“Maybe this world is another planet’s hell.”
— Aldous Huxley
I'm going to be blunt here: a lot of creative people tend self-sabotage by giving themselves goals that are (1) not healthy and (2) completely unrealistic. I know because that used to be me.
I like to lead by example, so I'm going to give you my easiest, quickest, most successful guide for how to set your goal; regardless of whether you want to write a novel, edit said novel, pick up drawing, or learn an instrument.
Ask yourself the following question:
"What is the least amount of time I can spend on this project every day?"
You read that right. Not "the most time" or "what you can spend on average." We're talking LEAST here. What is the least amount of time you can spend every day? Two hours? One hour? Twenty minutes? That's good, and that's enough.
Take it from someone who's been doing this for a while, who's made all the mistakes, and who's had to learn and re-learn this:
Consistency is Power.
The person who consistently works on their passions, every day, will not only grow faster, and finish more things, but also just be happier.
I know our human brain hates to wait; we want things to be ready yesterday, we want to see growth in a matter of minutes, but this is just not how life works. Being impatient only leads to burn out, take it from me. I learned that the (very) hard way.
So, again, ask yourself the question above and consider the LEAST amount of time you can spend on your craft every day.
Got it? Good. This is your goal. Now comes the hard part.
You may think that working on something only 50 minutes a day is not enough to actually get better, but that's actually how I practiced drawing. And you've all seen how far I've come. That's consistency, baby—but that isn't the only benefit of doing something every day!
The more you teach your brain to do something the less friction there is whenever you want to do said thing. It's just science. Writing can seem daunting, scary even, but the only way to change that is by consistently facing the blank page.
It gets easier. It'll never be automatic, you're never going to write a book in one sitting, but it is going to get less hard. Less harrowing. Some days you'll sit down and your allotted time will fly by.
It's wonderful.
That being said, the target is to work on your project everyday—because that'll help you make it into a habit faster—but don't stress out if you miss a day. Life happens. Whatever you do, try to miss as few days as possible. Keep a calendar, post about it on social media, tell people that you're challenging yourself. They'll take you more seriously.
Your creative projects shouldn't impede your life, they should be a part of your life. That is why we practice them daily, and we spend a healthy amount of time on them. If 2020 taught me anything, it is that you have to take care of yourself. We are a system, a machine with many components, and when you don't take care of one the whole suffers.
That's why it bears repeating.
The best creative goal is one that you can achieve consistently with ease, every day, so that it can function as a part of your life.
That's the trick right there. I can tell you from experience that I used to think my writing, and my art, where separate to the act of living. I did those things, and then I did the living. And I shouldn't have to tell you, but that was such a mistake.
And if you think it's not, remember that I don't give advice I don't follow myself. So far this year I've written AND edited two novels. All without burning myself, without rushing, and while taking the time to appreciate life.
Take that for what it's worth. 🐰🌻
“Do you think the universe fights for souls to be together? Some things are too strange and strong to be coincidences.”
— Emery Allen
Character development doesn't refer to character improvement in a moral or ethical respect. It refers to broadening the audience's understanding of that character, giving the character a deeper background, clearer motivations, a unique voice.
Developing a character is about making them seem more like a real person, and real people are flawed. Real people make mistakes. They repeat mistakes. They do things other people don't agree with. Real people are more than just 'good' or 'bad' and character development is about showing all of those other aspects of them.
Their interests and hobbies. The song that gets stuck in their head. The fact that their vacuum broke 3 months ago and they haven't gotten it fixed yet. All of those details help build out the character and develop them more.
And yes, characters change as stories progress but that doesn't mean they get 'better' in a strict moral sense. It means that their experiences change the way they interact in the world you've written for them. Just like real people do.
“The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.”
— Maya Angelou
Gryffindor
The Count of Monte Cristo by Alexandre Dumas
Henry V by William Shakespeare
Beowulf
War and Peace by Leo Tolstoy
Les Miserables by Victor Hugo
Profiles in Courage by John F. Kennedy
The Diary of a Young Girl by Anne Frank
Histories by Herodatus
Democracy in America by Alexis de Tocqueville
Hufflepuff
East of Eden by John Stenbeck
Othello by William Shakespeare
To Kill a Mockingbird by Harper Lee
Twelfth Night by William Shakespeare
Siddhartha by Hermann Hesse
Love In the Time of Cholera by Gabriel Garcia Marquez
White Fang by Jack London
The Great Gatsby by F. Scott Fitzgerald
The Hunchback of Notre Dame by Victor Hugo
A Tree Grows in Brooklyn by Betty Smith
Ravenclaw
Farenheit 451 by Ray Bradbury
The Divine Comedy by Dante Alighieri
The Brothers Karamazov by Fyodor Dostoyevsky
The Brief, Wondrous Life of Oscar Wao by Junot Diaz
Animal Farm by George Orwell
Frankenstein by Mary Shelley
The Odyssey by Homer
Middlemarch by George Eliot
Catch-22 by Joseph Heller
Alice’s Adventures in Wonderland by Lewis Carroll
Slytherin
The Art of War by Sun Tzu
All the King’s Men by Robert Penn Warren
Hamlet by William Shakespeare
The Picture of Dorian Gray by Oscar Wilde
The Autumn of the Patriarch by Gabriel Garcia Marquez
The Prince by Niccolo Machiavelli
Brave New World by Aldous Huxley
A Clockwork Orange by Anthony Burgess
Macbeth by William Shakespeare
Dracula by Bram Stoker
I'm just a weird girl who likes to read about history, mythology and feminism.
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