A Piece I Commissioned From The Insanely Talented Conversationparade (who Is Still Open For Commisions,

ESPIRIT DE CORPS  — The lieutenant is aware that you adore him. Painfully so. You aren’t exactly subtle about it.

Oh god. I’m not? Oh fuck.

Good! I wasn’t trying to be *subtle* about it.

Hey. No need to get personal.

ESPIRIT DE CORPS — Sorry, boss. His thoughts, not mine.

In any case, he is aware. Your adoration is plain for all to see, even for such an island of a man as the lieutenant is. Or once was, perhaps. And his own feelings toward you are… difficult to describe, but they are there. 

EMPATHY — Strong feelings. 

ESPIRIT DE CORPS — He doesn’t know if they can be called love, but it is a thought that has occurred to him. In a broad sense, they surely are love of *some* kind, at the very least. You are his friend. He cares for you. And…

HALF LIGHT — And he is afraid of you.

EMPATHY — And he is afraid *for* you.

ESPIRIT DE CORPS — And he is afraid for himself.

YOU — Afraid? Why?

INLAND EMPIRE — You know why. Do not fool yourself. You, with the scaffold of you all awry. There is no part of you that offers him sure footing.

ENDURANCE — Even your body… One way or another, he knows that he’ll probably be the one to find you dead, and it could come any day.

I hope it’s soon.

I wouldn’t want it to be anyone else.

No! I don’t want to do that to him…

Wait a second! Who said anything about dying?! I’m turning over a new leaf! I want to live!

PAIN THRESHOLD — Oh, Harry… You still don’t understand, do you? You’re already dying. You’re a miracle, really. You know you nearly had a fatal heart attack just from stubbing your toe in the dark this morning? It’s no longer a matter of if, but when.

ELECTROCHEMISTRY — Hey, you’ve always known that you were gonna be here for a good time, not a long time! The lieutenant ought to take a page out of your book, instead of being such a miserable, lonely old man.

RHETORIC — No offense, but I don’t think that the partying has made you any less miserable, lonely, or old. 

KIM KITSURAGI — Your partner takes another long drag of his cigarette, letting the smoke fill his lungs. He holds it there for a moment, then slowly breathes it out into the night.

ESPIRIT DE CORPS — He accepted a long time ago that this ritual may very well be the death of him, too. It’s a risk that he has made far more calculated by his rigid discipline. He would find it difficult to live without these small indulgences, but nearly impossible if he granted them too much power over himself.

And so it is with *you.* He can indulge himself with questions, imaginings. What it would be like to lower his spines and be a softer kind of animal. But he cannot give these feelings any more power over him than this, or it will be the death of him.

YOU — …Am I really so bad that I would kill him?

ESPIRIT DE CORPS — No. Worse than that, you would *change* him. You or anyone. To entertain the notion of true love as anything more than a pleasant, unattainable dream would be the death of the man that he has built himself into over the decades. He would become something so much smaller and more vulnerable. An animal with a soft belly exposed to the world.

YOU — Is that really anything to be afraid of?

HALF LIGHT — It is the only thing that there is to be afraid of.

INLAND EMPIRE — He is right to be afraid. The world is nothing but a series of patterns, so easily disrupted and changed and lost forever. There is no sense in any of it, no grand reason that makes any of it worth the terror and the pain. The world will swallow you both and then be swallowed whole. Après le monde, le gris. Après le gris… rien. There is nothing that either of you could offer the other to change this. In the face of it, your small bodies and your fleeting thoughts become so unbearably absurd. 

VOLITION — No. It is bearable. 

YOU — It is?

VOLITION — It is the only thing that there is to bear.

This might be a weird idea but

What if Sans’s telescope prank wasn’t only a prank, but also a test?

Normally, the kind of prank where you trick someone into getting a mark on their face is a stealth one. The embarrassment is through them not realising the mark and going on with their lives until someone else decides to tell them, or they look in a mirror eventually. They also realise they were the ones who participated, unknowingly, in getting a silly mark.

In this scenario, everyone basically yells SANS and tries to call him on it, resulting in him joking about a refund. But there’s no way Frisk would know about the eye blotch. The normal run of the joke would be for Frisk to obliviously carry on until they find a mirror somewhere. Instead, most people confront Sans immediately.

Maybe he was testing to see if we, the player, really were there. Frisk could’ve turned on him and called him on the prank… despite having no way to know they’ve got a pink eye. That’s what WE know. We outed our existence to Sans.

Encanto's director Jared Bush answered more questions about the movie on twitter! (part 1)

(Part two)

This is basically the dynamic I was talking about in this post, in which both Sans and Papyrus are faking being the other's "original brother"

They're both new to the world of Undertale, but due to a misunderstanding, they each assume the other is native to it; hence this conversation.

I think the funniest outcome here would be that there really isn't any milk in the Underground, and they both make a point to never bring that up to each other but still wonder about it in the dead of night

Though I prefer Barry and Ross’s voices for the skelebros. - this moment was just too perfect not to animate!!

Doomfist must have to deal with a lot of shit in Talon between everybody. Like a 7 foot tall HR manager. Could we get sone interractions reflecting this?

I love Beleaguered Manager Doomfist so much you don’t even know. 

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Doomfist: I always love hearing about your side projects, Sombra, what are you up to these days?

Sombra: Oh I keep myself busy. You hear about the mysterious disappearance of that Axiom hedge fund manager and all of her assets?

Doomfist: ...I must admit, I have not.

