emotions be damned
TFW that employee you hired a few months ago can be near the homicidal jester robot in the dark without being murdered to death and is apperently his friend
As I write Solar Lunacy, I want Managment to realize the dynamic between Y/N and the Daycare Attendants and become the white guy blinking meme
some pfps of my favorite cranky cat
whenever my program freezes
i am so fuckin sorry y’all, i really do want to write more zuko fic but i’ve got AWFUL writers block right now ;;; i’m trying to write i swear, but i don't want to give you guys garbage writing, so pls be patient i beg of you
here’s part 1! this is some more world-building groundwork, establishing the reader's place in the gaang! i'll be posting part 2 soon and it'll be more exciting i promise lol. pls read the prologue to better understand the story
words: ~1k
prologue | part 2 | part 3 | part 4
Ever since you left the Fire Nation, you’d been having a bit of a hard time adjusting. Having become so used to the life of luxury you once knew, it was hard to survive. You had long since ditched your old clothing, opting for more muted, inconspicuous tones. You hopped from town to town, helping transport resources in order to further your journey. Eventually, you reached a far-off Earth Nation town, by the name of Gaoling, seeking refuge there. You learned to fend for yourself, taking odd jobs to pay for your meals.
You survived on your own for 5 years before meeting the Avatar. You had to get scrappy to keep up with the changing times. Life wasn’t always kind to children, even in Earth Kingdom cities. There was still a war going on, after all. In those years, you managed to earn yourself plenty of scars, including a nasty one on your face. It spanned from the left side of your chin all the way up to the bridge of your nose. It puts a damper on possible jobs when you look like you’re trouble just waiting to happen.
That’s how you ended up getting roped into helping Xin Fu with his underground fight ring. It was tedious, but it was all you had. Until you met “The Blind Bandit” who you soon came to know as Toph. She was an abrasive girl, but you could tell she was no weaker than anyone else despite her blindness. Then, somewhere along the line, the Avatar had found her, begging her to come be his earthbending teacher.
Late one night, after watching Toph fight Xin Fu and his goons, you decided to follow her, and the Avatar, back to her home.
“Of course it doesn’t change the way I feel about you, Toph. It's made me realize something.”
You saw Toph's head lift, milky eyes full of hope, “It has?”
“Yes. I've let you have far too much freedom. From now on you'll be cared for and guarded twenty-four hours a day.” You could feel your heart drop, the tension in the room so painful you couldn’t bare to hear more. You watched as a lone tear slipped down Toph’s face.
You waited until she had returned to her room before sneaking to her balcony. You slipped behind her guards, knocking them out as quietly as possible. You cracked open the door, “Toph? Toph, are you there?”
“Y/n? What are you doing here, you’re going to get caught.”
“Hurry, we don’t have much time. I’ve knocked out the guards but it won’t be long until more come. I’m getting you to the Avatar, even if it’s the last thing I do. I’d sooner get arrested than watch you rot here. You deserve your freedom, Toph.”
Toph smiled, “Well then, what are we waiting for?”
Once you caught up with Aang, Toph insisted you come with them. The others had agreed, saying that any friend of Toph’s was a friend of theirs. So you’d begun your long journey. Appa’s shedding had brought you not only an unexpected visit from Azula, but also the knowledge that Zuko had been chasing after them for so long now. Hearing the stories you told of what he had done… Your heart ached. Not only for them, but for Zuko. A boy so sweet who had been so swiftly corrupted by his family's twisted perception of right and wrong, of their “victory”.
You knew from then on that you couldn’t share your past with them, not truly.
You traveled on through the desert, where you lost Appa. You all watched as Aang spiraled, throwing himself deeper into despair. So you traveled to Ba Sing Se, where you searched for that loveable beast. But when you finally got him back, things crashed and burned once again.
Azula, the coup, the Dai Li, it was all happening so fast. You had decided to go with Aang to rescue Katara, knowing that Zuko would be there. Suddenly, you were very thankful that you left the Fire Nation before you had the chance to meet Iroh. He was a kind, wise old man, but you couldn’t risk being recognized. Listening to his advice for Aang gave you hope that not all firebenders were bad.
Arriving in the cavern was breathtaking for more than one reason. Not only were the crystals gorgeous, but seeing Zuko all grown up… It made your heart soar and crash simultaneously. You had heard the whispers of the banished prince, outcast by his own father in search of a long-lost enemy. You just hadn’t seen him until now.
Your voice tumbled in a whisper before you could stop it, “Oh Zuko…” His once youthful face was now so tired, so worn down. His left eye was scarred into a permanent squint, the burn spreading over his ear. You could feel your heart twist in your chest. He used to be so full of life, even with his awkward disposition. He was just a child. To think that his own father would do this to him…
Watching him side with Azula was almost as painful as seeing how far he had fallen over the years. After seeing the look of hope on Katara’s face when she thought he had changed, watching her face contort into horror when he attacked. Watching him stand by as Azula killed Aang… You couldn’t bare to meet his eyes as you left with Katara, praying that Iroh would be alright. You knew Azula wouldn’t show him any mercy, family or not.
site that you can type in the definition of a word and get the word
site for when you can only remember part of a word/its definition
site that gives you words that rhyme with a word
site that gives you synonyms and antonyms
spreading the nonbinary/trans DCA agenda
bowtie birds
This is just a friendly little guide on how to use punctuation in dialogue since (at least for me) this isn’t something that I was taught in school and had to learn on my own. That being said, I am not an expert! I don’t have an English degree or anything like that! I’m just an avid reader and writer and wanted to share what I have learned in a concise format.
