. There is no denying that. However, that is nothing to be ashamed of. There is something breathtakingly beautiful in the moments of smaller magic that occur when you strip down and are honest with those who are important to you. Let that girl know that she inspires you. Tell your mother you love her in front of your friends. Express, express, express. Open yourself up, do not harden yourself to the world, and be bold in who, and how you love. There is courage in that.

— Bianca Sparacino

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laylabsposts - let me write in peace
let me write in peace

she/her

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