Sombra: Exactly.

----

Doomfist: So... how is your list coming along?

Reaper: *snarling scoff*

Doomfist: I’m not saying there’s a deadline, I’m just wondering about your progress.

----

Moira: I must say, this organization seems put to right now that Vialli isn’t around to obsess over every penny. 

Doomfist: Ideology must always come first, Moira, I know we can agree on that. Though I must ask, does the R&D department really need six different acid tubs?

Moira: Incompetent labtechs must be made example of--er--I mean it’s very important to my research.

----

Sigma: I deeply appreciate my new accommodations, Mr. Ogundimu, and I don’t mean to intrude, but I don’t know who else to ask about this and there seems to be a consistent issue with a lack of coffee stirrers in the break room. I don’t know who keeps using them all, but--

Doomfist: ...you literally can create angular velocity with your gravity powers. You can stir with your mind.

Sigma: Yes, but it’s the principle of it---and I find the gesture calming.

Doomfist: *sigh* I’ll look into it.

How big could your handwriting get before the professor starts calling bullshit? Cause let’s be real–with the exception of Hermione, every Hogwarts student’s essay ends up looking like this:

one of sans’ unspoken, but actually rather prominent flaws is overprotectiveness, and I think it shines through exceptionally well in the king papyrus ending.

sans deliberately lies to papyrus about the death of his friends in an attempt to protect papyrus’s innocence.  The problem here?  Well one is that Papyrus isn’t innocent.  He’s a grown adult, a king now, in fact.  He needs to know the seriousness of the situation if he’s ever going to rule properly.  But beyond that,

not telling papyrus that his friends are dead isn’t just irresponsible, it’s downright cruel.  We already know that papyrus had very few friends to begin with, and now?  He probably thinks the one friend he did have has abandoned him.  And while I doubt sans consciously intended this, the fact remains that sans’s overprotectiveness has hurt his brother, in a way that sans doesn’t seem aware of (probably because papyrus purposefully hides this from him, as shown when he waits for sans to leave before he says this).  Sans lies to his brother in an attempt to protect his positive outlook, but in the process of doing it he’s effectively forcing papyrus to internalize his sadness for the sake of what he perceives is best.  He does not allow papyrus to judge for himself what is best for papyrus, because he’s so scared of ruining that positive outlook he relies so heavily on.

and this is not the only instance of sans hiding information in order to “protect” the people he cares about

while maybe this one’s more understandable, it’s still wrong.  Eventually toriel is going to find out what happened, keeping the information from her does nothing except prolong both sans and toriel’s suffering.  But sans doesn’t think about this, because in his mind, he’s protecting her.  He equates keeping loved ones safe with keeping them in the dark about anything that could hurt their feelings.  Which is… not healthy for relationships at all.

Everyone seems to focus on how sans’s lies hurt sans, but it’s also important to acknowledge that his lies hurt the people around him.  It’s why pacifist endings are more important to sans than he even realizes in-game; a chance at the surface means a chance to recover, a chance to recover means sans stops relying on the (not so) blissful ignorance of others in order to deal with his own issues.  It means his relationships begin to be built on trust, rather than lies and internalized emotions.  And I think that’s better for everyone.

I love how Irving's always been kind to Helly even when he's suspicious of Helena and even when he's trying to drown Helena. The most obvious example of this in S2E4 is Irving saying he's so sorry for hurting Helly and making sure that she felt safe, that she had an anchor to cling to as she came back to life in the most disorienting way ever. Irving held her so tightly and protectively in his arms, whispering comfortingly to her and trying to warm her up, and I was all 🥺 the whole time.

But there are actually two other moments in S2E4 that I want to talk about! The first is the snow seal conversation. Irving is full of distrust by then, but he doesn't let that overtake him in the moment. He asks "Helly" again to tell him what she truly saw outside, but he does it in a way that shows that he isn't going to judge her no matter what her answer is and she's safe with him. If it really were Helly with him and she was keeping a secret out of shame, he wanted her to know there was nothing to be afraid of. She wouldn't lose his trust or respect.

The second moment is when he gets Helly back. Again, the most talked-about part of that scene is what I said in the first paragraph, but what I love the most about that moment is Irving brought Helly back to life because he loved her that much. Yes, it was to prove that the woman who was with them since MDR returned to work after the OTC incident was in fact not Helly as he suspected, but he specifically yelled at Milchick to bring back Helly. Not '"show them I'm right!", "prove me wrong," "do you really want to risk killing an Eagan?", or anything along those lines. He demanded Milchick resurrect Helly, back from the nonexistence she was banished to. And when Milchick did, Irving made good on his promise in the post-snow seal conversation: it would be okay. It won't change anything. Even after finding out who Helly was on the outside, his love and trust are unwavering and unconditional, something Helena probably never thought was possible after showing her "true" self because she's never had that from her blood family.

Head canon!: Severus wasn’t actually super powerful magic wise. Like he has a normal magic level. He’s so good at dueling, not because he uses overwhelming force but rather because he knows various spells, when and where to cast them, is extremely creative with them and is very dextrous. All skills he learned at a young age fighting against 4 people at once. He learned to fight dirty and for his own survival and he learned fast! He’s such a unique opponent because at any point he could also pull out a potion bottle or make a wall fall down on you you never noticed. He never fights ‘honorably’ because that will get you a early an shallow grave, he fights tooth and nail using any and all tactics to win and THAT is what makes him a good fighter.