A lot of this information is from “How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript” by James Scott Bell, “The Best Punctuation Book, Period” by June Casagrande, and “The Blue Book of Grammar and Punctuation” by Jane Straus, Lester Kaufman, and Tom Stern. If you’re able to get these books, I highly recommend them!
(Also, yes I used Disney quotes for most of my examples lol)
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Rule 1: Dialogue punctuation includes the following:
Period
Comma
Question mark
Exclamation point
Em-dash
Ellipsis
All dialogue will include some sort of punctuation before the closing quotation.
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Rule 2: Punctuation goes inside the quotes.
Correct
“Do you want to build a snowman?” Anna asked.
Correct
“You can’t marry a man you just met,” Elsa said.
Incorrect
“Do you want to build a snowman”? Anna asked.
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Rule 3: Don’t capitalize a pronoun used for dialogue attribution.
Correct
“I was hiding under your porch because I love you,” he said.
Incorrect
“I was hiding under your porch because I love you,” He said.
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Rule 4: Capitalize for action beats.
Correct
“A llama? He’s supposed to be dead!” She slammed her fist on the table.
Incorrect
“A llama? He’s supposed to be dead!” she slammed her fist on the table.
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Rule 5: Use a comma when introducing a quotation, such as when dialogue attribution comes at the beginning. The first word of the dialogue is capitalized.
Correct
Scar leaned forward and said, “Run away, Simba.”
Incorrect
Scar leaned forward and said. “Run away, Simba.”
Incorrect
Scar leaned forward and said, “run away, Simba.”
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Rule 6: Use single quotation marks for quotations within quotations. Punctuation goes inside both quotations (I’ve heard this can vary depending on country).
Correct
“My father said, ‘Everything the light touches is our kingdom.’”
Incorrect
“My father said, ‘Everything the light touches is our kingdom’.”
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Rule 7: If there are two or more sentences, the speaker attribution should be put before or after the first complete phrase.
Correct
Grandmother said, “Great. She brings home a sword. If you ask me, she should’ve brought home a man.”
Correct
“Great,” Grandmother said. “She brings home a sword. If you ask me, she should’ve brought home a man.”
Incorrect
“Great. She brings home a sword. If you ask me, she should’ve brought home a man,” Grandmother said.
(Note: This is a rule I break all the time, but I thought I would include it in this list anyway! Usually when the first sentence or two are very, very, short and go together, but they still need that “breath” of a dialogue tag in between. But it’s a good thing to be aware of!)
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Rule 8: Use commas to interrupt a complete sentence with a dialogue attribution. Don’t capitalize the next word after the comma.
Correct
“Aren’t you,” Hercules said, “a damsel in distress?”
Incorrect
“Aren’t you,” Hercules said, “A damsel in distress?”
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Rule 9: Use ellipses to illustrate a character trailing off, showing hesitation, or a pause.
“Aren’t you… a damsel in distress?”
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Rule 10: Em-dashes can be used for interruptions, indicating simultaneous actions that do not cause an interruption, or a change in thought/tone. Don’t use dialogue attribution after an em-dash.
Another Person Interrupts
Correct
“He would never do anything to hurt me. He—”
Hades threw up his hands. “He’s a guy!”
Correct
Meg said, “He would never do anything to hurt me. He—”
Hades threw up his hands. “He’s a guy!”
Incorrect
“He would never do anything to hurt me. He—” Meg said.
Hades threw up his hands. “He’s a guy!”
Self Interruption
“I—” Hercules reached into his pocket and pulled out a small doll. “I’m an action figure!
Simultaneous Action
“I am surrounded” — Scar dragged his paw over his face — “by idiots.”
Change In Thought/Tone
“It’s not that you’re awkward. I’m awkward. You’re gorgeous — wait, what?”
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Other Notes (these might just be my personal preferences, feel free to ignore)
Don’t use semi-colons in dialogue. Use a period instead.
Use exclamation points sparingly. Extremely sparingly. Maybe once per 10k words or even less.
After using an ellipsis, saying “he/she trailed off” is redundant. Just skip to the next action. The ellipsis already implies someone trailed off.
New speaker (or character action that serves as a response) = New paragraph.
“Said” should be your most commonly used dialogue tag. Any dialogue tag other than “said” or “asked” will stick out to the reader, and should be used sparingly.
If there is anything I missed, got wrong, or should add, PLEASE KINDLY LET ME KNOW! Again, I don’t have an English degree, I’m not a professional, and I’m actually a bit of a pea-brain, but these are the general rules that I know of and follow in my writing.